Suddenly ’70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Joy to the World
recording of:
Joy to the World
Texter und Komponist(in):
Hoyt Axton
publisher:
Rondor Music
Three Dog Night4.753:37
2Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:26
3King Tut
recording of:
King Tut
Texter:
Steve Martin (comedian and banjo player)
Steve Martin2:14
4Blinded by the Light
Bass:
Colin Pattenden (British bass player) (in 1976)
Gitarre:
Chris Hamlet Thompson (vocalist with Manfred Mann’s Earth Band) (in 1976)
Gitarre [lead guitar]:
Dave Flett (guitar player in Manfred Mann’s Earth Band) (in 1976)
Horn [horn arrangement]:
Derek Wadsworth (in 1976)
Keyboard [keyboards]:
Manfred Mann (the person) (in 1976)
Perkussion und Schlagzeug:
Chris Slade (in 1976)
Saiteninstrumente:
David Millman (in 1976)
Solo-Saxophon:
Barbara Thompson (in 1976)
Chorgesang:
Jane Bunting (in 1976), Chris Sennett (in 1976), Gillian Ainscow (in 1976), Graham Jenkins (in 1976), Hilary Farmborough (in 1976), Jacqueline Nicholls (in 1976), Jeremy Paynton-Jones (in 1976), Laurence Holden (in 1976), Marilyn Bennet (in 1976), Peter Cudmore (in 1976), Philip Keywood (in 1976) und Stan Bailey (in 1976)
Hintergrundgesang:
Doreen Chanter (in 1976), Irene Chanter (in 1976), Mick Rogers (of Manfred Mann’s Earth Band) (in 1976), Chris Slade (in 1976) und Susanne Lynch (in 1976)
vocals:
Chris Hamlet Thompson (vocalist with Manfred Mann’s Earth Band) (in 1976) und Manfred Mann (the person) (in 1976)
phonographisches Urheberrecht (℗) von:
Creature Music Ltd.
aufgenommen bei:
The Workhouse in London (Greater London), England, Vereinigtes Königreich (in 1976)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 76)
cover recording of:
Blinded by the Light (in 1976)
Texter und Komponist(in):
Bruce Springsteen (von 1972-08 bis 1972-09)
publisher:
Eldridge Publishing Co., Intersong Music Ltd., Sioux City Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing, Zomba Music und Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1972)
Manfred Mann57:09
5Walk on the Wild Side
Produzent(in):
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
E-Bass und Kontrabass:
Herbie Flowers (in 1972-08)
Schlagzeug:
John Halsey (in 1972-08)
Hintergrundgesang:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
Sologesang:
Lou Reed (in 1972-08)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Samples von:
Lexicon Valley #150, “Why Language Can’t Be Tamed” von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 180) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 221)
recording of:
Walk on the Wild Side (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Six Continents Music Publishing Inc.
Lou Reed4.254:15
6Smokin’ in the Boys’ Room
Techniker(in):
Michael Delugg
Produzent(in):
Doug Morris (record executive) und Eric Stevens (producer active in the 1970s)
phonographisches Urheberrecht (℗) von:
Big Tree Records (1970s/80s US) (in 1973) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Smokin’ in the Boys Room
Verfasser(in):
Cub Koda und Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing und Walden Music, Inc.
Brownsville Station52:58
7(Hey Baby) Go All the Way
Produzent(in):
Jimmy Ienner (producer)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 181)
recording of:
Go All the Way
Texter und Komponist(in):
Eric Carmen
publisher:
Round Hill Works, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Raspberries3.83:22
8Dream Weaver
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recording of:
Dream Weaver (Gary Wright)
Texter und Komponist(in):
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und WB Music Corp.
Gary Wright53:42
9Everybody Plays the Fool
recording of:
Everybody Plays the Fool
Verfasser(in):
J.R. Bailey, Rudy Clark (US songwriter) und Ken Williams (songwriter)
publisher:
Trio Music Company, Alley Music Corp. (in 1991) und Trio Music Co., Inc. (in 1991)
The Main Ingredient3:21
10Sylvia’s Mother
recording of:
Sylvia’s Mother
Texter und Komponist(in):
Shel Silverstein
publisher:
Essex Music, Essex Music of Australia Pty. Ltd. und Evil Eye Music Inc.
Dr. Hook3:41
11Rhinestone Cowboy
phonographisches Urheberrecht (℗) von:
Nashville Records (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (in 1975) und Capitol Records Nashville (in 2003)
recording of:
Rhinestone Cowboy (am 1975-02-24)
Texter und Komponist(in):
Larry Weiss (American singer-songwriter)
publisher:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Glen Campbell43:14
12Miracles
recording engineer:
Jeffrey Husband und Steve Mantoani
Techniker(in):
Larry Cox (US engineer/producer)
Produzent(in):
Larry Cox (US engineer/producer) und Jefferson Starship
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1975)
aufgenommen bei und mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
Miracles (Jefferson Starship song)
Texter und Komponist(in):
Marty Balin
Jefferson Starship46:56
13Brother Louie
Interpret(in):
Ian Lloyd (of Stories)
phonographisches Urheberrecht (℗) von:
Kama Sutra (in 1973) und Kama Sutra Records (in 1973)
cover recording of:
Brother Louie
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music und RAK Publishing Ltd.
Stories4.353:57
14Knock Three Times
Produzent(in):
Dave Appell und The Tokens
arranger:
Norman Bergen
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
recording of:
Knock Three Times
Verfasser(in):
Lawrence Russell Brown (lyricist) und Irwin Levine
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Tony Orlando & Dawn4.352:59
15Bad Bad Leroy Brown
vocals:
Jim Croce (am 1972-06-02)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1972-06-02)
recording of:
Bad, Bad Leroy Brown (am 1972-06-02)
Texter und Komponist(in):
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce53:01
16The Night Chicago Died
Koproduzent(in):
Peter Callander (vom 1974 bis heute) und Mitch Murray (vom 1974 bis heute)
Bass:
Cliff Fish (bassist for Paper Lace) (in 1974)
Gitarre:
Chris Morris (Member of Paper Lace) (in 1974) und Mick Vaughan (in 1974)
Schlagzeug und Sologesang:
Phil Wright (Lead singer and drummer of Paper Lace) (vom 1974 bis heute)
Hintergrundgesang:
Cliff Fish (bassist for Paper Lace) (in 1974), Chris Morris (Member of Paper Lace) (in 1974) und Mick Vaughan (in 1974)
aufgenommen bei:
Majestic Studios in Clapham, Lambeth, London (Greater London), England, Vereinigtes Königreich (in 1974)
recording of:
The Night Chicago Died
Texter:
Peter Callander
Komponist(in):
Mitch Murray
Paper Lace3:30
17You Make Me Feel Like Dancing
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2006)
recording of:
You Make Me Feel Like Dancing
Texter:
Leo Sayer
Komponist(in):
Vini Poncia
publisher:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music und Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer3.752:53
18Swearin’ to God
Frankie Valli4:02
19Car Wash
recording of:
Car Wash
Texter und Komponist(in):
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) und USI B Music Publishing
Rose Royce3:30
20Gonna Fly Now
Techniker(in):
Ami Hadani
Sologesang:
DeEtta Little und Nelson Pigford
phonographisches Urheberrecht (℗) von:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases) (in 1976)
recording of:
Gonna Fly Now
Texter:
Carol Connors und Ayn Robbins
Komponist(in):
Bill Conti
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 49th Academy Award for Best Original Song (Nummer: 2)
Bill Conti4.652:48