John Williams: Conductor

~ Release by John Williams (see all versions of this release, 1 available)

Tracklist

| |
1CD: Music of the Night: Pops on Broadway 1990
#TitleArtistRatingLength
1Gypsy: Everything’s Coming Up Roses
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1989-01-01)
conductor:
John Williams (American score composer) (on 1989-01-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1989-01-01)
instrumental recording of:
Everything’s Coming Up Roses (Gypsy) (on 1989-01-01)
lyricist:
Stephen Sondheim
composer:
Jule Styne
publisher:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Gypsy
Jule Styne4:50
2Into the Woods: No One Is Alone
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1989-01-01)
conductor:
John Williams (American score composer) (on 1989-01-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1989-01-01)
instrumental recording of:
Into the Woods: Act II. No One Is Alone (Cinderella, Little Red Ridinghood, Baker, and Jack) (on 1989-01-01)
lyricist and composer:
Stephen Sondheim
part of:
Into the Woods (Stephen Sondheim musical)
Stephen Sondheim4:07
3Gotta Dance – A Tribute to Jerome Robbins (Medley): Look, Ma, I’m Dancin’!: Gotta Dance / High Button Shoes: Papa, Won’t You Dance With Me? / West Side Story: Tonight Quintet / A Funny Thing Happened on the Way to the Forum: Comedy Tonight / Gypsy: Small World / Rose’s Turn / Fiddler on the Roof: Sunrise, Sunset / Peter Pan: I’m Flying
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1989-01-01)
conductor:
John Williams (American score composer) (on 1989-01-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1989-01-01)
compilation of:
Gotta Dance - A Tribute to Jerome Robbins: Look, Ma, I'm Dancin'’!: Gotta Dance by Boston Pops Orchestra, John Williams (American score composer), Gotta Dance - A Tribute to Jerome Robbins: High Button Shoes: Papa, Won't You Dance With Me? by Boston Pops Orchestra, John Williams (American score composer), Gotta Dance - A Tribute to Jerome Robbins: West Side Story: Tonight Quintet by Boston Pops Orchestra, John Williams (American score composer), Gotta Dance - A Tribute to Jerome Robbins: A Funny Thing Happened on the Way to the Forum: Comedy Tonight by Boston Pops Orchestra, John Williams (American score composer), Gotta Dance - A Tribute to Jerome Robbins: Gypsy: Small World by Boston Pops Orchestra, John Williams (American score composer), Gotta Dance - A Tribute to Jerome Robbins: Rose's Turn by Boston Pops Orchestra, John Williams (American score composer), Gotta Dance - A Tribute to Jerome Robbins: Fiddler on the Roof: Sunrise, Sunset by Boston Pops Orchestra, John Williams (American score composer) and Gotta Dance - A Tribute to Jerome Robbins: Peter Pan: I'm Flying by Boston Pops Orchestra, John Williams (American score composer)
medley including a instrumental recording of:
A Funny Thing Happened on the Way to the Forum: Comedy Tonight (on 1989-01-01)
lyricist and composer:
Stephen Sondheim
part of:
A Funny Thing Happened on the Way to the Forum
medley including a instrumental recording of:
Gotta Dance (Look Ma, I'm Dancin'!) (on 1989-01-01)
lyricist and composer:
Hugh Martin
medley including a instrumental recording of:
I'm Flying (on 1989-01-01)
lyricist:
Carolyn Leigh
composer:
Mark Charlap ("Moose")
part of:
Peter Pan (1954 musical)
medley including a instrumental recording of:
Papa, Won't You Dance With Me? (on 1989-01-01)
lyricist:
Sammy Cahn
composer:
Jule Styne
part of:
High Button Shoes (1947 musical)
medley including a instrumental recording of:
Rose’s Turn (from "Gypsy") (on 1989-01-01)
lyricist:
Stephen Sondheim
composer:
Jule Styne
part of:
Gypsy
medley including a instrumental recording of:
Small World (from “Gypsy”) (on 1989-01-01)
lyricist:
Stephen Sondheim
composer:
Jule Styne
publisher:
Stratford Music Corporation and Williamson Music Company
part of:
Gypsy
medley including a instrumental recording of:
Sunrise, Sunset (Fiddler on the Roof) (on 1989-01-01)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
medley including a instrumental recording of:
West Side Story: Tonight Quintet (Jets, Sharks, Anita, Tony, Maria, Riff, Bernardo) (on 1989-01-01)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story
Bernstein / Bock / Charlap / Martin / Sondheim / Styne10:00
4Les Misérables: I Dreamed a Dream
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1989-01-01)
conductor:
John Williams (American score composer) (on 1989-01-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1989-01-01)
instrumental recording of:
I Dreamed a Dream (Fantine) (on 1989-01-01)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd., Alain Boublil Overseas Ltd. and Faber Music
translated version of:
J’avais rêvé d’une autre vie (Fantine)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Claude‐Michel Schönberg4:19
5Bernstein on Broadway (Medley): On the Town: New York, New York / Lonely Town / West Side Story: America
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1989-01-01)
conductor:
John Williams (American score composer) (on 1989-01-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1989-01-01)
medley including a recording of:
On the Town: Lonely Town (on 1989-01-01)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
medley including a instrumental recording of:
On the Town: New York, New York (on 1989-01-01)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
medley including a recording of:
West Side Story: America (Anita, Shark Girls) (on 1989-01-01)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., Universal/MCA Music (music publisher; do not use as release label!) and The Leonard Bernstein Music Publishing Company LLC (in 1957)
part of:
West Side Story
Leonard Bernstein8:00
6Phantom of the Opera: The Music of the Night
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1989-01-01)
conductor:
John Williams (American score composer) (on 1989-01-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1989-01-01)
instrumental recording of:
The Music of the Night (The Phantom of the Opera) (on 1989-01-01)
additional lyricist:
Richard Stilgoe
lyricist:
Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
Andrew Lloyd Webber3:39
7Andrew Lloyd Webber Trilogy (Medley): Evita: Don’t Cry for Me, Argentina / Cats: Memory / Jellicle Songs for Jellicle Cats
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1989-01-01)
conductor:
John Williams (American score composer) (on 1989-01-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1989-01-01)
compilation of:
Andrew Lloyd Webber Trilogy: Evita: Don't Cry for Me, Argentina by Boston Pops Orchestra, John Williams (American score composer), Andrew Lloyd Webber Trilogy: Cats: Memory by Boston Pops Orchestra, John Williams (American score composer) and Andrew Lloyd Webber Trilogy: Jellicle Songs for Jellicle Cats by Boston Pops Orchestra, John Williams (American score composer)
medley including a instrumental recording of:
Don’t Cry for Me Argentina (Evita) (on 1989-01-01)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
medley including a instrumental recording of:
Memory (Cats) (on 1989-01-01)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
medley including a instrumental recording of:
Prologue: Jellicle Songs for Jellicle Cats (on 1989-01-01)
additional writer:
Trevor Nunn and Richard Stilgoe
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Faber Music, R & H Music Company, The Really Useful Music Co. Ltd. (not for release label use!) and Universal–Songs of PolyGram International, Inc.
part of:
Cats (Andrew Lloyd Webber musical)
Andrew Lloyd Webber8:21
8A Little Night Music: Send in the Clowns
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1989-01-01)
conductor:
John Williams (American score composer) (on 1989-01-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1989-01-01)
instrumental recording of:
Send In the Clowns (A Little Night Music) (on 1989-01-01)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
Stephen Sondheim2:57
9Let Me Entertain You – The Music of Jule Styne: Gypsy: Together Wherever We Go / Bells Are Ringing: Just in Time / Do Re Mi: Make Someone Happy / Bells Are Ringing: The Party’s Over / Gypsy: Let Me Entertain You / Funny Girl: People
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1989-01-01)
conductor:
John Williams (American score composer) (on 1989-01-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1989-01-01)
medley including a instrumental recording of:
Just in Time (Bells Are Ringing) (on 1989-01-01)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
medley including a instrumental recording of:
Make Someone Happy (Do Re Mi) (on 1989-01-01)
orchestrator:
Bruce Coughlin
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Sole Selling Agent and Stratford Music Corporation
part of:
Do Re Mi
medley including a instrumental recording of:
People (Funny Girl) (on 1989-01-01)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Funny Girl (Broadway musical)
medley including a instrumental recording of:
The Party’s Over (Bells Are Ringing) (on 1989-01-01)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
medley including a instrumental recording of:
Together (Wherever We Go) (Gypsy) (on 1989-01-01)
lyricist:
Stephen Sondheim (in 1959)
composer:
Jule Styne (in 1959)
part of:
Gypsy
Jule Styne11:43
10Miss Saigon: Suite (Medley): Sun and Moon / The American Dream / The Last Night of the World / The Is the Hour
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1989-01-01)
conductor:
John Williams (American score composer) (on 1989-01-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1989-01-01)
medley including a instrumental recording of:
Backstage Dreamland (Miss Saigon) (on 1989-01-01)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
part of:
Overture (Miss Saigon)
medley including a instrumental recording of:
Last Night of the World (Miss Saigon) (on 1989-01-01)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
medley including a instrumental recording of:
Overture (Miss Saigon) (on 1989-01-01)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
medley including a instrumental recording of:
Sun and Moon (Miss Saigon) (on 1989-01-01)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
medley including a instrumental recording of:
The American Dream (Miss Saigon) (on 1989-01-01)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
medley including a recording of:
This Is the Hour (Miss Saigon) (on 1989-01-01)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
Claude‐Michel Schönberg6:46
11Aspects of Love: Love Changes Everything
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1989-01-01)
conductor:
John Williams (American score composer) (on 1989-01-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1989-01-01)
instrumental recording of:
Love Changes Everything (on 1989-01-01)
lyricist:
Don Black (English lyricist) and Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Aspects of Love (full musical)
Andrew Lloyd Webber4:36
12Meet Me in St. Louis: The Trolley Song
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1989-01-01)
conductor:
John Williams (American score composer) (on 1989-01-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1989-01-01)
instrumental recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (on 1989-01-01)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
Hugh Martin / Ralph Blane3:23
2CD: John Williams Conducts John Williams: The Star Wars Trilogy
#TitleRatingLength
1Star Wars: Main Theme
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra and Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
Main Title (Star Wars) (from 1990-03-19 until 1990-03-20)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
45:52
2Star Wars: Princess Leia
producer:
Thomas Z. Shepard
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (from 1990-03-19 until 1990-03-20)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:47
3Star Wars: The Little People
producer:
Thomas Z. Shepard
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
The Little People (Star Wars, Episode IV: A New Hope) (from 1990-03-19 until 1990-03-20)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
5:16
4The Empire Strikes Back: The Imperial March
producer:
Thomas Z. Shepard
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (from 1990-03-19 until 1990-03-20)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
53:06
5The Empire Strikes Back: Yoda’s Theme
producer:
Thomas Z. Shepard
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (from 1990-03-19 until 1990-03-20)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
43:17
6Return of the Jedi: Parade of the Ewoks
producer:
Thomas Z. Shepard
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
Parade of the Ewoks (Star Wars, Episode VI: Return of the Jedi) (from 1990-03-19 until 1990-03-20)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
43:49
7The Empire Strikes Back: The Asteroid Field
producer:
Thomas Z. Shepard
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
The Asteroid Field (Star Wars, Episode V: The Empire Strikes Back) (from 1990-03-19 until 1990-03-20)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
4:36
8Return of the Jedi: Luke and Leia
producer:
Thomas Z. Shepard
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (from 1990-03-19 until 1990-03-20)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
5:02
9Star Wars: The Cantina Band
producer:
Thomas Z. Shepard
saxophone:
Mary Fettig (from 1990-03-19 until 1990-03-20), Charlie McCarthy (saxophonist) (from 1990-03-19 until 1990-03-20) and Steve Parker (saxophone) (from 1990-03-19 until 1990-03-20)
synthesizer:
Jeff Beal (American score composer) (from 1990-03-19 until 1990-03-20) and Greg Sudmeier (from 1990-03-19 until 1990-03-20)
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
Cantina Band (Star Wars, Episode IV: A New Hope) (from 1990-03-19 until 1990-03-20)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4.52:19
10Star Wars: Here They Come!
producer:
Thomas Z. Shepard
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
Here They Come (Star Wars, Episode IV: A New Hope) (from 1990-03-19 until 1990-03-20)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
2:18
11Return of the Jedi: Jabba the Hutt
producer:
Thomas Z. Shepard
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
Jabba the Hutt (Star Wars, Episode VI: Return of the Jedi) (from 1990-03-19 until 1990-03-20)
composer:
John Williams (American score composer)
3:07
12Return of the Jedi: The Forest Battle
producer:
Thomas Z. Shepard
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
The Forest Battle (Star Wars, Episode VI: Return of the Jedi) (from 1990-03-19 until 1990-03-20)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
4:21
13Star Wars: Throne Room and Finale
producer:
Thomas Z. Shepard
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (on 1990-03-19)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20, on 1999-03-19)
recording of:
Throne Room / Finale (Star Wars, Episode IV: A New Hope) (on 1990-03-19)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
47:57
3CD: The Spielberg / Williams Collaboration: John Williams Conducts his Classic Scores for the Films of Steven Spielberg
#TitleRatingLength
1Raiders of the Lost Ark: Raiders March
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
The Raiders March (Raiders of the Lost Ark) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
5:11
2Always: Theme
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Theme (Always) (from 1990-05-18 until 1990-05-25)
5:31
3E.T. the Extra‐Terrestrial: Adventures on Earth
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
9:49
4Sugarland Express: Theme
producer:
Thomas Z. Shepard
harmonica:
Toots Thielemans (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Theme (Sugarland Express) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
3:38
5Jaws: Theme
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Main Theme (Jaws) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Jaws (1975 film score)
2:57
6Jaws: Out to Sea / The Shark Cage Fugue
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Out to Sea (Jaws) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer) (in 1975)
part of:
Jaws (1975 film score)
part of:
Out to Sea / The Shark Cage Fugue (Suite From Jaws)
recording of:
The Shark Cage Fugue (Jaws) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Jaws (1975 film score)
part of:
Out to Sea / The Shark Cage Fugue (Suite From Jaws)
4:26
7Empire of the Sun: Exsultate Justi
producer:
Thomas Z. Shepard
choir vocals:
American Boychoir (from 1990-05-18 until 1990-05-19, on 1990-05-25) and Tanglewood Festival Chorus (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
chorus master:
James Litton (conductor and choir master) (from 1990-05-18 until 1990-05-19, on 1990-05-25) and John Oliver (chorus master) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Exsultate Justi (Empire of the Sun) (from 1990-05-18 until 1990-05-25)
lyricist and composer:
John Williams (American score composer)
part of:
Empire of the Sun (1987 film score)
4:57
8Indiana Jones and the Temple of Doom: Parade of the Slave Children
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Parade of the Slave Children (Indiana Jones and the Temple of Doom) (from 1990-05-18 until 1990-05-25)
part of:
Indiana Jones and the Temple of Doom
4:53
9E.T. the Extra‐Terrestrial: Over the Moon
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
E.T. The Extra-Terrestrial E.T. the Extra-Terrestrial: Over the Moon (concert arrangement) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
2:12
101941: March
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
The March (1941) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
1941
4:13
11Empire of the Sun: Cadillac of the Skies
producer:
Thomas Z. Shepard
choir vocals:
American Boychoir (from 1990-05-18 until 1990-05-19, on 1990-05-25) and Tanglewood Festival Chorus (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
chorus master:
James Litton (conductor and choir master) (from 1990-05-18 until 1990-05-19, on 1990-05-25) and John Oliver (chorus master) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Cadillac of the Skies (Empire of the Sun) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Empire of the Sun (1987 film score)
5:00
12Indiana Jones and the Last Crusade: Scherzo for Motorcycle and Orchestra
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Scherzo for Motorcycle and Orchestra (Indiana Jones and the Last Crusade) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Indiana Jones and the Last Crusade
2:49
13Close Encounters of the Third Kind: Excerpts
producer:
Thomas Z. Shepard
choir vocals:
American Boychoir (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25) and Tanglewood Festival Chorus (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
chorus master:
James Litton (conductor and choir master) (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25) and John Oliver (chorus master) (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Close Encounters of the Third Kind: Suite (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
publisher:
EMI Music Publishing (do not use as a release label!)
9:47
4CD: I Love a Parade
#TitleArtistRatingLength
1I Love a Parade
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1990-05-18)
conductor:
John Williams (American score composer) (on 1990-05-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-05-18)
instrumental recording of:
I Love a Parade
lyricist:
Ted Koehler
composer:
Harold Arlen
Harold Arlen5:35
2Midway March
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1990-11-05)
conductor:
John Williams (American score composer) (on 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05)
John Williams4:11
3Washington Post March
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1990-11-03)
conductor:
John Williams (American score composer) (on 1990-11-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-03)
John Philip Sousa2:38
4Seventy‐Six Trombones
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1990-11-03)
conductor:
John Williams (American score composer) (on 1990-11-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-03)
Meredith Willson3:08
5El Capitan
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-02-09)
conductor:
John Williams (American score composer) (on 1991-02-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-02-09)
John Philip Sousa2:26
6South Rampart Street Parade
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1990-11-05)
conductor:
John Williams (American score composer) (on 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05)
Ray Bauduc / Robert Haggart / Steve Allen5:10
7Semper fidelis
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1990-11-03)
conductor:
John Williams (American score composer) (on 1990-11-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-03)
John Philip Sousa2:46
8Liberty Bell March
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1990-11-03)
conductor:
John Williams (American score composer) (on 1990-11-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-03)
recording of:
The Liberty Bell (on 1990-11-03)
composer:
John Philip Sousa (conductor and composer) (in 1893)
arrangement of:
The Devil’s Deputy
John Philip Sousa3:37
9Colonel Bogey March
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1990-11-05)
conductor:
John Williams (American score composer) (on 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05)
Kenneth J. Alford3:02
10Strike Up the Band
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1990-11-05)
conductor:
John Williams (American score composer) (on 1990-11-05)
arranger:
John Green (composer and conductor, often credited as John Green)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05)
recording of:
Strike Up the Band! (unknown orchestration of the song) (on 1990-11-05)
composer:
George Gershwin (composer)
orchestration of:
Strike Up the Band (1927 Gershwin song)
George Gershwin2:46
11The Thunderer
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-02-01)
conductor:
John Williams (American score composer) (on 1991-02-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-02-01)
John Philip Sousa2:45
12Hands Across the Sea
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-02-09)
conductor:
John Williams (American score composer) (on 1991-02-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-02-09)
John Philip Sousa3:05
13King Cotton
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-02-09)
conductor:
John Williams (American score composer) (on 1991-02-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-02-09)
John Philip Sousa2:48
14Pops on the March
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-02-09)
conductor:
John Williams (American score composer) (on 1991-02-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-02-09)
John Williams4:52
15Under the Double Eagle
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-02-09)
conductor:
John Williams (American score composer) (on 1991-02-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-02-09)
Josef Franz Wagner3:20
16Stars and Sripes Forever
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1990-05-18)
conductor:
John Williams (American score composer) (on 1990-05-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-05-18)
John Philip Sousa3:33
5CD: The Green Album
#TitleArtistRatingLength
1God Bless America
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-05-29)
orchestra:
Boston Pops Orchestra (on 1991-05-29)
conductor:
John Williams (American score composer) (on 1991-05-29)
chorus master:
John Oliver (chorus master) (on 1991-05-29)
arranger:
Glenn Osser
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-05-29)
recording of:
God Bless America (on 1991-05-29)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Company and Irving Berlin Music Corp.
Irving Berlin4:12
2Theme for Earth Day
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-05-29)
conductor:
John Williams (American score composer) (on 1991-05-29)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-05-29)
recording of:
Theme For Earth Day (on 1991-05-29)
composer:
Patrick Williams (composer, arranger)
Patrick Williams4:18
3Shenandoah
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-05-29)
conductor:
John Williams (American score composer) (on 1991-05-29)
arranger:
Alexander Courage
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-05-29)
instrumental recording of:
Shenandoah (on 1991-05-29)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 324)
[traditional]2:45
4This Land Is Your Land
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-05-29)
orchestra:
Boston Pops Orchestra (on 1991-05-29)
conductor:
John Williams (American score composer) (on 1991-05-29)
chorus master:
John Oliver (chorus master) (on 1991-05-29)
arranger:
Joe Reisman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-05-29)
cover recording of:
This Land Is Your Land (on 1991-05-29)
lyricist and composer:
Woody Guthrie (American singer-songwriter) (in 1940)
part of:
Roud Folk Song Index (number: 16378)
is based on:
When the World's on Fire
Woody Guthrie3:17
5America
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-05-29)
conductor:
John Williams (American score composer) (on 1991-05-29)
arranger:
Angela Morley
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-05-29)
cover recording of:
America (on 1991-05-29)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher), Paul Simon Music and Universal/MCA Music Ltd. (not for release label use!)
Paul Simon4:14
6Deep River
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-05-29)
orchestra:
Boston Pops Orchestra (on 1991-05-29)
conductor:
John Williams (American score composer) (on 1991-05-29)
chorus master:
John Oliver (chorus master) (on 1991-05-29)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-05-29)
recording of:
Deep River (on 1991-05-29)
lyricist and composer:
[traditional] (special purpose artist)
[traditional]4:58
7Grand Canyon Suite: On the Trail
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-05-29)
conductor:
John Williams (American score composer) (on 1991-05-29)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-05-29)
recording of:
Grand Canyon Suite: III. On the Trail (on 1991-05-29)
composer:
Ferde Grofé (pianist, arranger, conductor and composer) (from 1929 until 1931)
part of:
Grand Canyon Suite
Ferde Grofé7:41
8Appalachian Spring: Simple Gifts
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-02-11)
conductor:
John Williams (American score composer) (on 1991-02-11)
arranger:
Aaron Copland (composer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-02-11)
recording of:
Appalachian Spring Suite: VII. Doppio movimento: Variations on a Shaker Hymn (Simple Gifts) (on 1991-02-11)
composer:
Aaron Copland (composer) (from 1943 until 1944)
is based on:
Simple Gifts
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland5:38
9Candide: Make Our Garden Grow
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-05-29)
orchestra:
Boston Pops Orchestra (on 1991-05-29, on 1991-06-01, on 1991-06-04)
conductor:
John Williams (American score composer) (on 1991-05-29, on 1991-06-01, on 1991-06-04)
chorus master:
John Oliver (chorus master) (on 1991-05-29, on 1991-06-01, on 1991-06-04)
arranger:
Alexander Courage
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-05-29, on 1991-06-01, on 1991-06-04)
recording of:
Candide: Act II. Make Our Garden Grow (from 1991-05-29 until 1991-06-04)
lyricist:
Richard Wilbur
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein3:47
10The Last Whale: Wind on the Water
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-05-29)
conductor:
John Williams (American score composer) (on 1991-05-29)
arranger:
Angela Morley
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-05-29)
recording of:
Wind on the Water (on 1991-05-29)
composer:
Graham Nash
part of:
To the Last Whale
Graham Nash3:30
11Green Leaves of Summer
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra
conductor:
John Williams (American score composer)
arranger:
Joe Reisman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
instrumental recording of:
The Green Leaves of Summer (The Alamo)
lyricist:
Paul Francis Webster
composer:
Dimitri Tiomkin
part of:
The 33rd Academy Award for Best Original Song (number: 2)
part of:
The Alamo
Dimitri Tiomkin3:23
12The Tender Land: The Promise of Living
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-05-29)
orchestra:
Boston Pops Orchestra (on 1991-05-29, on 1991-06-01, on 1991-06-04)
conductor:
John Williams (American score composer) (on 1991-05-29, on 1991-06-01, on 1991-06-04)
chorus master:
John Oliver (chorus master) (on 1991-05-29, on 1991-06-01, on 1991-06-04)
arranger:
Alexander Courage
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-05-29, on 1991-06-01, on 1991-06-04)
recording of:
The Tender Land Suite: III. Finale: The Promise of Living (from 1991-05-29 until 1991-06-04)
composer:
Aaron Copland (composer) (from 1954 until 1955)
part of:
The Tender Land Suite
Aaron Copland5:41
13Grand Canyon Suite: Sunrise
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-05-29)
conductor:
John Williams (American score composer) (on 1991-05-29)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-05-29)
recording of:
Grand Canyon Suite: I. Sunrise (on 1991-05-29)
composer:
Ferde Grofé (pianist, arranger, conductor and composer) (from 1929 until 1931)
part of:
Grand Canyon Suite
Ferde Grofé4:52
14Appalachian Morning
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-05-29)
conductor:
John Williams (American score composer) (on 1991-05-29)
arranger:
Patrick Williams (composer, arranger)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-05-29)
recording of:
Appalachian Morning (on 1991-05-29)
composer:
Paul Halley (keyboardist, composer and choral conductor)
Paul Halley4:26
15America the Beautiful
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-05-29)
orchestra:
Boston Pops Orchestra (on 1991-05-29)
conductor:
John Williams (American score composer) (on 1991-05-29)
chorus master:
John Oliver (chorus master) (on 1991-05-29)
arranger:
Alexander Courage
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-05-29)
recording of:
America the Beautiful (on 1991-05-29)
lyricist:
Katharine Lee Bates
composer:
Samuel Augustus Ward
Samuel A. Ward3:46
6CD: Joy to the World
#TitleArtistRatingLength
1A Christmas Festival (Medley): Joy to the World / Deck the Halls / God Rest Ye Merry, Gentlemen / Good King Wenceslas / Hark! The Herald Angels Sing / The First Noël / Silent Night / Jingle Bells / O Come, All Ye Faithful
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-12-14)
orchestra:
Boston Pops Orchestra (on 1991-12-14)
conductor:
John Williams (American score composer) (on 1991-12-14)
chorus master:
John Oliver (chorus master) (on 1991-12-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-12-14)
recording of:
A Christmas Festival (on 1991-12-14)
arranger:
Leroy Anderson
medley of:
Joy to the World (Christmas carol)
medley of:
Deck the Halls
medley of:
God Rest Ye Merry, Gentlemen (traditional, no arrangement credits here)
medley of:
Good King Wenceslas
medley of:
Hark! The Herald Angels Sing (Christmas carol)
medley of:
The First Nowell
medley of:
Jingle Bells
medley of:
O Come, All Ye Faithful (English version of Latin “Adeste fideles”)
medley of:
Silent Night (Christmas carol, English translation)
George Frideric Handel / Isaac Watts / [traditional] / John Mason Neale / Felix Mendelssohn / Charles Wesley / Franz Xaver Gruber / Joseph Mohr / James Pierpont / John Reading / John Francis Wade9:28
2A Visit from Saint Nicholas (’Twas the Night before Christmas)
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
spoken vocals [narrator]:
Robin Williams (US actor & comedian) (on 1991-12-14)
orchestra:
Boston Pops Orchestra (on 1991-12-14)
conductor:
John Williams (American score composer) (on 1991-12-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-12-14)
recording of:
’Twas the Night Before Christmas (Ken Darby version) (on 1991-12-14)
writer:
Clement Clarke Moore
composer:
Ken Darby
is based on:
A Visit From St. Nicholas
Clement Moore3:50
3White Christmas
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-12-14)
orchestra:
Boston Pops Orchestra (on 1991-12-14)
conductor:
John Williams (American score composer) (on 1991-12-14)
chorus master:
John Oliver (chorus master) (on 1991-12-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-12-14)
cover recording of:
White Christmas (on 1991-12-14)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
Irving Berlin4:05
4Babes in Toyland: March of the Toys
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-12-14)
conductor:
John Williams (American score composer) (on 1991-12-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-12-14)
recording of:
Babes in Toyland: Act II. March of the Toys (on 1991-12-14)
composer:
Victor Herbert (American composer)
part of:
Babes in Toyland
Victor Herbert3:45
5Home Alone: Somewhere in My Memory
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-12-14)
orchestra:
Boston Pops Orchestra (on 1991-12-14)
conductor:
John Williams (American score composer) (on 1991-12-14)
chorus master:
John Oliver (chorus master) (on 1991-12-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-12-14)
recording of:
Somewhere in My Memory (Home Alone) (on 1991-12-14)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
part of:
The 63rd Academy Award for Best Original Song (number: 2)
recording of:
Walking Home (Somewhere in My Memory) (Home Alone) (on 1991-12-14)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
part of:
Home Alone
John Williams3:46
6Home Alone: Holiday Flight
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-12-14)
conductor:
John Williams (American score composer) (on 1991-12-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-12-14)
recording of:
Holiday Flight (Home Alone) (on 1991-12-14)
composer:
John Williams (American score composer)
part of:
Home Alone
John Williams1:10
7A Christmas Bouquet (Medley): We’ll Dress the House / The Star Carol / Nigh Bethlehem (Nigh Beth’lem on a Wintry Night) / Jesu Parvule (Poor Little Jesus) / This Is Christmas (Bright, Bright the Holly Berries)
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-12-14)
orchestra:
Boston Pops Orchestra (on 1991-12-14)
conductor:
John Williams (American score composer) (on 1991-12-14)
chorus master:
John Oliver (chorus master) (on 1991-12-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-12-14)
medley including a recording of:
We'll Dress the House (on 1991-12-14)
lyricist:
Wihla Hutson
composer:
Alfred S. Burt (composer of Christmas carols)
Alfred S. Burt10:35
8Parade of the Wooden Soldiers
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-12-14)
conductor:
John Williams (American score composer) (on 1991-12-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-12-14)
recording of:
Die Parade der Zinnsoldaten, op. 123 (on 1991-12-14)
composer:
Léon Jessel (in 1897)
Léon Jessel4:27
9Home Alone: Star of Bethlehem
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-12-14)
orchestra:
Boston Pops Orchestra (on 1991-12-14)
conductor:
John Williams (American score composer) (on 1991-12-14)
chorus master:
John Oliver (chorus master) (on 1991-12-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-12-14)
recording of:
Star of Bethlehem (Home Alone) (on 1991-12-14)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
part of:
Home Alone
John Williams3:26
10Christmas Night Medley: O Tannenbaum / I Go to Bethlehem (Já bych rád k Betlèmu) / Still, Still, Still (Stille, Stille, Stille) / From Heaven Above to Earth I Come (Vom Himmel hoch) / Foom, Foom, Foom (Fum, Fum, Fum) / O How Joyfully (O du fröhliche) / O Holy Night (Minuit, chrétiens)
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1991-12-14)
conductor:
John Williams (American score composer) (on 1991-12-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-12-14)
[traditional] / Johann Sebastian Bach / Martin Luther / Adolphe Adam / Placide Cappeau9:15
11We Wish You a Merry Christmas
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-12-14)
orchestra:
Boston Pops Orchestra (on 1991-12-14)
conductor:
John Williams (American score composer) (on 1991-12-14)
chorus master:
John Oliver (chorus master) (on 1991-12-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-12-14)
recording of:
We Wish You a Merry Christmas (on 1991-12-14)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 230)
[traditional]1:53
12Sleigh Ride
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-12-14)
orchestra:
Boston Pops Orchestra
conductor:
John Williams (American score composer) (on 1991-12-14)
chorus master:
John Oliver (chorus master) (on 1991-12-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-12-14)
recording of:
Sleigh Ride (on 1991-12-14)
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (until 1948-02-10)
publisher:
EMI Harmonies Limited, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Woodbury Music (aka Woodbury Music Company)
version of:
Sleigh Ride (original instrumental version)
cover recording of:
Sleigh Ride
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (until 1948-02-10)
publisher:
EMI Harmonies Limited, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Woodbury Music (aka Woodbury Music Company)
version of:
Sleigh Ride (original instrumental version)
Leroy Anderson2:53
13A Merry Little Sing‐Alone (Medley): Rudolph the Red‐Nosed Reindeer / Have Yourself a Merry Little Christmas / Let It Snow / The Christmas Song
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
choir vocals:
Tanglewood Festival Chorus (on 1991-12-14)
orchestra:
Boston Pops Orchestra (on 1991-12-14)
conductor:
John Williams (American score composer) (on 1991-12-14)
chorus master:
John Oliver (chorus master) (on 1991-12-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-12-14)
Leroy Anderson7:34
7CD: Night and Day: Celebrate Sinatra
#TitleArtistRatingLength
1You Make Me Feel So Young
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
You Make Me Feel So Young
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
E bi eit barn med deg
Josef Myrow3:23
2In the Wee Small Hours of the Morning
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
David Mann3:37
3Night and Day
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Cole Porter3:34
4Witchcraft
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Witchcraft
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
Cy Coleman3:09
5The Lady is a Tramp
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Richard Rodgers3:26
6Strangers in the Night
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Strangers in the Night
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bert Kaempfert / Eddie Snyder / Charles Singleton2:51
7I Have Dreamed
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
I Have Dreamed (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The King and I (Rodgers & Hammerstein musical)
Richard Rodgers3:47
8Fly Me to the Moon
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Bart Howard3:21
9New York, New York
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John McClure (recording engineer and record producer) and Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
arranger:
Billy Byers
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
instrumental recording of:
Theme From “New York, New York” (usually just titled “New York, New York”)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (ended), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
New York, New York (1977 musical film soundtrack)
John Kander3:18
10Luck Be a Lady
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Luck Be a Lady (from “Guys and Dolls”)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp. and MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
Frank Loesser3:16
11I Get a Kick out of You
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Cole Porter4:30
12Mack the Knife
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
Kurt Weill3:04
13The Shadow of Your Smile
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
Johnny Mandel2:54
14Softly, as I Leave You
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Softly, as I Leave You
lyricist:
Giorgio Calabrese
composer:
Antonio DeVita
translator:
Hal Shaper
publisher:
Curci USA Corp., EMI Miller Catalog, Inc. and Miller Music (publisher)
translated version of:
Piano
Antonio de Vita2:32
15Chicago
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Chicago (That Toddlin’ Town)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
Fred Fisher2:36
16The Summer Wind (Sommerwind)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
Henry Mayer2:52
17One for My Baby
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Harold Arlen4:12
8CD: Unforgettable
9CD: Music for Stage and Screen
10CD: It Don’t Mean a Thing if It Ain’t Got That Swing
11CD: Williams on Williams: The Classic Spielberg Scores
12CD: Summon the Heroes
13CD: Cinema Serenade
14CD: The Five Sacred Trees
15CD: The Hollywood Sound
16CD: Gershwin Fantasy
17CD: Cinema Serenade 2: The Golden Age
18CD: Yo‐Yo Ma Plays the Music of John Williams
19CD: American Journey
20CD: The Spielberg / Williams Collaboration Part III

Credits

Release

ASIN:DE: B07713PKXN [info]

Release group

includes:American Journey
Cinema Serenade by Itzhak Perlman (violinist and conductor), Pittsburgh Symphony Orchestra, John Williams (American score composer)
Cinema Serenade 2: The Golden Age by Itzhak Perlman (violinist and conductor), Boston Pops Orchestra, John Williams (American score composer)
Gershwin Fantasy by George Gershwin (composer); Joshua Bell (violinist), London Symphony Orchestra, John Williams (American score composer)
I Love a Parade by The Boston Pops Orchestra, John Williams (American score composer)
It Don’t Mean a Thing If It Ain’t Got That Swing! by John Williams (American score composer) & The Boston Pops Orchestra
John Williams Conducts John Williams: The Star Wars Trilogy (Star Wars / The Empire Strikes Back / Return of the Jedi) by John Williams (American score composer); The Skywalker Symphony, John Williams (American score composer)
John Williams: The Five Sacred Trees / Hovhaness: Mysterious Mountain by John Williams (American score composer), Alan Hovhaness (American composer); London Symphony Orchestra, Judith LeClair (bassoonist), John Williams (American score composer)
Joy to the World by John Williams (American score composer) & Boston Pops Orchestra
Music for Stage and Screen by John Williams (American score composer), Aaron Copland (composer); The Boston Pops Orchestra, John Williams (American score composer)
Music of the Night: Pops on Broadway 1990 by The Boston Pops Orchestra, John Williams (American score composer)
Night and Day by John Williams (American score composer) & The Boston Pops Orchestra
Summon the Heroes by John Williams (American score composer), Boston Pops Orchestra
The Green Album by Boston Pops Orchestra, John Williams (American score composer)
The Hollywood Sound by London Symphony Orchestra, John Williams (American score composer)
The Spielberg / Williams Collaboration by John Williams (American score composer) & Boston Pops Orchestra
The Spielberg/Williams Collaboration Part III
Unforgettable by John Williams (American score composer) & The Boston Pops Orchestra
Williams on Williams: The Classic Spielberg Scores by John Williams (American score composer) & the Boston Pops Orchestra
Yo-Yo Ma Plays the Music of John Williams by John Williams (American score composer); Yo‐Yo Ma (cellist)