| # | Title | Artist | Rating | Length |
|---|
| 1 | Good Vibrations | The Beach Boys | | 3:37 |
| 2 | With a Girl Like You | The Troggs | | 2:07 |
| 3 | All Right Now- engineer:
- Roy Thomas Baker
- producer:
- Free and John Kelly
- bass:
- Andy Fraser
- drums (drum set):
- Simon Kirke
- guitar:
- Paul Kossoff
- lead vocals:
- Paul Rodgers
- remixer:
- Bob Clearmountain
- phonographic copyright (℗) by:
- Free (in 1970)
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1970, in 1971)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and Trident Studios in Soho, Westminster, London , England, United Kingdom
- music videos:
- All Right Now by Free
- recording of:
- All Right Now
- writer:
- Andy Fraser and Paul Rodgers
- publisher:
- Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control , Irving Music, Inc., Kobalt Music Publishing Ltd. , Polygram Music and Universal Music Publishing
| Free | 4.65 | 4:14 |
| 4 | Sunshine of Your Love- recording engineer:
- Tom Dowd (from 1967-04 until 1967-05)
- producer:
- Felix Pappalardi
- bass:
- Jack Bruce (from 1967-04 until 1967-05)
- drums (drum set):
- Ginger Baker (from 1967-04 until 1967-05)
- guitar:
- Eric Clapton (from 1967-04 until 1967-05)
- vocals:
- Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
- phonographic copyright (℗) by:
- Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) and Universal International Music B.V. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 11), VH1: 100 Greatest Hard Rock Songs (number: 44), Rolling Stone: 500 Greatest Songs of All Time (number: 65) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Sunshine of Your Love (from 1967-04 until 1967-05)
- writer:
- Pete Brown , Jack Bruce and Eric Clapton
- publisher:
- Casserole Music Corp., Dratleaf Music Ltd., E.C. Music , Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. and Warner Chappell Music, Inc.
| Cream | 4.35 | 4:09 |
| 5 | Blowin' in the Wind | Cher | | 3:35 |
| 6 | Eve of Destruction | Barry McGuire | 4.6 | 3:35 |
| 7 | California Dreamin' | The Mamas & the Papas | | 2:38 |
| 8 | Massachusetts- executive producer:
- Robert Stigwood
- producer:
- Bee Gees, Ossie Byrne and Robert Stigwood
- bass, mellotron and piano:
- Maurice Gibb (on 1967-08-09)
- drums (drum set):
- Colin Petersen (on 1967-08-09)
- guitar:
- Barry Gibb (on 1967-08-09) and Vince Melouney (on 1967-08-09)
- background vocals [chorus]:
- Barry Gibb (on 1967-08-09)
- vocals:
- Robin Gibb (on 1967-08-09)
- orchestra and conductor:
- Bill Shepherd
- arranger:
- Bill Shepherd
- phonographic copyright (℗) by:
- Barry Gibb (in 1967), Maurice Gibb (in 1967) and Robin Gibb (in 1967)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1967), PolyGram International Music B.V. (in 1967) and RSO Records, Inc. (in 1969)
- recorded at:
- IBC Studios in London , England, United Kingdom (on 1967-08-09)
- recording of:
- Massachusetts (on 1967-08-09)
- written in:
- New York, New York, United States
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs and Gibb Brothers Music
| Bee Gees | 4 | 2:26 |
| 9 | Going Up the Country | Canned Heat | | 2:52 |
| 10 | Imagine | Joan Baez | 4 | 3:26 |
| 11 | Peace Train | Cat Stevens | 4.1 | 4:12 |
| 12 | If I Were a Carpenter | Tim Hardin | 1 | 2:42 |
| 13 | Gimme Some Lovin'- recording of:
- Gimme Some Lovin’
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd. , Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. , Warner Chappell Music Ltd. , Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| The Spencer Davis Group | | 2:57 |
| 14 | With a Little Help From My Friends | Joe Cocker | 5 | 4:56 |
| 15 | The Mighty Quinn | Manfred Mann | 4.5 | 2:50 |
| 16 | The Weight | The Band | 4.1 | 4:33 |
| 17 | Love Song to a Stranger | Joan Baez | | 3:52 |
| 18 | Nights in White Satin | The Moody Blues | 4.55 | 4:25 |
| 19 | The Sun Ain't Gonna Shine Anymore | The Walker Brothers | | 3:14 |
| 20 | How Can We Hang on to a Dream | Tim Hardin | 3 | 2:02 |
| 21 | Sunday Morning | The Velvet Underground | 4.15 | 2:53 |
| 22 | Wild Thing | The Troggs | | 2:34 |
| 23 | Morning Has Broken- producer:
- Paul Samwell-Smith
- bass and congas:
- Larry Steele (in 1971-03)
- bouzouki:
- Angelos Hatzipavli (in 1971-03) and Ανδρέας Τουμαζής (in 1971-03)
- drums (drum set):
- Harvey Burns (in 1971-03) and Gerry Conway (in 1971-03)
- guitar:
- Alun Davies (in 1971-03) and Cat Stevens (in 1971-03)
- keyboard and lead vocals:
- Cat Stevens (in 1971-03)
- piano:
- Rick Wakeman (in 1971-03)
- strings:
- Del Newman (in 1971-03)
- phonographic copyright (℗) by:
- Universal Island Records Ltd. (in 1970) and Island Records Ltd. (in 1971)
- recorded at:
- Morgan Studios in Willesden, Brent , London , England, United Kingdom (in 1971-03)
- recording of:
- Morning Has Broken (in 1971-03)
- lyricist:
- Eleanor Farjeon
- composer:
- [traditional]
- publisher:
- Cat Music Ltd., EMI Music , Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc.
- is based on:
- Bunessan
- cover recording of:
- Morning Has Broken
- lyricist:
- Eleanor Farjeon
- composer:
- [traditional]
- publisher:
- Cat Music Ltd., EMI Music , Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc.
- is based on:
- Bunessan
- recording of:
- Morning Has Broken
- lyricist:
- Eleanor Farjeon
- composer:
- [traditional]
- arranger:
- Cat Stevens
- arrangement of:
- Morning Has Broken
| Cat Stevens | 4.25 | 3:19 |
| 24 | Wouldn't It Be Nice- engineer:
- Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
- producer:
- Mark Linett and Brian Wilson
- mixer:
- Mark Linett (in 1996)
- accordion:
- Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
- baritone saxophone:
- Jay Migliori (on 1966-01-22)
- bell, percussion and timpani:
- Frank Capp (on 1966-01-22)
- double bass:
- Lyle Ritz (on 1966-01-22)
- drums (drum set):
- Hal Blaine (on 1966-01-22)
- electric bass guitar:
- Carol Kaye (on 1966-01-22)
- electric bass guitar [Dano Bass]:
- Ray Pohlman (on 1966-01-22)
- guitar:
- Jerry Cole (on 1966-01-22), Barney Kessel (on 1966-01-22) and Bill Pitman (on 1966-01-22)
- piano:
- Al De Lory (on 1966-01-22)
- tack piano:
- Larry Knechtel (on 1966-01-22)
- tenor saxophone:
- Steve Douglas (on 1966-01-22) and Plas Johnson (on 1966-01-22)
- trumpet:
- Roy Caton (on 1966-01-22)
- lead vocals:
- Brian Wilson (from 1966-03 until 1966-04)
- arranger:
- Brian Wilson
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
- mixed at:
- Your Place or Mine Recording in Glendale, California, United States (in 1996)
- remix of:
- Wouldn’t It Be Nice by The Beach Boys
- recording of:
- Wouldn’t It Be Nice (from 1966-01-22 until 1966-04)
- lyricist:
- Tony Asher , Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Almo Music Corp. , Irving Music , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Beach Boys | 4.6 | 2:32 |
| 25 | White Room- recording engineer:
- Adrian Barber (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
- engineer:
- Adrian Barber and Tom Dowd
- producer:
- Felix Pappalardi
- bass:
- Jack Bruce (from 1967-07 until 1968-06)
- drums (drum set) and percussion and timpani:
- Ginger Baker (from 1967-07 until 1968-06)
- guitar:
- Eric Clapton (from 1967-07 until 1968-06)
- viola:
- Felix Pappalardi (from 1967-07 until 1968-06)
- vocals:
- Jack Bruce (from 1967-07 until 1968-06)
- phonographic copyright (℗) by:
- Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
- recorded at:
- IBC Studios in London , England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 368)
- recording of:
- White Room (from 1967-07 until 1968-06)
- writer:
- Pete Brown and Jack Bruce
- publisher:
- BG Publishing, Casserole Music Corp., Copyright Control , Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music and Warner Chappell Music, Inc.
- sub-publisher:
- Warner/Chappell Music Ltd. , ワーナー・チャペル音楽出版 Synch事業部 , ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Cream | 4.55 | 4:58 |
| 26 | The Night They Drove Old Dixie Down | The Band | 4.4 | 3:30 |
| 27 | Feelin' Alright | Joe Cocker | 3 | 4:08 |
| 28 | Wishing Well | Free | 4 | 3:41 |
| 29 | House of the Rising Sun | Frijid Pink | 4 | 4:43 |
| 30 | On the Road Again | Canned Heat | | 4:56 |
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