Tag “renaissance”
~ Tag
Recordings tagged as “renaissance”
1,526 recordings found
- 1 - Passacaglia spontanea by Rolf Lislevand (Baroque guitar, lute and theorbo player)
- 1 - Passe & Medio/Den iersten gaillarde by Capilla Flamenca (Belgian classical ensemble)
- 1 - Pastyme with Good Companye, song for 3 voices by Capilla Flamenca (Belgian classical ensemble)
- 1 - Pater peccavi by Bo Holten (Danish composer, conductor), Ars Nova Copenhagen (Danish vocal ensemble)
- 1 - Patres nostri peccaverunt (himno) by La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble), Hespèrion XXI
- 1 - Pavan & Galliard "Lord Salisbury" by Glenn Gould (pianist)
- 1 - Pavan & Galliard no. 1 in C minor by Glenn Gould (pianist)
- 1 - Pavan & Galliard No. 1: Galliard by Augustine Bassano
- 1 - Pavan & Galliard No. 1: Pavan by Augustine Bassano
- 1 - Pavan & Galliard no. 2 in C major "Kinborough Good" by Glenn Gould (pianist)
- 1 - Pavan in 3 parts No. 26 by Thomas Lupo
- 1 - Pavan In G Minor (Arr. For Recoder) by Consort Brouillamini (recorder quintet)
- 1 - Pavana by Jordi Savall (viol player, conductor and composer), Hespèrion XX
- 1 - Pavana (Pues que jamás olvidaros) by J. Savall (viol player, conductor and composer), S. Casademunt (classical viol and double bass player), M. Tapio, F. Alqhai, A. Lawrence-King (Early music harpist and conductor), X. Díaz-Latorre (Spanish lute player), L. Guglielmi (conductor, composer, harpsichordist and organist), P. Estevan
- 1 - Pavana & Gallyard "Innocents": Gallyard by Jordi Savall (viol player, conductor and composer), Hespèrion XX
- 1 - Pavana & Gallyard "Innocents": Pavana by Jordi Savall (viol player, conductor and composer), Hespèrion XX
- 1 - Pavana a 5 by Joseph Lupo
- 1 - Pavana hispánica by Atrium Musicæ de Madrid (Spanish 1960-80s early music ensemble), Gregorio Paniagua
- 1 - Pavin of Albarti by Jordi Savall (viol player, conductor and composer), Hespèrion XX
- 1 - Pawles Wharfe (Arr. For Recoder) by Consort Brouillamini (recorder quintet)
- 1 - Peaceful Repose by Vincent Diamante
- 1 - Peccantem me quotidie, W. 8 No. 36 by Oxford Camerata (English chamber choir), Jeremy Summerly (conductor)
- 1 - Perchè fuggi tra salci by Modo Antiquo
- 1 - Perchè spess'a verder la vostra luce by Modo Antiquo
- 1 - Pipe and tabor: Dansa “Ben volgra, s’esser poges” by Early Music Consort of London, David Munrow (UK early music historian & musician)
- 1 - Pirates by Nox Arcana
- 1 - Playford Tunes by Maddy Prior and The Carnival Band
- 1 - Poichè l'avida sete by The Hilliard Ensemble (British male vocal quartet)
- 1 - Portative organ: Madrigal “Ay, sconsolato ed amoroso” by Early Music Consort of London, David Munrow (UK early music historian & musician)
- 1 - Positive organ: Estampie by Early Music Consort of London, David Munrow (UK early music historian & musician)
- 1 - Pour une fois by Shirley Rumsey (lutenist), Christopher Page (conductor and medieval music scholar) & Christopher Wilson (lute and theorbo player)
- 1 - Praeludium by Collegium Vocale Bydgoszcz
- 1 - Praise Our Lord, all Ye Gentiles by Stile Antico
- 1 - Prelude by The Dowland Project
- 1 - Prelude and Fugue No. 1 in C major, BWV 870: II. Fuga by Pieter-Jan Belder (flutist, harpsichordist and conductor)
- 1 - Prelude and Fugue No. 4 in C-sharp minor, BWV 873: II. Fuga by Pieter-Jan Belder (flutist, harpsichordist and conductor)
- 1 - Prelude and Fugue No. 6 in D minor, BWV 875: II. Fuga by Pieter-Jan Belder (flutist, harpsichordist and conductor)
- 1 - Prelude and Fugue No. 13 in F-sharp major, BWV 882: II. Fuga by Pieter-Jan Belder (flutist, harpsichordist and conductor)
- 1 - Prelude and Fugue No. 15 in G major, BWV 884: II. Fuga by Pieter-Jan Belder (flutist, harpsichordist and conductor)
- 1 - Prelude and Fugue No. 17 in A-flat major, BWV 886: II. Fuga by Pieter-Jan Belder (flutist, harpsichordist and conductor)
- 1 - Prelude and Fugue No. 19 in A major, BWV 888: II. Fuga by Pieter-Jan Belder (flutist, harpsichordist and conductor)
- 1 - Prelude and Fugue No. 21 in B-flat major, BWV 890: II. Fuga by Pieter-Jan Belder (flutist, harpsichordist and conductor)
- 1 - Prelude in C minor, BWV 999 by Andrés Segovia (guitarist)
- 1 - Preludium, for chorus by Capilla Flamenca (Belgian classical ensemble)
- 1 - Prenez sur moi vostre exemple amoureux by Early Music Consort of London, David Munrow (UK early music historian & musician)
- 1 - Presso un fiume tranquillo by The Consort of Musicke (British early-music group), Anthony Rooley (lute player / conductor)
- 1 - Prima parte : O primavera by Cantus Cölln (German vocal music ensemble), Konrad Junghänel (lutenist and conductor)
- 1 - Primer tono por ge sol re ut (Libro I, 1) by Luis de Narváez (16th century composer)
- 1 - Primo tempore by Jan Garbarek & The Hilliard Ensemble (British male vocal quartet)
- 1 - Procedentem sponsum by Jan Garbarek & The Hilliard Ensemble (British male vocal quartet)
- 1 - Propter veritatem by William Byrd (English composer)
- 1 - Psalmes, Songs and Sonnets: This Sweet and Merry Month of May by The King’s Singers
- 1 - Psalom by Kronos Quartet
- 1 - Psaltery: Hymn to St Magnus “Nobilis humilis” by Early Music Consort of London, David Munrow (UK early music historian & musician)
- 1 - Puer natus est by [anonymous] (special purpose artist)
- 1 - Puer nobis nascitur "Ons is gheboren een kindekijn" by Gustav Leonhardt (conductor, harpsichordist)
- 1 - Pulcherrima rosa by Jan Garbarek & The Hilliard Ensemble (British male vocal quartet)
- 1 - Pulcherrima rosa by The Dowland Project
- 1 - Purification of the City by Vincent Diamante
- 1 - Pyre of Existence by Trollhunt
- 1 - Quae est ista by I Fagiolini (British vocal ensemble), Robert Hollingworth (conductor)
- 1 - Qual a lincontro di quegli occhi santi by Ensemble vocal européen, Philippe Herreweghe (Belgian conductor)
- 1 - Qual fora, donna by The Hilliard Ensemble (British male vocal quartet)
- 1 - Qual volto, ch'era poco inanzi stato by Ensemble vocal européen, Philippe Herreweghe (Belgian conductor)
- 1 - Quam pulchra es by Rogers Covey‐Crump (tenor), Peter Harvey (bass-baritone), Leigh Nixon (lay vicar & tenor), Christopher Page (conductor and medieval music scholar)
- 1 - Quarto tono (Libro I, 4) by Luis de Narváez (16th century composer)
- 1 - Queen of Silence by Trollhunt
- 1 - Quella dama son io by Cantus Cölln (German vocal music ensemble), Konrad Junghänel (lutenist and conductor)
- 1 - Quem Vidistis, Pastores: Offertorium by Gabrieli Consort, Timothy Roberts (British conductor and keyboardist), Paul McCreesh (conductor)
- 1 - Quem vidistis, pastores? by Charles Brett (English counter-tenor active in late 20th century), Martyn Hill (tenor), Philip Langridge (tenor), Monteverdi Choir (English vocal Baroque ensemble), Philip Jones Brass Ensemble, Sir John Eliot Gardiner (John Eliot Gardiner)
- 1 - Quemadmodum a 6 by Jordi Savall (viol player, conductor and composer), Hespèrion XX
- 1 - Queste opre e più by Ensemble vocal européen, Philippe Herreweghe (Belgian conductor)
- 1 - Qui dunque, ohime, qui, dove by Modo Antiquo
- 1 - Qui le sien vuelt bien maintenir, ballade by Gothic Voices (UK vocal group specialising in 11th–15th c. repertoire)
- 1 - Qui rise, o Tirsi by The Consort of Musicke (British early-music group), Anthony Rooley (lute player / conductor)
- 1 - Qui veut mesdire, R. 36 by Gothic Voices (UK vocal group specialising in 11th–15th c. repertoire), Christopher Page (conductor and medieval music scholar)
- 1 - Quid petis, o fili? by The Sixteen (UK choir)
- 1 - Quinto tono de conconancia (Libro I, 5) by Luis de Narváez (16th century composer)
- 1 - Quod chorus vatum / Haec Deum caeli by The Clerks’ Group (UK early music vocal ensemble, fka The Clerks’ Group), Edward Wickham
- 1 - Quodlibet by Kronos Quartet
- 1 - Quodlibet “Donna di dentro” / “Dammene un pocho” / “Fortuna d’un gran tempo” by Early Music Consort of London, David Munrow (UK early music historian & musician)
- 1 - Rachell’s Weepinge by Kronos Quartet
- 1 - Rackett: Caro ortolano by Early Music Consort of London, David Munrow (UK early music historian & musician)
- 1 - Rauschpfeife: Three Bransles Doubles by Early Music Consort of London, David Munrow (UK early music historian & musician)
- 1 - Rè di Spagna by Atrium Musicæ de Madrid (Spanish 1960-80s early music ensemble), Gregorio Paniagua
- 1 - Rebec: La septime estampie real by Early Music Consort of London, David Munrow (UK early music historian & musician)
- 1 - Recercada Primera Sobre Canto Llano La Spagna by Atrium Musicæ de Madrid (Spanish 1960-80s early music ensemble), Gregorio Paniagua
- 1 - Recercada Quarta by Atrium Musicæ de Madrid (Spanish 1960-80s early music ensemble), Gregorio Paniagua
- 1 - Recercada Quinta by Atrium Musicæ de Madrid (Spanish 1960-80s early music ensemble), Gregorio Paniagua
- 1 - Recercada Segunda by Atrium Musicæ de Madrid (Spanish 1960-80s early music ensemble), Gregorio Paniagua
- 1 - Recercada Sesta by Atrium Musicæ de Madrid (Spanish 1960-80s early music ensemble), Gregorio Paniagua
- 1 - Recercada Tercera by Atrium Musicæ de Madrid (Spanish 1960-80s early music ensemble), Gregorio Paniagua
- 1 - Recercar by The Dowland Project
- 1 - Recercari et Canzoni Francesi fatte sopra diversi oblighi, libro I: Canzon prima. Primo tuono by Roberto Loreggian
- 1 - Recercari et Canzoni Francesi fatte sopra diversi oblighi, libro I: Canzon quarta. Sesto tuono by Roberto Loreggian
- 1 - Recercari et Canzoni Francesi fatte sopra diversi oblighi, libro I: Canzon quinta. Nono tuono by Roberto Loreggian
- 1 - Recercari et Canzoni Francesi fatte sopra diversi oblighi, libro I: Canzon seconda. Primo tuono by Roberto Loreggian
- 1 - Recercari et Canzoni Francesi fatte sopra diversi oblighi, libro I: Canzon terza. Seconda tuono by Roberto Loreggian
- 1 - Recorder (a) 8′ Consort: Chanson “Hellas! Amour” by Early Music Consort of London, David Munrow (UK early music historian & musician)
- 1 - Recorder: English Te Deum by Early Music Consort of London, David Munrow (UK early music historian & musician)