Brass on Broadway

~ Release by Canadian Brass (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1I Got Rhythm
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
instrumental recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:20
2Fugue for Tin Horns
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
instrumental recording of:
Fugue for Tinhorns
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
3:12
3Memory
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
instrumental recording of:
Memory (Cats)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
3:25
4The Race
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
instrumental recording of:
The Race
lyricist:
Richard Stilgoe
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
part of:
Starlight Express (Andrew Lloyd Webber musical)
4:21
5Music of the Night
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
instrumental recording of:
The Music of the Night (The Phantom of the Opera)
additional lyricist:
Richard Stilgoe
lyricist:
Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
3:43
6Carousel Waltz
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
recording of:
The Carousel Waltz (Carousel)
composer:
Richard Rodgers (composer)
part of:
Carousel (Rodgers & Hammerstein musical)
6:40
7Send in the Clowns
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
instrumental recording of:
Send In the Clowns (A Little Night Music)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
3:50
8Let the Trumpets Bray
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
recording of:
Iolanthe: Act I, no. 6, Chorus, “Loudly Let the Trumpets Bray” (Peers)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
Iolanthe: Act I
5:24
9Bye Bye Baby
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
instrumental recording of:
Bye Bye Baby (Gentlemen Prefer Blondes)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Jule Styne
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
3:18
10Bess, You Is My Woman Now
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
instrumental recording of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
3:51
11Strike Up the Band
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
instrumental recording of:
Strike Up the Band (1927 Gershwin song)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
4:41
12In a Sentimental Mood / It Don't Mean a Thing If It Ain't Got That Swing
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
instrumental recording of:
In a Sentimental Mood
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
5:31
13Sophisticated Lady
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
instrumental recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:47
1476 Trombones
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
instrumental recording of:
Seventy-Six Trombones (The Music Man)
lyricist and composer:
Meredith Willson
publisher:
MPL UK Publishing
part of:
The Music Man
2:52
15Slaughter on 10th Avenue
recording engineer:
Henk Kooistra (dutch audio engineer) (in 1993-05) and John Newton (editor, engineer mixer) (in 1993-05)
producer and balance engineer:
Hein Dekker (recording producer) (in 1993-05)
horn:
David Ohanian (in 1993-05)
keyboard [keyboards]:
Luther Henderson (in 1993-05)
percussion:
Nick Angelis (in 1993-05), Edward Metz (in 1993-05) and Clark Gardner (in 1993-05)
trombone:
Eugene Watts (in 1993-05)
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) (in 1993-05) and Ronald Romm (trumpet player) (in 1993-05)
tuba:
Charles Daellenbach (in 1993-05)
orchestra:
Canadian Brass (in 1993-05)
arranger:
Luther Henderson
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
Ruth Eckerd Hall in Clearwater, Florida, United States (in 1993-05)
recording of:
Slaughter on Tenth Avenue
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Richard Rodgers (composer)
arranger:
Sammy Nestico
part of:
On Your Toes
13:20