In Good Company

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Anmerkung

℗ & © «2005 Hollywood Records, Inc.»
℗ «This Compilation»

Countries where available (Spotify + Deezer)

(As of 2020-03-18).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
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Anmerkung zuletzt geändert am 2020-03-18 13:45 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Glass, Concrete & Stone
recording of:
Glass, Concrete & Stone
Texter und Komponist(in):
David Byrne (Talking Heads)
David Byrne4:15
2Sister Surround
recording of:
Sister Surround
Verfasser(in):
Mattias Bärjed, Karl Ake Gustagsson, Martin Hederos, Torbjörn Lundberg, Ian Person und Fredrik Sandsten (Swedish drummer)
The Soundtrack of Our Lives53:37
3Naked as We Came
recording of:
Naked as We Came
Texter und Komponist(in):
Sam Beam
Iron & Wine2:33
4Chain of Fools
recorded in:
New York, New York, Vereinigte Staaten
recording engineer und Mix:
Tom Dowd
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano:
Spooner Oldham (am 1967-06-23)
Klavier:
Aretha Franklin (am 1967-06-23)
Schlagzeug:
Roger Hawkins (am 1967-06-23)
Chorgesang:
Carolyn Franklin (am 1967-06-23), Erma Franklin (am 1967-06-23), Ellie Greenwich (am 1967-06-23) und The Sweet Inspirations (am 1967-06-23)
vocals:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 306)
recording of:
Chain of Fools (am 1967-06-23)
Texter und Komponist(in):
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptation of:
Verlga norih
Aretha Franklin4.252:47
5Sunset Soon Forgotten
recording of:
Sunset Soon Forgotten
Texter und Komponist(in):
Sam Beam
Iron & Wine3:20
6The Chase (score)
recording of:
The Chase
Komponist(in):
Stephen Trask (American score composer)
Stephen Trask1:31
7Bésame mucho
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
Bass:
Christian McBride (American jazz bassist)
Klavier:
Diana Krall (in 2001)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Jeff Hamilton (jazz drummer)
vocals:
Diana Krall (in 2001)
Orchester:
Los Angeles Session Orchestra (in 2001)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 2001-06-03 bis 2001-06-04)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 2001-06-05 bis 2001-06-07)
cover recording of:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez) (in 2001)
Texter und Komponist(in):
Consuelo Velázquez (in 1940)
publisher:
Peer International Corporation (BMI)
Diana Krall6:40
8Ten Years Ahead
recording of:
Ten Years Ahead
Verfasser(in):
Mattias Bärjed, Martin Hederos und Fredrik Sandsten (Swedish drummer)
The Soundtrack of Our Lives2:53
9The Arrival (score)
recording of:
The Arrival
Komponist(in):
Stephen Trask (American score composer)
Stephen Trask1:40
10Reelin’ In the Years
assistierende(r) Techniker(in):
Tim Weston (in 1972-08)
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
Produzent(in):
Gary Katz (in 1972-08)
E-Bass:
Walter Becker (in 1972-08)
E-Gitarre:
Jeff “Skunk” Baxter (in 1972-08) und Denny Dias (in 1972-08)
Klavier und Sologesang:
Donald Fagen (in 1972-08)
Schlagzeug:
Jim Hodder (in 1972-08)
Solo-E-Gitarre:
Elliott Randall (in 1972-08)
Hintergrundgesang:
Donald Fagen (in 1972-08) und David Palmer (early Steely Dan vocalist) (in 1972-08)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1972), ABC/Dunhill Records (Owned by Geffen Records/Universal Music) (in 1972), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-08)
recording of:
Reelin’ In the Years (in 1972-08)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
Ampar Music Corp., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Minder Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) und Wingate Music Corp.
Steely Dan4.554:37
11Solsbury Hill
recording engineer:
Brian Christian
zusätzlich recording engineer:
Jim Frank, Keith Grant (classical recording engineer), Dave Harris (Recording engineer at Morgan Studios, London), Rod O’Brien, Robert Hrycyna und Robert Stasiak
Programmierung:
Larry Fast (American synthesizer player and composer)
Produzent(in):
Bob Ezrin
Akustikgitarre und Pedal-Steel-Gitarre:
Steve Hunter (rock guitarist)
Banjo und klassiche Gitarre:
Robert Fripp
Bass und Tuba:
Tony Levin (US rock bassist/Chapman Stick)
E-Gitarre und Gitarre:
Robert Fripp und Steve Hunter (rock guitarist)
flute und recorder:
Peter Gabriel (formerly of Genesis)
Keyboard:
Jozef Chirowski und Peter Gabriel (formerly of Genesis)
Knochen und Perkussion:
Jimmy Maelen (percussion)
Schlagzeug:
Allan Schwartzberg
Synthesizer:
Larry Fast (American synthesizer player and composer)
vocals:
Peter Gabriel (formerly of Genesis)
phonographisches Urheberrecht (℗) von:
Charisma Records (in 1977) und Peter Gabriel Ltd. (UK record and music publishing company associated with Peter Gabriel) (in 1977)
aufgenommen bei und mixed at:
Sound Stage (Nimbus 9 Studios) in Toronto, Ontario, Kanada
zusätzlich aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich und Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 472)
recording of:
Solsbury Hill
Texter und Komponist(in):
Peter Gabriel (formerly of Genesis)
publisher:
Ear Pieces, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Australia Pty Ltd, Hit & Run Music, Intersong Music, Pentagon Lipservices Real World und Real World Music, Ltd.
Peter Gabriel4.54:22
12The Trapeze Swinger
recording of:
The Trapeze Swinger
Texter und Komponist(in):
Sam Beam
Iron & Wine3.49:32
13Accidentals (score)
recording of:
Accidentals
Komponist(in):
Stephen Trask (American score composer)
Stephen Trask2:40
14I’m Psyched (score)
recording of:
I'm Psyched
Komponist(in):
Stephen Trask (American score composer)
Stephen Trask2:50