Tag “classical”
~ Tag
Recordings tagged as “classical”
142,699 recordings found
- 2 - Conquest of Paradise: Theme by Boston Pops Orchestra, John Williams (American score composer)
- 2 - Conquest of the War Demons: VII. The Underworld Arising by Kronos Quartet
- 2 - Consolation by Silvia Čápová (pianist)
- 2 - Consolation in E major, S. 172 no. 2 by Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 2 - Consolation no. 3 in D-flat major: Lento placido by Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 2 - Consolations, S. 172: No. 1. Andante con moto by Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
- 2 - Consolations, S. 172: No. 2. Un poco più mosso by Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
- 2 - Consolations, S. 172: No. 3. Lento placido by Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
- 2 - Consolations, S. 172: No. 4. Quasi adagio by Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
- 2 - Consolations, S. 172: No. 5. Andantino by Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
- 2 - Consolations, S. 172: No. 6. Allegretto sempre cantabile by Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
- 2 - Constellation 1 by Max Richter (German pianist and score composer) & Ben Russel (bass player)
- 2 - Constellation 2 by Max Richter (German pianist and score composer) & Ben Russel (bass player)
- 2 - Consuelo's Dream by Audra McDonald
- 2 - Contramonkey by Edgar Meyer (contemporary bassist and composer) with Béla Fleck and Mike Marshall (US mandolinist & multi-instrumentalist)
- 2 - Contrapunctus 4 by Juilliard String Quartet
- 2 - Contrapunctus XIII from "The Art of the Fugue" by Edgar Meyer (contemporary bassist and composer) with Béla Fleck and Mike Marshall (US mandolinist & multi-instrumentalist)
- 2 - Contrary Motion by Donald Joyce
- 2 - Contredance in B-flat, KV 123/73g by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - Contredance in C, KV 535 «La Bataille» by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - Contredance in C, KV 587 «Der Sieg vom Helden Koburg» by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - Contredance in D, KV 534 «Das Donnerwetter» (orch. Erik Smith) by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - Contredanse for 4 Voices and Orchestra in D major, K. Anh. C 3.04/(K3) Anh. 186d/142 (possibly spurious) "Tantum ergo" by Monika Frimmer (soprano), Rundfunkchor Leipzig, Radio-Sinfonie-Orchester Leipzig, Peter Schreier (German tenor and conductor)
- 2 - Contredanse for 4 Voices and Orchestra in D major, K. Anh. C 3.05/(K3) Anh. 186e/197 (possibly spurious) "Tantum ergo" by Rundfunkchor Leipzig, Radio-Sinfonie-Orchester Leipzig, Peter Schreier (German tenor and conductor)
- 2 - Contredanse for Keyboard in F major, K. 33B "The London Sketchbook" by Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
- 2 - Contredanse for Orchestra in B-flat major, K. 73g/123 by Štátny komorný orchester Žilina (Slovak Sinfonietta), Taras Krysa (violinist and conductor)
- 2 - Contredanse for Piano in F major, K. 15h/deest "London Sketchbook No. 8" by Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
- 2 - Contredanse for Piano in G major, K. 15e/deest "London Sketchbook No. 5" by Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
- 2 - Contredanse in G flat major, B. 17 by Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
- 2 - Coppélia, Ballet Suite: 1. Vorspiel und Mazurka by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Coppélia, Ballet Suite: 2. Szene und Walzer des Swanhilde by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Coppélia, Ballet Suite: 3. Czárdás by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Coppélia, Ballet Suite: 4. Scene und Puppenwalzer by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Coppélia, Ballet Suite: 6. Slawische Volkmelodie mit variationen by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Coppélia, Suite: V. Ballade by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Corale Solo by Ludovico Einaudi (Italian composer and pianist)
- 2 - Corcovado – Quiet Nights of Quiet Stars by Andrea Bocelli (tenor) duet with Nelly Furtado
- 2 - Cordoba by John Williams (classical guitarist)
- 2 - Core 'ngrato by The Three Tenors, Orchestre de Paris, James Levine (US conductor and pianist)
- 2 - Core ’ngrato (live, 1990-07-07: Terme di Caracalla, Rome, Italy) by José Carreras (Spanish tenor)
- 2 - Coriolan op. 62: Ouvertüre: Allegro con brio by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Wilhelm Furtwängler (conductor)
- 2 - Coriolan Overture, op. 62 by The Chamber Orchestra of Europe, Nikolaus Harnoncourt (conductor)
- 2 - Coriolan, op. 62 by Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra), Kurt Masur (conductor)
- 2 - Coriolis by Penguin Cafe (Arthur Jeffes’ band, founded 2009)
- 2 - Corners by Robert Rich (ambient musician and composer)
- 2 - Cornish Pixies by John Williams (American score composer)
- 2 - Coronation Anthem no. 1: “Zadok the Priest” (HWV 258) by Huddersfield Choral Society, Royal Northern Sinfonia, Sir John Pritchard (conductor)
- 2 - Coronation Mass in C major, KV 317: I. Kyrie by Pamela Heuvelmans (soprano), Benoît Haller (tenor), Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt (conductor)
- 2 - Coronation Mass in C major, KV 317: II. Gloria by Pamela Heuvelmans (soprano), Barbara Werner (mezzo-soprano / alto), Benoît Haller (tenor), Manfred Bittner (operatic bass), Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt (conductor)
- 2 - Coronation Mass in C major, KV 317: III. Credo by Pamela Heuvelmans (soprano), Barbara Werner (mezzo-soprano / alto), Benoît Haller (tenor), Manfred Bittner (operatic bass), Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt (conductor)
- 2 - Coronation Mass in C major, KV 317: IV. Sanctus by Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt (conductor)
- 2 - Coronation Mass in C major, KV 317: V. Benedictus by Pamela Heuvelmans (soprano), Barbara Werner (mezzo-soprano / alto), Benoît Haller (tenor), Manfred Bittner (operatic bass), Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt (conductor)
- 2 - Coronation Mass in C major, KV 317: VI. Agnus Dei by Pamela Heuvelmans (soprano), Barbara Werner (mezzo-soprano / alto), Benoît Haller (tenor), Manfred Bittner (operatic bass), Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt (conductor)
- 2 - Corso delle gondole by Rondò Veneziano
- 2 - Cortège solennel, op. 50 by Moscow Symphony Orchestra (founded in 1989, assoc. with Naxos and Marco Polo labels), Konstantin Krimets (Soviet and Russian conductor)
- 2 - Cortège solennel, op. 91 by Moscow Symphony Orchestra (founded in 1989, assoc. with Naxos and Marco Polo labels), Igor Golovschin (Igor Golovchin)
- 2 - Così fan tutte, K. 588: Act I, Scene I No. 1 Terzetto. Allegro "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso) / Act I, Scene I Recitativo "Fuor la spada" (Ferrando, Guglielmo, Don Alfonso) by Richard van Allan (operatic bass-baritone), Wladimiro Ganzarolli (bass-baritone), Nicolai Gedda (tenor), John Constable (pianist), Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis (English conductor)
- 2 - Così fan tutte, K. 588: Act I, Scene IX. No. 12 Aria "In uomini, in soldati sperare" (Despina) by Magdalena Kožená (mezzo-soprano), Orchestra of the Age of Enlightenment, Simon Rattle (conductor)
- 2 - Così fan tutte, K. 588: Act I, Scene XIII Recitativo "Ho, la saria da ridere" (Don Alfonso, Despina) by Richard van Allan (operatic bass-baritone), Ileana Cotrubaş (Romanian soprano), John Constable (pianist), Sir Colin Davis (English conductor)
- 2 - Così fan tutte, K. 588: Act I, Scene XIV No. 18 Finale. Andante "Ah, che tutta in un momento" (Fiordiligi, Dorabella) by Dame Janet Baker (mezzo‐soprano and alto), Montserrat Caballé (soprano), Ileana Cotrubaş (Romanian soprano), Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis (English conductor)
- 2 - Così fan tutte, K. 588: Act II, Scene VII Recitativo. Allegretto "Ei parte... senti...! Ah no... partir si lasci" (Fiordiligi) by Montserrat Caballé (soprano), John Constable (pianist), Sir Colin Davis (English conductor)
- 2 - Così fan tutte, K. 588: Act II, Scene X. No. 28 Aria "È amore un ladroncello" (Dorabella) by Magdalena Kožená (mezzo-soprano), Orchestra of the Age of Enlightenment, Simon Rattle (conductor)
- 2 - Cosi fan tutte, K.588: <Ei parte...Senti...> <Perpiete, ben mio perdona> by Kiri Te Kanawa (soprano), London Symphony Orchestra, Sir Colin Davis (English conductor)
- 2 - Così fan tutte, KV 588: Ei parte... Senti!... Ah, no! - Per pietà, ben mio, perdona by Magdalena Kožená (mezzo-soprano), Orchestra of the Age of Enlightenment, Simon Rattle (conductor)
- 2 - Così fan tutte: Act II. "Una donna a quindici anni" (Despina) by Kathleen Battle (soprano), Metropolitan Opera Orchestra, James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I, scena 2. “Soave sia il vento” by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Christa Ludwig (mezzo-soprano), Walter Berry (bass‐baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Karl Böhm (Austrian conductor)
- 2 - Così fan tutte: Atto I, scena 3. “Come scoglio immoto resta” by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Karl Böhm (Austrian conductor)
- 2 - Così fan tutte: Atto I. “Ah scostati! / No. 11: "Smanie implacabili che m’agitate” by Nan Merriman (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. “Ah, scostati!” by Ann Murray (Irish mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “Alla bella Despinetta” by Hans Peter Blochwitz (tenor), Ferruccio Furlanetto (bass-baritone), Thomas Hampson (baritone), Marie McLaughlin (soprano), Ann Murray (Irish mezzo-soprano), Kiri Te Kanawa (soprano), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “E de’ cento zecchini, che faremo?” by Hans Peter Blochwitz (tenor), Ferruccio Furlanetto (bass-baritone), Thomas Hampson (baritone), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “E voi ridete?” by Hans Peter Blochwitz (tenor), Ferruccio Furlanetto (bass-baritone), Thomas Hampson (baritone), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “La mia Dorabella capace non è” by Hans Peter Blochwitz (tenor), Ferruccio Furlanetto (bass-baritone), Thomas Hampson (baritone), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “Rivolgete a lui lo sguardo” by Thomas Hampson (baritone), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “Soave sia il vento” by Ferruccio Furlanetto (bass-baritone), Ann Murray (Irish mezzo-soprano), Kiri Te Kanawa (soprano), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “Soave sia il vento” (Trio) by Leontyne Price (soprano), Tatiana Troyanos (mezzo-soprano), Ezio Flagello (operatic bass / baritone), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Erich Leinsdorf (conductor)
- 2 - Così fan tutte: Atto I. “Un’ aura amorosa del nostro tesoro” by Hans Peter Blochwitz (tenor), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. Appendix. No. 15 Aria “Non siate ritrosi” (Guglielmo) by Rolando Panerai (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) by Sesto Bruscantini (bass-baritone), Rolando Panerai (baritone), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 2 Terzetto “E la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) by Sesto Bruscantini (bass-baritone), Rolando Panerai (baritone), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) by Sesto Bruscantini (bass-baritone), Rolando Panerai (baritone), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) by Sesto Bruscantini (bass-baritone), Nan Merriman (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) by Lisa Otto (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 14: “Come scoglio immoto resta” by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) by Sesto Bruscantini (bass-baritone), Rolando Panerai (baritone), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 17 Aria “Un’aura amorosa” (Ferrando) by Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) by Sesto Bruscantini (bass-baritone), Nan Merriman (mezzo-soprano), Lisa Otto (soprano), Rolando Panerai (baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. “Fortunato l’uom che prende” by Sesto Bruscantini (bass-baritone), Nan Merriman (mezzo-soprano), Lisa Otto (soprano), Rolando Panerai (baritone), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) by Marie McLaughlin (soprano), Kiri Te Kanawa (soprano), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella) by Nan Merriman (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 22 Quartetto “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) by Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Rolando Panerai (baritone), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) by Nan Merriman (mezzo-soprano), Rolando Panerai (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) by Kiri Te Kanawa (soprano), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto II. No. 25: “Per pietà, ben mio, perdona” by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo) by Rolando Panerai (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) by Hans Peter Blochwitz (tenor), Ferruccio Furlanetto (bass-baritone), Thomas Hampson (baritone), Kiri Te Kanawa (soprano), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Guglielmo) by Sesto Bruscantini (bass-baritone), Rolando Panerai (baritone), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No.19 Aria “Una donna a quindici anni” (Despina) by Lisa Otto (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. Recitativo “Ei parte… Scenti!… Ah, no!” (Fiordiligi) by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)