The Opera Edition

~ Release by Claudio Abbado (see all versions of this release, 1 available)

Tracklist

1CD: Mozart: Die Zauberflöte [disc 1]
2CD: Mozart: Die Zauberflöte [disc 2]
3CD: Mozart: Don Giovanni [disc 1]
4CD: Mozart: Don Giovanni [disc 2]
5CD: Mozart: Don Giovanni [disc 3]
6CD: Mozart: Le nozze di Figaro [disc 1]
7CD: Mozart: Le nozze di Figaro [disc 2]
#TitleArtistRatingLength
1Le nozze di Figaro, K. 492: Atto II. Recitativo: “Tutto è come il lasciai” (conte, contessa)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena V. Recitativo “Tutto è come io lasciai” (Il Conte, La Contessa) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:11
2Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Esci omai, garzon malnato” (conte, contessa)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:07
3Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Signore! Cos'è quel stupore?” (Susanna, conte, contessa)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Signore, cos’è quel stupore?” (Il Conte, La Contessa, Susanna) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:14
4Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Susanna, son morta” (contessa, Susanna, conte)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
partial recording of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart3:49
5Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Signori, di fuori son già i suonatori” (Figaro, conte, Susanna, contessa)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Figaro, cameriere del conte]:
Lucio Gallo (operatic baritone) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Signore, di fuori” (Figaro, Il Conte, Susanna, La Contessa) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart0:51
6Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Conoscete, signor Figaro” (conte, Figaro, Susanna, contessa)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Figaro, cameriere del conte]:
Lucio Gallo (operatic baritone) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Conoscete signor Figaro” (Il Conte, La Contessa, Susanna) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:06
7Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Ah signor! Signor” / “Cos'è stato?” (Antonio, conte, contessa, Susanna, Figaro)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Antonio, giardiniere del conte e zio di Sussana]:
Istvan Gati (Hungarian baritone) (from 1994-01 until 1994-02)
baritone vocals [Figaro, cameriere del conte]:
Lucio Gallo (operatic baritone) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
partial recording of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart2:53
8Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Vostre dunque saran queste carte” (Antonio, conte, Figaro Susanna, contessa)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Antonio, giardiniere del conte e zio di Sussana]:
Istvan Gati (Hungarian baritone) (from 1994-01 until 1994-02)
baritone vocals [Figaro, cameriere del conte]:
Lucio Gallo (operatic baritone) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
partial recording of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart2:28
9Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Voi, signor, che giusto siete” (Marcellina, Basilio, Bartolo, conte, contessa, Figaro, Susanna)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Figaro, cameriere del conte]:
Lucio Gallo (operatic baritone) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
bass vocals [Bartolo, medico di Siviglia]:
Ildebrando d’Arcangelo (operatic bass) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
soprano vocals [Marcellina, già governante a casa di Bartolo, ora al servizio del conte]:
Anna Caterina Antonacci (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
tenor vocals [Basilio, maestro di musica]:
Carlo Allemano (tenor) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:45
10Le nozze di Figaro, K. 492: Atto III. Recitativo: “Che imbarazzo è mai questo” ... “Via, fatti core” (conte, contessa, Susanna)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena I. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:12
11Le nozze di Figaro, K. 492: Atto III. N. 17 Duettino: “Crudel! Perché finora, farmi languir così?” (conte, Susanna)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:27
12Le nozze di Figaro, K. 492: Atto III. Recitativo: “E perché fosti meco stamattina sì austera?” ... “Ehi, Susanna, ove vai?” (conte, Susanna, Figaro)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Figaro, cameriere del conte]:
Lucio Gallo (operatic baritone) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena III. Recitativo “E perchè fosti meco” (Il Conte, Susanna, Figaro) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:45
13Le nozze di Figaro, K. 492: Atto III. N. 18 Recitativo ed aria: “Hai già vinta la causa!” (conte)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:13
14Le nozze di Figaro, K. 492: Atto III. N. 18 Recitativo ed aria: “Vedrò mentr'io sospiro” (conte)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:15
15Le nozze di Figaro, K. 492: Atto III. Recitativo: “Andiam, andiam, bel paggio” (Barbarina, Cherubino)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
mezzo-soprano vocals [Cherubino, paggio del conte]:
Cecilia Bartoli (mezzo‐soprano) (from 1994-01 until 1994-02)
soprano vocals [Barbarina, sua figlia]:
Andrea Rost (Hungarian lyric soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. Recitativo “Andiam, andiam, bel paggio” (Barbarina, Cherubino) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:35
16Le nozze di Figaro, K. 492: Atto III. N. 20 Recitativo ed aria: “E Susanna non vien!” (contessa)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:29
17Le nozze di Figaro, K. 492: Atto III. N. 20 Recitativo ed aria: “Dove sono i bei momenti” (contessa)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:04
18Le nozze di Figaro, K. 492: Atto III. Recitativo: “È decisa la lite” (Don Curzio, Marcellina, Figaro, conte, Bartolo)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Figaro, cameriere del conte]:
Lucio Gallo (operatic baritone) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
bass vocals [Bartolo, medico di Siviglia]:
Ildebrando d’Arcangelo (operatic bass) (from 1994-01 until 1994-02)
soprano vocals [Marcellina, già governante a casa di Bartolo, ora al servizio del conte]:
Anna Caterina Antonacci (soprano) (from 1994-01 until 1994-02)
tenor vocals [Don Curzio, giudice]:
Peter Jelosits (tenor) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VII. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:54
19Le nozze di Figaro, K. 492: Atto III. N. 19 Sestetto: “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, conte, Susanna)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Figaro, cameriere del conte]:
Lucio Gallo (operatic baritone) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
bass vocals [Bartolo, medico di Siviglia]:
Ildebrando d’Arcangelo (operatic bass) (from 1994-01 until 1994-02)
soprano vocals [Marcellina, già governante a casa di Bartolo, ora al servizio del conte]:
Anna Caterina Antonacci (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
tenor vocals [Don Curzio, giudice]:
Peter Jelosits (tenor) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02, in 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02, in 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02, in 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) (in 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:51
20Le nozze di Figaro, K. 492: Atto III. Recitativo: “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Figaro, cameriere del conte]:
Lucio Gallo (operatic baritone) (from 1994-01 until 1994-02)
bass vocals [Bartolo, medico di Siviglia]:
Ildebrando d’Arcangelo (operatic bass) (from 1994-01 until 1994-02)
soprano vocals [Marcellina, già governante a casa di Bartolo, ora al servizio del conte]:
Anna Caterina Antonacci (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. Recitativo “Eccovi, oh caro amico” (Marcellina, Bartolo, Figaro, Susanna) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:52
21Le nozze di Figaro, K. 492: Atto III. Recitativo: “Io vi dico, signor” ... “Cosa mi narri!” (Antonio, conte, contessa, Susanna)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Antonio, giardiniere del conte e zio di Sussana]:
Istvan Gati (Hungarian baritone) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. Recitativo “Cosa mi narri” (La Contessa, Susanna) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:53
22Le nozze di Figaro, K. 492: Atto III. N. 21 Duettino: “Sull'aria” ... “Che soave zeffiretto” (contessa, Susanna)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:06
23Le nozze di Figaro, K. 492: Atto III. Recitativo: “Piegato è il foglio” (Susanna, contessa)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
partial recording of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart0:17
24Le nozze di Figaro, K. 492: Atto III. N. 22 Coro: “Ricevete, o padroncina” (contadinelle)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XI. (no. 22) Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:58
25Le nozze di Figaro, K. 492: Atto III. Recitativo: “Queste sono, madama, le ragazze del loco” ... “Eh cospettaccio!” ... “Signor, se trattenete” (Barbarina, contessa, Susanna, Antonio, conte, Figaro, Cherubino)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Antonio, giardiniere del conte e zio di Sussana]:
Istvan Gati (Hungarian baritone) (from 1994-01 until 1994-02)
baritone vocals [Figaro, cameriere del conte]:
Lucio Gallo (operatic baritone) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
mezzo-soprano vocals [Cherubino, paggio del conte]:
Cecilia Bartoli (mezzo‐soprano) (from 1994-01 until 1994-02)
soprano vocals [Barbarina, sua figlia]:
Andrea Rost (Hungarian lyric soprano) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XII-XIII. Recitativo “Questo sono, Madama” (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:35
26Le nozze di Figaro, K. 492: Atto III. N. 23 Finale: “Ecco la marcia, andiamo” (Figaro, Susanna, conte, contessa)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Figaro, cameriere del conte]:
Lucio Gallo (operatic baritone) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
soprano vocals [La contessa di Almaviva]:
Cheryl Studer (soprano) (from 1994-01 until 1994-02)
soprano vocals [Susanna, sua cameriera a promessa sposa di Figaro]:
Sylvia McNair (soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:50
27Le nozze di Figaro, K. 492: Atto III. N. 23 Finale: “Amanti costanti” (due contadine, coro)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Amanti costanti seguaci d’onor” (Coro di contadine) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:15
28Le nozze di Figaro, K. 492: Atto III. N. 23 Finale: “Eh già, solita usanza” (conte, Figaro)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Figaro, cameriere del conte]:
Lucio Gallo (operatic baritone) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XIV. (no. 23) Finale. Fandango “Eh già solita usanza” (Il Conte, Figaro) / (no. 23) Finale. Allegretto “Amanti costanti seguaci d’onor” (Barbarina, Coro) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:36
29Le nozze di Figaro, K. 492: Atto III. N. 23 Finale: “Andate, amici” (conte, coro)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
baritone vocals [Il conte di Almaviva]:
Bo Skovhus (baritone) (from 1994-01 until 1994-02)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
partial recording of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart1:23
8CD: Mozart: Le nozze di Figaro [disc 3]
9CD: Beethoven: Fidelio [disc 1]
10CD: Beethoven: Fidelio [disc 2]
11CD: Rossini: Overtures [1991]
12CD: Rossini: L'Italiana in Algeri [disc 1]
13CD: Rossini: L'Italiana in Algeri [disc 2]
14CD: Rossini: Il barbiere di Siviglia (1971) [disc 1]
15CD: Rossini: Il barbiere di Siviglia (1971) [disc 2]
16CD: Rossini: Il barbiere di Siviglia (1992) [disc 1]
17CD: Rossini: Il barbiere di Siviglia (1992) [disc 2]
18CD: Rossini: La Cenerentola [disc 1]
19CD: Rossini: La Cenerentola [disc 2]
20CD: Rossini: Il viaggio a Reims [disc 1]
21CD: Rossini: Il viaggio a Reims [disc 2]
22CD: Schubert: Fierrabras [disc 1]
23CD: Schubert: Fierrabras [disc 2]
24CD: Wagner: Orchestral Music
25CD: Wagner: Lohengrin [disc 1]
26CD: Wagner: Lohengrin [disc 2]
27CD: Wagner: Lohengrin [disc 3]
28CD: Bryn Terfel Sings Wagner
29CD: Wagner: Gala Concert
30CD: Verdi: Overtures & Preludes
31CD: Verdi: Macbeth [disc 1]
32CD: Verdi: Macbeth [disc 2]
33CD: Verdi: Simon Boccanegra [disc 1]
34CD: Verdi: Simon Boccanegra [disc 2]
35CD: Verdi: Un ballo in maschera [disc 1]
36CD: Verdi: Un ballo in maschera [disc 2]
37CD: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 1]
38CD: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 2]
39CD: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 3]
40CD: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 4]
41CD: Verdi: Aida [disc 1]
42CD: Verdi: Aida [disc 2]
43CD: Verdi: Falstaff [disc 1]
44CD: Verdi: Falstaff [disc 2]
45CD: Verdi: Choruses
46CD: Verdi: Arias [Alagna]
47CD: Nicolai Ghiuarov: Great Scenes from Verdi Operas
48CD: Bizet: Carmen [disc 1]
49CD: Bizet: Carmen [disc 2]
50CD: Bizet: Carmen [disc 3] & The Berlin Gala: A Salute to Carmen [Excerpts]
51CD: Debussy: Pelléas et Mélisande [disc 1]
52CD: Debussy: Pelléas et Mélisande [disc 2]
53CD: Mussorgsky: Khovanshchina [disc 1]
54CD: Mussorgsky: Khovanshchina [disc 2]
55CD: Mussorgsky: Khovanshchina [disc 3]
56CD: Berg: Wozzeck [disc 1]
57CD: Berg: Wozzeck [disc 2]
58CD: Anna Netrebko: Sempre libera
59CD: Kaufmann: Mozart, Schubert, Beethoven & Wagner
60CD: Berlin Gala: Songs of Love and Desire