Tag “classical”
~ Tag
Recordings tagged as “classical”
142,699 recordings found
- 2 - Pastel Refletions by Kevin Kern (American pianist)
- 2 - Pastoral by Moondog (Louis Thomas Hardin, American composer, musician, poet & inventor)
- 2 - Pastorale by Rondò Veneziano
- 2 - Pastorale by Thijs van Leer
- 2 - Pastorella, BWV 590: II. by Ton Koopman (conductor, organist and harpsichordist)
- 2 - Patchwork by Laurie Spiegel (US composer)
- 2 - Pater Noster by The Sixteen (UK choir), Harry Christophers (conductor)
- 2 - Path (live, 2005-12-05: Düsseldorf, Germany) by Apocalyptica
- 2 - Path 17 (before the ending of daylight) by Grace Davidson (soprano), Max Richter (German pianist and score composer), Ben Russel (bass player), Yuki Numata Resnick, Caleb Burhans, Clarice Jensen (cellist) & Brian Snow
- 2 - Pathétique I (Beethoven, Pathétique) by Klazz Brothers & Cuba Percussion
- 2 - Pathétique II (Beethoven, Pathétique) by Klazz Brothers & Cuba Percussion
- 2 - Pathétique III (Beethoven, Pathétique) by Klazz Brothers & Cuba Percussion
- 2 - Patterns (cypher) by Max Richter (German pianist and score composer), Ben Russel (bass player), Yuki Numata Resnick, Caleb Burhans, Clarice Jensen (cellist) & Brian Snow
- 2 - Patterns (lux) by Max Richter (German pianist and score composer), Ben Russel (bass player), Yuki Numata Resnick, Caleb Burhans, Clarice Jensen (cellist) & Brian Snow
- 2 - Pause by Nils Frahm (German pianist and score composer)
- 2 - Pavana caprichio, op. 12 by Alicia de Larrocha (pianist)
- 2 - Pavane by Royal Liverpool Philharmonic Orchestra, Libor Pešek (conductor)
- 2 - Pavane by William Orbit (English musician, composer and record producer)
- 2 - Pavane by City of London Sinfonia (chamber orchestra), Richard Hickox (conductor)
- 2 - Pavane de la belle au bois dormant by Accentus (Chœur de chambre Accentus), Solange Añorga, Laurence Equilbey
- 2 - Pavane in F-sharp minor, op. 50 (for flute and orchestra) by Gareth Morris (British flautist), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Sir David Willcocks (UK composer, organist, choral conductor)
- 2 - Pavane pour une infante défunte by Kathryn Stott (pianist)
- 2 - Pavane pour une infante défunte by Rotterdams Philharmonisch Orkest (Rotterdam Philharmonic Orchestra), Yannick Nézet-Séguin (Canadian conductor)
- 2 - Pavane pour une infante défunte, for piano (or orchestra) by Cécile Ousset (French pianist)
- 2 - Pavane pour une infante défunte, M. 19 by Jean‐Yves Thibaudet (pianist)
- 2 - Pavane pour une infante défunte, M. 19 by Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
- 2 - Pavane pour une Infante Défunte: Lent by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pavane, op. 50 by Iwan Edwards, Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus), Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
- 2 - Pavane, op. 50 (arr. McFerrin) by Bobby McFerrin
- 2 - Pavane, op. 50 by Netherlands Chamber Choir, Limburg Symphony Orchestra Maastricht, Ed Spanjaard (pianist and conductor)
- 2 - Pavane, op. 50 by John Oliver (chorus master), Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa (conductor and composer)
- 2 - Pavane, op. 50: Andante molto moderato by Orpheus Chamber Orchestra (US orchestra)
- 2 - Peace by George Winston
- 2 - Peace Wanted Just to Be Free by Stevie Wonder · Luciano Pavarotti (tenor)
- 2 - Pearl by Mediæval Bæbes
- 2 - Peccadilles importunes : I. Être jaloux de son camarade qui a une grosse tête by Jean‐Yves Thibaudet (pianist)
- 2 - Peccadilles importunes : II. Lui manger sa tartine by Jean‐Yves Thibaudet (pianist)
- 2 - Peccadilles importunes : III. Profiter de ce qu'il a des cors aux pieds pour lui prendre son cerceau by Jean‐Yves Thibaudet (pianist)
- 2 - Pedal-Exercitium, BWV 598 by Ton Koopman (conductor, organist and harpsichordist)
- 2 - Peer Gynt by William Orbit (English musician, composer and record producer)
- 2 - Peer Gynt Suite no. 1, op. 46: I. Dawn by New York Philharmonic, Leonard Bernstein (American conductor, composer, pianist)
- 2 - Peer Gynt Suite no. 1, op. 46: I. Morgenstemning by Royal Philharmonic Orchestra, Mark Ermler (conductor)
- 2 - Peer Gynt Suite no. 1, op. 46: I. Morning by Polish Radio Symphony Orchestra (Radio Symphony Orchestra of Cracow), Tadeusz Wojciechowski (conductor)
- 2 - Peer Gynt Suite No. 1, Op. 46: I. Morning by James Galway (flautist), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), David Measham (conductor)
- 2 - Peer Gynt Suite no. 1, op. 46: I. Morning Mood by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), David Parry (conductor)
- 2 - Peer Gynt Suite no. 1, op. 46: II. Aase's Death (1971 recordings) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance (1971 recordings) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance by New York Philharmonic, Leonard Bernstein (American conductor, composer, pianist)
- 2 - Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King (1971 recordings) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King by New York Philharmonic, Leonard Bernstein (American conductor, composer, pianist)
- 2 - Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), David Parry (conductor)
- 2 - Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King by The Philadelphia Orchestra, Eugene Ormandy (conductor)
- 2 - Peer Gynt Suite no. 1: Prelude (Morning) by The Orchestra of St. John’s, Smith Square, John Lubbock (English singer, conductor & founder of Orchestra of St. John’s, Smith Square Orchestra)
- 2 - Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid's Lament (1971 recordings) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Peer Gynt Suite no. 2, op. 55: II. Arabian Dance (1971 recordings) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Homecoming (1971 recordings) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song by San Francisco Symphony, Herbert Blomstedt (conductor)
- 2 - Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song (1971 recordings) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Peer Gynt Suite nr. 1, op. 46: IV. I Dovregubbens Hall by BBC Scottish Symphony Orchestra, Jerzy Maksymiuk (conductor)
- 2 - Peer Gynt, op. 23: 2. akt: I Dovregubbens hall by Gösta Ohlin, Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir (Swedish choir), Tor Stokke, Gothenburg Symphony Orchestra, Neeme Järvi (Estonian conductor)
- 2 - Peer Gynt, op. 23: 3. akt: Åses død by Göteborgs Symfoniker (Gothenburg Symphony Orchestra), Neeme Järvi (Estonian conductor)
- 2 - Peer Gynt, op. 23: 4. akt: Anitras dans by Göteborgs Symfoniker (Gothenburg Symphony Orchestra), Neeme Järvi (Estonian conductor)
- 2 - Peer Gynt, op. 23: 4. akt: Arabisk dans by Marianne Eklöf, Göteborgs Symfoniker (Gothenburg Symphony Orchestra), Neeme Järvi (Estonian conductor), Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir (Swedish choir), Gösta Ohlin
- 2 - Peer Gynt, op. 23: 4. akt: Solveigs sang by Barbara Bonney (soprano), Gothenburg Symphony Orchestra, Neeme Järvi (Estonian conductor)
- 2 - Peer Gynt, Op. 23: Solveig's Song by Anna Netrebko (soprano), Prague Philharmonia, Emmanuel Villaume (conductor)
- 2 - Peer Gynt: In the Hall of the Mountain King by San Francisco Symphony, Edo de Waart (conductor)
- 2 - Pelimannit: I. Närböläisten braa speli by Ostrobothnian Chamber Orchestra (Ostrobothnian Chamber Orchestra), Juha Kangas
- 2 - Pelimannit: II. Kopsin Jonas by Ostrobothnian Chamber Orchestra (Ostrobothnian Chamber Orchestra), Juha Kangas
- 2 - Pelimannit: III. Klockar Samuel Dikström by Ostrobothnian Chamber Orchestra (Ostrobothnian Chamber Orchestra), Juha Kangas
- 2 - Pelimannit: IV. Pirun polska by Ostrobothnian Chamber Orchestra (Ostrobothnian Chamber Orchestra), Juha Kangas
- 2 - Pelimannit: V. Hypyt by Ostrobothnian Chamber Orchestra (Ostrobothnian Chamber Orchestra), Juha Kangas
- 2 - Pelléas et Mélisande - I. At the Castle Gate by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande - II. Mélisande by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande - VIII. Mélisande's Death by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande, op. 80: Andantino quasi allegretto by Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
- 2 - Pelléas et Mélisande, op. 80: Molto Adagio by Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
- 2 - Pelléas et Mélisande, op. 80: Prélude / Quasi Adagio by Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
- 2 - Pelléas et Mélisande, op. 80: Sicilienne, Allegro molto moderato by Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
- 2 - Pelléas et Mélisande: Act I, Scene I. "Je ne pourrai plus sortir de cette forêt" (Golaud, Mélisande) by José van Dam (Belgian operatic bass-baritone), Frederica von Stade (mezzo-soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act I, Scene I. "Qu'est-ce qui brille ainsi, au fond de l'eau?" (Golaud, Mélisande) by José van Dam (Belgian operatic bass-baritone), Frederica von Stade (mezzo-soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act I, Scene II. "Grand-père, j'ai reçu en même temps que la lettre de mon frère..." (Pelléas, Arkel, Geneviève) by Richard Stilwell (baritone), Ruggero Raimondi (bass-baritone), Nadine Denize (mezzo-soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act I, Scene II. "Je n'en dis rien" (Arkel, Geneviève) by Ruggero Raimondi (bass-baritone), Nadine Denize (mezzo-soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act I, Scene II. "Voici ce qu'il écrit à son frère Pelléas: 'Un soir, je l'ai trouvée'" (Geneviève) by Nadine Denize (mezzo-soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act I, Scene III. "Hoé! Hisse hoé! Hoé! Hoé!" (Chœr, Mélisande, Pelléas, Geneviève) by Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Frederica von Stade (mezzo-soprano), Richard Stilwell (baritone), Nadine Denize (mezzo-soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act I, Scene III. "Il fait sombre dans les jardins" (Mélisande, Geneviève, Pelléas) by Frederica von Stade (mezzo-soprano), Nadine Denize (mezzo-soprano), Richard Stilwell (baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act II, Scene I. "C'est au bord d'une fontaine aussi qu'il vous a trouvée?" (Pelléas, Mélisande) by Richard Stilwell (baritone), Frederica von Stade (mezzo-soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act II, Scene I. "Vous ne savez pas où je vous ai menée?" (Pelléas, Mélisande) by Richard Stilwell (baritone), Frederica von Stade (mezzo-soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act II, Scene II. "Ah! Ah! Tout va bien, ce la ne sera rien" (Golaud, Mélisande) by José van Dam (Belgian operatic bass-baritone), Frederica von Stade (mezzo-soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act II, Scene II. "Je suis ... je suis malade ici" (Mélisande, Golaud) by Frederica von Stade (mezzo-soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act II, Scene II. "Tiens, où est l'anneau que je t'avais donné?" (Golaud, Mélisande) by José van Dam (Belgian operatic bass-baritone), Frederica von Stade (mezzo-soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act II, Scene III. "Oui, c'est ici, nous y sommes" (Pelléas, Mélisande) by Richard Stilwell (baritone), Frederica von Stade (mezzo-soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act III, Scene I. "Je les noue, je les noue aux branches du saule" (Pelléas, Mélisande, Golaud) by Frederica von Stade (mezzo-soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act III, Scene I. "Mes longs cheveux descendent" by Frederica von Stade (mezzo-soprano), Richard Stilwell (baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act III, Scene I. "Oh! Oh! Mes cheveux descendent de la tour!" (Mélisande, Pelléas) by Frederica von Stade (mezzo-soprano), Richard Stilwell (baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act III, Scene II. "Prenez garde; par ici, par ici" (Golaud, Pelléas) by José van Dam (Belgian operatic bass-baritone), Richard Stilwell (baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act III, Scene III. "Ah! Je respire enfin!" (Pelléas, Golaud) by Richard Stilwell (baritone), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act III, Scene IV. "Ah! Ah! Petite mère a allumé sa lampe" (Yniold, Golaud) by Christine Barbaux (French soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act III, Scene IV. "Viens, nous allons nous asseoir ici, Yniold" (Golaud, Yniold) by José van Dam (Belgian operatic bass-baritone), Christine Barbaux (French soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act IV, Scene I. "Où vas-tu? Il faut que je te parle ce soir" (Pelléas, Mélisande) by Richard Stilwell (baritone), Frederica von Stade (mezzo-soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Pelléas et Mélisande: Act IV, Scene II. "Apporte-la" (Golaud, Arkel, Mélisande) by José van Dam (Belgian operatic bass-baritone), Ruggero Raimondi (bass-baritone), Frederica von Stade (mezzo-soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)