Tag „opera“

Aufnahmen, die als „opera“ getaggt sind

11.855 Aufnahmen gefunden

• 1 - Der Tod und das Mädchen von Bacio di Tosca
• 1 - Der vierjährige Posten, D. 190: Overture von Haydn Sinfonietta Wien, Manfred Huss (conductor and pianist)
• 1 - Der Waffenschmied: Akt 1. “Man wird ja einmal nur geboren” von Fritz Wunderlich (operatic tenor), Münchner Rundfunkorchester (The Munich Radio Orchestra), Hans Moltkau
• 1 - Der Waffenschmied: Arie der Marie „Wir armen, armen Mädchen” von Gundula Janowitz (soprano), Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Christoph Stepp
• 1 - Der Wildschütz: "Fünftausend Taler! Träum oder wach ich?" von Thomas Quasthoff (bass-baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Christian Thielemann (German conductor)
• 1 - Der Wildschütz: "Laß Er doch hören!" - "Bei diesem schlimmen Fall" von Thomas Quasthoff (bass-baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Christian Thielemann (German conductor)
• 1 - Der Wildschütz: „Wie freundlich strahlt die holde Morgensonne” von Thomas Quasthoff (bass-baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Christian Thielemann (German conductor)
• 1 - Der Wildschütz: Aufzug III. Nr. 15. Trio „Komm, liebes Gretchen“ (Baron, Gretchen, Baculus) von Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera), Fritz Ollendorff (operatic bass), Lotte Schädle (German soprano), Fritz Wunderlich (operatic tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Robert Heger (conductor)
• 1 - Der Zarewitsch: "Mädel, wonniges Mädel" - "Komm' und mach' mich glücklich" - "Warum hat jeder Frühling, ach, nur einen Mai" von Fritz Wunderlich (operatic tenor)
• 1 - Der Zarewitsch: Einer wird kommen von Nadine Sierra (soprano), Orchestra Sinfonica Nazionale della RAI (RAI National Symphony Orchestra, formed in 1994, merging the four former RAI orchestras of Turin, Rome, Naples, and Milan), Riccardo Frizza (conductor)
• 1 - Der Zarewitsch: Wolgalied "Allein! Wieder allein!" von Fritz Wunderlich (operatic tenor)
• 1 - Der Zauberer, KV 472 von Elly Ameling (soprano), Dalton Baldwin (American pianist)
• 1 - Der Zigeunerbaron: Act I: Overture von Wiener Philharmoniker, Herbert von Karajan (conductor)
• 1 - Des pas sur la neige von Krystian Zimerman (pianist)
• 1 - Des Teufels Lustschloss, D. 84: Overture von Haydn Sinfonietta Wien, Manfred Huss (conductor and pianist)
• 1 - Desert Rose von Sarah Brightman
• 1 - Desperation (Vissi D'Arte) von Patrizia (Canadian-Italian female rock singer)
• 1 - Dich, teure Halle (Tannhäuser) von Kiri Te Kanawa (soprano)
• 1 - Dichterliebe, op. 48: I. Im wunderschönen Monat Mai von Fritz Wunderlich (operatic tenor), Hubert Giesen (pianist)
• 1 - Dichterliebe, op. 48: II. Aus meinen Tränen sprießen von Fritz Wunderlich (operatic tenor), Hubert Giesen (pianist)
• 1 - Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh von Fritz Wunderlich (operatic tenor), Hubert Giesen (pianist)
• 1 - Dicitencello vuie von The 3 Tenors
• 1 - Dido & Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda, Chorus) von Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido & Aeneas: When I Am Laid in Earth von Susan Graham (mezzo-soprano), Le Concert d'Astrée (ensemble founded in 2000 by Emmanuelle Haïm), Emmanuelle Haïm (conductor)
• 1 - Dido & Belinda: 'Whence could so much virtue spring?' von Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido and Aeneas Z. 626: Act III. “Thy hand, Belinda” – “When I am laid in earth” (Dido) von Lorraine Hunt (American soprano / mezzo), Philharmonia Baroque Orchestra, Nicholas McGegan
• 1 - Dido and Aeneas, "Dido's Lament", Part 1 von Emily Van Evera (soprano), The Consort of Musicke (British early-music group), Andrew Parrott (conductor)
• 1 - Dido and Aeneas, "Dido's Lament", Part 2 von Emily Van Evera (soprano), The Consort of Musicke (British early-music group), Andrew Parrott (conductor)
• 1 - Dido and Aeneas, Z 626: Act III "Thy Hand Belinda" / Dido's Lament "When I am Laid in Earth" von Barbara Bonney (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Dido and Aeneas, Z. 626, Act III: “Thy Hand, Belinda” … “When I Am Laid in Earth” von Sally-Anne Russell (Australian mezzo-soprano vocalist), Adelaide Symphony Orchestra, Nicholas Milton (conductor)
• 1 - Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am prest with torment" (Dido) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act I. "Fear no danger to ensue" (Belinda, Second Woman) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring?" (Dido) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Aeneas) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act II. "Oft she visits this lone mountain" (Second Woman) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (First Witch) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act II. Prelude for the Witches - "Wayward sisters" (Sorceress) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act II. Ritornelle - "Thanks to these lonesome vales" (Belinda) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act III, Scene I. Chorus "Come away, fellow sailors" (First Sailor) von Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido and Aeneas, Z. 626: Act III, Scene I. The Sailor's Dance von Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido and Aeneas, Z. 626: Act III. "But Death, alas! ... When I am laid in earth" (Dido) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act III. "See the flags and streamers curling" (Sorceress) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come" (Chorus) von St. Anthony Singers, English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act III. Prelude - "Come away, fellow sailors" (First Sailor) von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Overture von English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: When I am laid in earth (Dido) von English Chamber Choir, Victoria de los Ángeles (Spanish soprano), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra, Sir John Barbirolli (conductor and cellist)
• 1 - Dido and Aeneas: Act I. "Fear no danger to ensue" (Belinda, chorus) von Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act I. "If not for mine, for Empire's sake" (Aeneas) - "Pursue thy conquest, Love" (Belinda) - "To the hills and the vales" (Chorus) von Nathan Berg (operatic bass-baritone), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act I. "See our royal guest appears" (Belinda, Aeneas) - "Cupid only throws the dart" (Chorus) von Nathan Berg (operatic bass-baritone), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act I. "Whence could so much virtue spring?" (Dido, Belinda) von Véronique Gens (soprano), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene I. "But ere we this perform" (Two Witches) von Sophie Daneman (soprano), Gaëlle Méchaly (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene I. "In our deep vaulted cell" (Chorus) - Echo Dance von Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene I. "The Queen of Carthage" (Sorceress) - "Ho! ho! ho!" (Chorus) - "Ruin'd ere the set of sun?" (Two Witches, Sorceress) - "Ho! ho! ho!" (Chorus) von Claire Brua, Sophie Daneman (soprano), Gaëlle Méchaly (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene I. Prelude for the Witches "Wayward sisters, you that fright" (Sorceress) - "Harm's our delight" (Chorus) von Claire Brua, Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. "Behold upon my bending spear" (Aeneas, Dido) - "Haste, haste to town" (Belinda, chorus) von Nathan Berg (operatic bass-baritone), Véronique Gens (soprano), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. "Oft she visits this lone mountain" (Second Woman) von Sophie Daneman (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. "Stay Prince" (Spirit, Aeneas) von Nathan Berg (operatic bass-baritone), Jean-Paul Fouchécourt (tenor), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. "Then since our charmes have sped" (Chorus) - The Grove's Dance von Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. Ritornelle - "Thanks to these lonesome vales" (Belinda, chorus) von Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act III, Scene 2. “Thy hand, Belinda … When I am laid in earth” von José‐Luis García (violinist & conductor), Jessye Norman (soprano), Robert Aldwinkle, Adrian Beers (double bass player), Raymond Leppard (conductor and harpsichordist), Charles Tunnell, English Chamber Orchestra
• 1 - Dido and Aeneas: Act III, Scene I. "Destruction's our delight" (Chorus) von Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act III, Scene I. "See, see the flags" (Two Witches, Sorceress) - "Our next motion" (Sorceress) von Claire Brua, Sophie Daneman (soprano), Gaëlle Méchaly (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act III, Scene II. "Great minds against themselves conspire" (Chorus) - "Thy hand, Belinda" (Dido) von Véronique Gens (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act III, Scene II. "Your counsel all is urged in vain" (Dido, Belinda, Aeneas) von Nathan Berg (operatic bass-baritone), Véronique Gens (soprano), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act III. “When I Am Laid in Earth” (Dido’s Lament) von Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg (violinist and conductor)
• 1 - Dido and Aeneas: Act the Third, Scene 2. “When I am laid in earth” (Dido) von Susan Graham (mezzo-soprano), Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm), Emmanuelle Haïm (conductor)
• 1 - Dido and Aeneas: Dido's Lament von Dame Janet Baker (mezzo‐soprano and alto), English Chamber Orchestra, Sir Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas: Dido’s Lament von Dame Janet Baker (mezzo‐soprano and alto), English Chamber Orchestra, Sir Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas: Overture von English Chamber Orchestra, Raymond Leppard (conductor and harpsichordist)
• 1 - Dido and Aeneas: Overture von Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: When I am laid into earth von Anne Sofie von Otter (mezzo-soprano), The English Concert, Trevor Pinnock (conductor / harpsichord)
• 1 - Dido, Belinda & Aeneas: 'Your counsel all is urg'd in vain' von Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido: 'Ah! Belinda, I am press'd with torment' von Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido: 'Thy hand, Belinda; darkness shades me' von Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Die Csárdásfürstin: Akt I. Lied "Heia, heia, in den Bergen ist mein Heimatland" von Anna Netrebko (soprano), Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir), Prague Philharmonia, Emmanuel Villaume (conductor)
• 1 - Die Dreigroschenoper: Act II (Beginning) von Wolfgang Neuss, Chor des Senders Freies Berlin, Trude Hesterberg, Johanna von Koczian, Lotte Lenya, Wolfgang Grunert, Inge Wolffberg, Erich Schellow, Willy Trenk-Trebitsch, Orchester des Senders Freies Berlin, Wilhelm Brückner-Rüggeberg (German conductor)
• 1 - Die Entführung aus dem Serai: "Martern aller Arten" (Akt II) von Anneliese Rothenberger (soprano)
• 1 - Die Entführung aus dem Serai: "O, wie will ich triumphieren" (Akt III) von Gottlob Frick (operatic bass), Wiener Philharmoniker, Josef Krips (conductor/violinist)
• 1 - Die Entführung aus dem Serail - Ach ich liebte (Constanze) von Kathleen Battle (soprano), Metropolitan Opera Orchestra, James Levine (US conductor and pianist)
• 1 - Die Entführung aus dem Serail, K. 384, Act I (Live): No. 1, Arie, "Hier soll ich dich denn sehen" - "Aber wie soll ich in den Palast kommen?" von Rolando Villazón (tenor), Chamber Orchestra of Europe, Yannick Nézet‐Séguin (Canadian conductor)
• 1 - Die Entführung aus dem Serail, K. 384, Act I (Live): No. 4, Rezitativ und Arie, "Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig" von Rolando Villazón (tenor), Chamber Orchestra of Europe, Yannick Nézet‐Séguin (Canadian conductor)
• 1 - Die Entführung aus dem Serail, K. 384, Act II (Live): No. 15, Arie, "Wenn der Freude Tränen fließen" von Rolando Villazón (tenor), Chamber Orchestra of Europe, Yannick Nézet‐Séguin (Canadian conductor)
• 1 - Die Entführung aus dem Serail, K. 384, Act III (Live): No. 17, Arie, "Ich baue ganz auf deine Stärke" von Rolando Villazón (tenor), Chamber Orchestra of Europe, Yannick Nézet‐Séguin (Canadian conductor)
• 1 - Die Entführung aus dem Serail, K. 384, Pt. 1: I. Overture von [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
• 1 - Die Entführung aus dem Serail, K. 384: "Durch Zärtlichkeit und Schmeicheln" von Anna Prohaska (soprano), The Chamber Orchestra of Europe, Yannick Nézet-Séguin (Canadian conductor)
• 1 - Die Entführung aus dem Serail, K. 384: "Konstanze, dich wieder zu sehen, dich!" (Belmonte) von Nicolai Gedda (tenor), Wiener Philharmoniker, Josef Krips (conductor/violinist)
• 1 - Die Entführung aus dem Serail, K. 384: "Martern aller Arten" von Kiri Te Kanawa (soprano), English Chamber Orchestra, Jeffrey Tate (conductor)
• 1 - Die Entführung aus dem Serail, K. 384: "Martern aller Arten" von Cheryl Studer (soprano), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
• 1 - Die Entführung aus dem Serail, K. 384: "Martern aller Arten" (Konstanze) von Anneliese Rothenberger (soprano), Wiener Philharmoniker, Josef Krips (conductor/violinist)
• 1 - Die Entführung aus dem Serail, K. 384: "O, wie will ich triumphieren" (Osmin) von Gottlob Frick (operatic bass), Wiener Philharmoniker, Josef Krips (conductor/violinist)
• 1 - Die Entführung aus dem Serail, K. 384: "Vivat Bacchus" (Osmin & Pedrillo) von Gottlob Frick (operatic bass), Gerhard Unger (tenor), Wiener Philharmoniker, Josef Krips (conductor/violinist)
• 1 - Die Entführung aus dem Serail, K. 384: "Welche Wonne, welche Lust" (Blonde) von Lucia Popp (soprano), Wiener Philharmoniker, Josef Krips (conductor/violinist)
• 1 - Die Entführung aus dem Serail, K. 384: Act 1. "Konstanze, dich wiederzusehen" - "O wie ängstlich, o wie feurig" von Fritz Wunderlich (operatic tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Eugen Jochum (conductor)
• 1 - Die Entführung aus dem Serail, K. 384: Act 2 "Martern aller Arten" (Konstanze) von Yvonne Kenny (Australian soprano), Orchester der Oper Zürich, Nikolaus Harnoncourt (conductor)
• 1 - Die Entführung aus dem Serail, K. 384: Act 3. "Ich baue ganz auf deine Stärke" von Fritz Wunderlich (operatic tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Eugen Jochum (conductor)
• 1 - Die Entführung aus dem Serail, K. 384: Act I - “Hier soll ich dich denn sehen” von Peter Schreier (German tenor and conductor), Staatskapelle Dresden (Dresden Symphonic Orchestra), Otmar Suitner (conductor)