The OKeh, Columbia & RCA Victor Recordings - 1925-1933

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

This is a reissue of several other discs combined into one collection.

Anmerkung zuletzt geändert am 2022-11-10 00:30 UTC.

Titelliste

1▶CD: Louis Armstrong & The Hot Fives - Volume 1
2▶CD: Louis Armstrong - The Hot Fives & Sevens - Volume 2
3▶CD: Louis Armstrong - The Hot Fives & Sevens - Volume 3
4▶CD: Louis Armstrong & Earl Hines
5▶CD: Louis Armstrong - Louis in New York
6▼CD: Louis Armstrong - St. Louis Blues
Nr.TitelBewertungLänge
1I Ain’t Got Nobody
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-10)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-10) und Albert Nicholas (am 1929-12-10)
Gitarre:
Will Johnson (jazz musician) (am 1929-12-10)
Klavier:
Luis Russell (am 1929-12-10)
Kontrabass:
George "Pops" Foster (am 1929-12-10)
Posaune:
J.C. Higginbotham (am 1929-12-10)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-10)
Tenorsaxophon:
Teddy Hill (am 1929-12-10)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-10), Louis Armstrong (am 1929-12-10) und Otis Johnson (trumpet) (am 1929-12-10)
vocals:
Louis Armstrong (am 1929-12-10)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
recording of:
I Ain’t Got Nobody (am 1929-12-10)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:43
2I Ain’t Got Nobody (non-vocal take)
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-10)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-10) und Albert Nicholas (am 1929-12-10)
Gitarre:
Will Johnson (US singer-songwriter and musician) (am 1929-12-10)
Kontrabass:
George "Pops" Foster (am 1929-12-10)
Posaune:
J.C. Higginbotham (am 1929-12-10)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-10)
Tenorsaxophon:
Teddy Hill (am 1929-12-10)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-10), Louis Armstrong (am 1929-12-10) und Otis Johnson (trumpet) (am 1929-12-10)
instrumental recording of:
I Ain’t Got Nobody (am 1929-12-10)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:57
3Dallas Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-10)
Gitarre:
Will Johnson (jazz musician) (am 1929-12-10)
Klarinette:
Teddy Hill (am 1929-12-10), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-10) und Albert Nicholas (am 1929-12-10)
Klavier:
Luis Russell (am 1929-12-10)
Kontrabass:
George "Pops" Foster (am 1929-12-10)
Posaune:
J.C. Higginbotham (am 1929-12-10)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-10)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-10), Louis Armstrong (am 1929-12-10) und Otis Johnson (trumpet) (am 1929-12-10)
vocals:
Louis Armstrong (am 1929-12-10)
recording of:
Dallas Blues (am 1929-12-10)
Texter und Komponist(in):
Lloyd Garrett und Hart Wand
3:15
4Dallas Blues (non-vocal take)
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-10)
Gitarre:
Will Johnson (US singer-songwriter and musician) (am 1929-12-10)
Klarinette:
Teddy Hill (am 1929-12-10), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-10) und Albert Nicholas (am 1929-12-10)
Kontrabass:
George "Pops" Foster (am 1929-12-10)
Posaune:
J.C. Higginbotham (am 1929-12-10)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-10)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-10), Louis Armstrong (am 1929-12-10) und Otis Johnson (trumpet) (am 1929-12-10)
instrumental recording of:
Dallas Blues (am 1929-12-10)
Texter und Komponist(in):
Lloyd Garrett und Hart Wand
3:15
5St. Louis Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-13) und Albert Nicholas (am 1929-12-13)
Gitarre:
Will Johnson (jazz musician) (am 1929-12-13)
Klavier:
Luis Russell (am 1929-12-13)
Kontrabass:
George "Pops" Foster (am 1929-12-13)
Posaune:
J.C. Higginbotham (am 1929-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-13)
Tenorsaxophon:
Teddy Hill (am 1929-12-13)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-13), Louis Armstrong (am 1929-12-13) und Otis Johnson (trumpet) (am 1929-12-13)
vocals:
Louis Armstrong (am 1929-12-13)
recording of:
St. Louis Blues (am 1929-12-13)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:00
6St. Louis Blues (non-vocal take)
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-13) und Albert Nicholas (am 1929-12-13)
Gitarre:
Will Johnson (US singer-songwriter and musician) (am 1929-12-13)
Kontrabass:
George "Pops" Foster (am 1929-12-13)
Posaune:
J.C. Higginbotham (am 1929-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-13)
Tenorsaxophon:
Teddy Hill (am 1929-12-13)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-13), Louis Armstrong (am 1929-12-13) und Otis Johnson (trumpet) (am 1929-12-13)
instrumental recording of:
St. Louis Blues (am 1929-12-13)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
2:59
7St. Louis Blues (non-vocal take)
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-13) und Albert Nicholas (am 1929-12-13)
Gitarre:
Will Johnson (US singer-songwriter and musician) (am 1929-12-13)
Kontrabass:
George "Pops" Foster (am 1929-12-13)
Posaune:
J.C. Higginbotham (am 1929-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-13)
Tenorsaxophon:
Teddy Hill (am 1929-12-13)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-13), Louis Armstrong (am 1929-12-13) und Otis Johnson (trumpet) (am 1929-12-13)
instrumental recording of:
St. Louis Blues (am 1929-12-13)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
2:56
8Rockin’ Chair
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-13) und Albert Nicholas (am 1929-12-13)
Gitarre:
Will Johnson (jazz musician) (am 1929-12-13)
Klavier:
Luis Russell (am 1929-12-13)
Kontrabass:
George "Pops" Foster (am 1929-12-13)
Posaune:
J.C. Higginbotham (am 1929-12-13)
Tenorsaxophon:
Teddy Hill (am 1929-12-13)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-13), Louis Armstrong (am 1929-12-13) und Otis Johnson (trumpet) (am 1929-12-13)
Vibraphon:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-13)
Sologesang:
Hoagy Carmichael (am 1929-12-13)
zusätzlich vocals:
Louis Armstrong (am 1929-12-13)
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (am 1929-12-13)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:21
9Song of the Islands
recorded in:
New York, New York, Vereinigte Staaten (am 1930-01-24)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-01-24) und Albert Nicholas (am 1930-01-24)
Gitarre:
Will Johnson (jazz musician) (am 1930-01-24)
Klavier und Vibraphon:
Luis Russell (am 1930-01-24)
Kontrabass:
George "Pops" Foster (am 1930-01-24)
Posaune:
J.C. Higginbotham (am 1930-01-24)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-01-24)
Tenorsaxophon:
Teddy Hill (am 1930-01-24)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-01-24), Louis Armstrong (am 1930-01-24) und Otis Johnson (trumpet) (am 1930-01-24)
vocals:
Louis Armstrong (am 1930-01-24)
recording of:
Song of the Islands (Na Lei O Hawaii) (am 1930-01-24)
Texter und Komponist(in):
Charles E. King
3:28
10Bessie Couldn’t Help It
recorded in:
New York, New York, Vereinigte Staaten (am 1930-02-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-02-01) und William Thornton Blue (American jazz reed player) (am 1930-02-01)
Gitarre:
Will Johnson (jazz musician) (am 1930-02-01)
Klavier:
Luis Russell (am 1930-02-01)
Kontrabass:
George "Pops" Foster (am 1930-02-01)
Posaune:
J.C. Higginbotham (am 1930-02-01)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-02-01)
Tenorsaxophon:
Teddy Hill (am 1930-02-01)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-02-01), Louis Armstrong (am 1930-02-01) und Otis Johnson (trumpet) (am 1930-02-01)
vocals:
Louis Armstrong (am 1930-02-01)
Orchester:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (am 1930-02-01)
Verfasser(in):
Charles A. Bayha, Jacques Richmond (songwriter) und Byron Warner (active in the 1960's)
3:22
11Blue, Turning Grey Over You
recorded in:
New York, New York, Vereinigte Staaten (am 1930-02-01)
Gitarre:
Will Johnson (jazz musician) (am 1930-02-01)
Klarinette:
Teddy Hill (am 1930-02-01), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-02-01) und William Thornton Blue (American jazz reed player) (am 1930-02-01)
Klavier:
Luis Russell (am 1930-02-01)
Kontrabass:
George "Pops" Foster (am 1930-02-01)
Posaune:
J.C. Higginbotham (am 1930-02-01)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-02-01)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-02-01), Louis Armstrong (am 1930-02-01) und Otis Johnson (trumpet) (am 1930-02-01)
vocals:
Louis Armstrong (am 1930-02-01)
recording of:
Blue, Turning Grey Over You (am 1930-02-01)
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
3:28
12Dear Old Southland
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-05)
Klavier:
Buck Washington (am 1930-04-05)
Trompete:
Louis Armstrong (am 1930-04-05)
vocals:
Louis Armstrong (am 1930-04-05)
recording of:
Dear Old Southland (jazz standard) (am 1930-04-05)
Texter:
Henry Creamer (Lyricist) (in 1921)
Komponist(in):
Turner Layton (in 1921)
publisher:
Mills Music
3:17
13My Sweet
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-04-05) und Ted McCord (am 1930-04-05)
Gitarre:
Bernard Addison (am 1930-04-05)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-04-05) und Buck Washington (am 1930-04-05)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-04-05)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-04-05)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-04-05)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-04-05) und Louis Armstrong (am 1930-04-05)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-04-05)
Vibraphon:
Unknown, probably Joe Turner ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-04-05)
vocals:
Louis Armstrong (am 1930-04-05)
recording of:
My Sweet (am 1930-04-05)
Texter:
Stuart Gorrell
Komponist(in):
Hoagy Carmichael
3:20
14I Can’t Believe That You’re in Love With Me
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-04-05) und Ted McCord (am 1930-04-05)
Gitarre:
Bernard Addison (am 1930-04-05)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-04-05)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-04-05)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-04-05)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-04-05)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-04-05) und Louis Armstrong (am 1930-04-05)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-04-05)
vocals:
Louis Armstrong (am 1930-04-05)
recording of:
I Can’t Believe That You’re in Love With Me (am 1930-04-05)
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:08
15Indian Cradle Song
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
2:59
16Exactly Like You
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
Vibraphon:
Unknown, probably Joe Turner ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
recording of:
Exactly Like You (am 1930-05-04)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
3:30
17Dinah
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
recording of:
Dinah (am 1930-05-04)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
3:17
18Tiger Rag
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
recording of:
Tiger Rag (original 1917 instrumental version) (am 1930-05-04)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
3:10
19I’m a Ding Dong Daddy From Dumas
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-07-21)
alto saxophone:
Leon Herriford (am 1930-07-21) und Willie Stark (am 1930-07-21)
Banjo:
Ceele Burke (am 1930-07-21)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-07-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1930-07-21)
Schlagzeug:
Lionel Hampton (am 1930-07-21)
Tenorsaxophon:
William Franz (am 1930-07-21)
Trompete:
Louis Armstrong (am 1930-07-21) und Leon Elkins (am 1930-07-21)
Tuba:
Reggie Jones (am 1930-07-21)
recording of:
I'm a Ding Dong Daddy (am 1930-07-21)
Verfasser(in):
Phil Baxter (US songwriter, singer and band leader)
3:06
20I’m in the Market for You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-07-21)
alto saxophone:
Leon Herriford (am 1930-07-21) und Willie Stark (am 1930-07-21)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-07-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1930-07-21)
Schlagzeug:
Lionel Hampton (am 1930-07-21)
Steel-Gitarre:
Ceele Burke (am 1930-07-21)
Tenorsaxophon:
William Franz (am 1930-07-21)
Trompete:
Louis Armstrong (am 1930-07-21) und Leon Elkins (am 1930-07-21)
Tuba:
Reggie Jones (am 1930-07-21)
3:14
21I’m Confessin’ (That I Love You)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-08-19)
alto saxophone:
Leon Herriford (am 1930-08-19) und Willie Stark (am 1930-08-19)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-08-19)
Posaune:
Lawrence Brown (jazz trombonist) (am 1930-08-19)
Schlagzeug:
Lionel Hampton (am 1930-08-19)
Steel-Gitarre:
Ceele Burke (am 1930-08-19)
Tenorsaxophon:
William Franz (am 1930-08-19)
Trompete:
Louis Armstrong (am 1930-08-19) und Leon Elkins (am 1930-08-19)
Tuba:
Reggie Jones (am 1930-08-19)
recording of:
I’m Confessin’ (That I Love You) (am 1930-08-19)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
3:20
22If I Could Be With You One Hour Tonight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-08-19)
alto saxophone:
Leon Herriford (am 1930-08-19) und Willie Stark (am 1930-08-19)
Banjo:
Ceele Burke (am 1930-08-19)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-08-19)
Posaune:
Lawrence Brown (jazz trombonist) (am 1930-08-19)
Schlagzeug:
Lionel Hampton (am 1930-08-19)
Tenorsaxophon:
William Franz (am 1930-08-19)
Trompete:
Louis Armstrong (am 1930-08-19) und Leon Elkins (am 1930-08-19)
Tuba:
Reggie Jones (am 1930-08-19)
recording of:
If I Could Be With You (One Hour Tonight) (am 1930-08-19)
Texter:
Henry Creamer (Lyricist) (in 1926)
Komponist(in):
James P. Johnson (in 1926)
3:36
23Body and Soul
alto saxophone:
Les Hite (am 1930-10-09) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-09)
Banjo:
Bill Perkins (jazz guitar and banjo) (am 1930-10-09)
Klavier:
Henry Prince (am 1930-10-09)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-09)
Posaune:
Luther Craven (am 1930-10-09)
Schlagzeug:
Lionel Hampton (am 1930-10-09)
Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-09)
Trompete:
Louis Armstrong (am 1930-10-09), George Orendorff (am 1930-10-09) und Harold Scott (am 1930-10-09)
recording of:
Body and Soul (am 1930-10-09)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:16
7▶CD: Louis Armstrong - You're Driving Me Crazy
8▶CD: Louis Armstrong - Stardust
9▶CD: Louis Armstrong - Swing, You Cats
10▶CD: Louis Armstrong - Laughin' Louis