It's All Right! (stereo)

~ Release by Wynton Kelly Trio (see all versions of this release, 3 available)

Annotation

Black label, silver print, with "T" logo and "MGM Records" lettering at bottom.

Annotation last modified on 2023-07-01 21:19 UTC.

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1It's All Right
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-11) and Val Valentin (on 1964-03-11)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-11)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-11)
guitar:
Kenny Burrell (on 1964-03-11)
piano:
Wynton Kelly (on 1964-03-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-11)
instrumental cover recording of:
It’s All Right (on 1964-03-11)
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1963 to ????)
2:45
A2South Seas
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-10) and Val Valentin (on 1964-03-10)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-10)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-10)
guitar:
Kenny Burrell (on 1964-03-10)
piano:
Wynton Kelly (on 1964-03-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-10)
recording of:
South Seas (on 1964-03-10)
composer:
Rudy Stevenson
3:57
A3Not a Tear
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-10) and Val Valentin (on 1964-03-10)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-10)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-10)
guitar:
Kenny Burrell (on 1964-03-10)
piano:
Wynton Kelly (on 1964-03-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-10)
recording of:
Not A Tear (on 1964-03-10)
composer:
Rudy Stevenson
6:00
A4Portrait of Jennie
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-19)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-19)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
instrumental recording of:
Portrait of Jennie (on 1964-03-19)
lyricist:
Gordon Burdge
composer:
J. Russel Robinson
4:38
B1Kelly Roll
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-19)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-19)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
3:50
B2The Fall of Love (From "The Fall of the Roman Empire")
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-10) and Val Valentin (on 1964-03-10)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-10)
guitar:
Kenny Burrell (on 1964-03-10)
maracas:
Donald Usher (on 1964-03-10)
piano:
Wynton Kelly (on 1964-03-10)
steelpan [steel percussion]:
Ralph Cowley (on 1964-03-10), Hiram Delgado (on 1964-03-10), Malcolm Evans (on 1964-03-10), Tom Reynolds ("Tommy Rey") (on 1964-03-10) and Norman Symonds (Canadian composer) (on 1964-03-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-10)
recording of:
Fall of Love (on 1964-03-10)
composer:
Dimitri Tiomkin and Ned Washington
is based on:
The Fall of Love (The Fall of the Roman Empire)
2:05
B3Moving Up
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-19)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-19)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
3:50
B4On the Trail (From "The Grand Canyon Suite")
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-19)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-19)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
instrumental recording of:
On the Trail (on 1964-03-19)
lyricist:
Harold Adamson
composer:
Ferde Grofé (pianist, arranger, conductor and composer)
4:00
B5Escapade
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-19)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-19)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
recording of:
Escapade (on 1964-03-19)
writer:
Andy Badale (American score composer) and Morty Wax
2:50