Platine 45

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Let’s Dance
recording of:
Let’s Dance
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd und Watanabe Music Publishing CM division
David Bowie4:09
2Mélissa
vocals:
Julien Clerc (in 1984)
arranger und Orchestrator(in):
Michel Bernholc
recording of:
Mélissa (in 1984)
Texter:
David McNeil
Komponist(in):
Julien Clerc
publisher:
EMI Blackwood Music Inc.
Julien Clerc2:58
3Merde in France
recording of:
Merde in France (Cacapoum)
Texter und Komponist(in):
Jacques Dutronc
Jacques Dutronc2:50
4Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
5Toute première fois
phonographisches Urheberrecht (℗) von:
[unknown] (special purpose label - DO NOT USE!) (in 1984)
recording of:
Toute première fois
Texter:
Jeanne Mas
Komponist(in):
Romano Musumarra und Roberto Zaneli
publisher:
EMHA
Jeanne Mas4:16
6Sur des musiques noires
recording of:
(Sur des) musiques noires
Texter:
Marc Strawzynski
Komponist(in):
Thierry Pastor
Thierry Pastor2:56
7Do You Really Want to Hurt Me
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:23
8Je ne veux pas rentrer chez moi seule
recording of:
Je ne veux pas rentrer chez moi seule
Texter:
Agathe Labernia (French singer Agathe Labernia)
Komponist(in):
Gilles Ganidel und Frédéric Schlessinger
Regrets3:19
9Macumba
recording of:
Macumba
Texter:
Jean-Pierre Mader
Komponist(in):
Richard Seff
publisher:
Flarenasch Music (publisher), Scorpio Music (work publisher of "Scorpio Music") und Universal Music Publishing France (not for release label use!)
Jean-Pierre Mader3:23
10Girls Just Want to Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:55
11Vélomoteur
recording of:
Vélomoteur
Texter und Komponist(in):
Caroline Augier, Isabelle Petit und Odile Repolt
publisher:
Acide Music
Les Calamités43:29
12Le Youki
recording of:
Le Youki
Texter:
Richard Gotainer
Komponist(in):
Claude Engel
Richard Gotainer3:50
1399 Luftballons
Techniker(in):
Imre Sereg (in 1982)
Produzent(in):
Reinhold Heil (in 1982) und Manfred Praeker (in 1982)
Mix:
Udo Arndt (in 1982)
E-Bass:
Jürgen Dehmel (in 1982)
E-Gitarre:
Carlo Karges (in 1982)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Schlagzeug:
Rolf Brendel (in 1982)
Sologesang:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983) und Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1983)
aufgenommen bei:
Spliff in Berlin, Deutschland (in 1982)
mixed at:
Audio-Studio in Berlin, Deutschland (in 1982)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 73) und Cachitos Nochevieja 2022 (Nummer: 105)
recording of:
99 Luftballons (in 1982)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Uwe Fahrenkrog-Petersen (in 1982)
publisher:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Musikverlag GmbH
sub-publisher:
EMI Songs France (27, rue de Berri)
Nena4.43:51
14Antisocial
Herausgeber:
EMI Music Publishing France
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (France) S.A. (not for release label use! Sony Music Entertainment FR subsidiary from 1988–2003) (in 1980)
aufgenommen bei:
Scorpio Sound in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1980-02)
recording of:
Antisocial (French version by Trust) (in 1980-02)
Texter:
Bernard Bonvoisin
Komponist(in):
Norbert Krief
publisher:
EMI Music Publishing France
Trust55:10
15Tirez pas sur l’ambulance
recording of:
Tirez pas sur l’ambulance
Texter:
Carole Coudray
Komponist(in):
Gabriel Yared (Lebanese‐French score composer)
Françoise Hardy3:18
16Who Can It Be Now?
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Colin Hay und Ron Strykert
Saxophon:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
recording of:
Who Can It Be Now?
Texter und Komponist(in):
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Men at Work4.43:21
17Ainsi soit-il
recording of:
Ainsi soit-il
Texter und Komponist(in):
Louis Chédid
Louis Chédid3:11
18Mise au point
recording of:
Mise au point
Texter:
Jakie Quartz (Jacqueline Cuchet)
Komponist(in):
Gérard Anfosso (composer & arranger)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing MGB France
Jakie Quartz4:46
19Africa
recording engineer:
Al Schmitt
Produzent(in):
Toto (US rock group)
Mix:
Greg Ladanyi
Akustikgitarre:
Timothy B. Schmit
Bassgitarre:
David Hungate
Conga:
Lenny Castro
E-Gitarre und Gitarre:
Steve Lukather
gong und Schlagzeug:
Jeff Porcaro
Keyboard und Klavier:
David Paich
Marimba:
Joe Porcaro
Perkussion:
Lenny Castro und Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
Synthesizer:
Steve Porcaro
Hintergrundgesang:
Bobby Kimball, Steve Lukather, David Paich und Timothy B. Schmit
Sologesang:
Bobby Kimball und David Paich
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
Musikvideos:
Africa von Toto (US rock group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 105) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 452)
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:58
20Rectangle (générique platine 45)
recording of:
Rectangle
Komponist(in):
Jacno
Jacno3:35

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