AM Gold: The Early '60s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Sherry
Produzent(in):
Bob Crewe
Bassgitarre:
Nick Massi
Gitarre:
Tommy DeVito
Keyboard und Klavier:
Bob Gaudio
vocals:
Bob Gaudio, Tommy DeVito, Nick Massi und Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
vocals arranger:
Nick Massi
recording of:
Sherry
Texter und Komponist(in):
Bob Gaudio
The Four Seasons52:32
2Rubber Ball
recording of:
Rubber Ball
Texter und Komponist(in):
Gene Pitney und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
J. Albert & Son Pty. Ltd.
Bobby Vee2:29
3Will You Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:44
4Baby (You’ve Got What It Takes)
Interpret(in):
Brook Benton
cover recording of:
Baby, (You’ve Got What It Takes) (in 1959)
Verfasser(in):
Clyde Otis (American songwriter and record producer) und Murray Stein
publisher:
Sony/ATV Melody, The Clyde Otis Music Group (publisher; do NOT use as release label), Universal–Songs of PolyGram International, Inc., Chappell Morris Ltd. (in 1951) und Vogue Music Corp. (in 1951)
Brook Benton & Dinah Washington4.52:46
5Town Without Pity
recording of:
Town Without Pity
Texter:
Ned Washington
Komponist(in):
Dimitri Tiomkin
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 2)
Gene Pitney2:55
6Where the Boys Are
vocals:
Connie Francis (American former actress and chart-topping singer)
recording of:
Where the Boys Are
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
EMI Longitude Music, Robbins Music Corp. Ltd., Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Connie Francis2:39
7(Down at) Papa Joe's
Dixie Bells2:33
8Sad Movies (Make Me Cry)
Produzent(in):
Wesley Rose (producer, label executive)
Sologesang:
Sue Thompson
recording of:
Sad Movies (Make Me Cry)
Texter und Komponist(in):
John D. Loudermilk
Sue Thompson3:17
9Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:01
10What in the World's Come Over You
recording of:
What in the World’s Come Over You
Verfasser(in):
Jack Scott
Jack Scott2:44
11I'm Sorry
Hintergrundgesang:
Anita Kerr Singers (mixed vocal group)
vocals:
Brenda Lee (1960s American singer)
conductor:
Owen Bradley
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 28) und Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 168)
recording of:
I’m Sorry (Brenda Lee song, 1960)
Verfasser(in):
Dub Albritton und Ronnie Self (rockabilly singer and songwriter)
publisher:
Songs of Universal (SOCAN)
Brenda Lee3.52:41
12Dominique
recording of:
Dominique (original French version) (in 1963)
Texter und Komponist(in):
Sœur Sourire (Belgian singing nun Jeanine Deckers)
Sœur Sourire2:57
13Calendar Girl
recording of:
Calendar Girl
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Universal Music Careers
Neil Sedaka42:39
14Save the Last Dance for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-05-19)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1960-05-19)
Baritongesang:
Doc Green (am 1960-05-19)
Bass-Gesang:
Elsbeary Hobbs (am 1960-05-19)
Sologesang:
Benny Nelson (am 1960-05-19)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1960-05-19) und Johnny Williams (soul/blues vocalist) (am 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 12) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 182)
recording of:
Save the Last Dance for Me (am 1960-05-19)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters52:29
15A Hundred Pounds of Clay
Gene McDaniels2:20
16Where or When
cover recording of:
Where or When (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Dion & The Belmonts2:39
17I've Told Every Little Star
recording engineer und Mix:
John Neff (engineer)
conductor:
Angelo Badalamenti (American score composer)
phonographisches Urheberrecht (℗) von:
Milan Entertainment, Inc. (for ℗ & © rights use only, US record company founded in 1978)
mixed at:
Asymmetrical Studio (David Lynch's studio) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I’ve Told Ev’ry Little Star
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
Teil von:
Music in the Air
Linda Scott2:16
18Sandy
Larry Hall2:25
19You Don't Know What You've Got (Until You Lose It)
recording of:
You Don’t Know What You’ve Got (Until You Lose It)
Verfasser(in):
George Burton (US songwriter) und Paul Hampton (US singer/songwriter composer and actor)
Ral Donner32:15
20Hurt
cover recording of:
Hurt
Verfasser(in):
Jimmie Crane und Al Jacobs
publisher:
Deb‐Mi Publishing Co. (ASCAP‐affiliated), EMI Miller Catalog, Inc. und Miller Music Corp.
Timi Yuro2:30
21A Million to One
Jimmy Charles2:32
22El Paso
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
recording of:
El Paso (am 1959-04-07)
Texter und Komponist(in):
Marty Robbins
publisher:
Chappell & Co., Inc. (USA), Hill & Range Songs, Inc. (publisher), Mariposa Music Inc. (publisher), Unichappell Music, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Marty Robbins54:40

Nennungen

Veröffentlichungsgruppe

Teil von:AM Gold (Time-Life Music) (Nummer: 19) (Reihenfolge: 19)