| # | Title | Artist | Rating | Length |
|---|
| 1 | Beautiful Day- miscellaneous support:
- Cheryl Engels (task: audio post production manager and technical guru), Rab McAllister (task: studio tech) and Sam O’Sullivan (task: studio manager)
- programming:
- Brian Eno
- additional engineer:
- Stephen Harris and Tim Palmer
- assistant engineer:
- Chris Heaney
- engineer:
- Richard Rainey
- additional producer:
- Steve Lillywhite
- producer:
- Brian Eno and Daniel Lanois
- mixer:
- Steve Lillywhite
- bass guitar:
- Adam Clayton
- drums (drum set) and percussion:
- Larry Mullen
- guitar:
- Bono and The Edge
- keyboard [keyboards]:
- The Edge and Brian Eno
- piano:
- The Edge
- synthesizer:
- Brian Eno
- background vocals:
- The Edge and Daniel Lanois
- vocals:
- Bono and The Edge
- drums (drum set) technician:
- Sam O’Sullivan
- guitar technician:
- Fraser McAlister
- phonographic copyright (℗) by:
- Universal Music International BV (in 2000)
- recorded at:
- HQ in Dublin, County Dublin, Leinster, Ireland, Totally Wired in Dublin, County Dublin, Leinster, Ireland, Westland Studios in Dublin, County Dublin, Leinster, Ireland and Windmill Lane Studios in Dublin, County Dublin, Leinster, Ireland
- music videos:
- Beautiful Day by U2 and Beautiful Day by U2
- part of:
- My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees
- recording of:
- Beautiful Day
- lyricist:
- Bono
- composer:
- Bono , Adam Clayton, The Edge and Larry Mullen, Jr.
- publisher:
- Blue Mountain Music Ltd., Mother Music, PolyGram International Music Publishing B.V., Sony/ATV Music Publishing LLC , Universal Music Publishing BV , Universal Music Publishing International BV and Universal Music Publishing International Ltd.
- revision of:
- Always
| U2 | 3.75 | 4:08 |
| 2 | Some Might Say | Oasis | | 5:10 |
| 3 | Yellow | Coldplay | 3.25 | 4:26 |
| 4 | Somebody Told Me | The Killers | 3.85 | 3:17 |
| 5 | Dakota | Stereophonics | 3.95 | 4:57 |
| 6 | Creep- engineer, producer and mixer:
- Paul Q. Kolderie and Sean Slade
- bass guitar:
- Colin Greenwood (from 1992-09 until 1992-11)
- drums (drum set):
- Philip Selway (from 1992-09 until 1992-11)
- guitar:
- Jonny Greenwood (from 1992-09 until 1992-11), Ed O’Brien (from 1992-09 until 1992-11) and Thom Yorke (from 1992-09 until 1992-11)
- organ and piano:
- Jonny Greenwood (from 1992-09 until 1992-11)
- vocals:
- Ed O’Brien (from 1992-09 until 1992-11) and Thom Yorke (from 1992-09 until 1992-11)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (from 1992-09 until 1992-11)
- mixed at:
- Fort Apache in Cambridge, Massachusetts, United States
- remix of:
- Creep by Radiohead
- recording of:
- Creep
- lyricist:
- Thom Yorke
- composer:
- Colin Greenwood , Jonny Greenwood , Albert Hammond, Mike Hazlewood, Ed O’Brien , Philip Selway and Thom Yorke
- publisher:
- EMI April Music Inc., Rondor Music (London) Ltd. and Warner Chappell Music Ltd.
- sub-publisher:
- Universal Music Publishing Ltd. and Warner/Chappell Music, Hong Kong Limited
- is based on:
- The Air That I Breathe
| Radiohead | 3.25 | 3:57 |
| 7 | What’s the Frequency, Kenneth? | R.E.M. | 2 | 4:00 |
| 8 | Knock Me Down | Red Hot Chili Peppers | 3.7 | 3:43 |
| 9 | Everybody’s Changing | Keane | 3.8 | 3:35 |
| 10 | Grounds for Divorce | Elbow | 4.6 | 3:39 |
| 11 | Golden Touch | Razorlight | | 3:18 |
| 12 | Beautiful Ones | Suede | 4.5 | 3:50 |
| 13 | Shining Light | Ash | | 4:22 |
| 14 | The Only One I Know | The Charlatans | 4.45 | 3:58 |
| 15 | Step On | Happy Mondays | 3.55 | 5:17 |
| 16 | Alright | Supergrass | 3.7 | 3:00 |
| 17 | Good Enough | Dodgy | 4 | 4:01 |
| 18 | Hard to Beat | Hard‐Fi | 3.45 | 4:13 |
| 19 | Pompeii | Bastille | 3.95 | 3:34 |
| 20 | F.E.A.R. | Ian Brown | 4.2 | 4:31 |
| 21 | Firestarter- additional recording engineer:
- Neil McLellan
- producer and mixer:
- Liam Howlett
- guitar:
- Jim Davies and Jim Davis
- vocals:
- Keith Flint
- phonographic copyright (℗) by:
- XL‐Recordings Ltd. (in 1996)
- recorded at:
- Strongroom in Shoreditch, Hackney, London , England, United Kingdom
- mixed at:
- Earthbound in Bradwell, Essex, England, United Kingdom
- produced at:
- Earthbound in Bradwell, Essex, England, United Kingdom
- samples:
- Close (to the Edit) by Art of Noise and S.O.S. by The Breeders
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 30)
- recording of:
- Firestarter
- writer:
- Kim Deal, Anne Dudley , Keith Flint , Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan and Paul Morley
- publisher:
- Copyright Control , EMI Virgin Music Ltd. , EMI/Virgin Music Publishing Ltd., MCA Music , Perfect Songs , Unforgettable Songs Ltd. and Zomba Music
- is based on:
- S.O.S.
- quotes music from:
- Close (to the Edit)
| The Prodigy | 4.05 | 4:39 |
| 22 | Hey Boy Hey Girl | The Chemical Brothers | | 3:34 |
| 23 | The Rockafeller Skank | Fatboy Slim | 4 | 3:56 |
| 24 | Where’s Your Head At | Basement Jaxx | | 4:00 |
| 25 | Born Slippy (Nuxx) | Underworld | 3.9 | 4:24 |
| 26 | Why Does My Heart Feel So Bad? | Moby | 3.55 | 4:23 |
| 27 | Connected | Stereo MCs | 3 | 3:46 |
| 28 | Scooby Snacks- assistant recording engineer:
- Edward Douglas (from 1995-04-25 until 1995-05-20) and Juan Garcia (from 1995-04-25 until 1995-05-20)
- recording engineer:
- Tim Latham (from 1995-04-25 until 1995-05-20)
- producer:
- Fun Lovin’ Criminals
- assistant mixer:
- Sean “Puffy” Coffey (from 1995-06-03 until 1995-07-19)
- mixer:
- Tim Latham (from 1995-06-03 until 1995-07-19)
- performer:
- Fun Lovin’ Criminals
- arranger:
- Fun Lovin’ Criminals
- phonographic copyright (℗) by:
- EMI Records USA (in 1996)
- recorded at:
- Steve Rosenthal’s Magic Shop in Manhattan, New York, New York, United States (from 1995-04-25 until 1995-05-20)
- mixed at:
- Platinum Island NYC in New York, New York, United States (from 1995-06-03 until 1995-07-19)
- samples:
- Movement of Fear by Tones on Tail
- recording of:
- Scooby Snacks
- additional lyricist:
- Quentin Tarantino
- writer:
- Stephen Borgovini, Brian Leiser and Huey Morgan
- publisher:
- Beggars Banquet Music Ltd., DiFontaine Carting & Asbestos Removal, Co., Notting Hill Music (UK) Ltd., Universal Music Careers and Universal PolyGram International Publishing, Inc.
| Fun Lovin’ Criminals | | 3:04 |
| 29 | Reverend Black Grape | Black Grape | 4.5 | 5:13 |
| 30 | Female of the Species | Space | 3 | 3:19 |
| 31 | The Day We Caught the Train | Ocean Colour Scene | 4 | 3:06 |
| 32 | Going for Gold | Shed Seven | 3 | 4:27 |
| 33 | Wide Open Space | Mansun | 4 | 4:31 |
| 34 | All You Good Good People | Embrace | 2 | 4:38 |
| 35 | Walkaway | Cast | 4.65 | 3:51 |
| 36 | There She Goes | The La’s | | 2:30 |
| 37 | The Size of a Cow | The Wonder Stuff | 4 | 3:13 |
| 38 | Sit Down | James | 3.8 | 4:04 |
| 39 | Road Rage | Catatonia | 4.5 | 4:02 |
| 40 | Slight Return | The Bluetones | 3.75 | 3:21 |
| 41 | I Will Wait | Mumford & Sons | 3.8 | 4:36 |
| 42 | AKA… What a Life! | Noel Gallagher’s High Flying Birds | 4 | 4:24 |
| 43 | Sweet Disposition | The Temper Trap | 3.8 | 3:54 |
| 44 | Radioactive- recording engineer:
- Josh Mosser
- producer:
- Alex da Kid and Imagine Dragons
- mixer:
- Manny Marroquin
- additional guitar family:
- J. Browz
- recorded at:
- Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- music videos:
- Radioactive by Imagine Dragons
- part of:
- Billboard Year-End Hot 100 singles of 2013 (number: 3), Grammy Award: Best Rock Performance nominees (number: 2014 winner), Billboard Decade End Chart: Streaming Songs (number: 19), Billboard Year-End Hot 100 singles of 2014 (number: 57) and Indie 88: Top 500 Indie Rock Songs (number: 90)
- recording of:
- Radioactive
- writer:
- Alex da Kid , Ben McKee , Josh Mosser, Dan Reynolds and Wayne Sermon
- publisher:
- Imagine Dragons Publishing, JMosser Music, Kidinakorner2 Publishing, Songs for KIDinaKORNER and Songs of Universal, Inc.
| Imagine Dragons | 4.25 | 3:06 |
| 45 | Naive | The Kooks | 3.55 | 3:23 |
| 46 | Banquet | Bloc Party | 3.8 | 3:21 |
| 47 | Golden Skans | Klaxons | 3.75 | 2:45 |
| 48 | Are You Gonna Be My Girl- additional engineer:
- Greg Gordon
- assistant engineer:
- Evil Chris
- engineer:
- Greg Fidelman
- producer and mixer:
- Brooklyn’s own Dave Sardy
- editor:
- Greg Gordon
- additional guitar:
- Brooklyn’s own Dave Sardy
- bass guitar:
- Mark Wilson
- drums (drum set):
- Chris Cester
- guitar:
- Cam Muncey and Nic Cester
- vocals:
- Cam Muncey, Chris Cester and Nic Cester
- phonographic copyright (℗) by:
- Elektra Entertainment Group Inc. (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (in 2003)
- recorded at:
- Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- mixed at:
- The Village in Los Angeles, California, United States
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
- recording of:
- Are You Gonna Be My Girl
- writer:
- Nic Cester and Cameron Muncey
- publisher:
- Copyright Control , Universal Music Publishing and Universal Music Publishing Pty Ltd.
| Jet | 3.7 | 3:33 |
| 49 | Can’t Stand Me Now | The Libertines | | 3:25 |
| 50 | Chelsea Dagger | The Fratellis | 3 | 3:34 |
| 51 | Monster- engineer and producer:
- Richard Jackson
- mixer:
- Stephen Harris
- recorded at and engineered at:
- Stir Studios in Cardiff, Wales, United Kingdom
- mixed at:
- Pierce Rooms in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom
- produced at:
- Stir Studios in Cardiff, Wales, United Kingdom
- recording of:
- Monster
- writer:
- James Frost , Iwan Griffiths, Robin Hawkins and Alex Pennie
- publisher:
- EMI Music Publishing Ltd.
| The Automatic | 4.2 | 3:41 |
| 52 | Our Velocity | Maxïmo Park | 4.35 | 3:20 |
| 53 | Many of Horror | Biffy Clyro | 3.65 | 4:18 |
| 54 | Wires | Athlete | 3.5 | 4:20 |
| 55 | The Changingman | Paul Weller | 3.5 | 3:32 |
| 56 | Love Will Tear Us Apart- producer:
- Joy Division and Martin Hannett
- bass:
- Peter Hook
- drums (drum set):
- Stephen Morris
- guitar:
- Bernard Albrecht
- vocals:
- Bernard Albrecht and Ian Curtis
- phonographic copyright (℗) by:
- Factory Communications Ltd. (in 1988)
- recorded at:
- Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
- part of:
- triple j’s Hottest 100 (number: 1989 (All-time)), triple j’s Hottest 100 (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 179)
- recording of:
- Love Will Tear Us Apart
- lyricist:
- Ian Curtis
- composer:
- Ian Curtis, Peter Hook, Stephen Morris and Bernard Sumner
- publisher:
- Fractured Music and Zomba Music Publishers Ltd.
| Joy Division | 4.5 | 3:26 |
| 57 | In Between Days | The Cure | 4.1 | 2:57 |
| 58 | Town Called Malice | The Jam | 4.8 | 2:53 |
| 59 | All Day and All of the Night | The Kinks | 4.55 | 2:22 |
| 60 | My Generation | The Who | | 2:18 |
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