She’s Gone: 100 Yacht Rock Supreme

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2020 Warner Music Group - X5 Music Group»

Countries excluded (Spotify + Deezer)

(As of 2020-08-07).

  • Caribbean: 🇩🇴 Dominican Republic (do) 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg)
  • Eastern Africa: 🇲🇬 Madagascar (mg)
  • Middle Africa: 🇨🇬 Congo (cg)
  • Western Asia: 🇧🇭 Bahrain (bh)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc)
  • Polynesia: 🇨🇰 Cook Islands (ck)
  • Melanesia: 🇸🇧 Solomon Islands (sb)
  • Micronesia: 🇰🇮 Kiribati (ki)
Annotation last modified on 2020-08-07 06:17 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
2What a Fool Believes
additional engineer:
Loyd Clifft
engineer:
Donn Landee
producer:
Ted Templeman
additional congas and additional vocals:
Bobby LaKind (in 1978-08)
additional synthesizer:
Bill Payne (in 1978-08)
bass guitar:
Tiran Porter (in 1978-08)
drums (drum set):
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
guitar:
Jeff “Skunk” Baxter (in 1978-08) and Patrick Simmons (in 1978-08)
keyboard and lead vocals:
Michael McDonald (R&B & soul singer) (in 1978-08)
synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) and Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (in 1978-08)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 343)
recording of:
What a Fool Believes (in 1978-08)
writer:
Ken Loggins and Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) and Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:40
3Ride Like the Wind
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Christopher Cross24:01
4I’d Really Love to See You Tonight
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
lyricist and composer:
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing and Sutjujo Music
England Dan & John Ford Coley52:39
5How Sweet It Is (to Be Loved by You)
engineer and mixer:
Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
bass:
Lee Sklar (bassist, session musician)
drums (drum set) [drums]:
Jim Keltner and Russ Kunkel (session drummer)
electric guitar:
Danny Kortchmar (Danny Kootch)
piano and Rhodes piano [Fender Rhodes]:
Clarence McDonald
tambourine:
Russ Kunkel (session drummer)
background vocals [vocal harmonies]:
Carly Simon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
cover recording of:
How Sweet It Is (to Be Loved by You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
James Taylor3.83:34
6Summer Breeze
producer:
Louie Shelton
mixer:
Mr. Haynes
remixer:
Ramin Sakurai and Philip Steir
recording of:
Summer Breeze
lyricist:
James Seals
composer:
Dash Crofts and James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4:30
7We’re in This Love Together
additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
associate producer:
Tom Canning
producer and mixer:
Jay Graydon
alto saxophone:
Lon Price
bass guitar:
Abe LaBoriel
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Jay Graydon and Steve Lukather
Rhodes piano:
Michael Omartian
synthesizer:
Michael Boddicker and Michael Omartian
background vocals and lead vocals:
Al Jarreau
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
We’re in This Love Together
writer:
Roger Murrah (songwriter) and Keith Stegall (American country singer / songwriter and record producer)
publisher:
Blackwood Music, Inc. (1953-02-07–1987-12-30) (ended), EMI Blackwood Music Inc., Magic Castle Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Jarreau53:46
8I Keep Forgettin’ (Every Time You’re Near)
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) and Yellow Dog Music Inc
version of:
I Keep Forgettin’
Michael McDonald43:42
9I Saw the Light
producer:
Todd Rundgren
instruments and vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographic copyright (℗) by:
Bearsville Records (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 452)
recording of:
I Saw the Light
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Todd Rundgren52:59
10Someone Like You
recording engineer:
Ian Eales, Humberto Gatica and David Leonard (US producer and engineer)
producer:
Greg Mathieson
mixer:
David Leonard (US producer and engineer)
bass guitar:
Mike Porcaro
drum machine [Linn machine]:
David Leonard (US producer and engineer)
drums (drum set) and percussion:
Jeff Porcaro
guitar:
Steve Lukather
keyboard:
Greg Mathieson and David Roberts (Canadian singer‐songwriter)
synthesizer:
Michael Boddicker and Greg Mathieson
background vocals:
Bill Champlin, Joe Chemay, Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song), John Joyce (vocalist), Tom Kelly (songwriter) and David Roberts (Canadian singer‐songwriter)
lead vocals:
David Roberts (Canadian singer‐songwriter)
arranger:
Greg Mathieson, Terry McKeown and David Roberts (Canadian singer‐songwriter)
phonographic copyright (℗) by:
WEA Music of Canada, Ltd. (later Warner Music Canada Ltd) (in 1982)
recorded at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States, Garden Rake Studios in Studio City, Los Angeles, California, United States, Sunset Sound Studios in Hollywood, Los Angeles, California, United States and The Sound Factory (1969–1980) in Los Angeles, California, United States
mixed at:
Sunset Sound Studios in Hollywood, Los Angeles, California, United States
recording of:
Someone Like You
lyricist and composer:
David Roberts (Canadian singer‐songwriter)
publisher:
David Roberts Music, Don Valley Music Ltd., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
David Roberts3:38
11Urgent
assistant engineer:
Edwin Hobgood (engineer) and Michael Sauvage
engineer:
Tony Platt (UK engineer and producer), Brad Samuelsohn and Dave Wittman
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Robert John “Mutt” Lange (Robert John Lange)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar [lead guitar]:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
keyboard:
Michael Fonfara and Mick Jones (Foreigner/Spooky Tooth, worked in France)
saxophone:
Mark Rivera
solo saxophone:
Junior Walker
synthesizer:
Thomas Dolby
background vocals:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera and Rick Wills
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981) and Rhino Entertainment Company (not for release label use!) (in 2009)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Urgent
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., Somerset Songs Publishing Inc., Fuji Pacific Music inc. (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner4.154:31
12Lotta Love
engineer:
Donn Landee
producer:
Ted Templeman
acoustic guitar:
Herb Pedersen
bass:
Bob Glaub
drums (drum set):
Rick Schlosser (drummer)
flute:
Plas Johnson
guitar:
Dave Kalish
keyboard:
Mark T. Jordan
saxophone:
Andrew Love
tambourine:
Nicolette Larson
background vocals:
Nicolette Larson and Ted Templeman
conductor:
Jimmie Haskell
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
cover recording of:
Lotta Love
lyricist:
Neil Young (Canadian singer, songwriter & musician)
composer:
Frank Sampedro and Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
recording of:
Lotta Love
lyricist:
Neil Young (Canadian singer, songwriter & musician)
composer:
Frank Sampedro and Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:06
13Thunder Island
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1977)
recording of:
Thunder Island
lyricist and composer:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
publisher:
Painless Music
Jay Ferguson3:59
14Just a Song Before I Go
assistant recording engineer:
Steve Gursky
recording engineer:
Howard Albert, Ron Albert and Michael Braunstein
additional producer:
Howard Albert and Ron Albert
producer:
David Crosby, Graham Nash and Stephen Stills
acoustic guitar:
David Crosby (from 1976-12-19 until 1977)
bass:
Tim Drummond (from 1976-12-19 until 1977)
drums (drum set) and percussion:
Russ Kunkel (session drummer) (from 1976-12-19 until 1977)
electric guitar:
Stephen Stills (from 1976-12-19 until 1977)
electric piano:
Graham Nash (from 1976-12-19 until 1977)
vibraphone:
Joe Vitale
vocals:
David Crosby (from 1976-12-19 until 1977), Graham Nash (from 1976-12-19 until 1977) and Stephen Stills (from 1976-12-19 until 1977)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (on 1976-12-19) and Criteria Studios in Miami, Florida, United States (in 1977)
recording of:
Just a Song Before I Go (from 1976-12-19 until 1977)
lyricist and composer:
Graham Nash
Crosby, Stills & Nash4.352:14
15Glory of Love
engineer and mixer:
Terry Christian (US recording and mixing engineer) and John Guess
producer:
Michael Omartian
guest background vocals:
Kenny Cetera
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) and Warner Music International (trademark of Warner Music International the company) (in 1986)
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
Peter Cetera4.24:18
16A Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.34:09
17Smoke From a Distant Fire
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recording of:
Smoke from a Distant Fire
writer:
Ed Sanford, Steven Stewart (songwriter) and John Townsend
Sanford Townsend Band53:34
18Goodbye Girl
acoustic guitar, bass guitar and piano:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Mike Botts
electric guitar:
Dean Parks (American session guitarist)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977)
recording of:
Goodbye Girl
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
David Gates2:49
19Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 41)
recording of:
Magic
writer:
Billy Lyall and David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Robbins Music Corp. Ltd.
Pilot4.753:07
20Lonely Boy
assistant engineer:
Dennis Kirk and Greg Ladanyi
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1976-03 until 1976-10)
bell [Sleigh] and drums (drum set):
Michael Botts (from 1976-03 until 1976-10)
cowbell, piano and tambourine:
Andrew Gold (from 1976-03 until 1976-10)
electric piano and synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (from 1976-03 until 1976-10)
guitar:
Dan Dugmore (from 1976-03 until 1976-10)
guitar [Lead Guitar]:
Waddy (from 1976-03 until 1976-10)
handclaps:
Peter Asher (from 1976-03 until 1976-10) and Andrew Gold (from 1976-03 until 1976-10)
background vocals:
Linda Ronstadt (from 1976-03 until 1976-10)
vocals:
Andrew Gold (from 1976-03 until 1976-10)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1976-03 until 1976-10)
recording of:
Lonely Boy (from 1976-03 until 1976-10)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:25
21We’re All Alone
cover recording of:
We’re All Alone
lyricist and composer:
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and Boz Scaggs Music (publisher) (from 1975 to present)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Frankie Valli4:08
22You Belong to Me
alto saxophone:
David Sanborn
bass:
Gordon Edwards (funk/soul bassist)
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Cornell Dupree and Eric Gale
electric piano:
Richard Tee
background vocals:
Carly Simon and James Taylor (singer-songwriter and guitarist)
vocals:
Carly Simon
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and Rhino Entertainment Company (not for release label use!) (in 2015)
cover recording of:
You Belong to Me (Carly Simon/Michael McDonald song)
writer:
Michael McDonald (R&B & soul singer) and Carly Simon
publisher:
C’est Music, Kobalt Music Publishing Ltd. (UK), Snug Music and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Carly Simon3:53
23Saturday in the Park
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 9)
recording of:
Saturday in the Park (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. and Warner Chappell North America Ltd.
Chicago43:56
24Rooms on Fire
recording engineer and mixer:
Stephen W. Tayler (UK engineer)
producer:
Rupert Hine
assistant mixer:
Derek Murphy
acoustic guitar:
Rick Nowels
bass guitar [bass]:
Vail Johnson
drums (drum set) [drums]:
Geoff Dugmore
guitar:
Rick Nowels and Jamie West‐Oram
keyboard [keyboards]:
Rupert Hine
percussion:
Rupert Hine and Stevie Nicks
background vocals [backing vocals]:
Sharon Celani and Lori Perry-Nicks
phonographic copyright (℗) by:
Modern Records, Inc. (in 1989)
mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, United Kingdom
recording of:
Rooms on Fire
writer:
Stevie Nicks and Rick Nowels
publisher:
EMI Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Screen Gems–EMI Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Welsh Witch Music (BMI affiliated)
Stevie Nicks4.44:37
25Take Me to Your Heaven
recording of:
Take Me to Your Heaven
writer:
Kelly Wilson (of The Wilson Bros. westcoast pop duo) and Steve Wilson (member of The Wilson Bros. westcoast pop duo)
publisher:
Wilson Bros. Music and フジパシフィックミュージック (Fujipacific Music, Inc.)
Wilson Brothers3:41
26You Might Need Somebody
recording of:
You Might Need Somebody
composer:
Nan O’Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Turley Richards3:37
27Dance With Me
phonographic copyright (℗) by:
ABC Records, Inc (in 1973)
recording of:
Dance With Me
lyricist:
Johanna Hall
composer:
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Orleans3:21
28Believe It or Not (from “Greatest American Hero”)
vocals:
Joey Scarbury
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1981)
recording of:
Believe It or Not (theme from “The Greatest American Hero”)
lyricist:
Stephen Geyer
composer:
Mike Post
publisher:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing and Stephen Cannell Music
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:15
29Why I Came to California
co-producer:
Marty Paich
producer:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
recording of:
Why I Came to California
writer:
Janis Siegel and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Morton St. Publishing, ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leon Ware4:09
30Last Plane Out
assistant recording engineer:
Michael Vail Blum
recording engineer:
Bill Bottrell
executive producer:
Patrick Leonard (producer, songwriter and pianist)
assistant mixer:
Micajah Ryan
mixer:
Bill Bottrell and Kevin Gilbert (singer‐songwriter)
bass:
Guy Pratt
guitar and keyboard and lead vocals:
Kevin Gilbert (singer‐songwriter)
guitar family:
Tim Pierce (US session guitarist)
keyboard:
Patrick Leonard (producer, songwriter and pianist)
membranophone and percussion:
Brian MacLeod (American drummer)
background vocals:
Kevin Gilbert (singer‐songwriter) and Patrick Leonard (producer, songwriter and pianist)
recorded at:
Johnny Yuma Recording in Burbank, California, United States
mixed at:
Grey Room in United Kingdom
recording of:
Last Plane Out
writer:
Kevin Gilbert (singer‐songwriter) and Patrick Leonard (producer, songwriter and pianist)
Toy Matinee5:12
31Look Who’s Lonely Now
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass:
Abraham Laboriel
guitar:
Steve Lukather and Dean Parks (American session guitarist)
horn:
Gary Grant (brass), Gary Herbig, Jerry Hey, Jim Horn (saxophonist, hornist, flutist and oboist), Charles Loper (American trombonist), Lew McCreary and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
keyboard:
Leon Pendarvis
membranophone:
Jeff Porcaro
percussion:
Lenny Castro
solo saxophone:
David Sanborn
background vocals:
Paulette Brown, Bill Champlin, Steve George (US keyboardist for Mr. Mister & Pages), Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) and Carmen Twillie
horn arranger:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
strings arranger:
Nick de Caro
arranger:
Leon Pendarvis
Randy Crawford3:39
32I Love a Rainy Night
recording of:
I Love a Rainy Night
writer:
David Malloy (American country music and pop songwriter, record producer and A&R executive), Eddie Rabbitt (US country singer & songwriter) and Even Stevens (singer / songwriter)
Eddie Rabbitt53:11
33Fallin’
Nicole Wills4:13
34Just Remember I Love You
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Just Remember I Love You
lyricist and composer:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
publisher:
Stephen Stills Music and 日音 Synch事業部 (NICHION, INC. Synch Division)
Firefall3:15
35Room to Grow
producer:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”) and Eric Jacobsen (cellist and conductor)
keyboard and lead vocals:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”)
arranger:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”) and Jimmie Haskell
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
produced for:
Sweet Reliable Productions
recording of:
Room to Grow
lyricist and composer:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”)
publisher:
Oh Boy Music Company and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Brian Elliot3:28
36Too Young
Jack Wagner4:11
37Opening Up to You
Laura Allan5:26
38Stay the Night
recording of:
Stay the Night
writer:
Benjamin Orr (co-lead singer for The Cars) and Diane Grey Page
Benjamin Orr4:22
39Just the Way It Is, Baby
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1990) and Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
Just the Way It Is, Baby
writer:
Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
publisher:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
The Rembrandts3.54:04
40Love You Like I Never Loved Before
John O’Banion3:23
41It’s the Falling in Love
recording of:
It’s the Falling in Love
writer:
Carole Bayer Sager and David Foster (Canadian music producer, arranger and composer)
publisher:
Begonia Melodies Inc., Foster Frees Music Inc. and Irving Music (BMI)
Carole Bayer Sager feat. Michael McDonald3:56
42Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 13)
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.456:34
43Really Want to Know You
Gary Wright4:23
44It’s Something
recording of:
It’s Something
writer:
David Foster (Canadian music producer, arranger and composer) and Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Foster Frees Music Inc., Irving Music (BMI), Rutland Road Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Brenda Russell3:31
45Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
live recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America43:32
46The Nightfly
bass:
Marcus Miller (jazz musician)
drums (drum set):
Jeff Porcaro
electric piano:
Michael Omartian
guitar:
Larry Carlton, Rick Derringer and Hugh McCracken
piano and synthesizer and background vocals and lead vocals:
Donald Fagen
synthesizer:
Rob Mounsey
background vocals:
Frank Floyd (US soul disco funk singer), Zachary Sanders and Valerie Simpson
arranger:
Donald Fagen
recording of:
The Nightfly
composer:
Donald Fagen
Donald Fagen5:47
47It’s Only Love
Stephen Bishop2:54
48Marina del Rey
producer:
Gary Katz
lead vocals:
Marc Jordan (US‐born Canadian singer‐songwriter)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Marina Del Rey
lyricist and composer:
Marc Jordan (US‐born Canadian singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Mortgage Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Marc Jordan3:12
49Baby I’m‐a Want You
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Baby I’m‐a Want You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Screen Gems–EMI Music Ltd.
Bread42:23
50You’re Moving Out Today
recording of:
You're Moving out Today
writer:
Carole Bayer Sager, Bette Midler and Bruce Roberts (American singer-songwriter)
Carole Bayer Sager4.353:35
51The Best of Me
recorded in:
Los Angeles, California, United States (from 1985 until 1986)
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
guitar:
Michael Landau (from 1985 until 1986)
keyboard:
David Foster (Canadian music producer, arranger and composer) (from 1985 until 1986)
vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) (from 1985 until 1986)
performer:
David Foster (Canadian music producer, arranger and composer)
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (from 1985 until 1986)
recording of:
The Best of Me (from 1985 until 1986)
lyricist:
Richard Marx
composer:
David Foster (Canadian music producer, arranger and composer), Jeremy Lubbock and Richard Marx
publisher:
AF Encore Fund LLC, BMG Monarch, Bravo and Encore Music, Foster Frees Music Inc., Hollysongs, Peermusic III, Ltd. (BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner/Chappell Music, Inc., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
David Foster & Olivia Newton‐John4:06
52Get Used to It
Roger Voudouris3:00
53Love You Eternally
Chris Rainbow3:42
54Night Owl
recording of:
Night Owl
lyricist and composer:
Gerry Rafferty
Gerry Rafferty6:09
55Cool Fool
producer:
David Malloy (American country music and pop songwriter, record producer and A&R executive)
recording of:
Cool Fool
writer:
Bruce Roberts (American singer-songwriter) and Allee Willis
publisher:
Fedora Music, Irving Music (BMI), Reservoir Media Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bruce Roberts4:25
56Arthur’s Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:54
57It Keeps You Runnin’
cover recording of:
It Keeps You Runnin’
lyricist and composer:
Michael McDonald (R&B & soul singer)
publisher:
Tauripin Tunes
Carly Simon3:58
58Nobody’s Business
additional synthesizer programming:
Ian Underwood
assistant engineer:
Robin Laine and Karen Siegel (engineer)
engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Michael Omartian
additional synthesizer:
Michael Omartian
bass guitar:
Mark Leonard
drums (drum set):
Doane Perry
guitar:
Michael Landau
percussion:
Paulinho da Costa (Brazilian percussionist) and Michael Omartian
piano:
Robbie Buchanan (Canadian producer) and Jay Gruska
synthesizer:
Robbie Buchanan (Canadian producer)
additional background vocals:
Bill Champlin, Tommy Funderburk and Jennifer Williams (vocalist)
lead vocals:
Jay Gruska
vocals:
Robbie Buchanan (Canadian producer), Mark Leonard and Doane Perry
arranger:
Maxus and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
produced for:
Lewis Kaplan Enterprises, Inc.
recorded at and mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Nobody’s Business
writer:
Jay Gruska and Lisa Dal Bello
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Colgems-EMI Music Inc. (from 1980 to present), Nevebianca Productions (Canada) Inc. (from 1980 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Maxus3:21
59Just When I Needed You Most
producer:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1979) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Randy VanWarmer4:02
60The Magician
assistant engineer:
Steve Carlton
engineer and producer:
Larry Carlton
bass guitar:
Robert Popwell
clavinet and electric piano:
Don Freeman
drums (drum set):
John Ferraro
electric guitar and lead vocals:
Larry Carlton
keyboard and synthesizer:
Greg Mathieson
percussion:
Paulinho da Costa (Brazilian percussionist)
vocals:
Larry Carlton
remixer:
Larry Carlton
arranger:
Larry Carlton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Larry Carlton Productions
recorded at and remixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
The Magician
writer:
Larry Carlton and John Townsend
publisher:
Grand Man Music, Pal‐Dog Music and Spirit One Music
Larry Carlton4:15
61My Baby
David Pack4:19
62Welcome Back (theme from “Welcome Back, Kotter”)
recording of:
Welcome Back (70’s Song by John Sebastian)
lyricist and composer:
John Sebastian
John Sebastian52:52
63Come Back to Me
recording engineer:
Allen Sides
assistant engineer:
David Egerton and Mark Ettel
co-producer:
Jeff Weber
producer:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
editor:
Jim Wolvington
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1983-07-23 until 1983-07-24)
Tom Scott4:19
64I.G.Y.
additional drums (drum set):
Jeff Porcaro
alto saxophone:
David Tofani
baritone saxophone:
Ronnie Cuber
bass guitar:
Anthony Jackson (US bassist)
drums (drum set):
James Gadson (American drummer)
electric piano:
Greg Phillinganes
guitar:
Hugh McCracken
percussion:
Roger Nichols (US mastering, recording engineer and producer) and Starz Vanderlocket
synthesizer:
Donald Fagen and Rob Mounsey
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trombone:
Dave Bargeron (US trombonist & tubist)
trumpet:
Randy Brecker
background vocals:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders and Valerie Simpson
lead vocals:
Donald Fagen
arranger:
Donald Fagen
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recording of:
I.G.Y. (What a Beautiful World)
lyricist and composer:
Donald Fagen
publisher:
Freejunket Music
Donald Fagen6:03
65Sensitive Soul
edit of:
Sensitive Soul by Jerry Corbetta
recording of:
Sensitive Soul
writer:
Jerry Corbetta and Bob Crewe
publisher:
Corbetta Music, Heart’s Delight Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jerry Corbetta3:23
66Make It With You
bass guitar, guitar, strings, background vocals and lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Michael Botts
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) and Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 13)
recording of:
Make It With You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
67Hearts in Trouble
The Dukes3:42
68Thank You for Being a Friend
assistant engineer:
George Ybara
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Andrew Gold and Brock Walsh (singer, producer, songwriter)
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (in 1978)
drums (drum set):
Jeff Porcaro (in 1978)
guitar:
Waddy Wachtel (in 1978)
percussion, piano and synthesizer:
Andrew Gold (in 1978)
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (in 1978), Andrew Gold (in 1978) and Brock Walsh (singer, producer, songwriter) (in 1978)
vocals:
Andrew Gold (in 1978)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
recorded at and mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1978)
recording of:
Thank You for Being a Friend (in 1978)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold54:41
69Takin’ It to the Streets
recording of:
Takin’ It to the Streets
lyricist and composer:
Michael McDonald (R&B & soul singer)
publisher:
Tauripin Tunes
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers43:40
70Don’t Hang Up Those Dancing Shoes
Terence Boylan3:29
71Love Is the Answer
recording engineer and mixer:
Billy Sherwood
producer:
Bob Kulick and Billy Sherwood
bass guitar, drums (drum set), percussion and background vocals:
Billy Sherwood
guitar:
Gary Hoey
lead vocals:
Todd Rundgren
recorded at and mixed at:
Office Studios in Van Nuys, California, United States
recording of:
Love Is the Answer
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Utopia4:15
72Baby What a Big Surprise
assistant recording engineer and recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (in 1977)
additional background vocals:
Tim Cetera (in 1977) and Carl Wilson (Beach Boys) (in 1977)
orchestrator:
Peter Cetera, Dominic Frontiere and James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) and Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States
recording of:
Baby, What a Big Surprise (in 1977)
orchestrator:
Dominic Frontiere
lyricist and composer:
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
Chicago33:06
73Nice Girls
Eye to Eye5:09
74January
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
January
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
lyricist and composer:
David Paton (of Pilot)
publisher:
EMI Music Publishing (do not use as a release label!) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:32
75Why You Givin’ Up
Patrick Simmons4:00
76Mornin’
recording engineer:
Eric Prestis
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Jeff Porcaro
guitar:
Jay Graydon
Rhodes piano and synthesizer:
David Foster (Canadian music producer, arranger and composer)
background vocals and lead vocals:
Al Jarreau
percussion [rhythm] arranger:
David Foster (Canadian music producer, arranger and composer) and Jay Graydon
strings arranger:
Jeremy Lubbock
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
additionally recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recorded at and mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Mornin’
writer:
David Foster (Canadian music producer, arranger and composer), Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Garden Rake Music, Inc. and Peermusic III, Ltd. (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
Al Jarreau54:18
77I Want Something to Find Me
Brenda Russell3:05
78Southern Cross
recording engineer:
Steve Gursky and Stanley Johnston
additional producer:
Steve Gursky and Stanley Johnston
producer:
David Crosby, Graham Nash and Stephen Stills
acoustic guitar:
Michael Stergis (in 1981)
acoustic guitar and electric guitar:
Stephen Stills (in 1981)
bass:
George "Chocolate" Perry (bassist aka "Chocolate") (in 1981)
drums (drum set):
Joe Vitale (in 1981)
keyboard [CP-30]:
Michael Finnigan (keyboardist) (in 1981)
percussion:
Joe Lala (in 1981)
piano and synthesizer:
Richard T. Bear (US rock singer/keyboardist aka T Bear) (in 1981)
additional vocals:
Michael Finnigan (keyboardist) (in 1981) and Timothy B. Schmit (in 1981)
vocals:
David Crosby (in 1981), Graham Nash (in 1981) and Stephen Stills (in 1981)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at:
Rudy Records in San Francisco, California, United States (in 1981)
recording of:
Southern Cross (in 1981)
lyricist and composer:
Michael Curtis (member of Crazy Horse), Richard Curtis (UK songwriter aka Richard Dew-Curtis) and Stephen Stills
publisher:
Gold Hill Music (BMI) and Three Wise Boys Music LLC
Crosby, Stills & Nash3.254:41
79Can We Still Be Friends?
engineer and producer:
Todd Rundgren
piano:
Todd Rundgren
arranger:
Todd Rundgren
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
recording of:
Can We Still Be Friends
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Todd Rundgren43:37
80Get Closer
engineer:
Joe Bogan (Recording- and mixing engineer)
producer:
Louie Shelton
background vocals:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews and Carolyn Willis
solo soprano vocals:
Carolyn Willis
performer:
Seals & Crofts
strings arranger:
David Paich
arranger:
Gene Page
recording of:
Get Closer (in 1976)
writer:
Dash Crofts and Jim Seals
Seals & Crofts53:58
81The Dealer
recording of:
The Dealer
writer:
Stevie Nicks
Stevie Nicks4:38
82I Just Can’t Let Go
producer:
David Pack and Michael Verdick
background vocals:
James Ingram (R&B singer) and Michael McDonald (R&B & soul singer)
vocals:
David Pack
recording of:
I Just Can't Let Go
lyricist and composer:
David Pack
publisher:
Art Street Music and EMI Longitude Music
David Pack4:53
83Love Is the Answer (single version)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
recording of:
Love Is the Answer
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
England Dan & John Ford Coley34:41
84I Gotta Try
producer:
Ted Templeman and Lenny Waronker
additional synthesizer:
Michael Boddicker
bass:
Willie Weeks (US bass player)
drums (drum set):
Steve Gadd (drummer)
guitar:
Steve Lukather
percussion:
Paulinho da Costa (Brazilian percussionist) and Ted Templeman
piano and synthesizer:
Michael McDonald (R&B & soul singer)
Rhodes piano:
Greg Phillinganes
background vocals:
Kenny Loggins and Michael McDonald (R&B & soul singer)
vocals:
Michael McDonald (R&B & soul singer)
recording of:
I Gotta Try
writer:
Kenny Loggins and Michael McDonald (R&B & soul singer)
publisher:
Genevieve Music, Kobalt Music Publishing Ltd. (UK), Milk Money Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Michael McDonald3:55
85Do the Bossa Nova
Vapour Trails3:06
86Waiting for a Girl Like You
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and Warner Music International (trademark of Warner Music International the company) (in 1981)
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner3.54:49
87Too Good to Last
recording engineer:
Ian Eales, Humberto Gatica and David Leonard (US producer and engineer)
producer:
Greg Mathieson
mixer:
David Leonard (US producer and engineer)
bass guitar:
Mike Porcaro
drums (drum set) and percussion:
Jeff Porcaro
guitar:
Steve Lukather
keyboard:
Greg Mathieson and David Roberts (Canadian singer‐songwriter)
synthesizer:
Michael Boddicker and Greg Mathieson
background vocals:
Bill Champlin, Joe Chemay, Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song), John Joyce (vocalist), Tom Kelly (songwriter) and David Roberts (Canadian singer‐songwriter)
lead vocals:
David Roberts (Canadian singer‐songwriter)
arranger:
Greg Mathieson, Terry McKeown and David Roberts (Canadian singer‐songwriter)
phonographic copyright (℗) by:
WEA Music of Canada, Ltd. (later Warner Music Canada Ltd) (in 1982)
recorded at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States, Garden Rake Studios in Studio City, Los Angeles, California, United States, Sunset Sound Studios in Hollywood, Los Angeles, California, United States and The Sound Factory (1969–1980) in Los Angeles, California, United States
mixed at:
Sunset Sound Studios in Hollywood, Los Angeles, California, United States
recording of:
Too Good to Last
lyricist and composer:
David Roberts (Canadian singer‐songwriter)
publisher:
David Roberts Music, Don Valley Music Ltd., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
David Roberts3:51
88Let Me Go, Love
co-engineer:
Ken Deane
engineer:
Donn Landee
producer:
Ted Templeman
bass guitar [bass]:
Bob Glaub
congas:
Bobby LaKind
drums (drum set):
Rick Shlosser (drummer)
guitar:
Paul Barrère
keyboard:
Billy Payne
percussion:
Ted Templeman
vocals:
Michael McDonald (R&B & soul singer) and Nicolette
horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (in 1979)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Let Me Go Love
writer:
B J Cook Foster and Michael McDonald (R&B & soul singer)
Nicolette Larson3:49
89It’s Uncanny
recording of:
It’s Uncanny
lyricist and composer:
Daryl Hall
Daryl Hall & John Oates3:44
90Don’t Let Me Be Lonely Tonight
producer:
Peter Asher
mixer:
Robert Appère
recording of:
Don’t Let Me Be Lonely Tonight
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated), EMI April Music Inc. and EMI Blackwood Music Inc.
James Taylor52:35
91Too Young
analog synthesizer [ARP 2600] programming:
Jay Graydon
engineer:
John Guess and Tom Perry (engineer)
producer:
Michael Omartian
mixer:
Tom Perry (engineer)
bass guitar:
Rick “Cheese” Chudacoff
drums (drum set):
Peter Bunetta
guitar:
Bob Bordy and Brian Ray
keyboard:
George T. Clinton (member of Crackin’) and Michael Omartian
percussion:
Peter Bunetta, Arno Lucas, Michael Omartian and Leslie Smith (funk/soul singer)
synthesizer:
George T. Clinton (member of Crackin’)
background vocals:
Julia Tillman Waters, Maxine Willard Waters and Michael Omartian
vocals:
Arno Lucas and Leslie Smith (funk/soul singer)
arranger:
Crackin’ and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States
recording of:
Too Young
writer:
Bob Bordy, Rick Chudacoff, Arno Lucas and Michael Omartian
Crackin’3:58
92Take a Chance on Love
recording engineer and mixer:
Kent Nebergall
producer:
Joey Carbone and Richie Zito
bass guitar:
Dennis Belfield
drums (drum set):
Carlos Vega
guitar:
Richie Zito
keyboard:
Joey Carbone
percussion:
Joey Carbone and Lenny Castro
lead vocals:
John O’Banion
arranger:
Richie Zito
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981)
produced for:
Carbone and Zito Productions, Inc.
recording of:
Take a Chance on Love
writer:
Joey Carbone, Nancy Shanks and Richie Zito
publisher:
Joey Carbone Music Inc., Richie Zito Music, 大洋音楽 (Taiyō Music), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
John O’Banion3:19
93Get It Right Next Time
engineer:
Nick Patrick
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Get It Right Next Time
lyricist and composer:
Gerry Rafferty
publisher:
Stage Three Music Ltd.
Gerry Rafferty34:42
94Shakedown Cruise
engineer and mixer:
Terry Nelson (recording engineer)
producer:
Ed “Radar” Mashal and Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
bass guitar [bass]:
Scott Chambers
boatswain's pipe [bosun's whistle]:
Tom Peer U.S.N.
drums (drum set) [drums]:
Curly Smith (Jo Jo Gunne musician)
guitar:
Bob Webb (vocalist/guitarist with: The Measles, The James Gang, and Jay Ferguson’s band)
guitar [lead guitar]:
Tony Battaglia
piano, synthesizer [synthesizers] and vibraphone [vibes]:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
background vocals:
Bill Szymczyk
recorded at:
Santa Barbara Sound Studios in Santa Barbara, California, United States
Jay Ferguson4:12
95Phantom of the Footlights
Larsen/Feiten Band4:14
96One Love Too Late
recording engineer:
Phil Kaye and Roger Nichols (US mastering, recording engineer and producer)
synthesizer programming:
Ian Underwood
assistant engineer:
John Banuelos, Dennis Eveland and Cecilia Perna
producer:
Steve Barri
mixer:
Phil Kaye
arranger:
Michael Omartian
recorded at and mixed at:
Jennifudy Studios in North Hollywood, Los Angeles, California, United States
Patty Weaver4:13
97You Are the Woman
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
You Are the Woman
writer:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:46
98It’s Over
producer:
Phil Ramone
mixer:
Tommy Vicari
acoustic guitar, marimba and synthesizer:
Michael Sembello
membranophone:
Vinnie Colaiuta (drummer)
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Danny Sembello
conductor:
Oscar Castro‐Neves
strings arranger:
Oscar Castro‐Neves
Michael Sembello4:55
99Comin’ Apart
Gary Wright3:52
100See What You Done
Chunky, Novi & Ernie3:46