Folk Favorites of the '60s and '70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD: The '70s: Superstars' Super Hits
Nr.TitelKünstlerBewertungLänge
1Taxi
Techniker(in):
Bruce Morgan (American engineer, composer)
Produzent(in):
Jac Holzman
aufgenommen bei und mixed at:
Elektra Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Taxi
Texter und Komponist(in):
Harry Chapin
publisher:
Story Songs, Ltd
Harry Chapin6:44
2I Got a Name
Akustikgitarre [lead acoustic guitar]:
Maury Muehleisen
Bass:
Joe Macho
Gitarre [rhythm guitar] und Klavier:
Tommy West
Perkussion:
George Devens
Schlagzeug:
Rick Marotta (US drummer/percussionist)
Hintergrundgesang:
Jim Croce, Maury Muehleisen und Tommy West
vocals:
Jim Croce (am 1973-06-06)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographisches Urheberrecht (℗) von:
Saja Music Co. (publisher) (in 1973)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1973-06-06)
recording of:
I Got a Name (am 1973-06-06)
Texter:
Norman Gimbel
Komponist(in):
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Fox Fanfare Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Jim Croce43:13
3That’s the Way I’ve Always Heard It Should Be
Produzent(in):
Eddie Kramer (engineer)
Mix:
Eddie Kramer (engineer) und Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
Akustikgitarre und Klavier:
Carly Simon
Bass:
Gerry Jemmott, David Givens, Tony Levin (US rock bassist/Chapman Stick), Doug Rauch und Jim Wilkins
Cello:
Harvey Shapiro (cellist)
Gitarre:
David Bromberg (American multi-instrumentalist, singer, and songwriter), Jimmy Johnson (Chicago blues guitarist) und Jimmy Ryan (American guitarist and singer/songwriter)
Keyboard:
Paul Griffin (American pianist, session musician), Mark “Moogy” Klingman (American musician and songwriter) und Billy Mernit (American singer-songwriter, composer, lyricist, author and actor)
Pedal-Steel-Gitarre:
Jeff Baxter
Saiteninstrumente:
Ed Freeman (producer, arranger, musician, and photographer)
Schlagzeug:
John Siomos
vocals:
Carly Simon
Saiteninstrumente [string arrangement] arranger und Saiteninstrumente arranger:
Ed Freeman (producer, arranger, musician, and photographer)
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
That’s the Way I’ve Always Heard It Should Be
Texter:
Jacob Brackman
Komponist(in):
Carly Simon
publisher:
C’est Music, Kensho Music, Maya Productions Ltd., Quackenbush Music und Universal Music Corp. (USA, affiliated with ASCAP)
Carly Simon3.654:17
4Brand New Key
recording of:
Brand New Key
Texter und Komponist(in):
Melanie Anne Safka‐Schekeryk (US singer‐songwriter Melanie Safka)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
Melanie2:27
5Blue Bayou
recording engineer und Mix:
Val Garay
assistierende(r) Techniker(in):
Mark Howlett
Produzent(in):
Peter Asher
Akustikgitarre:
Waddy Wachtel (von 1977-05-23 bis 1977-07-22)
Bassgitarre [bass] und Mandoline:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22)
cowbell, elektronisches Schlagzeug / E-Drums [syn-drums] und Schlagzeug:
Rick Marotta (US drummer/percussionist) (von 1977-05-23 bis 1977-07-22)
Hybrid-Piano:
Don Grolnick (von 1977-05-23 bis 1977-07-22)
Marimba:
Steve Forman (US percussionist) (von 1977-05-23 bis 1977-07-22)
Steel-Gitarre:
Dan Dugmore (von 1977-05-23 bis 1977-07-22)
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22) und Don Henley (von 1977-05-23 bis 1977-07-22)
Sologesang:
Linda Ronstadt (von 1977-05-23 bis 1977-07-22)
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 2017)
aufgenommen bei:
Sound Factory, LA (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1977-05-23 bis 1977-07-22)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 61)
cover recording of:
Blue Bayou (von 1977-05-23 bis 1977-07-22)
Texter:
Joe Melson (in 1963) und Roy Orbison (in 1963)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
Linda Ronstadt4.253:55
6Say You Love Me
Bearbeitung von:
Say You Love Me von Fleetwood Mac
recording of:
Say You Love Me
Texter und Komponist(in):
Christine McVie
publisher:
Universal Music Careers
Fleetwood Mac44:02
7You’ve Got a Friend
Techniker(in):
Richard Sanford Orshoff
Produzent(in):
Peter Asher
Akustikgitarre:
James Taylor (singer-songwriter and guitarist)
Akustikgitarre und Conga:
Danny Kortchmar (Danny Kootch)
Bassgitarre:
Leland Sklar (bassist, session musician)
cabasa, Conga und Schlagzeug:
Russ Kunkel (session drummer)
Hintergrundgesang:
Joni Mitchell und James Taylor (singer-songwriter and guitarist)
cover recording of:
You’ve Got a Friend
Texter und Komponist(in):
Carole King
publisher:
Colgems-EMI Music Inc. und Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
James Taylor4.44:33
8I’d Like to Teach the World to Sing (in Perfect Harmony)
Produzent(in):
David Mackay (Australian producer, arranger, musical director)
vocals:
Eve Graham
arranger:
David Mackay (Australian producer, arranger, musical director)
recording of:
I’d Like to Teach the World to Sing
Verfasser(in):
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis und Roger Greenaway
publisher:
PolyGram Music Publishing
Version von:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers3.652:25
9Reuben James
recording of:
Reuben James
Verfasser(in) und Komponist(in):
Barry Etris und Alex Harvey (American country singer of the early 70s)
publisher:
Unart Music Corp.
Kenny Rogers & The First Edition2:41
10Catch the Wind
recording of:
Catch the Wind
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music, Peer Music UK Ltd und Southern Music (publisher)
Donovan2:19
11Reverend Mr. Black
recording of:
The Reverend Mr. Black
Verfasser(in):
Jerry Leiber, Mike Stoller und Billy Edd Wheeler
The Kingston Trio3:02
12Wichita Lineman
Produzent(in):
Al De Lory
Sologesang:
Glen Campbell (US country singer, guitarist & actor)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968) und Capitol Records Nashville (in 2016)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-05-27)
zusätzlich aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-08-14)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 192) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 206)
recording of:
Wichita Lineman (am 1968-05-27)
Texter:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (in 1968)
Glen Campbell3.653:03
13If I Had a Hammer
live cover recording of:
If I Had a Hammer
Verfasser(in):
Lee Hays (in 1949) und Pete Seeger (in 1949)
publisher:
M.P.A. (M.P.A.)
Trini Lopez3:01
14Rain on the Roof
recording of:
Rain on the Roof
Texter und Komponist(in):
John Sebastian
The Lovin’ Spoonful2:15
15I Got You Babe
vocals:
Sonny Bono (in 1965) und Cher (in 1965)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 444)
recording of:
I Got You Babe (in 1965)
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:13
16Ebony Eyes
recording of:
Ebony Eyes (am 1960-11-01)
Texter und Komponist(in):
John D. Loudermilk
The Everly Brothers3:07
17Windy
Produzent(in):
Bones Howe
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 310)
recording of:
Windy
Texter und Komponist(in):
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:55
18Turnaround
Techniker(in):
Jack E. Hunt
Produzent(in):
Allen Stanton
recording of:
Turnaround
Verfasser(in):
Jimmie Rodgers (1950s pop/country singer, born in 1933; “Honeycomb”, “Kisses Sweeter Than Wine”) und Edward Samuels
Jimmie Rodgers3:00
19I Saw Her Again Last Night
recording of:
I Saw Her Again Last Night
Verfasser(in):
Denny Doherty und John Phillips (The Mamas & The Papas)
The Mamas & the Papas3.53:11
2▼CD: '60s Souvenirs
Nr.TitelKünstlerBewertungLänge
1Both Sides Now
recording of:
Both Sides Now
Texter und Komponist(in):
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:14
2Everything That Touches You
recording of:
Everything That Touches You
Texter und Komponist(in):
Terry Kirkman
The Association3:20
3The 59th Street Bridge Song (Feelin' Groovy)
Produzent(in):
Lenny Waronker
cover recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:37
4Time
recording of:
Time
Texter und Komponist(in):
Michael Merchant (folk singer / songwriter and multi-instrumentalist)
The Pozo-Seco Singers3:29
5Lemon Tree
recording of:
Lemon Tree
Texter und Komponist(in):
Will Holt
Trini Lopez2:55
6Classical Gas
recording of:
Classical Gas
Komponist(in):
Mason Williams (US classical guitarist, composer, writer, comedian & poet)
Mason Williams4.53:05
7Lazy Day
recording of:
Lazy Day
Verfasser(in):
George Fischoff und Tony Powers
Spanky & Our Gang33:09
8A Little Bitty Tear
cover recording of:
A Little Bitty Tear
Texter und Komponist(in):
Hank Cochran (Nashville singer and songwriter)
publisher:
Pamper Music, Inc.
Burl Ives2:07
9Walk Right Back
recording of:
Walk Right Back
Texter und Komponist(in):
Sonny Curtis
The Everly Brothers2:19
10Sweet Memories
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer), Dennis Linde und Russ Miller (producer - A&R executive at Elektra in the late 60's - early 70's)
recording of:
Sweet Memories
Texter und Komponist(in):
Mickey Newbury (American songwriter)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Mickey Newbury3:32
11Never My Love
recording of:
Never My Love
Verfasser(in):
Dick Addrisi und Don Addrisi
publisher:
Universal Music (plain logo: “Universal Music”), Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell North America, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Association3:08
12Creeque Alley
Produzent(in):
Lou Adler
produced for:
Dunhill Records USA
recording of:
Creeque Alley
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Trousdale Music Pub., Inc.
The Mamas & the Papas3.753:49
13Did You Ever Have to Make Up Your Mind
recording of:
Did You Ever Have to Make Up Your Mind
Texter und Komponist(in):
John Sebastian
The Lovin’ Spoonful52:01
14Galveston
Produzent(in):
Al De Lory
Sologesang:
Glen Campbell (US country singer, guitarist & actor)
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1969, in 2001)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-11-26)
zusätzlich aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1969-01-09)
cover recording of:
Galveston (am 1968-11-26)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Australia
Glen Campbell2:41
15Leaving on a Jet Plane
recording of:
Leaving on a Jet Plane
Texter und Komponist(in):
John Denver
publisher:
BMG Ruby Songs, Cherry Lane Music Publishing Inc, Cherry Lane Music, Inc., Reservoir Media Music (B) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Mitchell Trio feat. John Denver2:34
16Greenback Dollar
recording of:
Greenback Dollar
Verfasser(in):
Hoyt Axton und Ken Ramsey
The Kingston Trio52:53
17All I Really Want to Do
Produzent(in):
Terry Melcher
Bass:
Chris Hillman (am 1965-03-08)
Gitarre:
David Crosby (am 1965-03-08)
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds) (am 1965-03-08)
zwölfsaitige Gitarre:
Jim McGuinn (am 1965-03-08)
vocals:
David Crosby (am 1965-03-08), Chris Hillman (am 1965-03-08) und Jim McGuinn (am 1965-03-08)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1965) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
cover recording of:
All I Really Want to Do (am 1965-03-08)
Texter und Komponist(in):
Bob Dylan (in 1964)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Special Rider Music und Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
recording of:
All I Really Want to Do (am 1965-03-08)
Texter und Komponist(in):
Bob Dylan (in 1964)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Special Rider Music und Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Byrds32:05
18Alice’s Rock & Roll Restaurant
teilweise recording of:
Alice’s Restaurant Massacree
Texter und Komponist(in):
Arlo Guthrie (American folk singer-songwriter)
publisher:
Appleseed Music, Inc.
Arlo Guthrie4:48
19Long Time Gone
recording engineer:
Bill Halverson (in 1969)
Produzent(in):
David Crosby, Graham Nash und Stephen Stills
Mix:
David Crosby, Bill Halverson, Graham Nash und Stephen Stills
Bassgitarre, Gitarre und Orgel:
Stephen Stills (in 1969)
E-Gitarre:
David Crosby (in 1969)
Schlagzeug:
Dallas Taylor (drummer for Crosby, Stills, Nash & Young) (in 1969)
vocals:
David Crosby (in 1969), Graham Nash (in 1969) und Stephen Stills (in 1969)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
aufgenommen bei und mixed at:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Long Time Gone (in 1969)
Texter und Komponist(in):
David Crosby
publisher:
Guerrilla Music (David Crosby publisher) und Stay Straight Music (vom 1969 bis heute)
Crosby, Stills & Nash54:21
20The Beat Goes On
Techniker(in):
Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Sonny Bono
conductor:
Harold Battiste
phonographisches Urheberrecht (℗) von:
ATCO Records (in 1967)
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Beat Goes On (in 1967)
Texter und Komponist(in):
Sonny Bono
publisher:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Sonny & Cher4.253:23
21Child of Clay
Techniker(in):
Jack E. Hunt
Produzent(in):
Allen Stanton
recording of:
Child of Clay
Verfasser(in):
Jimmy Curtiss und Ernie Maresca
Jimmie Rodgers4:08
3▼CD: Folk Favorites of the Early '70s
Nr.TitelKünstlerBewertungLänge
1Me and You and a Dog Named Boo
recording of:
Me and You and a Dog Named Boo
Texter und Komponist(in):
Lobo (American singer-songwriter Roland Kent LaVoie)
Lobo2:53
2Amazing Grace
Produzent(in):
Mark Abramson
vocals:
Judy Collins
arranger:
Judy Collins
recording of:
Amazing Grace (popular hymn first published 1779, catch‐all)
publisher:
Alfred Music (publisher of sheet music for music education)
Texter:
John Newton (English poet) (in 1779)
Komponist(in):
[traditional] (special purpose artist)
zusätzliche(r) Komponist(in):
Edwin Othello Excell
publisher:
Carlin Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Patterdale Music Ltd., Rokstone Music Ltd., Universal Classics & Jazz (Japanese label division - read the annotation before using!), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Viisikielinen (Song book of "Viides herätysliike") (Nummer: 94)
Judy Collins4.53:51
3Sunshine
recording of:
Sunshine
Texter und Komponist(in):
Jonathan Edwards (American singer-songwriter/musician)
Jonathan Edwards2:16
4Look What They've Done to My Song Ma
cover recording of:
What Have They Done to My Song, Ma?
Texter und Komponist(in):
Melanie (US singer‐songwriter Melanie Safka)
The New Seekers3:23
5Ventura Highway
assistierende(r) Techniker(in):
Chuck Leary
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
America (US folk/soft rock band) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Gitarre:
Gerry Beckley, Dewey Bunnell und Dan Peek
Keyboard:
Gerry Beckley und Dan Peek
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Gerry Beckley, Dewey Bunnell und Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
Texter und Komponist(in):
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
live recording of:
Ventura Highway
Texter und Komponist(in):
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
America43:33
6Motorcycle Mama
recording of:
Motorcycle Mama
Texter und Komponist(in):
John D. Wyker III (Guitarist, producer and songwriter)
Sailcat2:08
7Some of Shelley's Blues
cover recording of:
Some of Shelly’s Blues
Texter und Komponist(in):
Michael Nesmith (in 1965)
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Nitty Gritty Dirt Band2:51
8Something's Burning
recording of:
Something’s Burning
Texter und Komponist(in):
Mac Davis (US country singer, songwriter & actor)
Kenny Rogers & The First Edition44:01
9Make It With You
Bassgitarre, Gitarre, Saiteninstrumente, Hintergrundgesang und Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
Schlagzeug:
Michael Botts
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) und Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 13)
recording of:
Make It With You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:15
10The Nickel Song
recording of:
Nickel Song
Texter und Komponist(in):
Melanie (US singer‐songwriter Melanie Safka)
Melanie3:47
11Love the One You’re With
Techniker(in):
Andy Johns
Produzent(in):
Bill Halverson und Stephen Stills
Bass:
Calvin Samuels (in 1970-03)
Conga:
Jeff Whittaker (in 1970-03)
Gitarre, Orgel, Perkussion und Sologesang:
Stephen Stills (in 1970-03)
Steel Pan:
Stephen Stills
Hintergrundgesang:
Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (American folk, rock and pop singer) (in 1970-03) und John Sebastian (in 1970-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970-03)
recording of:
Love the One You’re With (in 1970-03)
Texter und Komponist(in):
Stephen Stills
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Gold Hill Music, Inc. (in 1970)
sub-publisher:
EMI Music Publishing Scandinavia AB (in 1997)
Stephen Stills3.53:08
12Fancy
recording of:
Fancy (am 1969-08-08)
Texter und Komponist(in):
Bobbie Gentry
Bobbie Gentry54:07
13I Need You
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Akustikgitarre:
Dewey Bunnell
Bassgitarre und Klavier und Sologesang:
Gerry Beckley
Schlagzeug:
Dave Atwood
zwölfsaitige Gitarre:
Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
I Need You
Texter und Komponist(in):
Gerry Beckley
live recording of:
I Need You
Texter und Komponist(in):
Gerry Beckley
America3.553:07
14Never Ending Song of Love
Produzent(in):
David Mackay (Australian producer, arranger, musical director)
Bearbeitung von:
Never Ending Song of Love (original stereo mix) von Delaney & Bonnie and Friends
recording of:
Never Ending Song of Love (in 1971)
Texter und Komponist(in):
Delaney Bramlett
Delaney & Bonnie & Friends52:43
15Good Time Charlie’s Got the Blues
recording of:
Good Time Charlie’s Got the Blues
Texter und Komponist(in):
Danny O’Keefe
publisher:
Burlington Music Co., Ltd., Road Canon Music, Inc., Sixteen Stars Music (BMI-affiliated) und Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
Danny O’Keefe3:02
16You Don’t Mess Around With Jim
Produzent(in):
Terry Cashman und Tommy West
vocals:
Jim Croce (am 1971-10-11)
phonographisches Urheberrecht (℗) von:
R2M Music (BMI) (in 1972)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1971-10-11)
recording of:
You Don’t Mess Around With Jim (am 1971-10-11)
Texter und Komponist(in):
Jim Croce
publisher:
DenJac Music Company und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:59
17If
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1971)
recording of:
If
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Colgems-EMI Music Inc., Laetrec Music, S. Gems Col. Inc, Screen Gems–Columbia Music, Inc., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread3.52:36
18Fire and Rain
Techniker(in):
Bill Lazerus (in 1969-12)
Produzent(in):
Peter Asher (in 1969-12)
Akustikgitarre und Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
Klavier:
Carole King (in 1969-12)
Kontrabass:
Bobby ‘Wild, Wild’ West (in 1969-12)
Schlagzeug:
Russ Kunkel (session drummer) (in 1969-12)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 146) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 227)
recording of:
Fire and Rain (in 1969-12)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (beendet), EMI Blackwood Music Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor4.33:25
19City of New Orleans
recording engineer:
Gene Eichelberger
Produzent(in):
Kris Kristofferson und Norbert Putnam
vocals:
Steve Goodman (folk musician)
recording of:
City of New Orleans
Texter und Komponist(in):
Steve Goodman (folk musician)
publisher:
Sony/ATV Tunes LLC (ASCAP)
Steve Goodman33:53
20Younger Girl
recording of:
Younger Girl
Texter und Komponist(in):
John Sebastian
publisher:
Faithful Virtue Music (am 1965-08-12)
John Sebastian2:39
4▼CD: Folk Favorites of the Later '70s
Nr.TitelKünstlerBewertungLänge
1How Sweet It Is (to Be Loved by You)
Techniker(in) und Mix:
Lee Herschberg
Produzent(in):
Russ Titelman und Lenny Waronker
Bass:
Lee Sklar (bassist, session musician)
E-Gitarre:
Danny Kortchmar (Danny Kootch)
Klavier und Rhodes Piano [Fender Rhodes]:
Clarence McDonald
Schlagzeug [drums]:
Jim Keltner und Russ Kunkel (session drummer)
Tamburin:
Russ Kunkel (session drummer)
Hintergrundgesang [vocal harmonies]:
Carly Simon
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
How Sweet It Is (to Be Loved by You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
James Taylor3.83:37
2We’ll Never Have to Say Goodbye Again
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
We’ll Never Have to Say Goodbye Again
Texter und Komponist(in):
Jeffrey Comanor
publisher:
BMG Sapphire Songs, Chicken Key Music, Faizilu Publishing, Reservoir 416, Sutjujo Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
England Dan & John Ford Coley2:52
3You Make Loving Fun
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You Make Loving Fun
Texter und Komponist(in):
Christine McVie
publisher:
Careers–BMG Music Publishing, Inc. und Gentoo Music, Inc.
Fleetwood Mac3.93:35
4Get Closer
Techniker(in):
Joe Bogan (Recording- and mixing engineer)
Produzent(in):
Louie Shelton
Hintergrundgesang:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews und Carolyn Willis
Solo Soprangesang:
Carolyn Willis
Interpret(in):
Seals & Crofts
Saiteninstrumente arranger:
David Paich
arranger:
Gene Page
recording of:
Get Closer (in 1976)
Verfasser(in):
Dash Crofts und Jim Seals
Seals & Crofts53:58
5I’m a Woman
Akustikgitarre:
David Nichtern
Bass:
John Kahn
E-Gitarre:
Amos Garrett
Klavier:
Paul Harris (American keyboardist/pianist session player)
Mundharmonika:
Paul Butterfield
Perkussion:
Bobbye Hall und Milt Jackson
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Hintergrundgesang:
Terry Lee Evans, Bobby King (American gospel‐style, R&B and soul singer) und Greg Prestopino
vocals:
Maria Muldaur
arranger:
Paul Riser
recording of:
I’m a Woman
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
Maria Muldaur4:09
6Love Hurts
Techniker(in) und Mix:
Hugh Davies (US recording engineer)
Produzent(in):
Gram Parsons
Akustikgitarre und Sologesang:
Gram Parsons (von 1973-05 bis 1973-09)
Bass:
Emory Gordy (von 1973-05 bis 1973-09)
E-Gitarre:
James Burton (guitarist) (von 1973-05 bis 1973-09)
Gitarre [rhythm guitar]:
Herb Pedersen (in 1973)
Klavier:
Glen D. Hardin (von 1973-05 bis 1973-09)
Pedal-Steel-Gitarre:
Al Perkins (Texas born guitarist esp. steel guitar) (von 1973-05 bis 1973-09)
Schlagzeug:
Ron Tutt (drummer) (von 1973-05 bis 1973-09)
vocals:
Emmylou Harris (von 1973-05 bis 1973-09)
cover recording of:
Love Hurts (in 1973)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Gram Parsons53:42
7Thank You for Being a Friend
recording of:
Thank You for Being a Friend
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold4:01
8Here, There and Everywhere
cover recording of:
Here, There and Everywhere
geschrieben in:
Weybridge, Surrey, England, Vereinigtes Königreich (in 1966-06)
Verfasser(in):
John Lennon (The Beatles) (in 1966-06) und Paul McCartney (The Beatles) (in 1966-06)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs und Sony/ATV Music Publishing LLC (1995–2020)
Emmylou Harris43:43
9You Are the Woman
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
You Are the Woman
Verfasser(in):
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:43
10Duelling Banjos
Bearbeitung von:
Dueling Banjos von Eric Weissberg and Steve Mandell (US bluegrass guitarist "Duelling Banjos")
recording of:
Dueling Banjos (Deliverance arrangement)
Komponist(in):
Arthur Smith (“Guitar Boogie” Smith US country artist)
arranger:
Steve Mandell (US bluegrass guitarist "Duelling Banjos") und Eric Weissberg
vorher zugeschrieben zu:
Eric Weissberg
Arrangement von:
Feuding Banjos
recording of:
Feuding Banjos
Komponist(in):
Arthur Smith (“Guitar Boogie” Smith US country artist)
Eric Weissberg & Steve Mandell2:20
11Lotta Love
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Akustikgitarre:
Herb Pedersen
Bass:
Bob Glaub
flute:
Plas Johnson
Gitarre:
Dave Kalish
Keyboard:
Mark T. Jordan
Saxophon:
Andrew Love
Schlagzeug:
Rick Schlosser (drummer)
Tamburin:
Nicolette Larson
Hintergrundgesang:
Nicolette Larson und Ted Templeman
conductor:
Jimmie Haskell
Saiteninstrumente arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
cover recording of:
Lotta Love
Texter:
Neil Young (Canadian singer, songwriter & musician)
Komponist(in):
Frank Sampedro und Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
recording of:
Lotta Love
Texter:
Neil Young (Canadian singer, songwriter & musician)
Komponist(in):
Frank Sampedro und Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:11
12Goodbye Girl
Akustikgitarre, Bassgitarre und Klavier:
David Gates (singer/songwriter, lead singer of Bread)
E-Gitarre:
Dean Parks (American session guitarist)
Schlagzeug:
Mike Botts
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977)
recording of:
Goodbye Girl
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
David Gates2:48
13Midnight at the Oasis
Techniker(in):
Lee Herschberg und Donn Landee
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records) und Lenny Waronker
Mix:
Lee Herschberg
Akustikgitarre:
David Nichtern
Bassgitarre:
Freebo
E-Gitarre:
Amos Garrett
Klavier:
Mark T. Jordan
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Sprecher:
Greg Prestopino
vocals:
Maria Muldaur
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight at the Oasis
Texter und Komponist(in):
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:45
14Just Remember I Love You
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Just Remember I Love You
Texter und Komponist(in):
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
publisher:
Stephen Stills Music und 日音 Synch事業部 (NICHION, INC. Synch Division)
Firefall3:18
15Welcome Back
recording of:
Welcome Back (70’s Song by John Sebastian)
Texter und Komponist(in):
John Sebastian
John Sebastian52:53
16Lost Without Your Love
Techniker(in):
Bruce Morgan (American engineer, composer)
Produzent(in):
David Gates (singer/songwriter, lead singer of Bread)
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977)
recording of:
Lost Without Your Love
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Kipahulu Music Co.
Bread52:56
17I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:37
18Shower the People
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recording of:
Shower the People
Texter und Komponist(in):
James Vernon Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated)
James Taylor3:58
19Silver Threads and Golden Needles
Techniker(in):
John Haeny
Produzent(in):
John Boylan und J.D. Souther
Mix:
Al Schmitt
Akustikgitarre und Hintergrundgesang:
Herb Pedersen
Bass:
Michael Bowden
E-Gitarre:
Richard Bowden (guitarist and songwriter)
Fiddle:
Gib Guilbeau
Schlagzeug:
Mickey McGee
Steel-Gitarre:
Ed Black
Tamburin:
Linda Ronstadt
cover recording of:
Silver Threads and Golden Needles (in 1973)
Verfasser(in):
Dick Reynolds (country songwriter) und Jack Rhodes (songwriter, producer, guitarist)
publisher:
Central Songs, Fort Knox Music Co, Fort Knox Music Inc. und Trio Music Co., Inc.
Linda Ronstadt2:28
20Just a Song Before I Go
Assistent recording engineer:
Steve Gursky
recording engineer:
Howard Albert, Ron Albert und Michael Braunstein
Produzent(in):
David Crosby, Graham Nash und Stephen Stills
zusätzliche(r) Produzent(in):
Howard Albert und Ron Albert
Akustikgitarre:
David Crosby (von 1976-12-19 bis 1977)
Bass:
Tim Drummond (von 1976-12-19 bis 1977)
E-Gitarre:
Stephen Stills (von 1976-12-19 bis 1977)
Hybrid-Piano:
Graham Nash (von 1976-12-19 bis 1977)
Schlagzeug und Perkussion:
Russ Kunkel (session drummer) (von 1976-12-19 bis 1977)
Vibraphon:
Joe Vitale
vocals:
David Crosby (von 1976-12-19 bis 1977), Graham Nash (von 1976-12-19 bis 1977) und Stephen Stills (von 1976-12-19 bis 1977)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1976-12-19) und Criteria Studios in Miami, Florida, Vereinigte Staaten (in 1977)
recording of:
Just a Song Before I Go (von 1976-12-19 bis 1977)
Texter und Komponist(in):
Graham Nash
Crosby, Stills & Nash4.352:11

Nennungen