| # | Title | Rating | Length |
|---|
| 1 | Lotus Blossom | | 2:54 |
| 2 | Day Dream- recording engineer:
- A.T. Michael MacDonald (from 1995-06 until 1995-08)
- co-producer:
- Karen Chester
- producer:
- Fred Hersch
- mixer and editor:
- A.T. Michael MacDonald
- bass:
- John Beal (from 1995-06 until 1995-08), Jacqui Danilow (from 1995-06 until 1995-08) and Drew Gress (from 1995-06 until 1995-08)
- cello:
- Erik Friedlander (from 1995-06 until 1995-08), Jesse Levy (from 1995-06 until 1995-08) and Richard Locker (from 1995-06 until 1995-08)
- membranophone:
- Tom Rainey (from 1995-06 until 1995-08)
- piano:
- Fred Hersch (from 1995-06 until 1995-08)
- viola:
- Juliet Haffner (from 1995-06 until 1995-08), Lois Martin (from 1995-06 until 1995-08), Alejandra Mohave (from 1995-06 until 1995-08) and Ruth Siegler (from 1995-06 until 1995-08)
- violin:
- Mark Feldman (from 1995-06 until 1995-08), Hanne-Berit Hahnemann (from 1995-06 until 1995-08), Joyce Hammann (from 1995-06 until 1995-08), Gene Orloff (from 1995-06 until 1995-08), Sandra Park (from 1995-06 until 1995-08), Paul Peabody (from 1995-06 until 1995-08), Eriko Sato (from 1995-06 until 1995-08), Laura Seaton (from 1995-06 until 1995-08), Marti Sweet (from 1995-06 until 1995-08), Yuri Vodovoz (from 1995-06 until 1995-08), Belinda Whitney-Barratt (from 1995-06 until 1995-08) and Paul Woodiel (from 1995-06 until 1995-08)
- conductor:
- Eric Stern (from 1995-06 until 1995-08)
- arranger and orchestrator:
- Fred Hersch
- concertmaster:
- Laura Seaton (from 1995-06 until 1995-08)
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States (from 1995-06 until 1995-08)
- mixed at:
- Ambient Recording Co. in Stamford, Connecticut, United States
- edited at:
- Foothill Digital in New York, New York, United States
| | 5:21 |
| 3 | U.M.M.G. (Upper Manhattan Medical Group) | | 7:14 |
| 4 | Pretty Girl (The Star-Crossed Lovers) | | 5:28 |
| 5 | Rain Check | | 5:02 |
| 6 | Something to Live For | | 7:55 |
| 7 | Lament for an Orchid (Absinthe)- recording engineer:
- A.T. Michael MacDonald (from 1995-06 until 1995-08)
- co-producer:
- Karen Chester
- producer:
- Fred Hersch
- mixer and editor:
- A.T. Michael MacDonald
- bass:
- John Beal (from 1995-06 until 1995-08), Jacqui Danilow (from 1995-06 until 1995-08) and Drew Gress (from 1995-06 until 1995-08)
- cello:
- Erik Friedlander (from 1995-06 until 1995-08), Jesse Levy (from 1995-06 until 1995-08) and Richard Locker (from 1995-06 until 1995-08)
- membranophone:
- Tom Rainey (from 1995-06 until 1995-08)
- piano:
- Fred Hersch (from 1995-06 until 1995-08)
- viola:
- Juliet Haffner (from 1995-06 until 1995-08), Lois Martin (from 1995-06 until 1995-08), Alejandra Mohave (from 1995-06 until 1995-08) and Ruth Siegler (from 1995-06 until 1995-08)
- violin:
- Mark Feldman (from 1995-06 until 1995-08), Hanne-Berit Hahnemann (from 1995-06 until 1995-08), Joyce Hammann (from 1995-06 until 1995-08), Gene Orloff (from 1995-06 until 1995-08), Sandra Park (from 1995-06 until 1995-08), Paul Peabody (from 1995-06 until 1995-08), Eriko Sato (from 1995-06 until 1995-08), Laura Seaton (from 1995-06 until 1995-08), Marti Sweet (from 1995-06 until 1995-08), Yuri Vodovoz (from 1995-06 until 1995-08), Belinda Whitney-Barratt (from 1995-06 until 1995-08) and Paul Woodiel (from 1995-06 until 1995-08)
- conductor:
- Eric Stern (from 1995-06 until 1995-08)
- arranger and orchestrator:
- Fred Hersch
- concertmaster:
- Laura Seaton (from 1995-06 until 1995-08)
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States (from 1995-06 until 1995-08)
- mixed at:
- Ambient Recording Co. in Stamford, Connecticut, United States
- edited at:
- Foothill Digital in New York, New York, United States
| | 5:43 |
| 8 | Elf (Isfahan) | | 5:11 |
| 9 | Ballad for Very Tired and Very Sad Lotus-Eaters | | 5:10 |
| 10 | Tonk | | 3:16 |
| 11 | Passion Flower | | 5:56 |
| 12 | Lush Life- recording engineer:
- A.T. Michael MacDonald (from 1995-06 until 1995-08)
- co-producer:
- Karen Chester
- producer:
- Fred Hersch
- mixer and editor:
- A.T. Michael MacDonald
- bass:
- John Beal (from 1995-06 until 1995-08), Jacqui Danilow (from 1995-06 until 1995-08) and Drew Gress (from 1995-06 until 1995-08)
- cello:
- Erik Friedlander (from 1995-06 until 1995-08), Jesse Levy (from 1995-06 until 1995-08) and Richard Locker (from 1995-06 until 1995-08)
- membranophone:
- Tom Rainey (from 1995-06 until 1995-08)
- piano:
- Fred Hersch (from 1995-06 until 1995-08)
- viola:
- Juliet Haffner (from 1995-06 until 1995-08), Lois Martin (from 1995-06 until 1995-08), Alejandra Mohave (from 1995-06 until 1995-08) and Ruth Siegler (from 1995-06 until 1995-08)
- violin:
- Mark Feldman (from 1995-06 until 1995-08), Hanne-Berit Hahnemann (from 1995-06 until 1995-08), Joyce Hammann (from 1995-06 until 1995-08), Gene Orloff (from 1995-06 until 1995-08), Sandra Park (from 1995-06 until 1995-08), Paul Peabody (from 1995-06 until 1995-08), Eriko Sato (from 1995-06 until 1995-08), Laura Seaton (from 1995-06 until 1995-08), Marti Sweet (from 1995-06 until 1995-08), Yuri Vodovoz (from 1995-06 until 1995-08), Belinda Whitney-Barratt (from 1995-06 until 1995-08) and Paul Woodiel (from 1995-06 until 1995-08)
- conductor:
- Eric Stern (from 1995-06 until 1995-08)
- arranger and orchestrator:
- Fred Hersch
- concertmaster:
- Laura Seaton (from 1995-06 until 1995-08)
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States (from 1995-06 until 1995-08)
- mixed at:
- Ambient Recording Co. in Stamford, Connecticut, United States
- edited at:
- Foothill Digital in New York, New York, United States
| | 3:28 |