Rigoletto (2013 remaster)

~ Release by Verdi; Sutherland, Pavarotti, Milnes, Tourangeau, Talvela, London Symphony Orchestra, Bonynge (see all versions of this release, 5 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Rigoletto: Overture (Preludio)
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: N°1 Preludio (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
part of:
Rigoletto
part of:
Rigoletto (german lyrics)
part of:
Rigoletto (english lyrics)
Giuseppe Verdi2:23
2Rigoletto: Act 1: “Della mia bella incognita borghese”
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
tenor vocals [Borsa]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 1. N°2 Introduzione “Della mia bella incognita borghese” (Duca, Borsa) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:44
3Rigoletto: Act 1: “Questa o quella...Partite? Crudele!”
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone) (in 1971-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-06)
soprano vocals [La Contessa di Ceprano]:
Kiri Te Kanawa (soprano) (in 1971-06)
tenor vocals [Borsa]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 1. Minuetto e Perigordino “Partite? Crudele!” (Duca, Contessa Ceprano) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi4:16
4Rigoletto: Act 1: “Gran nuova! Gran nuova!”...“Tutto è gioia, tutto è festa”
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Marullo]:
Christian du Plessis (baritone) (in 1971-06)
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone) (in 1971-06)
bass vocals [Il Conte di Ceprano]:
John Gibbs (operatic bass) (in 1971-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-06)
tenor vocals [Borsa]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 1. “Gran nuova! Gran nuova!” (Marullo, Borsa, Coro, Duca, Ceprano, Rigoletto) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi2:35
5Rigoletto: Act 1: “Ch’io gli parti...Voi congiuraste contro noi”
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone) (in 1971-06)
bass vocals [Il Conte di Ceprano]:
John Gibbs (operatic bass) (in 1971-06)
bass vocals [Il Conte di Monterone]:
Clifford Grant (operatic bass and actor) (in 1971-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-06)
tenor vocals [Borsa]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 1. “Ch'io gli parli” (Monterone, Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
recording of:
Rigoletto: Atto I, scena 1. “O tu che la festa audace” (Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
Giuseppe Verdi4:22
6Rigoletto: Act 1: “Quel vecchio maledivami...Va, non ho niente”
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone) (in 1971-06)
bass vocals [Sparafucile]:
Martti Talvela (operatic bass) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 2. N°3 Duetto “Quel vecchio maledivami!” - “Signor?” (Rigoletto, Sparafucile) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi4:56
7Rigoletto: Act 1: “Pari siamo”
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 2. N°4 Aria “Pari siamo!” (Rigoletto) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi3:47
8Rigoletto: Act 1: “Figlia..Mio padre!”...“Quanto dolor”
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone) (in 1971-06)
mezzo-soprano vocals [Giovanna]:
Gillian Knight (mezzo-soprano) (in 1971-06)
soprano vocals [Gilda]:
Joan Sutherland (soprano) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 2. Duetto “Figlia!” ... “Mio padre!” … “Deh, non parlare al misero” (Rigoletto, Gilda) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi6:37
9Rigoletto: Act 1: “Ah! Veglia, o donna, questa fior”
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone) (in 1971-06)
mezzo-soprano vocals [Giovanna]:
Gillian Knight (mezzo-soprano) (in 1971-06)
soprano vocals [Gilda]:
Joan Sutherland (soprano) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 2. Duetto “Ah, veglia, o donna, questo fiore” (Rigoletto, Gilda, Duca, Giovanna) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi5:15
10Rigoletto: Act 1: “Giovanni, ho dei rimorsi...E il sol dell’anima”
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
mezzo-soprano vocals [Giovanna]:
Gillian Knight (mezzo-soprano) (in 1971-06)
soprano vocals [Gilda]:
Joan Sutherland (soprano) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 2. “È il sol dell’anima” (Duca, Gilda, Ceprano, Borsa, Giovanna) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (in 1850)
librettist:
Francesco Maria Piave (in 1850)
part of:
Rigoletto: Atto I
recording of:
Rigoletto: Atto I, scena 2. N°5 “Giovanna, ho dei rimorsi …” (Gilda, Giovanna) / Duetto “T'amo! T'amo” (Duca, Gilda) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
translated version of:
Rigoletto: Act I, Scene II. “Giovanna, I should have told him” (Gilda, Giovanna, Duke)
part of:
Rigoletto: Atto I
Giuseppe Verdi6:00
11Rigoletto: Act 1: “Che m’ami, deh, ripetimi” – “Addio... speranza ed anima”
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
bass vocals [Il Conte di Ceprano]:
John Gibbs (operatic bass) (in 1971-06)
mezzo-soprano vocals [Giovanna]:
Gillian Knight (mezzo-soprano) (in 1971-06)
soprano vocals [Gilda]:
Joan Sutherland (soprano) (in 1971-06)
tenor vocals [Borsa]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 2. “Addio! speranza ed anima” (Duca, Gilda) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
recording of:
Rigoletto: Atto I, scena 2. “Che m'ami, deh, ripetimi” (Duca, Gilda, Ceprano, Borsa, Giovanna) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi2:02
12Rigoletto: Act 1: “Gualtier Maldè” – “Caro nome”
sound engineer:
Stanley Goodall (engineer) (in 1971-06) and Kenneth Wilkinson (engineer) (in 1971-06)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Marullo]:
Christian du Plessis (baritone) (in 1971-06)
bass vocals [Il Conte di Ceprano]:
John Gibbs (operatic bass) (in 1971-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-06)
soprano vocals [Gilda]:
Joan Sutherland (soprano) (in 1971-06)
tenor vocals [Borsa]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1971-06)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi6:41
13Rigoletto: Act 1: “Riedo!... Perché?”
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Marullo]:
Christian du Plessis (baritone) (in 1971-06)
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone) (in 1971-06)
bass vocals [Il Conte di Ceprano]:
John Gibbs (operatic bass) (in 1971-06)
tenor vocals [Borsa]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 2. “Riedo!... perchè?...Silenzio!” (Rigoletto, Borsa, Ceprano, Marullo) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi2:11
14Rigoletto: Act 1: “Zitti, zitti...Soccorso, padre mio”
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Marullo]:
Christian du Plessis (baritone) (in 1971-06)
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone) (in 1971-06)
bass vocals [Il Conte di Ceprano]:
John Gibbs (operatic bass) (in 1971-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-06)
soprano vocals [Gilda]:
Joan Sutherland (soprano) (in 1971-06)
tenor vocals [Borsa]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 2. Coro “Zitti, zitti, moviamo a vendetta” (Coro) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
recording of:
Rigoletto: Atto I, scena 2. Finale “Soccorso, padre mio!” (Gilda, Borsa, Marullo, Ceprano, Coro, Rigoletto) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi2:46
2▶Digital Media