Tag “austrian composer”
~ Tag
Recordings tagged as “austrian composer”
258 recordings found
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Accende lumen sensibus by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Gloria sit Patri Domino by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Imple superna gratia by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Infirma nostri corporis by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Veni creator spiritus by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Veni, Creator... Da gaudiorum praemia by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Alles Vergängliche by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Bei der Liebe, die den Füßen by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Dir, der Unberührbaren by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Ewiger Wonnebrand by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Gerettet ist das edle Glied by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Höchste Herrscherin der Welt by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Komm! Hebe dich by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Neige, neige, du Ohnegleiche by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Poco adagio – Waldung, sie schwankt heran by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Uns bleibt ein Erdenrest – Hier ist die Aussicht frei by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Wie Felsenabgrund mir zu Füßen by Royal Concertgebouw Orchestra, Riccardo Chailly (conductor)
- 1 - Symphony No. 8 in E-flat major, "Symphony of a Thousand", Teil I: Hymnus "Veni, creator spiritus". Allegro impetuoso by Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra), Václav Neumann (Czech conductor)
- 1 - Symphony No. 8 in G major "Evening": Minuet and Trio by Musici di San Marco (an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
- 1 - Symphony No. 9 in D major: I. Andante comodo by Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra), Václav Neumann (Czech conductor)
- 1 - Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb by Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra), Václav Neumann (Czech conductor)
- 1 - Symphony No. 9 in D major: III. Rondo. Burleske. Allegro assai. Sehr trotzig by Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra), Václav Neumann (Czech conductor)
- 1 - Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend by Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra), Václav Neumann (Czech conductor)
- 1 - Symphony no. 10 in F-sharp major: I. Adagio by RSO Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
- 1 - Symphony No. 10 in F-sharp major: I. Adagio by Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra), Václav Neumann (Czech conductor)
- 1 - Symphony no. 10 in F-sharp major: II. Scherzo by RSO Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) , Riccardo Chailly (conductor)
- 1 - Symphony no. 10 in F-sharp major: III. Purgatorio by RSO Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
- 1 - Symphony no. 10 in F-sharp major: IV. Scherzo by RSO Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
- 1 - Symphony no. 10 in F-sharp major: V. Finale by RSO Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
- 1 - Symphony no. 10 in F-sharp minor: I. Andante by The Cleveland Orchestra, George Szell (conductor, pianist, composer)
- 1 - Symphony no. 10 in F-sharp minor: II. Purgatorio. Allegretto moderato by The Cleveland Orchestra, George Szell (conductor, pianist, composer)
- 1 - Symphony no. 25 in G minor, K. 173dB/183: I. Allegro con brio by Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
- 1 - Symphony no. 29 in A major, K. 186a/201: I. Allegro moderato by Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
- 1 - Symphony no. 30 in D major, K. 202 (186b): 1. Molto allegro by Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 1 - Symphony No. 39 in E-flat major, K. 543: I. Adagio - Allegro by Prague Chamber Orchestra, Charles Mackerras (Australian conductor)
- 1 - Three Pieces for Orchestra, op. 6: I. Präludium. Langsam by Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Three Pieces for Orchestra, op. 6: II. Reigen. Anfangs etwas zögernd - Leicht beschwingt by Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Three Pieces for Orchestra, op. 6: III. Marsch. Mäßiges Marschtempo by Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Vesperae solennes de confessore in C major, K. 339: V. Laudate Dominum omnes gentes by Kiri Te Kanawa (soprano), St Paul’s Cathedral Choir (London), English Chamber Orchestra, Barry Rose (organist / choirmaster)
- 1 - Violin Concerto "To the Memory of an Angel": I. Andante - Allegro by Anne‐Sophie Mutter (violinist), Chicago Symphony Orchestra, James Levine (US conductor and pianist)
- 1 - Violin Concerto "To the Memory of An Angel": II. Allegro - Adagio by Anne‐Sophie Mutter (violinist), Chicago Symphony Orchestra, James Levine (US conductor and pianist)
- 1 - Violin Concerto no. 5 in A major, K. 219: II. Adagio by Gidon Kremer (violinist), Kremerata Baltica
- 1 - Wozzeck: Dritter Akt: Dritte Szene. »Tanzt Alle; tanzt nur zu..!« (Wozzeck, Margret, Burschen, Dirnen) by Helmuth Froschauer (conductor and chorus master), Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Anna Gonda, Franz Grundheber (baritone), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Dritter Akt: Erste Szene. »Und ist kein Betrug in seinem Munde erfunden worden…« (Marie) by Helmuth Froschauer (conductor and chorus master), Hildegard Behrens (soprano), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Dritter Akt: Erste Szene. »Und kniete hin zu seinen Füßen« (Marie) by Helmuth Froschauer (conductor and chorus master), Hildegard Behrens (soprano), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Dritter Akt: Fünfte Szene. »Ringel, Ringel, Rosenkranz, Ringelreih’n!« (Kinder, Mariens Knabe) by Helmuth Froschauer (conductor and chorus master), Viktoria Lehner (soprano), Wiener Sängerknaben (The Vienna Boys Choir), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Dritter Akt: Vierte Szene. »Das Messer? Wo ist das Messer?« (Wzozeck, Hauptmann, Doktor) by Helmuth Froschauer (conductor and chorus master), Franz Grundheber (baritone), Aage Haugland (bass-baritone), Heinz Zednik (tenor), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Dritter Akt: Zweite Szene. »Dort links geht’s in die Stadt« (Marie, Wozzeck) by Helmuth Froschauer (conductor and chorus master), Hildegard Behrens (soprano), Franz Grundheber (baritone), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Erster Akt: Dritte Szene. »Tschin Bum..! Hörst Bub? Da kommen sie!« (Marie, Marget, Wozzeck) by Helmuth Froschauer (conductor and chorus master), Hildegard Behrens (soprano), Anna Gonda, Franz Grundheber (baritone), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Erster Akt: Erste Szene. »Langsam, Wozzeck, langsam!« (Hauptmann, Wozzeck) by Helmuth Froschauer (conductor and chorus master), Franz Grundheber (baritone), Heinz Zednik (tenor), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Erster Akt: Fünfte Szene. »Geh einmal vor Dich hin…« (Marie, Tambourmajor) by Helmuth Froschauer (conductor and chorus master), Hildegard Behrens (soprano), Walter Raffeiner (tenor), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Erster Akt: Vierte Szene. »Was erleb’ ich, Wozzeck?« (Doktor, Wozzeck) by Helmuth Froschauer (conductor and chorus master), Franz Grundheber (baritone), Aage Haugland (bass-baritone), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Erster Akt: Zweite Szene. »Du, der Platz ist verflucht!« (Wozzeck, Andres) by Helmuth Froschauer (conductor and chorus master), Franz Grundheber (baritone), Philip Langridge (tenor), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Zweiter Akt: Dritte Szene. »Guten Tag, Franz« (Marie, Wozzeck) by Helmuth Froschauer (conductor and chorus master), Hildegard Behrens (soprano), Franz Grundheber (baritone), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Zweiter Akt: Erste Szene. »Was die Steine glänzen!« (Marie, Wozzeck) by Helmuth Froschauer (conductor and chorus master), Hildegard Behrens (soprano), Franz Grundheber (baritone), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Zweiter Akt: Fünfte Szene. »Oh! Oh! Andres! Ich kann nicht schlafen« (Soldaten, Wozzeck, Andres, Tambourmajor) by Helmuth Froschauer (conductor and chorus master), Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Franz Grundheber (baritone), Werner Kamenik (tenor), Philip Langridge (tenor), Walter Raffeiner (tenor), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Zweiter Akt: Vierte Szene. »Ich hab’ ein Hemdlein an, das ist nicht mein…« (1. und 2. Handwerksbursche, Wozzeck, Marie, Tambourmajor, Burschen, Soldaten, Andres, Der Narr) by Helmuth Froschauer (conductor and chorus master), Hildegard Behrens (soprano), Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Franz Grundheber (baritone), Peter Jelosits (tenor), Werner Kamenik (tenor), Philip Langridge (tenor), Alexander Maly, Walter Raffeiner (tenor), Alfred Šramek (bass-baritone), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 1 - Wozzeck: Zweiter Akt: Zweite Szene. »Wohin so eilig, geehrtester Herr Sargnagel?« (Hauptmann, Doktor, Wozzeck) by Helmuth Froschauer (conductor and chorus master), Aage Haugland (bass-baritone), Franz Grundheber (baritone), Heinz Zednik (tenor), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)