Mixed Emotions III

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

2 CD compilation. 38 classic tracks from lost love to sweet love. Mixed Emotions III, reflecting both sides of love. Released in the UK by PolyGram TV

Annotation last modified on 2013-10-10 15:34 UTC.

Tracklist

1▼CD: Sweet Love
#TitleArtistRatingLength
1Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1994) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:59
22 Become 1
assistant recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
additional programming:
Pete Davis (UK engineer, programmer, keyboards), Statik (worked with Spice Girls) and Paul Waller
programming and producer:
Richard Stannard and Matt Rowe
additional producer:
Andy Bradfield
mixer:
Andy Bradfield
guitar:
Greg Lester
keyboard:
Richard Stannard and Matt Rowe
strings arranger:
Craig Armstrong (Scottish score composer)
concertmaster:
Isobel Griffiths and Perry Montague‐Mason (violinist)
recording of:
2 Become 1
writer:
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe and Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. and Windswept Pacific Music Ltd.
Spice Girls4.53:58
3All That I Need
recording engineer:
Al Hemberger
miscellaneous support:
Andrea Derby (task: production assistant) and Colleen Reynolds (task: production manager)
programming:
John Holliday and Trevor Steel
additional producer:
John Holliday, Rude Boy (remix) and Trevor Steel
producer:
Evan Rogers (musician/producer) and Carl Sturken
classical guitar [spanish guitar]:
John Holliday
instruments:
Carl Sturken
keyboard:
Danny G (1990s UK keyboardist)
additional background vocals:
Evan Rogers (musician/producer)
lead vocals:
Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Stephen Gately, Mikey Graham and Shane Lynch
remixer:
Andy Bradfield and Rude Boy (remix)
arranger:
Evan Rogers (musician/producer) and Carl Sturken
phonographic copyright (℗) by:
Polygram Ireland Ltd. (in 1998)
mixed for:
First Avenue Management and Townhouse Management
arranged for:
Syndicated Rhythm Productions Inc.
produced for:
First Avenue Management and Syndicated Rhythm Productions Inc.
recorded at:
The Loft in Bronxville, New York, United States
recording of:
All That I Need
writer:
Evan Rogers (musician/producer) and Carl Sturken
publisher:
mca music ltd
Boyzone2.253:41
4Lost in Space
recording of:
Lost in Space
lyricist:
Paul Tucker
composer:
Tim Laws and Paul Tucker
Lighthouse Family4:14
5Let's Get It On
producer:
Marvin Gaye and Ed Townsend
percussion:
Emil Richards
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
remix of:
Let’s Get It On (album version) by Marvin Gaye
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 46)
recording of:
Let’s Get It On
writer:
Marvin Gaye and Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
Marvin Gaye43:55
6So Amazing
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recording of:
So Amazing
lyricist and composer:
Luther Vandross
publisher:
EMI April Music Inc., SBK Songs (publisher), Uncle Ronnie’s Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), April Music Inc. (in 1986), Uncle Ronnie's Music Co. Inc. (in 1986) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Luther Vandross3:28
7Fall at Your Feet
recording engineer and engineer:
Tchad Blake
assistant engineer:
Robert “RJ” Jaczko
producer:
Neil Finn and Mitchell Froom
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1991)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Fall at Your Feet
lyricist and composer:
Neil Finn
publisher:
Roundhead Music (Neil Finn)
Crowded House33:18
8I Will Come to You
executive producer:
Steve Greenberg (Record producer)
producer:
Stephen Lironi
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1997)
recording of:
I Will Come to You (Hanson song)
writer:
Isaac Hanson, Taylor Hanson, Barry Mann, Cynthia Weil and Zachary Hanson
publisher:
Dyad Music Ltd., Heavy Harmony Music and Jam 'N' Bread Music
Hanson54:09
9Right Here Waiting
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recording of:
Right Here Waiting
lyricist:
Richard Marx
composer:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) and Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. and EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:07
10Never Tear Us Apart
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
INXS (in 1987)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) and PolyGram International Music B.V. (not for release label use!) (in 1987)
music videos:
Never Tear Us Apart (music video) by INXS
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2025 (Australian Songs)) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 282)
recording of:
Never Tear Us Apart
lyricist and composer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
MCA Music Ltd., Stuffed Monkey and Warner/Chappell (Warner/Chappell Music, Inc.)
INXS3.83:02
11I'll Stand by You
engineer:
Steve Williams (UK recording engineer, aka Syco)
producer:
Ian Stanley
drums (drum set):
Jimmy Copley and J.F.T. Hood
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Adam Seymour
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 2000) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recording of:
I’ll Stand by You
writer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) and Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L and Kobalt Publishing Ltd.
The Pretenders3.553:56
12Romeo and Juliet
assistant engineer:
Jeff Hendrickson (sound engineer) and Jon Mathias (engineer)
engineer:
Shelly Yakus
producer:
Jimmy Iovine and Mark Knopfler
bass guitar:
John Illsley
drums (drum set):
Pick Withers
guitar and lead vocals:
Mark Knopfler
keyboard:
Roy Bittan
background vocals:
John Illsley and Pick Withers
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1980, in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022), Mercury Records Ltd. (London) (for copyrights use only) (in 1996) and Warner Music Group – X5 Music Group (in 2019)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1980-06-20 until 1980-08-25)
music videos:
Romeo and Juliet by Dire Straits
recording of:
Romeo and Juliet
lyricist and composer:
Mark Knopfler
publisher:
Rondor Music (London) Ltd. and Straitjacket Songs Ltd. (in 1980)
Dire Straits3.755:56
13Always
edit of:
Always by Atlantic Starr
recording of:
Always
writer:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr34:00
14Still
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
Still
lyricist and composer:
Lionel Richie
publisher:
Commodores Entertainment Publishing Corp. (ended), Brenda Richie Publishing, Jobete Music Co., Inc. and Libren Music
Commodores3.53:43
15Best Thing That Ever Happened to Me
cover recording of:
Best Thing That Ever Happened to Me
lyricist and composer:
James D. Weatherly (American singer/songwriter)
recording of:
Best Thing That Ever Happened to Me
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:48
16Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:49
17True Love
producer:
Narada Michael Walden
mixer:
David Frazer (engineer)
background vocals:
Sandy Griffith and Claytoven Richardson
vocals:
Kiki Dee and Elton John (English singer, songwriter, pianist, and composer)
performer:
Kiki Dee
phonographic copyright (℗) by:
Happenstance Ltd. (record and publishing company) (in 1993)
cover recording of:
True Love (High Society)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
Elton John & Kiki Dee2.53:35
18Forever Love
Gary Barlow4:33
19The Power of Love
engineer:
Stuart Bruce and Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luís Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
strings arranger and additional arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:14
2▶CD: Lost Love