Top of the Pops: Year by Year Collection 1964‒2006

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Exactly as on covers except belows, see edit history for questions
1.12 No "!" on back cover
2.7 Artist name mispelled in inlay
2.17 Correct name seems to be the one on back cover
2.19 "'" is set as different palce depending of inlay or back cover and pfficial release seems to have none
6.7 "-" appears only on back cover, not inlay
7.9 "," only on back cover and as original release
7.12 No "," like on original release and back cover
7.14 No "The" as in inlay and original release
8.5 Backcover shows is whereas 's in inlay
8.5 Back cover shows Turnaround whereas there is a space in inlay
9.16 Not "?" in inlay
14.7 "." on artist name only appear on back cover
15.11 Missing "," in artist name
16.16 Missing "," in artist name
16.2 Inlay shows The at start of tracname compare to back cover
16.3 "." in artist name are only shown on back cover
18.9 Applying guidelines on no.
23.3 Appears as Debbie Harry on the inlay and as Deborah Harry in the booklet
23.4 Appears as RUN-DMC Feat. Aerosmith on the inlay as as RUN DMC Featuring Aerosmith in the booklet
23.10 Appears as Mel And Kim on the inlay and as Mel & Kim in the booklet
25.15 "a" apears at start of trackname in booklet
26.9 feat. on back cover whereas featuring in booklet
27.11 feat. vs featuring in back cover/booklet
27.12 Rolling vs Rollin’ in back cover/booklet
29.3 "?" appears only in booklet
30.4 "." only appearing on back cover
30.9 "with you" is added to track name in booklet
30.12 "The" only appearing in booklet
31.12 The Reggae Revolution dont appear on back cover
38.13 Removing space next to "/"

Annotazione modificata l'ultima volta il 2020-12-19 12:11 UTC.

Elenco tracce

1CD: 1964
2CD: 1965
3CD: 1966
4CD: 1967
5CD: 1968
6CD: 1969
7CD: 1970
8CD: 1971
9CD: 1972
10CD: 1973
11CD: 1974
12CD: 1975
13CD: 1976
14CD: 1977
15CD: 1978
16CD: 1979
17CD: 1980
18CD: 1981
#TitoloArtistaValutazioneDurata
1That’s Entertainment
tecnico:
George Chambers (engineer a/k/a George “Chappie” Chambers) e Alan Douglas (Scottish born engineer)
produttore:
Vic Coppersmith‐Heaven e The Jam (late 70s/early 80s UK punk/mod revival band)
chitarra acustica , chitarra elettrica [backwards] e voce principale:
Paul Weller (English singer‐songwriter and musician) (il 1980-10-22)
chitarra basso :
Bruce Foxton (il 1980-10-22)
tamburello e tamburo rullante :
Rick Buckler (il 1980-10-22)
voce:
Bruce Foxton (il 1980-10-22)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (il 1980-10-22)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 306)
registrazione di:
That’s Entertainment (il 1980-10-22)
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
And Son Music Ltd. (, dal 1980 a oggi), BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Stylist Music Ltd.
The Jam3.453:35
2Girls on Film
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1998)
registrazione di:
Girls on Film
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Gloucester Place Music Ltd.
versione di:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:28
3Reward
produttore:
Clive Langer e Alan Winstanley (English record producer)
registrazione di:
Reward
compositore:
Julian Cope e Alan Gill
The Teardrop Explodes4.52:42
4Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:42
5Favourite Shirts (Boy Meets Girl)
produttore:
Bob Sargeant
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd. (nel 1981) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 31)
registrazione di:
Favourite Shirts (Boy Meets Girl)
paroliere e compositore:
Nick Heyward
editore:
Bryan Morrison Music Ltd.
Haircut 10053:05
6Stand and Deliver
produttore:
Chris Hughes (producer, aka “Merrick”)
armonica (a bocca) e voce principale:
Adam Ant (English new wave singer and actor)
batteria :
Merrick (ex Adam & The Ants) e Terry Lee Miall
chitarra :
Marco Pirroni (British musician and producer)
chitarra basso :
Adam Ant (English new wave singer and actor) e Gary Tibbs
video musicali:
Stand and Deliver di Adam and the Ants (English new wave band)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 10)
registrazione di:
Stand and Deliver
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam & the Ants53:35
7Spellbound
co-produttore:
Nigel Gray (UK producer)
produttore:
Nigel Gray (UK producer) e Siouxsie and the Banshees
registrazione di:
Spellbound
paroliere:
Steven Severin
compositore:
John McGeoch, Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin e Siouxsie Sioux (Susan Janet Ballion)
Siouxsie & the Banshees54:39
8Just Can’t Get Enough
tecnico:
John Fryer (British producer and engineer) e Eric Radcliffe (UK producer / engineer / musician)
produttore:
Depeche Mode e Daniel Miller (British music producer and founder of Mute Records)
voce principale:
Dave Gahan (nel 1981-07)
diritti fonografici (℗) detenuti da:
Mute Records (not for release label use! early 80s copyright for Mute) (nel 1981) e Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1981)
registrata presso:
Blackwing Studios (London, UK) in London (Greater London), England, Regno Unito (nel 1981-07)
prodotta presso:
Blackwing Studios (London, UK) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 66) e Indie 88: Top 500 Indie Rock Songs (numero: 460)
registrazione di:
Just Can’t Get Enough
paroliere e compositore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (conclusa), Musical Moments LTD UK, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Depeche Mode4.253:42
9Chant no. 1 (I Don’t Need This Pressure On)
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
registrazione di:
Chant No. 1 (I Don't Need This Pressure On)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet44:05
10Souvenir
produttore:
M. Howlett
voce:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
registrazione di:
Souvenir
autore:
Martin Cooper (OMD and The Listening Pool) e Paul Humphreys (Orchestral Manoeuvres in the Dark)
editore:
Dinsong Music
Orchestral Manoeuvres in the Dark33:35
11Labelled With LoveSqueeze3.54:34
12Ghost Town
tecnico:
John A. Rivers
trombone :
Rico Rodriguez (Jamaican trombonist)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 217)
registrazione di:
Ghost Town
paroliere e compositore:
Jerry Dammers
editore:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:42
13The Lunatics (Have Taken Over the Asylum)
produttore:
Fun Boy Three e Dave Jordan (UK producer/remixer)
registrazione di:
The Lunatics (Have Taken Over the Asylum)
paroliere e compositore:
Lynval Golding, Terry Hall e Neville Staple
The Fun Boy Three43:14
14Vienna
produttore:
Conny Plank (German producer and sound engineer) e Ultravox
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito
mixata presso:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germania
registrazione di:
Vienna
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) e Sing Sing Songs Ltd.
Ultravox4.354:54
15Keep On Loving You
assistente tecnico:
Tom Cummings (engineer) e Jeff Eccles
tecnico:
Kevin Beamish
co-produttore:
Alan Gratzer
produttore:
Kevin Beamish, Kevin Cronin e Gary Richrath
basso :
Bruce Hall (US bassist for REO Speedwagon)
batteria :
Alan Gratzer
chitarra :
Gary Richrath
chitarra acustica :
Kevin Cronin
organo Hammond :
Neal Doughty
voce di accompagnamento:
Kevin Cronin, Tom Kelly (songwriter) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arrangiatore:
Kevin Cronin
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980, nel 1981) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 67)
registrazione di:
Keep On Loving You (il 1980-09-03)
paroliere e compositore:
Kevin Cronin
editore:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Taiyō Music
REO Speedwagon3.73:21
16Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:45
17Making Your Mind Up
produttore:
Andy Hill (English producer & songwriter)
diritti fonografici (℗) detenuti da:
BMG Records (UK) Ltd. (1987–1996) (nel 1981)
parte di:
United Kingdom in the Eurovision Song Contest (Regno Unito all'Eurovision Song Contest) (numero: 1981) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1981)
registrazione di:
Making Your Mind Up
paroliere e compositore:
John Danter e Andy Hill (English producer & songwriter)
editore:
BMG Music Publishers Ltd., Intersong (publisher), Intersong Music Ltd., Paper Music, Paper Music Ltd., RAK Publishing Ltd., Stave and Nickelodeon Ltd., Stave and Nickelodeon Music, Universal Music Publishing MGB Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bucks Fizz4.652:40
18It’s My Party
tecnico:
Nick Bradford
produttore:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
batteria elettronica [SDS V] , strumenti elettronici [claptrap] , tastiera [keyboards] e vocoder :
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
voce di accompagnamento:
Amanda Parsons
voce principale:
Barbara Gaskin
registrata presso e mixata presso:
Matrix Studios in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1981-06 al 1981-07)
registrazione cover di:
It’s My Party
autore:
John Gluck, Jr., Wally Gold, Seymour Gottlieb e Herb Weiner
editore:
A. Schroeder Music Ltd. e Chappell & Co., Inc. (USA)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin3.53:48
19Going Back to My Roots
produttore:
Steve Tyrell (American producer and vocalist)
registrazione cover di:
Going Back to My Roots
paroliere e compositore:
Lamont Dozier
editore:
EMI Blackwood Music Inc., EMI Songs Ltd., Maurice Starr Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Odyssey55:27
20Intuition
registrazione di:
Intuition
autore:
David Grant (pop singer) e Peter Martin (aka Sketch Martin, bass guitarist, songwriter)
editore:
RSM Music Ltd. e Solid Music Ltd.
Linx43:21
21Rapture
tecnico:
Lenise Bent
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (nel 1980)
chitarra :
Frank Infante (nel 1980) e Chris Stein (nel 1980)
chitarra basso :
Nigel Harrison (nel 1980)
sassofono :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (nel 1980)
tastiera :
Jimmy Destri (nel 1980)
timpani :
Chris Stein (nel 1980)
voce principale:
Deborah Harry (nel 1980)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1980), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
registrata presso:
United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1980)
registrazione di:
Rapture (nel 1980)
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation e Rare Blue Music Inc
Blondie3.65:01
19CD: 1982
20CD: 1983
21CD: 1984
22CD: 1985
23CD: 1986
24CD: 1987
25CD: 1988
26CD: 1989
27CD: 1990
28CD: 1991
29CD: 1992
30CD: 1993
31CD: 1994
32CD: 1995
33CD: 1996
34CD: 1997
35CD: 1998
36CD: 1999
37CD: 2000
38CD: 2001
39CD: 2002
40CD: 2003
41CD: 2004
42CD: 2005
43CD: 2006

Accreditamenti

Pubblicazione

ASIN:UK: B001AI93J0 [info]

Gruppo di pubblicazioni

Allmusic:https://www.allmusic.com/album/mw0001920994 [info]