The Best of 1983-1995

~ Release by Lita Ford (see all versions of this release, 1 available)

Tracklist

| |
1CD
#TitleRatingLength
1Hungry
producer:
Mike Chapman (Australian producer and songwriter)
baritone saxophone:
Pablo Calogero
drums (drum set) and percussion:
Myron Grombacher
electric bass guitar [bass]:
Donnie Nossov
guitar and lead vocals:
Lita Ford
keyboard:
David Ezrin
tenor saxophone:
Richie Cannata
trombone:
Kevin Osborne (trombonist/backing vocalist)
trumpet:
Barry Danielian (American trumpeter, producer and arranger)
brass [horns] arranger:
Richie Cannata and Kevin Osborne (trombonist/backing vocalist)
recording of:
Hungry
writer:
Michael Dan Ehmig and Lita Ford
publisher:
The Largest Man in the World Music (from 1990 to ????), Dinger and Ollie Music (from 1990 to present), EMI April Music Inc. (from 1990 to present) and Lisabella Music (from 1990 to present)
34:48
2Back to the Cave
assistant engineer:
Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright (producer & engineer)
engineer and mixer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
additional guest drums (drum set) and additional guest percussion:
Craig Krampf (in 1987)
bass guitar:
Donnie Nossov (in 1987)
drums (drum set):
Myron Grombacher (in 1987)
guitar:
Lita Ford (in 1987)
keyboard:
David Ezrin (in 1987)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (in 1987) and Llory McDonald (in 1987)
vocals and performer:
Lita Ford (in 1987)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Back to the Cave (in 1987)
writer:
Mike Chapman (Australian producer and songwriter), David Ezrin and Lita Ford
publisher:
EMI April Music Inc., Lisabella Music and Mike Chapman Publishing Enterprises
33:57
3Stiletto
producer:
Mike Chapman (Australian producer and songwriter)
drums (drum set) and percussion:
Myron Grombacher
electric bass guitar [bass]:
Donnie Nossov
guitar and lead vocals:
Lita Ford
keyboard:
David Ezrin
recording of:
Stiletto
writer:
Lita Ford and Holly Knight
publisher:
Colgems-EMI Music Inc. (from 1990 to present), EMI April Music Inc. (from 1990 to present), Knighty-Knight Music (from 1990 to present) and Lisabella Music (from 1990 to present)
44:38
4Little Too Early
additional engineer:
Neal Avron (American engineer)
assistant engineer:
Clif Norrell and Mike Piersante (recording engineer & mixer)
engineer:
Eddie DeLena (engineer)
associate producer:
Eddie DeLena (engineer)
producer:
Tom Werman
mixer:
Eddie DeLena (engineer) and Tom Werman
bass guitar:
Matt Bissonette
drums (drum set):
Myron Grombacher
guitar:
Lita Ford and Joe Taylor (american guitarist)
keyboard:
David Ezrin
background vocals:
Michael Caruso, Debby Holiday (US | EDM singer), Anne Marie Hunter (background vocalist for Lita Ford), Jeff Scott Soto and Joe Lynn Turner (US rock vocalist)
lead vocals:
Lita Ford
vocals arranger:
Michael Dan Ehmig
phonographic copyright (℗) by:
BMG Music (in 1991)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
recording of:
Little Too Early
lyricist:
Rick Blakemore, Al Pitrelli and Joe Lynn Turner (US rock vocalist)
composer:
Al Pitrelli, Richie Blakemore and Joe Lynn Turner (US rock vocalist)
publisher:
Universal–Songs of PolyGram International, Inc., Songs of PolyGram, Inc. (from 1990 to ????), A ’n’ J Publishing (from 1990 to present), Jolt Productions Inc. (Jolt Music) (from 1990 to present) and Live Music Publishing Corp. (from 1990 to present)
32:58
5Loverman
engineer, producer and mixer:
The Robb Brothers
bass guitar:
Larry Dennison (in 1994)
drums (drum set):
Rodger Carter (in 1994)
guitar and lead vocals:
Lita Ford (in 1994)
keyboard:
Bruce Robb (in 1994)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (in 1994)
recording of:
Loverman (in 1994)
writer:
Michael Dan Ehmig and Lita Ford
publisher:
Dinger and Ollie Music
35:55
6Blueberry
assistant engineer:
Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright (producer & engineer)
engineer and mixer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
additional guest drums (drum set) and additional guest percussion:
Craig Krampf (in 1987)
bass guitar:
Donnie Nossov (in 1987)
drums (drum set):
Myron Grombacher (in 1987)
guitar:
Lita Ford (in 1987)
keyboard:
David Ezrin (in 1987)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (in 1987) and Llory McDonald (in 1987)
vocals and performer:
Lita Ford (in 1987)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Blueberry (in 1987)
lyricist and composer:
Mike Chapman (Australian producer and songwriter)
publisher:
Blue Raincoat Songs Ltd. and Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
2.53:39
7Larger Than Life
additional engineer:
Neal Avron (American engineer)
assistant engineer:
Clif Norrell and Mike Piersante (recording engineer & mixer)
engineer:
Eddie DeLena (engineer)
associate producer:
Eddie DeLena (engineer)
producer:
Tom Werman
mixer:
Eddie DeLena (engineer) and Tom Werman
bass guitar:
Matt Bissonette
drums (drum set):
Myron Grombacher
guitar:
Lita Ford and Joe Taylor (american guitarist)
keyboard:
David Ezrin
background vocals:
Michael Caruso, Debby Holiday (US | EDM singer), Anne Marie Hunter (background vocalist for Lita Ford), Jeff Scott Soto and Joe Lynn Turner (US rock vocalist)
lead vocals:
Lita Ford
vocals arranger:
Michael Dan Ehmig
phonographic copyright (℗) by:
BMG Music (in 1991)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
recording of:
Larger Than Life
writer:
Michael Dan Ehmig, Lita Ford and Myron Grombacher
publisher:
Lucky L Music, Dinger and Ollie Music (from 1991 to present), EMI April Music Inc. (from 1991 to present), Lisabella Music (from 1991 to present) and Tyreach Music (publisher) (from 1991 to present)
2.53:53
8What Do Ya Know About Love
additional engineer:
Neal Avron (American engineer)
assistant engineer:
Clif Norrell and Mike Piersante (recording engineer & mixer)
engineer:
Eddie DeLena (engineer)
associate producer:
Eddie DeLena (engineer)
producer:
Tom Werman
mixer:
Eddie DeLena (engineer) and Tom Werman
bass guitar:
Matt Bissonette
drums (drum set):
Myron Grombacher
guitar:
Lita Ford and Joe Taylor (american guitarist)
keyboard:
David Ezrin
background vocals:
Michael Caruso, Debby Holiday (US | EDM singer), Anne Marie Hunter (background vocalist for Lita Ford), Jeff Scott Soto and Joe Lynn Turner (US rock vocalist)
lead vocals:
Lita Ford
vocals arranger:
Michael Dan Ehmig
phonographic copyright (℗) by:
BMG Music (in 1991)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
recording of:
What Do Ya Know About Love
lyricist and composer:
Randy Cantor, Michael Caruso and Cal Curtis
publisher:
Universal Geffen Again Music, Universal Music Careers, Careers–BMG Music Publishing, Inc. (from 1991 to ????), Geffen Again Music (from 1991 to ????), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (from 1991 to ????), Randy Michelle Music (from 1991 to present), Watchfire Music (from 1991 to present), Sony Music Publishing (worldwide except Japan, ended 1995) (from 1991 until 1995) and Sony/ATV Songs LLC (from 1995 to present)
2.53:52
9Lisa (faded version)
edit of:
Lisa by Lita Ford
recording of:
Lisa
writer:
Michael Dan Ehmig and Lita Ford
publisher:
The Largest Man in the World Music (from 1990 to ????), Dinger and Ollie Music (from 1990 to present), EMI April Music Inc. (from 1990 to present) and Lisabella Music (from 1990 to present)
4:12
10Lady Killer
engineer:
Larry Alexander (producer/engineer), Gary King (Refraze studio engineer/producer), Phil Nicolo, Obie O’Brien and Malcolm Pollack
producer:
Lance Quinn
mixer:
Larry Alexander (producer/engineer)
bass guitar:
Hugh McDonald (bassist)
drums (drum set):
Randy Castillo
guitar and lead vocals:
Lita Ford
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Studio 4 Recording in Conshohocken, Philadelphia, Pennsylvania, United States and The Warehouse (New York studio) in Manhattan, New York, New York, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Lady Killer
lyricist and composer:
Lita Ford
publisher:
Artphyl Music Inc.
33:42
11Where Will I Find My Heart Tonight34:18
12Still Waitin’
engineer:
Larry Alexander (producer/engineer), Gary King (Refraze studio engineer/producer), Phil Nicolo, Obie O’Brien and Malcolm Pollack
producer:
Lance Quinn
mixer:
Larry Alexander (producer/engineer)
bass guitar:
Hugh McDonald (bassist)
drums (drum set):
Randy Castillo
guitar and lead vocals:
Lita Ford
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Studio 4 Recording in Conshohocken, Philadelphia, Pennsylvania, United States and The Warehouse (New York studio) in Manhattan, New York, New York, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Still Waitin’
lyricist and composer:
Lita Ford
publisher:
Artphyl Music Inc.
3.54:19
13Under the Gun
assistant engineer:
Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright (producer & engineer)
engineer and mixer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
additional guest drums (drum set) and additional guest percussion:
Craig Krampf (in 1987)
bass guitar:
Donnie Nossov (in 1987)
drums (drum set):
Myron Grombacher (in 1987)
guitar:
Lita Ford (in 1987)
keyboard:
David Ezrin (in 1987)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (in 1987) and Llory McDonald (in 1987)
vocals and performer:
Lita Ford (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1988) and Dreamland Records (in 1988)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Under the Gun (in 1987)
lyricist and composer:
Lita Ford
publisher:
EMI April Music Inc., Lisabella Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
24:51
14Playin’ With Fire
additional engineer:
Neal Avron (American engineer)
assistant engineer:
Clif Norrell and Mike Piersante (recording engineer & mixer)
engineer:
Eddie DeLena (engineer)
associate producer:
Eddie DeLena (engineer)
producer:
Tom Werman
mixer:
Eddie DeLena (engineer) and Tom Werman
bass guitar:
Matt Bissonette
drums (drum set):
Myron Grombacher
guitar:
Lita Ford and Joe Taylor (american guitarist)
keyboard:
David Ezrin
background vocals:
Michael Caruso, Debby Holiday (US | EDM singer), Anne Marie Hunter (background vocalist for Lita Ford), Jeff Scott Soto and Joe Lynn Turner (US rock vocalist)
lead vocals:
Lita Ford
vocals arranger:
Michael Dan Ehmig
phonographic copyright (℗) by:
BMG Music (in 1991)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
recording of:
Playin’ With Fire
writer:
Michael Dan Ehmig, Lita Ford and Jim Vallance (from 1991-03 until 1991-04)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (from 1991 to present), Dinger and Ollie Music (from 1991 to present), EMI April Music Inc. (from 1991 to present), Lisabella Music (from 1991 to present) and Testatyme Music (from 1991 to present)
34:06
15Shot of Poison
additional engineer:
Neal Avron (American engineer)
assistant engineer:
Clif Norrell and Mike Piersante (recording engineer & mixer)
engineer:
Eddie DeLena (engineer)
associate producer:
Eddie DeLena (engineer)
producer:
Tom Werman
mixer:
Eddie DeLena (engineer) and Tom Werman
additional guitar:
Howard Leese
bass guitar:
Matt Bissonette
drums (drum set):
Myron Grombacher
guitar:
Lita Ford and Joe Taylor (american guitarist)
keyboard:
David Ezrin
background vocals:
Michael Caruso, Debby Holiday (US | EDM singer), Anne Marie Hunter (background vocalist for Lita Ford), Jeff Scott Soto and Joe Lynn Turner (US rock vocalist)
lead vocals:
Lita Ford
vocals arranger:
Michael Dan Ehmig
phonographic copyright (℗) by:
BMG Music (in 1991)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
recording of:
Shot of Poison
writer:
Lita Ford, Myron Grombacher and Jim Vallance (in 1991-03)
publisher:
EMI April Music Canada Ltd., Lisabella Music, Lucky L Music, Almo Music Corp. (USA, affiliated with ASCAP) (from 1991 to present), EMI April Music Inc. (from 1991 to present), Testatyme Music (from 1991 to present) and Tyreach Music (publisher) (from 1991 to present)
33:30
16Bad Boy
producer:
Mike Chapman (Australian producer and songwriter)
drums (drum set) and percussion:
Myron Grombacher
electric bass guitar [bass]:
Donnie Nossov
guitar and lead vocals:
Lita Ford
keyboard:
David Ezrin
recording of:
Bad Boy
writer:
Lita Ford and Mark Spiro
publisher:
EMI Blackwood Music Inc., EMI April Music Inc. (from 1990 to present), Lisabella Music (from 1990 to present), Mark Spiro Music (from 1990 to present) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1990 to present)
2.54:01
17Killin’ Kind
engineer, producer and mixer:
The Robb Brothers
bass guitar:
Larry Dennison (in 1994)
drums (drum set):
Rodger Carter (in 1994)
guitar and lead vocals:
Lita Ford (in 1994)
keyboard:
Bruce Robb (in 1994)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (in 1994)
recording of:
Killin’ Kind (in 1994)
writer:
Michael Dan Ehmig, Lita Ford and Taylor Rhodes
publisher:
Dinger and Ollie Music
34:29
18Aces & Eights
producer:
Mike Chapman (Australian producer and songwriter)
drums (drum set) and percussion:
Myron Grombacher
electric bass guitar [bass]:
Donnie Nossov
guitar and lead vocals:
Lita Ford
keyboard:
David Ezrin
recording of:
Aces & Eights
writer:
Lita Ford, Myron Grombacher and Kevin Savigar
publisher:
Habersville Music, Sony/ATV Tunes LLC (ASCAP), Almo Music Corp. (USA, affiliated with ASCAP) (from 1990 to present), EMI April Music Inc. (from 1990 to present), Kevin Savigar Music (from 1990 to present), Lisabella Music (from 1990 to present) and Tyreach Music (publisher) (from 1990 to present)
2.54:18
19Black Widow
additional engineer:
Neal Avron (American engineer)
assistant engineer:
Clif Norrell and Mike Piersante (recording engineer & mixer)
engineer:
Eddie DeLena (engineer)
associate producer:
Eddie DeLena (engineer)
producer:
Tom Werman
mixer:
Eddie DeLena (engineer) and Tom Werman
bass guitar:
Matt Bissonette
drums (drum set):
Myron Grombacher
guitar:
Lita Ford and Joe Taylor (american guitarist)
keyboard:
David Ezrin
background vocals:
Michael Caruso, Debby Holiday (US | EDM singer), Anne Marie Hunter (background vocalist for Lita Ford), Jeff Scott Soto and Joe Lynn Turner (US rock vocalist)
lead vocals:
Lita Ford
vocals arranger:
Michael Dan Ehmig
phonographic copyright (℗) by:
BMG Music (in 1991)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
recording of:
Black Widow
writer:
Michael Dan Ehmig, David Ezrin, Lita Ford and Joe Taylor (heavy metal guitarist)
publisher:
David Ezrin Music (from 1991 to present), Dinger and Ollie Music (from 1991 to present), EMI April Music Inc. (from 1991 to present) and Lisabella Music (from 1991 to present)
33:30
2CD
#TitleRatingLength
1Holy Man
additional engineer:
Neal Avron (American engineer)
assistant engineer:
Clif Norrell and Mike Piersante (recording engineer & mixer)
engineer:
Eddie DeLena (engineer)
associate producer:
Eddie DeLena (engineer)
producer:
Tom Werman
mixer:
Eddie DeLena (engineer) and Tom Werman
bass guitar:
Matt Bissonette
drums (drum set):
Myron Grombacher
guitar:
Lita Ford and Joe Taylor (american guitarist)
keyboard:
David Ezrin
background vocals:
Michael Caruso, Debby Holiday (US | EDM singer), Anne Marie Hunter (background vocalist for Lita Ford), Jeff Scott Soto and Joe Lynn Turner (US rock vocalist)
lead vocals:
Lita Ford
vocals arranger:
Michael Dan Ehmig
phonographic copyright (℗) by:
BMG Music (in 1991)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
recording of:
Holy Man
writer:
Michael Dan Ehmig and Lita Ford
publisher:
Dinger and Ollie Music (from 1991 to present), EMI April Music Inc. (from 1991 to present) and Lisabella Music (from 1991 to present)
2.54:42
2Kiss Me Deadly
assistant engineer:
Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright (producer & engineer)
engineer and mixer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
additional guest drums (drum set) and additional guest percussion:
Craig Krampf (in 1987)
bass guitar:
Donnie Nossov (in 1987)
drums (drum set):
Myron Grombacher (in 1987)
guitar:
Lita Ford (in 1987)
keyboard:
David Ezrin (in 1987)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (in 1987) and Llory McDonald (in 1987)
vocals and performer:
Lita Ford (in 1987)
phonographic copyright (℗) by:
BMG Entertainment (in 1988) and Dreamland Records (in 1988)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 33) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 76)
recording of:
Kiss Me Deadly (in 1987)
lyricist and composer:
Mick Smiley
publisher:
Mike Chapman Publishing Enterprises, The Makiki Publishing Co. Ltd., The Twin Towers Co. and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.654:02
3Bad Love
additional engineer:
Neal Avron (American engineer)
assistant engineer:
Clif Norrell and Mike Piersante (recording engineer & mixer)
engineer:
Eddie DeLena (engineer)
associate producer:
Eddie DeLena (engineer)
producer:
Tom Werman
mixer:
Eddie DeLena (engineer) and Tom Werman
bass guitar:
Matt Bissonette
drums (drum set):
Myron Grombacher
guitar:
Lita Ford and Joe Taylor (american guitarist)
keyboard:
David Ezrin
lead vocals:
Lita Ford
vocals arranger:
Michael Dan Ehmig
phonographic copyright (℗) by:
BMG Music (in 1991)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
recording of:
Bad Love
writer:
Michael Dan Ehmig, David Ezrin, Lita Ford and Joe Taylor (heavy metal guitarist)
publisher:
David Ezrin Music (from 1991 to present), Dinger and Ollie Music (from 1991 to present), EMI April Music Inc. (from 1991 to present) and Lisabella Music (from 1991 to present)
3.54:20
4Cherry Red
producer:
Mike Chapman (Australian producer and songwriter)
drums (drum set) and percussion:
Myron Grombacher
electric bass guitar [bass]:
Donnie Nossov
guitar and lead vocals:
Lita Ford
keyboard:
David Ezrin
recording of:
Cherry Red
writer:
Michael Dan Ehmig, Lita Ford and Myron Grombacher
publisher:
The Largest Man in the World Music (from 1990 to ????), Dinger and Ollie Music (from 1990 to present), EMI April Music Inc. (from 1990 to present) and Lisabella Music (from 1990 to present)
2.54:10
5Dedication
producer:
Mike Chapman (Australian producer and songwriter)
drums (drum set) and percussion:
Myron Grombacher
electric bass guitar [bass]:
Donnie Nossov
guitar and lead vocals:
Lita Ford
keyboard:
David Ezrin
recording of:
Dedication
lyricist and composer:
Mike Chapman (Australian producer and songwriter)
publisher:
Mike Chapman Publishing Enterprises (from 1989 to present)
43:34
6Big Gun
producer:
Mike Chapman (Australian producer and songwriter)
drums (drum set) and percussion:
Myron Grombacher
electric bass guitar [bass]:
Donnie Nossov
guitar and lead vocals:
Lita Ford
keyboard:
David Ezrin
recording of:
Big Gun
writer:
Lita Ford, Myron Grombacher and Donnie Nossov
publisher:
Habersville Music, Sony/ATV Tunes LLC (ASCAP), Don Nossov Music (publisher) (from 1990 to present), EMI April Music Inc. (from 1990 to present), Lisabella Music (from 1990 to present) and Tyreach Music (publisher) (from 1990 to present)
2.54:36
7Falling In and Out of Love
assistant engineer:
Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright (producer & engineer)
engineer and mixer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
additional guest drums (drum set) and additional guest percussion:
Craig Krampf (in 1987)
bass guitar:
Donnie Nossov (in 1987)
drums (drum set):
Myron Grombacher (in 1987)
guitar:
Lita Ford (in 1987)
keyboard:
David Ezrin (in 1987)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (in 1987) and Llory McDonald (in 1987)
vocals and performer:
Lita Ford (in 1987)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Falling In and Out of Love (in 1987)
writer:
David Ezrin, Lita Ford and Nikki Sixx
publisher:
Blue Raincoat Songs Ltd., Lisabella Music, Mike Chapman Publishing Enterprises, Sixx/Gunner Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3.55:08
8Dressed to Kill
engineer:
Larry Alexander (producer/engineer), Gary King (Refraze studio engineer/producer), Phil Nicolo, Obie O’Brien and Malcolm Pollack
producer:
Lance Quinn
mixer:
Larry Alexander (producer/engineer)
bass guitar:
Hugh McDonald (bassist)
drums (drum set):
Randy Castillo
guitar and lead vocals:
Lita Ford
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Studio 4 Recording in Conshohocken, Philadelphia, Pennsylvania, United States and The Warehouse (New York studio) in Manhattan, New York, New York, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Dressed to Kill
lyricist and composer:
Lita Ford
publisher:
Artphyl Music Inc.
2.53:45
9Fatal Passion
assistant engineer:
Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright (producer & engineer)
engineer and mixer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
additional guest drums (drum set) and additional guest percussion:
Craig Krampf (in 1987)
bass guitar:
Donnie Nossov (in 1987)
drums (drum set):
Myron Grombacher (in 1987)
guitar:
Lita Ford (in 1987)
keyboard:
David Ezrin (in 1987)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (in 1987) and Llory McDonald (in 1987)
vocals and performer:
Lita Ford (in 1987)
phonographic copyright (℗) by:
Dreamland Records (in 1988)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Fatal Passion (in 1987)
writer:
David Ezrin, Lita Ford and Punky Peru
publisher:
Blue Raincoat Songs Ltd., Lisabella Music, Mike Chapman Publishing Enterprises, Punky Peru Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
2.54:45
10Gotta Let Go
engineer:
Larry Alexander (producer/engineer), Gary King (Refraze studio engineer/producer), Phil Nicolo, Obie O’Brien and Malcolm Pollack
producer:
Lance Quinn
mixer:
Larry Alexander (producer/engineer)
bass guitar:
Hugh McDonald (bassist)
drums (drum set):
Randy Castillo
guitar and lead vocals:
Lita Ford
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Studio 4 Recording in Conshohocken, Philadelphia, Pennsylvania, United States and The Warehouse (New York studio) in Manhattan, New York, New York, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Gotta Let Go
writer:
Lita Ford and Jeff Paris
publisher:
Artphyl Music Inc., Irving Music (BMI) and Leibraphone Music
3.54:41
11Fire in My Heart
engineer:
Larry Alexander (producer/engineer), Gary King (Refraze studio engineer/producer), Phil Nicolo, Obie O’Brien and Malcolm Pollack
producer:
Lance Quinn
mixer:
Larry Alexander (producer/engineer)
bass guitar:
Hugh McDonald (bassist)
drums (drum set):
Randy Castillo
guitar and lead vocals:
Lita Ford
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Studio 4 Recording in Conshohocken, Philadelphia, Pennsylvania, United States and The Warehouse (New York studio) in Manhattan, New York, New York, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Fire in My Heart
lyricist and composer:
Lita Ford
publisher:
Artphyl Music Inc.
2.53:45
12Hellbound Train
additional engineer:
Neal Avron (American engineer)
assistant engineer:
Clif Norrell and Mike Piersante (recording engineer & mixer)
engineer:
Eddie DeLena (engineer)
associate producer:
Eddie DeLena (engineer)
producer:
Tom Werman
mixer:
Eddie DeLena (engineer) and Tom Werman
bass guitar:
Matt Bissonette
drums (drum set):
Myron Grombacher
guitar:
Lita Ford and Joe Taylor (american guitarist)
keyboard:
David Ezrin
background vocals:
Michael Caruso, Debby Holiday (US | EDM singer), Anne Marie Hunter (background vocalist for Lita Ford), Jeff Scott Soto and Joe Lynn Turner (US rock vocalist)
lead vocals:
Lita Ford
other vocals [barking vocals]:
Chili Dog (Lita Ford’s dog circa 1991) and Small Fry (Lita Ford’s dog circa 1991)
vocals arranger:
Michael Dan Ehmig
phonographic copyright (℗) by:
BMG Music (in 1991)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
recording of:
Hellbound Train
writer:
Michael Dan Ehmig, David Ezrin, Lita Ford, Myron Grombacher and Kevin Savigar
publisher:
Lucky L Music, Almo Music Corp. (USA, affiliated with ASCAP) (from 1991 to present), David Ezrin Music (from 1991 to present), Dinger and Ollie Music (from 1991 to present), EMI April Music Inc. (from 1991 to present), Kevin Savigar Music (from 1991 to present), Lisabella Music (from 1991 to present) and Tyreach Music (publisher) (from 1991 to present)
2.56:08
13Any Way That You Want Me
assistant engineer:
Tommy Annese, Nancy Lee Douglass, Curtis Drake, John Hanlon (recording engineer), Laura Livington, Rick Neiswonger, Bruce Wildstein and Cliff Zellman
engineer:
Joel (The Dr.) Soifer
assistant producer:
Joel (The Dr.) Soifer
executive producer:
Artie Ripp
producer:
Neil Merryweather
bass guitar:
Neil Merryweather
drums (drum set):
Dusty Watson
guitar and lead vocals:
Lita Ford
background vocals:
Neil Merryweather and Dusty Watson
performer:
Lita Ford
arranger:
The Lita Ford Band
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1983)
recorded at:
The Fiddler in Hollywood, Los Angeles, California, United States
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Anyway That You Want Me
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
Budde (publisher) and EMI Blackwood Music Inc.
33:36
14The Ripper
producer:
Mike Chapman (Australian producer and songwriter)
drums (drum set) and percussion:
Myron Grombacher
electric bass guitar [bass]:
Donnie Nossov
guitar and lead vocals:
Lita Ford
keyboard:
David Ezrin
recording of:
The Ripper
writer:
David Ezrin, Lita Ford and Holly Knight
publisher:
Colgems-EMI Music Inc., Knighty-Knight Music, David Ezrin Music (from 1990 to ????), EMI April Music Inc. (from 1990 to present) and Lisabella Music (from 1990 to present)
2.355:21
15Broken Dreams
assistant engineer:
Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright (producer & engineer)
engineer and mixer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
additional guest drums (drum set) and additional guest percussion:
Craig Krampf (in 1987)
bass guitar:
Donnie Nossov (in 1987)
drums (drum set):
Myron Grombacher (in 1987)
guitar:
Lita Ford (in 1987)
keyboard:
David Ezrin (in 1987)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (in 1987) and Llory McDonald (in 1987)
vocals and performer:
Lita Ford (in 1987)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Broken Dreams (in 1987)
writer:
David Ezrin and Lita Ford
publisher:
Blue Raincoat Songs Ltd., EMI April Music Inc., Lisabella Music, Mike Chapman Publishing Enterprises, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Standard Music Pty Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
2.355:14
16Close My Eyes Forever
assistant engineer:
Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright (producer & engineer)
engineer and mixer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
additional guest drums (drum set) and additional guest percussion:
Craig Krampf (in 1987)
bass guitar:
Donnie Nossov (in 1987)
drums (drum set):
Myron Grombacher (in 1987)
guitar:
Lita Ford (in 1987)
keyboard:
David Ezrin (in 1987)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (in 1987) and Llory McDonald (in 1987)
vocals and performer:
Lita Ford (in 1987) and Ozzy Osbourne (in 1987)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Close My Eyes Forever (in 1987)
writer:
Lita Ford and Ozzy Osbourne
publisher:
EMI April Music Inc., Lisabella Music, Monowise Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
4.254:43
17Don’t Let Me Down Tonight
engineer:
Larry Alexander (producer/engineer), Gary King (Refraze studio engineer/producer), Phil Nicolo, Obie O’Brien and Malcolm Pollack
producer:
Lance Quinn
mixer:
Larry Alexander (producer/engineer)
bass guitar:
Hugh McDonald (bassist)
drums (drum set):
Randy Castillo
guitar and lead vocals:
Lita Ford
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Studio 4 Recording in Conshohocken, Philadelphia, Pennsylvania, United States and The Warehouse (New York studio) in Manhattan, New York, New York, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Don’t Let Me Down Tonight
lyricist and composer:
Lita Ford
publisher:
Artphyl Music Inc.
3.54:42
18Little Black Spider (instrumental)
additional engineer:
Neal Avron (American engineer)
assistant engineer:
Clif Norrell and Mike Piersante (recording engineer & mixer)
engineer:
Eddie DeLena (engineer)
associate producer:
Eddie DeLena (engineer)
producer:
Tom Werman
mixer:
Eddie DeLena (engineer) and Tom Werman
bass guitar:
Matt Bissonette
drums (drum set):
Myron Grombacher
guitar:
Lita Ford
keyboard:
David Ezrin
phonographic copyright (℗) by:
BMG Music (in 1991)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
recording of:
Little Black Spider
composer:
Lita Ford
publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), EMI April Music Inc. (from 1991 to present), Lisabella Music (from 1991 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
2.51:47