Christmas Oratorio

~ Release by Johann Sebastian Bach; Cloë Elmo, Gert Lutze, Münchener Bach-Orchester, Karl Richter (see all versions of this release, 2 available)

Annotation

Copyright: © 2022 Warner Music Group - X5 Music Group
℗ 2022 Warner Music Group - X5 Music Group

Annotation last modified on 2025-01-15 11:59 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Weihnachtsoratorium, BWV 248: Pt. 1, Jauchzet, frohlocket (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach8:58
2Weihnachtsoratorium, BWV 248: Pt. 1, Es begab sich aber zu der Zeit (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:35
3Weihnachtsoratorium, BWV 248: Pt. 1, Nun wird mein liebster Bräutigam (contralto)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:22
4Weihnachtsoratorium, BWV 248: Pt. 1, Bereite dich, Zion (contralto)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:17
5Weihnachtsoratorium, BWV 248: Pt. 1, Wie soll ich dich empfangen (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:37
6Weihnachtsoratorium, BWV 248: Pt. 1, Und sie gebar (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:30
7Weihnachtsoratorium, BWV 248: Pt. 1, Er ist auf Erden kommen arm (soprano, bass)
soprano vocals:
Chloë Owen (American soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:54
8Weihnachtsoratorium, BWV 248: Pt. 1, Grosser Herr, o starker König (bass)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:38
9Weihnachtsoratorium, BWV 248: Pt. 1, Ach mein herzliebes Jesulein (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:47
10Weihnachtsoratorium, BWV 248: Pt. 2, Sinfonia
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:58
11Weihnachtsoratorium, BWV 248: Pt. 2, Und es waren Hirten in derselben Gegend (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:57
12Weihnachtsoratorium, BWV 248: Pt. 2, Brich an, o schönes Morgenlicht (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
13Weihnachtsoratorium, BWV 248: Pt. 2, Und der Engel sprach zu ihnen (Evangelist, Angel)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:11
14Weihnachtsoratorium, BWV 248: Pt. 2, Was Gott dem Abraham verheissen (bass)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:02
15Weihnachtsoratorium, BWV 248: Pt. 2, Frohe Hirten, eilt (tenor)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:01
16Weihnachtsoratorium, BWV 248: Pt. 2, Und das habt zum Zeichen (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:30
17Weihnachtsoratorium, BWV 248: Pt. 2, Schaut hin, dort liegt im finstern Stall (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:48
18Weihnachtsoratorium, BWV 248: Pt. 2, So geht denn hin (bass)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:03
19Weihnachtsoratorium, BWV 248: Pt. 2, Schlafe, mein Liebster (contralto)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:59
20Weihnachtsoratorium, BWV 248: Pt. 2, Und alsobald war da bei dem Engel (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:20
21Weihnachtsoratorium, BWV 248: Pt. 2, Ehre sei Gott in der Höhe (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:27
22Weihnachtsoratorium, BWV 248: Pt. 2, So recht, ihr Engel (bass)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:31
23Weihnachtsoratorium, BWV 248: Pt. 2, Wir singen dir in deinem Heer (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1955)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:46
24Weihnachtsoratorium, BWV 248: Pt. 3, Herrscher des Himmels, erhöre das Lallen (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:23
25Weihnachtsoratorium, BWV 248: Pt. 3, Und da die Engel (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:13
26Weihnachtsoratorium, BWV 248: Pt. 3, Lasset uns nun gehen (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:00
27Weihnachtsoratorium, BWV 248: Pt. 3, Er hat sein Volk getröst (bass)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
28Weihnachtsoratorium, BWV 248: Pt. 3, Dies hat er alles uns getan (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:52
29Weihnachtsoratorium, BWV 248: Pt. 3, Herr, dein Mitleid (soprano, bass)
soprano vocals:
Chloë Owen (American soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:23
30Weihnachtsoratorium, BWV 248: Pt. 3, Und sie kamen eilend (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:44
31Weihnachtsoratorium, BWV 248: Pt. 3, Schliesse, mein Herze (contralto)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:19
32Weihnachtsoratorium, BWV 248: Pt. 3, Ja, ja, mein Herz (contralto)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:31
33Weihnachtsoratorium, BWV 248: Pt. 3, Ich will dich mit Fleiss bewahren (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:04
34Weihnachtsoratorium, BWV 248: Pt. 3, Und die Hirten kehrten wieder um (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:35
35Weihnachtsoratorium, BWV 248: Pt. 3, Seid froh dieweil (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:53
36Weihnachtsoratorium, BWV 248: Pt. 3, Da capo. Herrscher des Himmels, erhöre das Lallen (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“ (in 1955)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:27
37Weihnachtsoratorium, BWV 248: Pt. 4, Fallt mit Danken, fallt mit Loben (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:26
38Weihnachtsoratorium, BWV 248: Pt. 4, Und da acht Tage um waren (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
39Weihnachtsoratorium, BWV 248: Pt. 4, Immanuel, o süsses Wort! (soprano, bass)
soprano vocals:
Chloë Owen (American soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:26
40Weihnachtsoratorium, BWV 248: Pt. 4, Flösst mein Heiland (soprano)
soprano vocals:
Chloë Owen (American soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:14
41Weihnachtsoratorium, BWV 248: Pt. 4, Wohlan, dein Name soll allein (soprano, bass)
soprano vocals:
Chloë Owen (American soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:00
42Weihnachtsoratorium, BWV 248: Pt. 4, Ich will nur dir zu Ehren leben (tenor)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:48
43Weihnachtsoratorium, BWV 248: Pt. 4, Jesus richte mein Beginnen (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:28
44Weihnachtsoratorium, BWV 248: Pt. 5, Ehre sei dir, Gott, gesungen (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:44
45Weihnachtsoratorium, BWV 248: Pt. 5, Da Jesus geboren war (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:33
46Weihnachtsoratorium, BWV 248: Pt. 5, Wo ist der neugeborne König der Jüden? (choir, contralto)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1955)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:09
47Weihnachtsoratorium, BWV 248: Pt. 5, Dein Glanz all Finsternis verzehrt (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:54
48Weihnachtsoratorium, BWV 248: Pt. 5, Erleucht auch meine finstre Sinnen (bass)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:39
49Weihnachtsoratorium, BWV 248: Pt. 5, Da das der König Herodes hörte (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:15
50Weihnachtsoratorium, BWV 248: Pt. 5, Warum wollt ihr erschrecken? (contralto, tenor)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:44
51Weihnachtsoratorium, BWV 248: Pt. 5, Und liess versammlen alle Hohepriester (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:34
52Weihnachtsoratorium, BWV 248: Pt. 5, Ach, wenn wird die Zeit erscheinen (soprano, contralto, tenor)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1955)
soprano vocals:
Chloë Owen (American soprano) (in 1955)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:53
53Weihnachtsoratorium, BWV 248: Pt. 5, Mein Liebster herrschet schon (contralto)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:37
54Weihnachtsoratorium, BWV 248: Pt. 5, Zwar ist solche Herzensstube (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:54
55Weihnachtsoratorium, BWV 248: Pt. 6, Herr, wenn die stolzen Feinde schnauben (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:29
56Weihnachtsoratorium, BWV 248: Pt. 6, Da berief Herodes (Evangelist, Herod)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:03
57Weihnachtsoratorium, BWV 248: Pt. 6, Du Falscher, suche nur (soprano)
soprano vocals:
Chloë Owen (American soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:04
58Weihnachtsoratorium, BWV 248: Pt. 6, Nur ein Wink von seinen Händen (soprano)
soprano vocals:
Chloë Owen (American soprano) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:13
59Weihnachtsoratorium, BWV 248: Pt. 6, Als sie nun den König gehöret hatten (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:30
60Weihnachtsoratorium, BWV 248: Pt. 6, Ich steh an deiner Krippen hier (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:29
61Weihnachtsoratorium, BWV 248: Pt. 6, Und Gott befahl ihnen im Traum (Evangelist)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:30
62Weihnachtsoratorium, BWV 248: Pt. 6, So geht! (tenor)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:22
63Weihnachtsoratorium, BWV 248: Pt. 6, Nun mögt ihr stolzen Feinde schrecken (tenor)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:35
64Weihnachtsoratorium, BWV 248: Pt. 6, Was will der Höllen Schrecken nun (soprano, contralto, tenor, bass)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1955)
soprano vocals:
Chloë Owen (American soprano) (in 1955)
tenor vocals:
Gert Lutze (German tenor) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:44
65Weihnachtsoratorium, BWV 248: Pt. 6, Nun seid ihr wohl gerochen" (choir)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1955)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1955)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1955)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1955)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:49