Tag “classical”

Recordings tagged as “classical”

142,699 recordings found

• 2 - Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-iii. Marcia, assai vivace - Allegro by Evgeny Kissin (Russian classical pianist), RIAS Kammerchor (German chamber choir), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Claudio Abbado (conductor)
• 2 - Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-iv. Allegretto, ma non troppo quasi andante con moto "Schmeichelnd hold un liblich klingen" by Evgeny Kissin (Russian classical pianist), RIAS Kammerchor (German chamber choir), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Claudio Abbado (conductor)
• 2 - Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-v. Presto by Evgeny Kissin (Russian classical pianist), RIAS Kammerchor (German chamber choir), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Claudio Abbado (conductor)
• 2 - Fantasy for Violin and Orchestra on Porgy and Bess by Joshua Bell (violinist), London Symphony Orchestra, John Williams (American score composer)
• 2 - Fantasy Overture: Romeo and Juliet by Royal Philharmonic Orchestra, Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
• 2 - Fantasy: The Sea, op. 28 by Moscow Symphony Orchestra (founded in 1989, assoc. with Naxos and Marco Polo labels), Igor Golovschin (Igor Golovchin)
• 2 - Far Away From Here by Fabrizio Paterlini (Italian composer and pianist)
• 2 - Far Away Lights by David Darling (cellist)
• 2 - Faraway by Apocalyptica
• 2 - Faraway, Vol. 2 by Apocalyptica feat. Linda Sundblad
• 2 - Farewell to Lórien by Howard Shore (Canadian score composer) feat. Hilary Summers (contralto)
• 2 - Farewell to the Past by Ludovico Einaudi (Italian composer and pianist)
• 2 - Farnace: Gelido in ogni vena (da capo section) by Cecilia Bartoli (mezzo‐soprano), Il giardino armonico (Italian baroque ensemble), Giovanni Antonini (conductor and flautist)
• 2 - Fast Movement by Joe Jackson (English musician)
• 2 - Father's Eyes by The Piano Guys
• 2 - Faust : Acte III. Air des Bijoux « Ah ! Je ris » by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
• 2 - Faust : Musique de ballet. 2. Cléopâtre et la coupe d'or (Adagio) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Faust : Musique de ballet. 3. Entrée des jeunes Nubiennes (Allegretto) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Faust : Musique de ballet. 4. Variations de Cléopâtre (Moderato maestoso) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Faust : Musique de ballet. 5. Les Troyens (Moderato con moto) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Faust : Musique de ballet. 6. Variations du miroir (Allegretto) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Faust : Musique de ballet. 7. Danse de Phryné (Allegro vivo) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Faust, Ballet Music (1869) : 1. Les Nubiennes, valse (Allegretto) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Faust: La Valse de Faust by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Faust: Les grands Seigneurs / Ah! Je ris de me voir by Anna Netrebko (soprano), Wiener Philharmoniker (Vienna Philharmonic), Gianandrea Noseda (conductor)
• 2 - Favola breve by Emma Shapplin
• 2 - Fawkes Is Reborn by John Williams (American score composer)
• 2 - Fayrfax Africanus by Jan Garbarek & The Hilliard Ensemble (British male vocal quartet)
• 2 - Fear of Falling by Katherine Jenkins (mezzo-soprano)
• 2 - Feathers by Poppy Ackroyd
• 2 - Fedora: Act 2. Intermezzo by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fedora: Act II. “Amor ti vieta” (Loris) by Luciano Pavarotti (tenor), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Oliviero de Fabritiis (conductor and composer), Nicola Rescigno (conductor)
• 2 - Feed Us by Serj Tankian
• 2 - Feeling Good by Escala
• 2 - Fehrbelliner Reitermarsch by Berliner Philharmonisches Bläserensemble (Berlin Philharmonic Wind Ensemble), Herbert von Karajan (conductor)
• 2 - Fennimore and Gerda: Intermezzo by Royal Philharmonic Orchestra, Sir Thomas Beecham (conductor)
• 2 - Fera ventura by Emma Shapplin
• 2 - Fera ventura by Emma Shapplin
• 2 - Fera ventura by Emma Shapplin
• 2 - Feria V “In Coena Domini”: In I Nocturno, Responsorium 1 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria V “In Coena Domini”: In I Nocturno, Responsorium 2 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria V “In Coena Domini”: In I Nocturno, Responsorium 3 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria V “In Coena Domini”: In II Nocturno, Responsorium 4 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria V “In Coena Domini”: In II Nocturno, Responsorium 5 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria V “In Coena Domini”: In II Nocturno, Responsorium 6 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria V “In Coena Domini”: In III Nocturno, Responsorium 7 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria V “In Coena Domini”: In III Nocturno, Responsorium 9 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria VI “In Parasceve”: In I Nocturno, Responsorium 1 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria VI “In Parasceve”: In I Nocturno, Responsorium 2 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria VI “In Parasceve”: In I Nocturno, Responsorium 3 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria VI “In Parasceve”: In II Nocturno, Responsorium 4 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria VI “In Parasceve”: In II Nocturno, Responsorium 5 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria VI “In Parasceve”: In II Nocturno, Responsorium 6 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria VI “In Parasceve”: In III Nocturno, Responsorium 7 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria VI “In Parasceve”: In III Nocturno, Responsorium 8 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feria VI “In Parasceve”: In III Nocturno, Responsorium 9 by The Hilliard Ensemble (British male vocal quartet)
• 2 - Feste veneziane by Rondò Veneziano
• 2 - Festina Lente by Orchester der Beethovenhalle Bonn, Dennis Russell Davies (conductor and pianist)
• 2 - Festina Lente by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Neeme Järvi (Estonian conductor)
• 2 - Festina Lente by Bournemouth Sinfonietta, Richard Studt (violinist, conductor)
• 2 - Festival Overture on the Danish Anthem, op. 15 by Russian National Orchestra, Mikhail Pletnev (pianist & conductor)
• 2 - Festivity at Thornfield by John Williams (American score composer)
• 2 - Fête donnée par des chevaliers normands en l'honneur d'une jeune demoiselle (XIe siécle) by Jean‐Yves Thibaudet (pianist)
• 2 - Feuille d’album in E, op. posth. by Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
• 2 - Feuilles Mortes by Krystian Zimerman (pianist)
• 2 - Feuillet d'album by János Starker (Hungarian-American cellist), Shigeo Neriki (pianist)
• 2 - Feuillet d'album, op. 58 by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 2 - Feuillet d'album, op. 58 by John Ogdon (pianist and composer)
• 2 - Feux dʼartifice by Krystian Zimerman (pianist)
• 2 - Fidelio Overture, op. 72 by Wiener Philharmoniker (Vienna Philharmonic), Clemens Krauss (conductor)
• 2 - Fidelio, op. 72: Act I, no. 1. "Der arme Jaquino dauert mich beinahe" (Marzelline) by Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) by Horst Laubenthal (tenor), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 2. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) by José van Dam (Belgian operatic bass-baritone), Helen Donath (soprano), Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) by Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 3. "Höre, Fidelio, wenn ich auch nicht weiß" (Rocco) by José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) by Helen Donath (soprano), Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Horst Laubenthal (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 4. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) by Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 4. Aria "Hat man nicht auch Gold beineben" (Rocco) by José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) by José van Dam (Belgian operatic bass-baritone), Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 6. "Depeschen?" (Pizarro, Rocco) by Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 6. March by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 7. "Hauptmann, besteigen Sie den Turm!" (Pizarro, Rocco) by Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) by Karl Ridderbusch (operatic bass), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) by Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 9. "Vater Rocco, ich ersuchte Euch schon" (Leonore, Marzelline, Rocco) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 10. Prisoner’s Chorus “O welche Lust” by Werner Hollweg (tenor), Siegfried Rudolf Frese (German operatic bass-baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 10. Quintet "Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) by Helen Donath (soprano), José van Dam (Belgian operatic bass-baritone), Horst Laubenthal (tenor), Helga Dernesch (Austrian soprano and mezzo‐soprano), Karl Ridderbusch (operatic bass), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, no. 10. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) by Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) by Adolf Dallapozza (tenor), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 2 - Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline) by Lucia Popp (soprano), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 2 - Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) by Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 2 - Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco) by Manfred Jungwirth (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 2 - Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 2 - Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) by Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 2 - Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline) by Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 2 - Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline) by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 2 - Fidelio, op. 72: Act I, Scene I. “Jaquino!” – “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore) by Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 2 - Fidelio, op. 72: Act I, Scene II, no. 6. March by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 2 - Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus) by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)