Tag “classical”
~ Tag
Recordings tagged as “classical”
142,699 recordings found
- 2 - 3 Irish Folk Song Settings: She Moved Thro' The Fair by Robert White (tenor), Ransom Wilson (flutist and conductor)
- 2 - 3 Irish Folk Song Settings: The Foggy Dew by Robert White (tenor), Ransom Wilson (flutist and conductor)
- 2 - 3 Irish Folk Song Settings: The Sally Gardens by Robert White (tenor), Ransom Wilson (flutist and conductor)
- 2 - 3 Marches for 2 Pianos, op. 45 no. 2 in E-flat major: Vivace by Jörg Demus (pianist), Norman Shetler (Austrian pianist, puppeteer, teacher)
- 2 - 3 Marches for 2 Pianos, op. 45 no. 3 in D major: Vivace by Jörg Demus (pianist), Norman Shetler (Austrian pianist, puppeteer, teacher)
- 2 - 3 Mazurkas, op. 59: No. 1 in A minor. Moderato by Martha Argerich (Argentine pianist)
- 2 - 3 Minuets, KV 363: No. 1 in D by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 3 Minuets, KV 363: No. 2 in B-flat by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 3 Minuets, KV 363: No. 3 in D by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 3 morceaux en forme de poire: I. Manière de commencement (Assez modérément – Un peu plus vif) by Anne Queffélec (pianist), Catherine Collard (pianist)
- 2 - 3 Piano Pieces, op. 59: I. Impromptu. Allegro fluente - Moderato e molto pesante by John Ogdon (pianist and composer)
- 2 - 3 Piano Pieces, op. 59: II. Molto adagio by John Ogdon (pianist and composer)
- 2 - 3 Piano Pieces, op. 59: III. Allegro non troppo - Più allegro by John Ogdon (pianist and composer)
- 2 - 3 Violin Duets: I. Praeludium (Molto moderato) by Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist), Pinchas Zukerman (violinist/conductor)
- 2 - 4 AM by Candlelight by David Nevue
- 2 - 4 Canons in F, K. deest Nos 11-14 by Reinhold Helbich (clarinetist), Werner Mittelbach (clarinetist), Joachim Olszewski, Karl‐Heinz Steffens (clarinetist and conductor)
- 2 - 4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce) by Jill Gomez (soprano), City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 2 - 4 Contredances, KV 101: No. 1 in F by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 4 Contredances, KV 101: No. 2 in G by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 4 Contredances, KV 101: No. 3 in D by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 4 Contredances, KV 101: No. 4 in F by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 4 Contredanses, KV 267/271c: No. 1 in G by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 4 Contredanses, KV 267/271c: No. 2 in E-flat by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 4 Contredanses, KV 267/271c: No. 3 in A by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 4 Contredanses, KV 267/271c: No. 4 in D by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 4 Pièces, op. 56: III. Nuances (Fondu, velouté) by Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
- 2 - 4 Riddle Canons No. 1 for 3 Male Voices in 1 in F major, K. 73r / K2 89aII / KV deest "Sit trium series una": Canon. "Incipe Menalios" by Chorus Viennensis, Guido Mancusi (conductor)
- 2 - 4 Riddle Canons No. 2 for 9 Female Voices in 1 in C major, K. 73r / K2 89aII / KV deest "Ter ternis canite vocibus": Canon. "Cantate Domino" by Chorus Viennensis
- 2 - 4 Riddle Canons No. 3 for 2 Mixed Voices and 1 additional Voice in C major, K. 73r / K2 89aII / KV deest "Clama ne cesses. Tertia pars si placet": Canon ad duodecimam. "Confitebor tibi Domine" by Chorus Viennensis, Damenchor des Concertus Vocalis, Guido Mancusi (conductor)
- 2 - 4 Romantic Pieces, op. 75: I. Allegro moderato by Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist)
- 2 - 4 Romantic Pieces, op. 75: II. Allegro maestoso by Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist)
- 2 - 4 Romantic Pieces, op. 75: III. Allegro appassionato by Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist)
- 2 - 4 Romantic Pieces, op. 75: IV. Larghetto by Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist)
- 2 - 4ème Gnossienne, Lent by Jean‐Yves Thibaudet (pianist)
- 2 - 5 Canons in F major, K. deest Nos. 1-5 / Canon in F, K. 508a, No. 3 in F major by Reinhold Helbich (clarinetist), Werner Mittelbach (clarinetist), Joachim Olszewski, Karl‐Heinz Steffens (clarinetist and conductor)
- 2 - 5 Contredanses, KV 609: No. 2 in E-flat by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 5 Contredanses, KV 609: No. 3 in D by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 5 Minuets, KV 461/448a: No. 1 in C by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 5 Minuets, KV 461/448a: No. 2 in E-flat by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 5 Minuets, KV 461/448a: No. 3 in G by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 5 Minuets, KV 461/448a: No. 4 in B-flat by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 5 Rückertlieder: Blicke mir nicht in die Lieder! by Janet Baker (mezzo‐soprano and alto), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Sir John Barbirolli (conductor and cellist)
- 2 - 5 Rückertlieder: Ich atmet' einen linden Duft! by Janet Baker (mezzo‐soprano and alto), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Sir John Barbirolli (conductor and cellist)
- 2 - 5 Rückertlieder: Ich bin der Welt abhanden gekommen by Janet Baker (mezzo‐soprano and alto), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Sir John Barbirolli (conductor and cellist)
- 2 - 5 Rückertlieder: Liebst du um Schönheit (orch. Max Puttmann) by Janet Baker (mezzo‐soprano and alto), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Sir John Barbirolli (conductor and cellist)
- 2 - 5 Rückertlieder: Um Mitternacht by Janet Baker (mezzo‐soprano and alto), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Sir John Barbirolli (conductor and cellist)
- 2 - 5 Stücke im Volkston, Op. 102: No. 1. Mit Humor by Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 2 - 5 Stücke im Volkston, Op. 102: No. 2. Langsam by Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 2 - 5 Stücke im Volkston, Op. 102: No. 3. Nicht schnell, mit viel Ton zu spielen by Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 2 - 5 Stücke im Volkston, Op. 102: No. 4. Nicht zu rasch by Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 2 - 5 Stücke im Volkston, Op. 102: No. 5. Stark und markiert by Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 2 - 5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred", WoO 79 by Alfred Brendel (Austrian pianist)
- 2 - 5ème Gnossienne, Modéré by Jean‐Yves Thibaudet (pianist)
- 2 - 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 649: Ach bleib bei uns, Herr Jesu Christ by Ton Koopman (conductor, organist and harpsichordist)
- 2 - 6 Contredanses, KV 462/448b: No. 1 in C by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Contredanses, KV 462/448b: No. 2 in E-flat by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Contredanses, KV 462/448b: No. 3 in B-flat by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Contredanses, KV 462/448b: No. 4 in D by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Contredanses, KV 462/448b: No. 5 in B-flat by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Contredanses, KV 462/448b: No. 6 in F by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Ecossaises in E-flat major, WoO 83 by Alfred Brendel (Austrian pianist)
- 2 - 6 German Dances for Orchestra No. 1 in D major, K. 509: German Dance & Trio / No. 2 in G major, K. 509: German Dance & Trio / No. 3 in E-flat major, K. 509: German Dance & Trio / No. 4 in F major, K. 509: German Dance & Trio / No. 5 in A major, K. 509: Ge by Luc Devos (Flemish pianist)
- 2 - 6 German Dances, K. 509 by Wiener Mozart Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 536: No. 1 in C by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 536: No. 2 in G by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 536: No. 3 in B-flat by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 536: No. 4 in D by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 536: No. 5 in F by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 536: No. 6 in F by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 567: No. 1 in B-flat by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 567: No. 2 in E-flat by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 567: No. 3 in G by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 567: No. 4 in D by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 567: No. 5 in A by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 567: No. 6 in C by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 571: No. 1 in D by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 571: No. 2 in A by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 571: No. 3 in C by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 571: No. 4 in G by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 571: No. 5 in B-flat by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 571: No. 6 in D by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 600: No. 2 in F by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 600: No. 5 in G (trio: «Der Kanarienvogel») by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Minuet, KV 104/61e: No. 2 in F by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Minuet, KV 104/61e: No. 5 in G by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Minuet, KV 104/61e: No. 6 in G by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Minuets, KV 105/61f: No. 1 in D by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Minuets, KV 105/61f: No. 5 in G by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Minuets, KV 164/130a: No. 1 in D by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Minuets, KV 164/130a: No. 2 in G by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Minuets, KV 164/130a: No. 4 in G by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Minuets, KV 164/130a: No. 5 in D by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Minuets, KV 599: No. 5 in F by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Moments musicaux, D780: 3. Allegro moderato (F minor) by Radu Lupu (Romanian concert pianist)
- 2 - 6 Variations for Piano in D major on an Original Theme from "The Ruins of Athens", op. 76 by Alfred Brendel (Austrian pianist)
- 2 - 6 Variations for Piano in F major on an Original Theme, op. 34 by Alfred Brendel (Austrian pianist)
- 2 - 6 Variations for Piano on a Swiss Song in F major, WoO 64: Thema. Andante con moto - Var. I-VI by Mikhail Pletnev (pianist & conductor)
- 2 - 6 Variations for Piano on an Original Theme in F major, op. 34: Thema. Adagio. Cantabile by Mikhail Pletnev (pianist & conductor)
- 2 - 6 Variations for Piano on an Original Theme in F major, op. 34: Var III. Allegretto by Mikhail Pletnev (pianist & conductor)
- 2 - 6 Variations for Piano on an Original Theme in F major, op. 34: Var. I by Mikhail Pletnev (pianist & conductor)