Gloria: A Celebration in Song

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#	Title	Artist	Rating	Length
1	Carmina Burana: O Fortuna recording of: Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: O Fortuna (Poem, CB 17) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff		2:33
2	Aida Grand March - Gloria All’ Egitto	Giuseppe Verdi		5:30
3	Cantata No. 147: Jesu Joy of Man’s Desiring	Johann Sebastian Bach		2:38
4	Judas Maccabeus: See the Conquering Hero Comes	George Frideric Handel		2:48
5	Magnificat: Magnificat Anima Mea	Johann Sebastian Bach		2:54
6	Requiem, Op. 48: Agnus Dei	Gabriel Fauré		5:55
7	Madama Butterfly: Humming Chorus recording of: Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)	Giacomo Puccini		3:07
8	Byrd: Laudibus in Sanctus	William Byrd		5:20
9	The Childhood of Christ: The Shepherds' Farewell	Hector Berlioz		4:43
10	Tannhäuser: Arrival of the Guests at Wartburg choir vocals: Bratislava Philharmonic Chorus (Slovak Philharmonic Choir) and Philharmonie Bratislawa (Slovak Philharmonic) orchestra: Bratislava Philharmonic Orchestra (Slovak Philharmonic) conductor: Kurt Wöss (conductor) recording of: Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. Festmarsch (Grand March) composer: Richard Wagner (composer) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste) recording of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste) composer: Richard Wagner (composer) (from 1843 until 1845-04-13) librettist: Richard Wagner (composer) (from 1842-06 until 1843-04) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II	Richard Wagner		6:13
11	Don Carlos: Spuntato ecco il dì d'esultanza choir vocals: Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”) orchestra: Sofia Philharmonic Orchestra (Sofia Philharmonic) conductor: Georgi Robev (conductor) recording of: Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene) composer: Giuseppe Verdi (Italian opera composer) (in 1867) librettist: Camille du Locle and Joseph Méry part of: Don Carlo: Atto II (III)	Giuseppe Verdi		8:28
12	Prince Igor: Polovtsian Dance	Alexander Borodin		5:18
13	La forza del destino: Rataplan, Rataplan recording of: La forza del destino: Atto III, scena 2. “Lasciatelo ch’ei vada” – “Rataplan, rataplan della gloria” (Preziosilla, vivandiere, soldati, reclute) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La forza del destino: Atto III	Giuseppe Verdi		3:08
14	Der Freischütz: Huntsmen's Chorus recording of: Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus) composer: Carl Maria von Weber (composer) librettist: Johann Friedrich Kind (German dramatist) part of: Der Freischütz: Akt III	Carl Maria von Weber		2:47
15	Messiah: Hallelujah Chorus	George Frideric Handel		4:02

2▼CD
#	Title	Artist	Rating	Length
1	Messa da Requiem: Dies irae recording of: Messa da requiem: IIa. Dies irae: Dies irae (coro) composer: Giuseppe Verdi (Italian opera composer) (in 1874) part of: Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)	Giuseppe Verdi		2:31
2	Messa da Requiem: Requiem aeternam	Giuseppe Verdi		3:10
3	Nabucco: Va, pensiero, sull’ali dorate choir vocals: Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”) and Chorus of the Munich State Opera (Alfred Scholz related) orchestra: Nürnberger Symphoniker (Alfred Scholz pseudonym) and Sofia Philharmonic Orchestra (Sofia Philharmonic) conductor: Emil Tabakov (conductor), Georgi Robev (conductor) and Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) recording of: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) composer: Giuseppe Verdi (Italian opera composer) (in 1841) librettist: Temistocle Solera part of: Nabucco: Parte III. La profezia	Giuseppe Verdi		5:16
4	Carmen : Les voici ! Voici la quadrille ! recording of: Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) composer: Georges Bizet (French composer) librettist: Ludovic Halévy (French librettist) and Henri Meilhac part of: Carmen : Acte IV	Georges Bizet		4:22
5	Carmina burana: Ecce gratium recording of: Carmina Burana: I. Primo vere: V. Ecce gratum composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: I. Primo Vere	Carl Orff		2:43
6	Tannhäuser: Pilgrims' Chorus	Richard Wagner		3:46
7	Lohengrin: Bridal Chorus	Richard Wagner		5:57
8	Requiem in D minor: Requiem Alternam choir vocals: BBC Singers (professional chamber choir of the BBC) soprano vocals: Judith Howarth (British soprano) orchestra: London Mozart Players conductor: Jane Glover (conductor and music scholar) recording of: Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		4:19
9	Cavalleria rusticana: Easter Chorus recording of: Cavalleria rusticana (German lyrics) composer: Pietro Mascagni (composer & conductor) translated version of: Cavalleria rusticana	Pietro Mascagni		8:03
10	Cantique de Jean Racine, Op. 11 recording of: Cantique de Jean Racine, op. 11 (catch-all for arrangements and unknown versions) lyricist: Jean Racine (French dramatist) composer: Gabriel Fauré (French composer) (in 1865) arrangement of: Cantique de Jean Racine, op. 11 (for choir and piano or organ)	Gabriel Fauré		6:23
11	Gloria in D major: Gloria in excelsis Deo	Antonio Vivaldi		2:22
12	Messiah: For Unto Us a Child Is Born recording of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		4:06
13	The Magic Flute: O Isis und Osiris choir vocals: Национален филхармоничен хор „Светослав Обретенов“ (National Philharmonic Choir “Svetoslav Obretenov”) orchestra: Sofia Philharmonic Orchestra (Sofia Philharmonic) conductor: Georgi Robev (conductor) recording of: Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart		3:10
14	Guide Me o Thou Great Jehovah recording of: Guide Me, O Thou Great Jehovah (lyrics by William Williams, music by John Hughes) lyricist: William Williams (Welsh hymn writer) (in 1745) composer: John Hughes (Welsh composer of hymns (including "Cwm Rhondda"), 1873–1932) (in 1907) part of: The New English Hymnal (hymn book) (number: 368) is based on: Cwm Rhondda (1907 hymn tune, no lyrics)	John Hughes		3:01
15	Abide With Me recording of: Abide With Me (set to tune ‘Eventide’) lyricist: Henry Francis Lyte (in 1847) composer: William Henry Monk (in 1861) is based on: Abide With Me (hymn without specified tune)	William Henry Monk		4:12

3▼CD
#	Title	Artist	Rating	Length
1	Jerusalem recording of: Jerusalem (orchestrated by Elgar) orchestrator: Edward Elgar (composer) lyricist: William Blake (English poet, painter, and printmaker) composer: Hubert Parry (English composer) orchestration of: Jerusalem (anthem by Hubert Parry)	Hubert Parry orch. by Edward Elgar		2:50
2	All Through the Night: Ar Hyd Y Nos recording of: All Through the Night (Ar Hyd Y Nos) arranger: Robert Prizeman is based on: Ar hyd y nos (John Ceiriog Hughes' version)	[traditional]		3:11
3	Symphony No. 9. Ode to Joy (Choral) 4th Mvt. - (excerpt) recording of: Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) composer: Ludwig van Beethoven (German composer) (from 1822 until 1824) librettist: Friedrich Schiller (German poet and playwright) quotes lyrics from: An die Freude part of: Symphony no. 9 in D minor, op. 125 “Choral”	Ludwig van Beethoven		4:02
4	The Tales of Hoffmann: Barcarolle mezzo-soprano vocals: Elisabeth Steiner (mezzo-soprano) soprano vocals: Elizabeth Werres orchestra: Cologne Radio Symphony Orchestra conductor: Pinchas Steinberg (conductor) recording of: Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) composer: Jacques Offenbach (German-French composer, cellist and impresario) part of: Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)	Jacques Offenbach		3:30
5	Dark Eyes	[traditional]		3:15
6	Requiem K. 626: Lacrimosa choir vocals: BBC Singers (professional chamber choir of the BBC) orchestra: London Mozart Players conductor: Jane Glover (conductor and music scholar) recording of: Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		3:01
7	Mass in B minor: Sanctus	Johann Sebastian Bach		4:51
8	Requiem, Op. 48: In paradisum recording of: Requiem, op. 48: VII. In Paradisum (1890, second version) composer: Gabriel Fauré (French composer) (from 1886 until 1900) publisher: Éditions Durand (1947–present) included in: 28 Days Later part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré		3:18
9	Il trovatore: Soldiers' Chorus recording of: Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) composer: Giuseppe Verdi (Italian opera composer) librettist: Salvadore Cammarano (Italian librettist) part of: Il trovatore: Atto III. Il figlio della zingara	Giuseppe Verdi		4:58
10	Gloria in D major RV. 589: Laudamus te	Antonio Vivaldi		2:12
11	Vesperae solemnes de confessore, K. 339: Laudate Dominum recording of: Vesperae solennes de confessore, K. 339: V. Laudate dominum composer: Wolfgang Amadeus Mozart (classical composer) (in 1780) part of: Vesperae solennes de confessore, K. 339	Wolfgang Amadeus Mozart		4:55
12	Der Freischütz: Bridesmaids’ Chorus recording of: Der Freischütz: Akt III. Nr. 14. Volkslied, Soli und Chor der Brautjungfern „Wir winden dir den Jungfernkranz“ (Chor) composer: Carl Maria von Weber (composer) librettist: Johann Friedrich Kind (German dramatist) part of: Der Freischütz: Akt III	Carl Maria von Weber		2:41
13	Fidelio: Prisoners’ Chorus / O Welche Lust choir vocals: Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”) orchestra: Sofia Philharmonic Orchestra (Sofia Philharmonic) conductor: Georgi Robev (conductor) recording of: Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) composer: Ludwig van Beethoven (German composer) (in 1805, in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		3:45
14	Samson: Let the Bright Seraphim recording of: Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman) composer: George Frideric Handel (German‐British baroque composer) librettist: Newburgh Hamilton part of: Samson, HWV 57: Act III	George Frideric Handel		6:22
15	1812 Overture Op. 49: Finale partial recording of: The Year 1812, Festival Overture in E-flat major, op. 49 premiered in: Moscow, Russia (on 1882-08-20) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11) part of: The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49) is based on: Боже, Царя храни! (God Save the Tsar!) quotes music from: Troparion of the Holy Cross quotes music from: La Marseillaise (national anthem of France) quotes music from: Боже, Царя храни! (God Save the Tsar!)	Pyotr Ilyich Tchaikovsky		5:23

4▼CD
#	Title	Artist	Rating	Length
1	Zadok the Priest recording of: The Four Coronation Anthems: “Zadok the Priest”, HWV 258 composer: George Frideric Handel (German‐British baroque composer) (in 1727) premiered at: Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11) part of: Händel-Werke-Verzeichnis (number: HWV 258) part of: The Four Coronation Anthems	George Frideric Handel		5:40
2	Il trovatore: Gypsies' Chorus - Vedi! Le fosche notturne choir vocals: Bulgarischer Nationalchor „Svetoslav Obretenov“ (National Philharmonic Choir “Svetoslav Obretenov”), Nationalchor Sofia and Sofia National Opera Chorus choir vocals [Gypsies]: Bulgarian National Choir ‘Svetoslav Obretenov’ (National Philharmonic Choir “Svetoslav Obretenov”) vocals: Bulgarian National Choir "Svetoslav Obretonov” (National Philharmonic Choir “Svetoslav Obretenov”) orchestra: Bulgarian National Orchestra (Bulgarian National Radio Symphony Orchestra, Bulgarian National Radio Symphony Orchestra), Sofia National Opera Orchestra and Sofia Philharmonic Orchestra (Sofia Philharmonic) conductor: Georgi Robev (conductor) and Boris Hinchev (conductor) recording of: Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) composer: Giuseppe Verdi (Italian opera composer) librettist: Salvadore Cammarano (Italian librettist) part of: Il trovatore: Atto II. La gitana	Giuseppe Verdi		3:10
3	Carmen: Votre Toast recording of: Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) composer: Georges Bizet (French composer) librettist: Ludovic Halévy (French librettist) and Henri Meilhac part of: Carmen : Acte II	Georges Bizet		4:51
4	Faust: The Soldiers' Chorus choir vocals: Kungliga Operans Kör (Royal Swedish Opera Chorus) orchestra: Kungliga Operans Orkestern (Royal Swedish Opera Orchestra, The Royal Court Orchestra) conductor: Sixten Ehrling recording of: Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus) composer: Charles Gounod (French composer) part of: Faust : Acte IV	Charles Gounod		4:52
5	Cantata 140, Wachet auf, ruft uns die Stimme : Zion hört die Wächter singen choir vocals: Thomanerchor Leipzig vocals: Arleen Augér (soprano), Siegfried Lorenz (baritone) and Peter Schreier (German tenor and conductor) orchestra: Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) conductor: Hans-Joachim Rotzsch (choral conductor and tenor) recording of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” premiered in: Leipzig, Sachsen (Saxony), Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”	Johann Sebastian Bach		4:04
6	St Matthew Passion: O Haupt voll Blut und Wunden recording of: Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" lyricist: Paul Gerhardt (17th century hymn writer) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Breitkopf 389 Choralgesänge (number: 162) part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach		1:46
7	Stabat Mater: Virgo virginum praeclara recording of: Stabat Mater: VIII: Virgo Virginum Praeclara composer: Antonio Caldara (Italian composer) part of: Stabat Mater	Antonio Caldara		1:30
8	Ave verum corpus K. 618 organ: Harry Bicket (harpsichordist, organist and conductor) choir vocals: Christ Church Cathedral Choir, Oxford conductor: Francis Grier (composer, organist and choir director) recording of: Ave verum corpus, K. 618 (for chorus, string and organ) composer: Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18) part of: Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)	Wolfgang Amadeus Mozart		3:23
9	Guelder Rose	[traditional]		5:42
10	Swing Low Sweet Chariot	[traditional]		3:00
11	Gloria in D major RV. 589: Cum sancto spiritus recording of: Gloria in D major, RV 589: XII. Cum Sancto Spiritu composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Gloria in D major, RV 589	Antonio Vivaldi		2:43
12	Requiem in D minor, K. 626: Lux aeterna alto vocals: Diana Montague (mezzo soprano) bass vocals: Stephen Roberts (UK bass-baritone) choir vocals: BBC Singers (professional chamber choir of the BBC) soprano vocals: Judith Howarth (British soprano) tenor vocals: Maldwyn Davies (tenor) orchestra: London Mozart Players conductor: Jane Glover (conductor and music scholar) recording of: Requiem in D minor, K. 626: VII. Communio: Lux aeterna (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		5:04
13	La traviata: Noi siamo zingarelle recording of: La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La traviata: Atto II (La traviata: Act II)	Giuseppe Verdi		3:03
14	Pagliacci: Don, din, don (Bells Chorus) choir vocals: Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”) tenor vocals [Canio]: Alexander Pankov (tenor, Alfred Scholz related) orchestra: Sofia Philharmonic Orchestra (Sofia Philharmonic) conductor: Georgi Robev (conductor) recording of: Pagliacci: Atto I. “I zampognari!” … “Don, din don, … din don, suona vespero” (Ragazzi, Coro di contadini e contadine) composer and librettist: Ruggero Leoncavallo (composer) part of: Pagliacci: Atto I (Pagliacci: Act I)	Ruggero Leoncavallo		4:47
15	Rule Britannia recording of: Rule, Britannia! lyricist: James Thomson (Scottish poet, 1700-1748) (in 1740) composer: Thomas Arne (composer) part of: Roud Folk Song Index (number: 10790) part of: Alfred: Act III	Thomas Arne		3:43

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Barcode:: [none]
Format:: 4×CD
Length:: 4:04:14

Additional details

Type:: Album + Compilation
Packaging:: Jewel Case
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

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Star Direct
SDCD047

Release events

1998

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Last updated on 2022-12-17 14:18 UTC