The Hours (Music From the Motion Picture)

~ Release by Philip Glass (see all versions of this release, 3 available)

Tracklist

1CD
#TitleRatingLength
1The Poet Acts
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
The Poet Acts
composer:
Philip Glass (US composer & pianist)
part of:
The Hours
3:40
2Morning Passages
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
Morning Passages
composer:
Philip Glass (US composer & pianist)
part of:
The Hours
5:30
3Something She Has to Do
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
Something She Has to Do
composer:
Philip Glass (US composer & pianist)
part of:
The Hours
3:09
4“For Your Own Benefit”
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
“For Your Own Benefit”
composer:
Philip Glass (US composer & pianist)
2:00
5Vanessa and the Changelings
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
Vanessa and the Changelings
composer:
Philip Glass (US composer & pianist)
1:45
6“I’m Going to Make a Cake”
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
I’m Going to Make a Cake
composer:
Philip Glass (US composer & pianist)
part of:
The Hours
4:01
7An Unwelcome Friend
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
An Unwelcome Friend
composer:
Philip Glass (US composer & pianist)
part of:
The Hours
4:08
8Dead Things
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
Dead Things
composer:
Philip Glass (US composer & pianist)
part of:
The Hours
4:21
9The Kiss
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
The Kiss
composer:
Philip Glass (US composer & pianist)
3:54
10“Why Does Someone Have to Die?”
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
Why Does Someone Have to Die?
composer:
Philip Glass (US composer & pianist)
part of:
The Hours
3:53
11Tearing Herself Away
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
Tearing Herself Away
composer:
Philip Glass (US composer & pianist)
part of:
The Hours
5:00
12Escape!
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
Escape!
composer:
Philip Glass (US composer & pianist)
publisher:
Dunvagen Music Publishers, Inc. (ASCAP affiliated)
part of:
The Hours
3:48
13Choosing Life
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
Choosing Life
composer:
Philip Glass (US composer & pianist)
part of:
The Hours
3:58
14The Hours
assistant recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Jake Jackson (recording engineer)
recording engineer:
Jonathan Allen (engineer)
producer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
assistant mixer:
Dan Bora (Sound engineer) and Mario J. McNulty
mixer:
Hector Castillo
double bass:
Chris Laurence (double bassist)
piano:
Michael Riesman (American composer, conductor, keyboardist)
strings:
The Lyric Quartet
viola:
Nick Barr (viola player)
violin:
Edmund Coxon (violinist) and Rolf Wilson (violinist)
conductor:
Nick Ingman
chorus master:
John Bradbury (UK violinist)
piano arranger:
Nico Muhly and Michael Riesman (American composer, conductor, keyboardist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Looking Glass Studios in Manhattan, New York, New York, United States
recording of:
The Hours
composer:
Philip Glass (US composer & pianist)
part of:
The Hours
7:44

Credits

Release

liner notes:Michael Cunningham (US writer)
executive producer:Jim Keller (member of Tommy Tutone)
Scott Rudin
design:Evan Gaffney
Discogs:https://www.discogs.com/release/583545 [info]
ASIN:US: B00007BH3Y [info]
US: B00025K198 [info]