Summer of Love (reissue)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Tracks 2.16 and 3.16 are different from the original issue.

Shop24Direct-exclusive
LC 00136; possible (stickered?) barcode: (0)600753208649

Anmerkung zuletzt geändert am 2025-06-18 23:31 UTC.

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-01-20)
Produzent(in):
Terry Melcher
Bassgitarre:
Chris Hillman (am 1965-01-20)
Gitarre:
David Crosby (am 1965-01-20)
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds) (am 1965-01-20)
Tamburin:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20)
zwölfsaitige Gitarre:
Jim McGuinn (am 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20), David Crosby (am 1965-01-20), Chris Hillman (am 1965-01-20) und Jim McGuinn (am 1965-01-20)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (am 1965-01-20)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
The Byrds4.152:20
2Morning of My Life
arranger:
Phil Dennys
phonographisches Urheberrecht (℗) von:
Phonogram GmbH (in 1967), Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1967), Phonogram, Inc. (in 1967), PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1967), Philips (von 1967 bis 1968) und Phonogram (in 1979)
cover recording of:
In the Morning (aka “Morning of My Life”) (in 1967)
Texter und Komponist(in):
Barry Gibb (in 1965)
publisher:
Bramsdene Music Corporation, Campbell Connelly, Campbell Connelly & Co. Ltd., Careers–BMG Music Publishing, Inc., Connelly Musikverlag, Gibb Brothers Music, Norman Whiteley Ltd., Penjane Music (Australia) Pty. Limited und Plymouth Music Co., Inc.
Esther & Abi Ofarim43:28
3Dream a Little Dream of Me
Produzent(in):
Lou Adler
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
The Mamas & the Papas3.353:12
4The Air That I Breathe
Techniker(in):
Mike Jarratt (Recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
The Air That I Breathe
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:03
5Bridge Over Troubled Water
recording engineer:
Ted Brosnan (am 1969-11-09)
Techniker(in):
Roy Halee
Produzent(in):
Arthur Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter) (am 1969-11-09)
Gitarre:
Fred Carter, Jr. (am 1969-11-09) und Paul Simon (of Simon & Garfunkel) (am 1969-11-09)
Keyboard:
Larry Knechtel (am 1969-11-09)
Saiteninstrumente:
Ernie Freeman (am 1969-11-09) und Jimmie Haskell (am 1969-11-09)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1969-11-09)
vocals:
Art Garfunkel (am 1969-11-09) und Paul Simon (of Simon & Garfunkel) (am 1969-11-09)
phonographisches Urheberrecht (℗) von:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 1), The Co-Op: Top 10 British Funeral Songs (Nummer: 9), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 58) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 66)
recording of:
Bridge Over Troubled Water (am 1969-11-09)
Texter:
Paul Simon (of Simon & Garfunkel)
Komponist(in):
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel4.054:50
6Streets of London
recording engineer:
Richard Dodd (mastering engineer, producer and engineer) und Peter Swettenham
Techniker(in):
Pete Henderson (engineer)
leitende(r) Produzent(in):
Bruce May
Produzent(in):
Ralph McTell
Mix:
Ralph McTell und Peter Swettenham
Akustikgitarre:
Ralph McTell
Bass:
Rod Clements
Hintergrundgesang:
The Goldrushers
vocals:
Ralph McTell
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Nova Sound in London (Greater London), England, Vereinigtes Königreich
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Streets of London (in 1974)
Texter und Komponist(in):
Ralph McTell
publisher:
Essex Music International und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Ralph McTell54:09
7Where Do You Go To (My Lovely)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Where Do You Go To (My Lovely)?
Texter und Komponist(in):
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:41
8How Can We Hang on to a Dream
Techniker(in):
Val Valentin (Aufgabe: director of engineering)
Produzent(in):
Erik Jacobsen
produced for:
Sweet Reliable Productions
recording of:
How Can We Hang On to a Dream? (in 1966)
Texter und Komponist(in):
Tim Hardin
publisher:
Robbins Music Co. Ltd.
Tim Hardin32:01
9Hiroshima
Produzent(in):
Lou Reizner
phonographisches Urheberrecht (℗) von:
Global Records and Tapes (in 1970) und Global Records (German label) (in 1978)
recording of:
Hiroshima
Texter und Komponist(in):
Dave Morgan (UK rock bassist/vocalist, member of Magnum)
publisher:
Global Musikverlag (Global Musik GmbH & Co. KG)
Wishful Thinking54:52
10One and One Is One
recording of:
One and One Is One
Texter und Komponist(in):
John Fiddler (British singer and guitarist)
publisher:
Biscuit Music Ltd. (publisher) (in 1973)
Medicine Head13:27
11Only One Woman
The Marbles42:41
12Mr. Bojangles
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1974)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Nitty Gritty Dirt Band53:35
13Christine’s Tune
Produzent(in):
Henry Lewy und Larry Marks (US producer/songwriter/executive for Columbia, A&M Records & Warner Bros)
Schlagzeug:
Jon Corneal
recording of:
Christine's Tune
Komponist(in):
Chris Hillman und Gram Parsons
recording of:
Devil in Disguise
Komponist(in):
Chris Hillman und Gram Parsons
The Flying Burrito Brothers3.53:01
14The Carnival Is Over
Produzent(in):
Tom Springfield
Interpret(in):
The Seekers (Australian pop quartet)
recording of:
The Carnival Is Over (in 1965)
Verfasser(in):
[traditional] (special purpose artist), Catherine Courage, Frank Farian und Tom Springfield
publisher:
Warner/Chappell Music Australia Pty. Ltd.
basiert auf:
Из-за острова на стрежень (Stenka Razin)
The Seekers3:09
15The Night They Drove Old Dixie Down
recording of:
The Night They Drove Old Dixie Down
Texter und Komponist(in):
Robbie Robertson
publisher:
Canaan Music Inc, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Joan Baez3:54
16Help the Lonely Child
recording of:
Help the Lonely Child (in 1972)
Verfasser(in):
Anders Koppel und Thomas Koppel
The Savage Rose13:06
17The Sun Ain’t Gonna Shine Anymore
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1966) und PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1966)
cover recording of:
The Sun Ain’t Gonna Shine (Anymore) (in 1966)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music und Warner Chappell Music (publisher as Warner/Chappell Music)
The Walker Brothers3.53:01
18Lady in Black
recording engineer:
Peter Gallen (von 1969 bis 1970-11)
assistierende(r) Techniker(in):
Les Cunningham (studio engineer) und Ashley Howe
Produzent(in):
Gerry Bron
Mix:
Peter Gallen
Bassgitarre:
Paul Newton (UK bassist for Uriah Heep) (von 1970-10 bis 1970-11)
E-Bass:
Paul Newton (UK bassist for Uriah Heep) (von 1969 bis 1970)
E-Gitarre:
Mick Box (von 1970-10 bis 1970-11)
Gitarre:
Mick Box (von 1969 bis 1970)
Orgel:
Ken Hensley (von 1969 bis 1970, von 1970-10 bis 1970-11)
Schlagzeug:
Keith Baker (drummer) (von 1969 bis 1970, von 1970-10 bis 1970-11)
Hintergrundgesang:
Mick Box (von 1970-10 bis 1970-11), Ken Hensley (von 1970-10 bis 1970-11) und Paul Newton (UK bassist for Uriah Heep) (von 1970-10 bis 1970-11)
Sologesang:
David Byron (von 1970-10 bis 1970-11)
vocals:
David Byron (von 1969 bis 1970)
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) und Castle Communications PLC (not for label use, copyright holder) (in 1996)
aufgenommen bei:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich (von 1969 bis 1970, von 1970-10 bis 1970-11)
recording of:
Lady in Black (von 1969 bis 1970-11)
Texter und Komponist(in):
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG, S. Bron Music Co. Ltd. und Sidney Bron Music (also spelled "Sydney")
Uriah Heep4.354:46
2▼CD
Nr.TitelKünstlerBewertungLänge
1Let’s Go to San Francisco
recording of:
Let’s Go to San Francisco
Verfasser(in):
John Carter (songwriter & producer, b. 1942) und Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flower Pot Men53:34
2Black Magic Woman
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-04)
Conga:
Michael Carabello (am 1970-07-04) und Jose Chepito Áreas (am 1970-07-04)
Gitarre:
Carlos Santana (am 1970-07-04)
Keyboard:
Gregg Rolie (am 1970-07-04)
membranophone:
Michael Shrieve (am 1970-07-04)
Timbales:
Jose Chepito Áreas (am 1970-07-04)
vocals:
Gregg Rolie (am 1970-07-04) und Carlos Santana (am 1970-07-04)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-04)
cover recording of:
Black Magic Woman (am 1970-07-04)
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
recording of:
Black Magic Woman
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
Santana3.753:18
3Monday, Monday
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Interpret(in):
The Mamas & the Papas (American folk rock vocal group) (am 1965-12-16)
phonographisches Urheberrecht (℗) von:
Dunhill Records (in 1966)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-12-16)
recording of:
Monday, Monday (am 1965-12-16)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music und Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:25
4Sound of Silence
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
Bassgitarre:
Bob Bushnell (von 1964-03-10 bis 1965-06-15)
Gitarre:
Vinnie Bell (von 1964-03-10 bis 1965-06-15) und Al Gorgoni (von 1964-03-10 bis 1965-06-15)
Schlagzeug:
Bobby Gregg (von 1964-03-10 bis 1965-06-15)
Sologesang:
Art Garfunkel (am 1964-03-10) und Paul Simon (of Simon & Garfunkel) (am 1964-03-10)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 74) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 156)
recording of:
The Sound of Silence (von 1964-03-10 bis 1965-06-15)
Texter:
Paul Simon (of Simon & Garfunkel) (von 1963-11 bis 1964-02-19)
Komponist(in):
Paul Simon (of Simon & Garfunkel) (von 1963-11 bis 1964-02-09)
publisher:
Essex Music of Australia Pty. Ltd., J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (in 1964, in 1992) und Magic Arts Publishing (in 2000)
Simon & Garfunkel4.553:04
5Suzanne
Produzent(in):
John Simon (US producer, arranger, composer, songwriter and musician)
Sologesang:
Leonard Cohen (Canadian singer‐songwriter and poet)
conductor:
John Simon (US producer, arranger, composer, songwriter and musician)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 284)
recording of:
Suzanne (English original song by Leonard Cohen) (in 1967)
Texter:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. und Writers Workshop Ltd.
Leonard Cohen4.153:47
6The Rain, the Park and Other Things
recording of:
The Rain, the Park & Other Things
Verfasser(in):
Steve Duboff und Artie Kornfeld
publisher:
Akbestal Music Inc. und MPCA Lehsem Songs
The Cowsills3:00
7Music
Techniker(in):
Alan Parsons (of The Alan Parsons Project) (von 1975-11 bis 1975-12)
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (von 1975-11 bis 1975-12)
Gitarre, Keyboard, Synthesizer und Sologesang:
John Miles (UK singer/songwriter/guitarist/keyboardist) (von 1975-11 bis 1975-12)
Perkussion:
Barry Black (von 1975-11 bis 1975-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-11 bis 1975-12)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 10) und SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 10)
recording of:
Music (von 1975-11 bis 1975-12)
Texter und Komponist(in):
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:52
8San Francisco Nights
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
recording of:
San Franciscan Nights
Verfasser(in):
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins, Danny McCulloch und John Weider
Eric Burdon3.53:19
9Catch the Wind
Produzent(in):
Peter Eden (British record producer, jazz/rock), Terry Kennedy und Geoff Stephens
Akustikgitarre und Harfe:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1964)
Bass:
Brian Locking (in 1964)
Saiteninstrumente:
London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (in 1964)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1964)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1965)
recording of:
Catch the Wind (in 1964)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music, Peer Music UK Ltd und Southern Music (publisher)
Donovan42:54
10Woodstock
cover recording of:
Woodstock
Texter und Komponist(in):
Joni Mitchell
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Matthews’ Southern Comfort3.64:27
11Angel of the Morning
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1968)
cover recording of:
Angel of the Morning (in 1968-01)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. und Unichappell Music
Merrilee Rush53:07
12Sweet Dreams
Roy Buchanan3:30
13Pearl’s a Singer
cover recording of:
Pearl’s a Singer
Verfasser(in):
Ralph Dino, Jerry Leiber, John Sembello und Mike Stoller
publisher:
Sony/ATV Songs LLC
Elkie Brooks43:39
14Bird on the Wire
Techniker(in):
Ed Hudson (engineer) und Neil Wilburn
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Sologesang:
Leonard Cohen (Canadian singer‐songwriter and poet)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2007)
recording of:
Bird on the Wire (in 1968)
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Chrysalis Music Australia, Mushroom Music Publishing, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Leonard Cohen4.253:25
15Melancholy Man
Techniker(in):
Adrian Martins, Robin Thompson (UK engineer) und Derek Varnals
Produzent(in):
Tony Clarke (UK producer/guitarist)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wessex Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Melancholy Man
Texter und Komponist(in):
Mike Pinder
The Moody Blues3.55:45
16You’ve Got to Hide Your Love Away
The Silkie2:11
17Homburg
Produzent(in):
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer) und Chris Thomas (UK record producer / remixer)
recording of:
Homburg
Texter:
Keith Reid
Komponist(in):
Gary Brooker
Procol Harum3.353:52
18On the Road Again
phonographisches Urheberrecht (℗) von:
Liberty Records, Inc. (in 1968)
aufgenommen bei:
Suffolk Meadows in Long Island, New York, Vereinigte Staaten (am 1979-09-08)
live recording of:
On the Road Again (am 1979-09-08)
Texter und Komponist(in):
Floyd Jones (blues performer and songwriter) und Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) und United Partnership Ltd.
Canned Heat3.353:21
3▼CD
Nr.TitelKünstlerBewertungLänge
1San Francisco (Be Sure to Wear Some Flowers in Your Hair)
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.752:55
2I Can Hear Music
Techniker(in):
Stephen W. Desper
Produzent(in):
Carl Wilson (Beach Boys)
Sologesang:
Carl Wilson (Beach Boys)
cover recording of:
I Can Hear Music
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO MUSIC INC (A) 301 (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Beach Boys3.352:36
3Daydream
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) und Kama Sutra (in 1966)
recording of:
Daydream (in 1966-02)
Texter und Komponist(in):
John B. Sebastian
publisher:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.752:19
4In the Year 2525
Produzent(in):
Zager & Evans
recording of:
In the Year 2525 (Exordium and Terminus) (in 1968)
Texter und Komponist(in):
Rick Evans (US singer, songwriter and guitarist)
publisher:
ATV Music, Chelsea Music Publishing, Zelad Music und Zerlad Music Enterprises Ltd.
Zager & Evans43:15
5Time of the Season
Techniker(in):
Geoff Emerick (British recording engineer) und Peter Vince (engineer, producer)
Produzent(in):
Rod Argent und Chris White (UK bassist for The Zombies)
Bassgitarre:
Chris White (UK bassist for The Zombies) (in 1967-08)
Gitarre:
Paul Atkinson (in 1967-08)
mellotron, Orgel und Klavier:
Rod Argent (in 1967-08)
Schlagzeug:
Hugh Grundy (in 1967-08)
Hintergrundgesang:
Rod Argent (in 1967-08) und Chris White (UK bassist for The Zombies) (in 1967-08)
vocals:
Colin Blunstone (in 1967-08)
phonographisches Urheberrecht (℗) von:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1968)
aufgenommen bei:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1967-08)
engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 349)
recording of:
Time of the Season (in 1967-08)
Texter und Komponist(in):
Rod Argent
publisher:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. und Mainstay Music, Inc. (in 1968)
The Zombies4.53:30
6House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.254:28
7Universal Soldier
Produzent(in):
Peter Eden (British record producer, jazz/rock), Terry Kennedy und Geoff Stephens
Akustikgitarre und Harfe:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1964)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1964)
cover recording of:
The Universal Soldier (in 1964)
Texter und Komponist(in):
Buffy Sainte‐Marie
publisher:
Peermusic (UK) Limited
Donovan4.52:11
8Lover Lover Lover
assistierende(r) Techniker(in):
Leanne Ungar
Techniker(in):
Frank Laico und Rick Rowe
Produzent(in):
Leonard Cohen (Canadian singer‐songwriter and poet) und John Lissauer
Mix:
Rick Rowe
Sologesang:
Leonard Cohen (Canadian singer‐songwriter and poet)
arranger:
John Lissauer
mixed at:
Sound Ideas in New York, New York, Vereinigte Staaten
recording of:
Lover Lover Lover (in 1974)
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Sony/ATV Songs LLC und Stranger Music Inc.
recording of:
Lover, Lover, Lover (french lyrics)
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
Übersetzer:
Graeme Allwright
übersetzte Version von:
Lover Lover Lover
Leonard Cohen43:17
9Samba Pa Ti
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-19)
Conga und Perkussion:
Michael Carabello (am 1970-07-19)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-19)
Gitarre:
Carlos Santana (am 1970-07-19)
Keyboard:
Gregg Rolie (am 1970-07-19)
Perkussion:
Rico Reyes (am 1970-07-19)
Schlagzeug:
Michael Shrieve (am 1970-07-19)
tabla:
Steven Saphore (am 1970-07-19)
arranger:
Gregg Rolie und Carlos Santana
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-19)
recording of:
Samba pa ti (am 1970-07-19)
Komponist(in):
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) und Universal Music Careers
Santana3.94:32
10Nights in White Satin
leitende(r) Produzent(in):
Hugh Mendl
Produzent(in):
Tony Clark (engineer, Abbey Road)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues4.554:25
11Jessica
recording of:
Jessica
Komponist(in):
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music, Inc.
The Allman Brothers Band37:05
12Turn! Turn! Turn! (To Everything There Is a Season)
Produzent(in):
Terry Melcher
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 95)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Pete Seeger (in 1959)
publisher:
Melody Trails und TRO Essex Music Ltd.
The Byrds4.853:42
13I Shall Be Released
Techniker(in):
Don Hahn (engineer) und Tony May (engineer)
Produzent(in):
The Band (Canadian-American rock band) und John Simon (US producer, arranger, composer, songwriter and musician)
Bass:
Rick Danko (in 1968-02)
Gitarre:
Robbie Robertson (in 1968-02)
Klavier:
Richard Manuel (in 1968-02)
Orgel:
Garth Hudson (in 1968-02)
Schlagzeug:
Levon Helm (in 1968-02)
vocals:
Rick Danko (in 1968-02), Levon Helm (in 1968-02) und Richard Manuel (in 1968-02)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1968-02)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 67)
recording of:
I Shall Be Released (original lyrics) (in 1968-02)
Texter und Komponist(in):
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Dwarf Music (vom 1967 bis heute)
The Band3.23:12
14I Will Return
recording of:
I Will Return (in 1971)
Texter und Komponist(in):
Phil Cordell
Springwater42:59
15All Kinds of Everything
Teil von:
Ireland in the Eurovision Song Contest (Irland beim Eurovision Song Contest) (Nummer: 1970) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1970)
recording of:
All Kinds of Everything (1970 eurovision song)
Verfasser(in):
Derry Lindsay (Songwriter) und Jackie Smith (Songwriter)
Dana23:01
16Wild Thing
Produzent(in):
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
E-Gitarre:
Chris Britton (The Troggs) (in 1966)
Okarina und Sologesang:
Reg Presley (in 1966)
Schlagzeug:
Ronnie Bond (The Troggs) (in 1966)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 257)
cover recording of:
Wild Thing (in 1966)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs4.42:37
17Ticket to Paradise
The Savage Rose14:01
18Ruby Tuesday
vocals:
Melanie (US singer‐songwriter Melanie Safka) (in 1970)
cover recording of:
Ruby Tuesday (in 1970)
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie44:37
4▼CD
Nr.TitelKünstlerBewertungLänge
1California Dreamin’
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Gitarre:
P.F. Sloan (in 1965)
Solo-Altflöte:
Bud Shank (in 1965)
phonographisches Urheberrecht (℗) von:
Geffen Records und Dunhill Records (in 1966)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 420)
recording of:
California Dreamin’ (in 1965)
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.42:39
2It Never Rains in Southern California
recording of:
It Never Rains in Southern California (in 1972)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc. (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI April Music Inc.
Albert Hammond3.83:52
3American Pie (Part I)
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
Perkussion und Schlagzeug:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) und United Artists Records (for bootlegs and counterfeit) (in 1971)
teilweise recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:06
4Atlantis
Produzent(in):
Mickie Most (English record producer)
Akustikgitarre:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968-11)
Bass:
Bobby Ray (60s/70s US folk artist/bassist) (in 1968-11)
E-Gitarre:
Ricki (in 1968-11)
Keyboard:
Gabriel Mekler (in 1968-11)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (in 1968-11)
Hintergrundgesang:
Donovan's fans ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-11)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968-11)
arranger:
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1968)
aufgenommen bei:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1968-11)
recording of:
Atlantis (Donovan song) (in 1968-11)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd., Peer International Corporation (BMI), Peer Musikverlag (Peermusic Musikverlag GesmbH), Peer Southern Music (publisher), peermusic (“Peermusic—the global independent”) und Peer Southern Music (publisher) (in 1968)
Donovan3.755:00
5Time in a Bottle
recording of:
Time in a Bottle
Texter und Komponist(in):
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce3:20
6If I Were a Carpenter
Techniker(in):
Doc Siegel und Val Valentin (Aufgabe: director of engineering)
Produzent(in):
Charles Koppelman (American businessman and musician) und Don Rubin
arranger:
Donald Peake
recording of:
If I Were a Carpenter (in 1967)
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Faithful Virtue Music
live recording of:
If I Were a Carpenter
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Faithful Virtue Music
Tim Hardin12:41
7Here’s to You
Chorgesang:
I cantori moderni di Alessandroni
vocals:
Joan Baez (US folk singer) und I cantori moderni di Alessandroni
conductor:
Ennio Morricone (Italian classical and score composer)
arranger:
Ennio Morricone (Italian classical and score composer)
phonographisches Urheberrecht (℗) von:
Universal Music Publishing Ricordi srl
Kompilation von:
Here's to You: Introduction (organ intro) von Ennio Morricone (Italian classical and score composer) und Here's to You (sans organ intro) von Ennio Morricone (Italian classical and score composer) & Joan Baez (US folk singer)
recording of:
Here’s to You (Here’s to you, Nicola and Bart…)
Texter:
Joan Baez (US folk singer)
Komponist(in):
Ennio Morricone (Italian classical and score composer)
publisher:
Universal Music Publishing France (not for release label use!) und Universal Music Publishing Ricordi srl
Joan Baez4.53:07
8Spirit in the Sky
Produzent(in):
Erik Jacobsen
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969) und Transtone Productions (in 1970)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 5), Billboard Year-End Hot 100 singles of 1970 (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 333)
recording of:
Spirit in the Sky (in 1969)
Texter und Komponist(in):
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) und Westminster Music Ltd.
Norman Greenbaum4.053:51
9From the Underworld
Interpret(in):
Peter Frampton
recording of:
From the Underworld
Texter und Komponist(in):
Alan Blaikley
The Herd43:16
10Light My Fire
Produzent(in):
Rick Jarrard
Saiteninstrumente arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Light My Fire (am 1968-01-06)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:32
11Put Your Hand in the Hand
cover recording of:
Put Your Hand in the Hand
Texter und Komponist(in):
Gene MacLellan
publisher:
Ardmore and Beechwood Ltd., Beechwood Music Canada und EMI Blackwood Music Inc.
Ocean32:53
12If You Could Read My Mind
cover recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
The Spotnicks33:16
13Hair
live recording of:
Hair (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
Teil von:
Hair (1967 musical)
The Cowsills33:26
14Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:28
15With a Little Help From My Friends
recording of:
With a Little Help From My Friends
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP) (vom 1967 bis heute)
Joe Cocker2:39
16Eve of Destruction
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
Texter und Komponist(in):
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:34
17A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:02
18Where Have All the Flowers Gone
recording of:
Where Have All the Flowers Gone
Texter und Komponist(in):
Pete Seeger (in 1955-10)
zusätzlicher Texter:
Joe Hickerson (in 1960-05)
publisher:
Sanga Music, Inc. und The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 1961)
Pete Seeger31:54

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1437274 [Info]