The Very Best of Love Legends

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1When You Tell Me That You Love Me
leitende(r) Produzent(in):
Diana Ross
Produzent(in):
Peter Asher
recording of:
When You Tell Me That You Love Me
Texter:
John Bettis
Komponist(in):
Albert Hammond
publisher:
Albert Hammond Music, John Bettis Music, WB Music Corp. (1929–2019) und Windswept Music Ltd.
Diana Ross14:13
2Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:36
3How Do I Live
Produzent(in):
Mike Curb, Chuck Howard (american A&R executive, record and movie producer) und Wilbur C. Rimes
recording of:
How Do I Live
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Realsongs (vom 1997 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 2)
LeAnn Rimes34:09
4One More Night
assistierende(r) Techniker(in):
Steve Chase
Techniker(in):
John Jacobs (UK producer/engineer) und Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre [bass]:
Lee Sklar (bassist, session musician)
drum machine [Roland 808], Keyboard [keyboards], Hintergrundgesang [backing vocals] und Sologesang [vocals]:
Phil Collins (of Genesis)
Gitarre [guitars]:
Daryl Stuermer
Solo-Saxophon [sax]:
Don Myrick
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) und Philip Collins Ltd. (in 2016)
aufgenommen bei:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Old Croft in Surrey, England, Vereinigtes Königreich und The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
One More Night von Phil Collins (of Genesis)
recording of:
One More Night
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishing) Ltd, Imagem Music, Imagem Music NL und Philip Collins Ltd.
Phil Collins3.94:52
5If Your Not the One
recording of:
If You’re Not the One
Texter und Komponist(in):
Daniel Bedingfield (singer- songwriter)
publisher:
Sony/ATV Music Publishing (UK) Ltd.
übersetzte Version von:
Se tu non sei lei
Daniel Bedingfield3:41
6Nine Million Bicycles
Techniker(in):
Steve Sale
Produzent(in):
Mike Batt
Bass:
Tim Harries
flute:
Adrian Brett
Geige / Violine:
Mike Darcy
Gitarre:
Jim Cregan (producer & member of Family), Katie Melua und Chris Spedding
Instrumente:
The Irish Film Orchestra
Klavier:
Mike Batt
Schlagzeug [drums]:
Henry Spinetti
Trompete:
Dominic Glover (composer, writer, trumpet, flugelhorn and brass)
vocals:
Katie Melua
conductor:
Mike Batt
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 2015)
recording of:
Nine Million Bicycles
Texter und Komponist(in):
Mike Batt
publisher:
Dramatico
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Katie Melua3.23:15
7You Raise Me Up
Brian Kennedy4:08
8Songbird
Eva Cassidy3:44
9Sometimes When We Touch
phonographisches Urheberrecht (℗) von:
GRT of Canada Ltd. (in 1977), McCauley Music Ltd. (in 1977) und McCauley Music Masters (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 33)
recording of:
Sometimes When We Touch
Texter:
Dan Hill (Canadian singer/songwriter)
Komponist(in):
Barry Mann
publisher:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
Dan Hill34:09
10If You’re Lookin’ for a Way Out
recording of:
If You’re Looking for a Way Out
Verfasser(in):
Ralph Kotkov und Sandy Linzer
publisher:
EMI Songs Ltd.
Odyssey34:29
11Tired of Being Alone
aufgenommen bei:
Royal Studios in Memphis, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 293)
recording of:
Tired of Being Alone
Texter und Komponist(in):
Al Green (US soul singer, songwriter, pastor and record producer)
publisher:
Burlington Music Ltd., Irving Music, Inc. und Universal Music Publishing Group
Al Green4.452:50
12Gonna Make You an Offer You Can’t Refuse
recording of:
Gonna Make You an Offer You Can’t Refuse
Verfasser(in):
John Worth
Jimmy Helms3:39
13Smoke Gets in Your Eyes
cover recording of:
Smoke Gets in Your Eyes (catch-all for arrangements)
Komponist(in):
Jerome Kern
Arrangement von:
Smoke Gets in Your Eyes
Bryan Ferry2:54
14Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:49
15Sway
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
Orchester:
Dick Stabile and His Orchestra (in 1952)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (am 1954-04-22)
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
Dean Martin42:43
16Hey Paula
vocals:
Ray Hildebrand und Jill Jackson
recording of:
Hey Paula (in 1962)
Texter und Komponist(in):
Ray Hildebrand
publisher:
Speckle Music
Paul & Paula2:29
17(Till) I Kissed
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1959)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 28)
recording of:
(’Til) I Kissed You (am 1959-07-07)
Texter und Komponist(in):
Don Everly
The Everly Brothers2:24
18I Can’t Let Maggie Go
Produzent(in):
P. Blumsom
Bassgitarre:
Ray Cane
Gitarre:
Colin Hare
Schlagzeug:
Peter Kircher (English rock/pop drummer)
Sologesang:
Pete Dello
recording of:
I Can’t Let Maggie Go
Texter und Komponist(in):
Pete Dello
publisher:
Ambassador Music Ltd.
Honeybus2:56
19What the World Needs Now Is Love
recording of:
What the World Needs Now Is Love
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
Jackie DeShannon3.63:06
20Tonight I Celebrate My Love
recording engineer:
Alan R. Hirshberg (in 1983)
Techniker(in):
Howard Wolin und Jeremy Smith (producer/engineer)
Produzent(in):
Michael Masser
Mix:
Dick Bogart (Recording and mixing engineer) und Russ Terrano
Bassgitarre [bass]:
Nathan East (in 1983)
Gitarre:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
Klavier:
Randy Kerber (in 1983)
Schlagzeug:
Carlos Vega (in 1983)
vocals:
Peabo Bryson (in 1983) und Roberta Flack (in 1983)
arranger:
Michael Masser und Gene Page
Orchestrator(in):
Gene Page
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
A&M Records Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983) und Studio Sound in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Tonight, I Celebrate My Love (in 1983)
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:31

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