Tag “opera”
~ Tag
Recordings tagged as “opera”
11,855 recordings found
- 2 - Idomeneo, re di Creta, K. 366: Act I, Scene X. No. 7 Aria "Il padre adorato" (Idamante) by Anne Sofie von Otter (mezzo-soprano), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 8 Marcia by English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro) by Monteverdi Choir (English vocal Baroque ensemble), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace) by Nigel Robson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Recitativo "Tutto m'è noto" (Arbace, Idomeneo) by Nigel Robson (tenor), Anthony Rolfe Johnson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) by Sylvia McNair (soprano), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo" (Ilia, Idomeneo) by Sylvia McNair (soprano), Anthony Rolfe Johnson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo) by Anthony Rolfe Johnson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act II, Scene V. Marcia / No. 14 Recitavio "Odo da lunge" (Elettra) by Hillevi Martinpelto (soprano), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act II, Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra) by Hillevi Martinpelto (soprano), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra) by Hillevi Martinpelto (soprano), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Coro "Stupenda vittoria!" / Recitativo "Sire, il prence" by Monteverdi Choir (English vocal Baroque ensemble), Nigel Robson (tenor), Anthony Rolfe Johnson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, No. 32 Ballet K. 367(Chaconne / Larghetto / La Chaconne, qui reprend / Largo / Allegretto, sempre Piano / Più Allegro) by English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Recitativo "Oh ciel pietoso !" / Recitativo "Oh, smania ! Oh furie !" / No. 29 aria : "D'oreste, d'aiace" by Sylvia McNair (soprano), Hillevi Martinpelto (soprano), Anne Sofie von Otter (mezzo-soprano), Nigel Robson (tenor), Anthony Rolfe Johnson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Recitativo "Padre, mio caro padre" by Anne Sofie von Otter (mezzo-soprano), Anthony Rolfe Johnson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) / Act III, Scene II. Recitativo "Ei stesso vien" (Ilia) by Sylvia McNair (soprano), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia) by Sylvia McNair (soprano), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, rè di Creta, K. 366: Act III, Scene III. No. 21 Quartetto "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra) by Roberta Alexander (soprano), Francisco Araiza (tenor), Barbara Hendricks (soprano), Susanne Mentzer (mezzo soprano), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Sir Colin Davis (English conductor)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia,Idomeneo, Elettra) by Sylvia McNair (soprano), Hillevi Martinpelto (soprano), Nigel Robson (tenor), Anthony Rolfe Johnson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene IX. No. 27a Aria "No, la morte io non pavento" (Idamante) by Anne Sofie von Otter (mezzo-soprano), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace) by Nigel Robson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace) by Nigel Robson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo) by Anthony Rolfe Johnson (tenor), Glenn Winslade (tenor vocalist), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote) by Monteverdi Choir (English vocal Baroque ensemble), Glenn Winslade (tenor vocalist), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene VII. No. 25 Marcia by English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene X. Dialogue "Ferma, oh sire, che fai?" (Ilia,Idomeneo, Idomante, Ilia, Gran Sacerdote) by Sylvia McNair (soprano), Hillevi Martinpelto (soprano), Anne Sofie von Otter (mezzo-soprano), Anthony Rolfe Johnson (tenor), Glenn Winslade (tenor vocalist), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene X. No. 28 La Voce "Ha vinto Amore" (La Voce) by Cornelius Hauptmann (operatic bass), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene X. Recitativo "Ma, che più tardi?" (Idamante, Idomeneo, Ilia, Gran Sacerdote) by Anne Sofie von Otter (mezzo-soprano), Anthony Rolfe Johnson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo) by Anthony Rolfe Johnson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) by Anthony Rolfe Johnson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro) by English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner), Monteverdi Choir (English vocal Baroque ensemble)
- 2 - Idomeneo, re di Creta, K. 366: Appendix No. 28 "Ha vinto amore" (Versione più estesa per ottoni / Brass : Longer version) by Cornelius Hauptmann (operatic bass), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Appendix, No. 28 "A Idomeneo perdona" (Versione per legni / Woodwind version) by Cornelius Hauptmann (operatic bass), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Ferma, oh sire, che fai ?" by Sylvia McNair (soprano), Hillevi Martinpelto (soprano), Anne Sofie von Otter (mezzo-soprano), Anthony Rolfe Johnson (tenor), Glenn Winslade (tenor vocalist), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Oh ciel pietoso!" / Recitativo "Oh, smania! Oh, furie!" by Sylvia McNair (soprano), Hillevi Martinpelto (soprano), Anne Sofie von Otter (mezzo-soprano), Nigel Robson (tenor), Anthony Rolfe Johnson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - If I Ruled The World by Alfie Boe (tenor and actor)
- 2 - If Thou Art Near by Charlotte Church
- 2 - Il barbiere di Siviglia: Atto I, scena 2. “Una voce poco fa” by Maria Callas (soprano), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) by Tito Gobbi (baritone), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. “Alfine eccoci qua” (Figaro, Conte, Rosina) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. “Contro un cor che accende amore” (Rosina, Conte) by Luigi Alva (tenor), Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. “Di si felice innesto” by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. “Il vecchiotto cerca moglie” (Berta) by Gabriella Carturan (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Roberto Benaglio (conductor), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. “Pace e gioia sia con voi” by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. “Quando, mi sei vicina” (Bartolo) by Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Roberto Benaglio (conductor), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. Temporale (Orchestra) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Roberto Benaglio (conductor), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Dunque io son… tu non m’inganni? by Cecilia Bartoli (mezzo‐soprano), Bryn Terfel (bass‐baritone opera singer), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Myun-Whun Chung (Myung-Whun Chung, pianist and conductor)
- 2 - Il diavolo e l'angelo by Andrea Bocelli (tenor)
- 2 - Il mare calmo della sera by Andrea Bocelli (tenor)
- 2 - Il mistero dell’amore by Andrea Bocelli (tenor)
- 2 - Il paese del sorriso: “Tu che m'hai preso il cuor” by Luciano Pavarotti (tenor), Royal Philharmonic Orchestra, Maurizio Benini (conductor)
- 2 - Il sogno di Scipione, K. 126: Recitativo “E quali abitatori” (Scipione, Fortuna, Constanza) by Peter Schreier (German tenor and conductor), Edita Gruberová (soprano), Lucia Popp (soprano), Leopold Hager (conductor)
- 2 - Il sogno di Scipione, K. 126: Recitativo “Vieni e segui i mici passi” (Fortuna, Constanza, Scipione) by Edita Gruberová (soprano), Lucia Popp (soprano), Peter Schreier (German tenor and conductor), Leopold Hager (conductor)
- 2 - Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, Coro) by Coro del Teatro alla Scala di Milano, Nicola Zaccaria (operatic bass), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto I, scena 2. “Che più t’arresti?” (Ines, Leonora) by Maria Callas (soprano), Luisa Villa (mezzo-soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto I, scena 2. “Tacea la notte placida” (Leonora) by Maria Callas (soprano), Rolando Panerai (baritone), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto II, scena 1. “Mesta è la tua canzon!” (Coro, Azucena, Manrico, Vecchio Zingaro) by Fedora Barbieri (mezzo-soprano), Coro del Teatro alla Scala di Milano, Giulio Mauri (operatic bass), Giuseppe di Stefano (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) by Fedora Barbieri (mezzo-soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte, Ferrando) by Coro del Teatro alla Scala di Milano, Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Conte, Ferrando, Coro, Azucena) by Fedora Barbieri (mezzo-soprano), Coro del Teatro alla Scala di Milano, Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto III, scena 1. “Or co’ dadi, ma fra poco” (Coro, Ferrando) by Coro del Teatro alla Scala di Milano, Nicola Zaccaria (operatic bass), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto III, scena 2. “L’onda de’ suoni mistici” (Leonora, Manrico, Ruiz) by Maria Callas (soprano), Renato Ercolani (tenor), Giuseppe di Stefano (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 1. “Colui vivrà… Vivrà! contende il giubilo” (Conte, Leonora) by Maria Callas (soprano), Rolando Panerai (baritone), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 1. “Conte!… Né basti!” (Leonora, Conte) by Maria Callas (soprano), Rolando Panerai (baritone), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) by Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 1. “Di te, di te scordarmi! Tu vedrai che amore in terra” (Leonora) by Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 1. “Misere… Quel suon, quelle preci” (Coro, Leonora, Manrico) by Maria Callas (soprano), Coro del Teatro alla Scala di Milano, Giuseppe Di Stefano (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 1. “Siam giunti, ecco la torre” (Ruiz, Leonora) by Renato Ercolani (tenor), Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 2. “Parlar non vuoi?…” (Manrico, Leonora, Azucena) by Fedora Barbieri (mezzo-soprano), Maria Callas (soprano), Giuseppe di Stefano (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 2. “Prima che d’altri vivere” (Leonora, Manrico, Conte, Azucena) by Fedora Barbieri (mezzo-soprano), Maria Callas (soprano), Rolando Panerai (baritone), Giuseppe di Stefano (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 2. “Ti scosta!” (Manrico, Leonora) by Maria Callas (soprano), Giuseppe di Stefano (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV. “D’amor sull’ali rosee” by Maria Callas (soprano)
- 2 - Il turco in Italia: Atto I, Scene 1. “Non si dà follia maggiore” by Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Gianandrea Gavazzeni (conductor)
- 2 - In Her Eyes by Josh Groban
- 2 - In pace by Sarah Brightman
- 2 - In trutina by Sarah Brightman
- 2 - In Trutina by Charlotte Church, Orchestra of the Welsh National Opera, Sian Edwards (English conductor)
- 2 - Ines di Castro: Romanza "Cari giorni" (Ines) by Cecilia Bartoli (mezzo‐soprano), Orchestra La Scintilla, Ádám Fischer (Hungarian conductor)
- 2 - Infelice, op. 94: Scena ed aria by Cecilia Bartoli (mezzo‐soprano), Orchestra La Scintilla, Ádám Fischer (Hungarian conductor)
- 2 - Ingemisco by Andrea Bocelli (tenor)
- 2 - Ira di Dio by Emma Shapplin
- 2 - Ira di Dio by Emma Shapplin
- 2 - Irene, o L'assedio di Messina: "Ira del ciel" by Cecilia Bartoli (mezzo‐soprano), Orchestra La Scintilla, Ádám Fischer (Hungarian conductor)
- 2 - It's the Heart That Matters Most by Charlotte Church
- 2 - Jerusalem by Charlotte Church, Orchestra of the Welsh National Opera, Sian Edwards (English conductor)
- 2 - Kiss From a Rose by Katherine Jenkins (mezzo-soprano)
- 2 - L'Africana: Mi battle il cuor … O paradiso by Luciano Pavarotti (tenor), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Oliviero de Fabritiis (conductor and composer)
- 2 - L'amico Fritz: “Suzel, buon dì” by Luciano Pavarotti (tenor) & Cecilia Bartoli (mezzo‐soprano)
- 2 - L'elisir d'amore: "Prendi, per me sei libero" (Adina) by Cecilia Bartoli (mezzo‐soprano), Orchestra La Scintilla, Ádám Fischer (Hungarian conductor)
- 2 - L’abitudine by Andrea Bocelli (tenor) feat. Helena
- 2 - L’alba separa dalla luce l’ombra by Andrea Bocelli (tenor)
- 2 - L’amico Fritz: Atto II. Duettino “Suzel, buon dì” (Fritz, Suzel) by Mirella Freni (soprano), Luciano Pavarotti (tenor), Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni (conductor)
- 2 - L’elisir d’amore: “Una furtiva lagrima” by Plácido Domingo (tenor), Los Angeles Philharmonic Orchestra, Carlo Maria Giulini (conductor)
- 2 - L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) by Juan Diego Flórez (Peruvian operatic tenor), Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi), Riccardo Frizza (conductor)
- 2 - L’incoronazione di Poppea: Atto III, scena 8. “Pur ti miro” by Arleen Augér (soprano), Della Jones (mezzo-soprano), City of London Baroque Sinfonia (chamber orchestra), Richard Hickox (conductor)
- 2 - L’incoronazione di Poppea: Atto III. “Pur ti miro” by Fernando Lima (Argentine/Spanish countertenor vocalist), Natasha Marsh (soprano), London Symphony Orchestra, Craig Leon (musician, arranger, composer and producer)
- 2 - L’ultima canzone by Andrea Bocelli (tenor)
- 2 - L’ultimo re by Andrea Bocelli (tenor)
- 2 - La Bohème: “Che gelida manina” by Bratislawer Kinderchor (Bratislava Children’s Choir), Ľuba Orgonášová (soprano), Slowakischer Philharmoniker Chor (Slovak Philharmonic Choir), Jonathan Welch (tenor), Tschechoslowakischer Sinfonie Orchester (Bratislawa) (Slovak Radio Symphony Orchestra), Will Humburg (conductor)
- 2 - La bohème: “O soave fanciulla” by Coro del Teatro alla Scala di Milano, Anna Moffo (soprano), Manuel Spatafora (baritone), Nicola Zaccaria (operatic bass), Maria Callas (soprano), Giuseppe Di Stefano (tenor), Rolando Panerai (baritone), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Antonino Votto (conductor)