Complete Symphonies (Studio and live recordings for EMI)

~ Release by Mahler; London Philharmonic Orchestra, Klaus Tennstedt (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Symphony no. 1 in D: I. Langsam. Schleppend — Im Anfang sehr gemächlich
producer:
David Mottley (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-10-04 until 1977-10-05)
conductor:
Klaus Tennstedt (conductor) (from 1977-10-04 until 1977-10-05)
balance engineer:
Neville Boyling (engineer) (from 1977-10-04 until 1977-10-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-10-04 until 1977-10-05)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (from 1977-10-04 until 1977-10-05)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler15:59
2Symphony no. 1 in D: II. Kräftig bewegt, doch nicht zu schnell
producer:
David Mottley (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-10-04 until 1977-10-05)
conductor:
Klaus Tennstedt (conductor) (from 1977-10-04 until 1977-10-05)
balance engineer:
Neville Boyling (engineer) (from 1977-10-04 until 1977-10-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-10-04 until 1977-10-05)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (from 1977-10-04 until 1977-10-05)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler7:51
3Symphony no. 1 in D: III. Feierlich und gemessen, ohne zu schleppen
producer:
David Mottley (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-10-04 until 1977-10-05)
conductor:
Klaus Tennstedt (conductor) (from 1977-10-04 until 1977-10-05)
balance engineer:
Neville Boyling (engineer) (from 1977-10-04 until 1977-10-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-10-04 until 1977-10-05)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (from 1977-10-04 until 1977-10-05)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler10:50
4Symphony no. 1 in D: IV. Stürmisch bewegt
producer:
David Mottley (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-10-04 until 1977-10-05)
conductor:
Klaus Tennstedt (conductor) (from 1977-10-04 until 1977-10-05)
balance engineer:
Neville Boyling (engineer) (from 1977-10-04 until 1977-10-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-10-04 until 1977-10-05)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (from 1977-10-04 until 1977-10-05)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler19:27
5Symphony no. 2 in C minor ‘Resurrection’: I. Adagio maestoso
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-05)
conductor:
Klaus Tennstedt (conductor) (in 1981-05)
balance engineer:
Neville Boyling (engineer) (in 1981-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-05)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1981-05)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler24:45
2▼CD
#TitleArtistRatingLength
1Symphony no. 2 in C minor ‘Resurrection’: II. Andante moderato
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-05)
conductor:
Klaus Tennstedt (conductor) (in 1981-05)
balance engineer:
Neville Boyling (engineer) (in 1981-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-05)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1981-05)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler11:21
2Symphony no. 2 in C minor ‘Resurrection’: III. In ruhig fließender Bewegung
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-05)
conductor:
Klaus Tennstedt (conductor) (in 1981-05)
balance engineer:
Neville Boyling (engineer) (in 1981-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-05)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1981-05)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler10:31
3Symphony no. 2 in C minor ‘Resurrection’: IV. Sehr feierlich aber schlicht
producer:
John Willan (producer)
mezzo-soprano vocals:
Doris Soffel (mezzo soprano) (in 1981-05)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-05)
conductor:
Klaus Tennstedt (conductor) (in 1981-05)
balance engineer:
Neville Boyling (engineer) (in 1981-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-05)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 1981-05)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler7:11
4Symphony no. 2 in C minor ‘Resurrection’: V. Im Tempo des Scherzos (Wild herausfahrend) — Langsam — Allegro energico — Langsam
producer:
John Willan (producer)
choir vocals:
London Philharmonic Choir (in 1981-05)
mezzo-soprano vocals:
Doris Soffel (mezzo soprano) (in 1981-05)
soprano vocals:
Edith Mathis (soprano) (in 1981-05)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-05)
conductor:
Klaus Tennstedt (conductor) (in 1981-05)
balance engineer:
Neville Boyling (engineer) (in 1981-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-05)
compilation of:
Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzos by London Philharmonic Choir, Edith Mathis (soprano), Doris Soffel (mezzo soprano), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Klaus Tennstedt (conductor) and Symphony no. 2 in C minor “Resurrection”: V. Langsam - Allegro energico by London Philharmonic Choir, Edith Mathis (soprano), Doris Soffel (mezzo soprano), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Klaus Tennstedt (conductor)
recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1981-05)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler34:57
3▼CD
#TitleArtistRatingLength
1Symphony no. 3 in D minor: I. Kräftig. Entschieden
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979-10)
conductor:
Klaus Tennstedt (conductor) (in 1979-10)
balance engineer:
Neville Boyling (engineer) (in 1979-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-10)
recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1979-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler33:11
2Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mäßig
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979-10)
conductor:
Klaus Tennstedt (conductor) (in 1979-10)
balance engineer:
Neville Boyling (engineer) (in 1979-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-10)
recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1979-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler10:41
3Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979-10)
conductor:
Klaus Tennstedt (conductor) (in 1979-10)
balance engineer:
Neville Boyling (engineer) (in 1979-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-10)
recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1979-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler18:56
4Symphony no. 3 in D minor: IV. Sehr langsam.
producer:
John Willan (producer)
alto vocals:
Ortrun Wenkel (contralto) (in 1979-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979-10)
conductor:
Klaus Tennstedt (conductor) (in 1979-10)
balance engineer:
Neville Boyling (engineer) (in 1979-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-10)
recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 1979-10)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler9:53
5Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck
producer:
John Willan (producer)
alto vocals:
Ortrun Wenkel (contralto) (in 1979-10)
choir vocals:
Ladies of the London Philharmonic Choir (in 1979-10) and Southend Boys’ Choir (in 1979-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979-10)
conductor:
Klaus Tennstedt (conductor) (in 1979-10)
chorus master:
John Alldis (chorusmaster and conductor) (in 1979-10) and Michael Crabb (organist, conductor, chorus master) (in 1979-10)
balance engineer:
Neville Boyling (engineer) (in 1979-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-10)
recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (in 1979-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler4:14
4▼CD
#TitleArtistRatingLength
1Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979-10)
conductor:
Klaus Tennstedt (conductor) (in 1979-10)
balance engineer:
Neville Boyling (engineer) (in 1979-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-10)
recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1979-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler20:50
2Symphony no. 4 in G: I. Heiter, bedächtig. Nicht eilen
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1982-05)
conductor:
Klaus Tennstedt (conductor) (in 1982-05)
balance engineer:
Neville Boyling (engineer) (in 1982-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-05)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (in 1982-05)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler15:45
3Symphony no. 4 in G: II. In gemächlicher Bewegung. Ohne Hast
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1982-05)
conductor:
Klaus Tennstedt (conductor) (in 1982-05)
balance engineer:
Neville Boyling (engineer) (in 1982-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-05)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (in 1982-05)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler8:49
4Symphony no. 4 in G: III. Ruhevoll
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1982-05)
conductor:
Klaus Tennstedt (conductor) (in 1982-05)
balance engineer:
Neville Boyling (engineer) (in 1982-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-05)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (in 1982-05)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler21:10
5Symphony no. 4 in G: IV. Sehr behaglich
producer:
John Willan (producer)
soprano vocals:
Lucia Popp (soprano) (in 1982-05)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1982-05)
conductor:
Klaus Tennstedt (conductor) (in 1982-05)
balance engineer:
Neville Boyling (engineer) (in 1982-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-05)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1982-05)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler9:09
5▼CD
#TitleArtistRatingLength
1Symphony no. 5 in C sharp minor: I. Trauermarsch
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05 until 1978-06)
conductor:
Klaus Tennstedt (conductor) (from 1978-05 until 1978-06)
balance engineer:
Neville Boyling (engineer) (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979, in 1984)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-05 until 1978-06)
recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (from 1978-05 until 1978-06)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler13:48
2Symphony no. 5 in C sharp minor: II. Stürmisch bewegt, mit größter Vehemenz
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05 until 1978-06)
conductor:
Klaus Tennstedt (conductor) (from 1978-05 until 1978-06)
balance engineer:
Neville Boyling (engineer) (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979, in 1984)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-05 until 1978-06)
recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (from 1978-05 until 1978-06)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:13
3Symphony no. 5 in C sharp minor: III. Scherzo: Kräftig, nicht zu schnell
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05 until 1978-06)
conductor:
Klaus Tennstedt (conductor) (from 1978-05 until 1978-06)
balance engineer:
Neville Boyling (engineer) (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979, in 1984)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-05 until 1978-06)
recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (from 1978-05 until 1978-06)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler18:12
4Symphony no. 5 in C sharp minor: IV. Adagietto
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05 until 1978-06)
conductor:
Klaus Tennstedt (conductor) (from 1978-05 until 1978-06)
balance engineer:
Neville Boyling (engineer) (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979, in 1984)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-05 until 1978-06)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1978-05 until 1978-06)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler11:55
5Symphony no. 5 in C sharp minor: V. Rondo-Finale: Allegro
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05 until 1978-06)
conductor:
Klaus Tennstedt (conductor) (from 1978-05 until 1978-06)
balance engineer:
Neville Boyling (engineer) (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979, in 1984)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-05 until 1978-06)
recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (from 1978-05 until 1978-06)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler16:17
6▼CD
#TitleArtistRatingLength
1Symphony no. 7: I. Langsam — Allegro risoluto, ma non troppo
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Klaus Tennstedt (conductor) (in 1980-10)
balance engineer:
Neville Boyling (engineer) (in 1980-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: I. Langsam – Allegro risoluto, ma non troppo (in 1980-10)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler22:48
2Symphony no. 7: II. Nachtmusik I: Allegro moderato
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Klaus Tennstedt (conductor) (in 1980-10)
balance engineer:
Neville Boyling (engineer) (in 1980-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato (in 1980-10)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler16:29
3Symphony no. 7: III. Scherzo: Schattenhaft
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Klaus Tennstedt (conductor) (in 1980-10)
balance engineer:
Neville Boyling (engineer) (in 1980-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: III. Scherzo: Schattenhaft – Trio (in 1980-10)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler10:18
4Symphony no. 7: IV. Nachtmusik II: Andante amoroso
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Klaus Tennstedt (conductor) (in 1980-10)
balance engineer:
Neville Boyling (engineer) (in 1980-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso (in 1980-10)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler15:10
7▼CD
#TitleArtistRatingLength
1Symphony no. 7: V. Rondo-Finale: Allegro ordinario — Allegro moderato ma energico
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Klaus Tennstedt (conductor) (in 1980-10)
balance engineer:
Neville Boyling (engineer) (in 1980-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: V. Rondo - Finale (in 1980-10)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler18:04
2Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1983-04 until 1983-05)
conductor:
Klaus Tennstedt (conductor) (from 1983-04 until 1983-05)
balance engineer:
John Kurlander (engineer) (from 1983-04 until 1983-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1983-04 until 1983-05)
recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (from 1983-04 until 1983-05)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler24:42
3Symphony no. 6 in A minor: II. Scherzo: Wuchtig
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1983-04 until 1983-05)
conductor:
Klaus Tennstedt (conductor) (from 1983-04 until 1983-05)
balance engineer:
John Kurlander (engineer) (from 1983-04 until 1983-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1983-04 until 1983-05)
recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (from 1983-04 until 1983-05)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler13:09
4Symphony no. 6 in A minor: III. Andante moderato
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1983-04 until 1983-05)
conductor:
Klaus Tennstedt (conductor) (from 1983-04 until 1983-05)
balance engineer:
John Kurlander (engineer) (from 1983-04 until 1983-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1983-04 until 1983-05)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (from 1983-04 until 1983-05)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler17:22
8▼CD
#TitleArtistRatingLength
1Symphony no. 6 in A minor: IV. Finale: Allegro moderato
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1983-04 until 1983-05)
conductor:
Klaus Tennstedt (conductor) (from 1983-04 until 1983-05)
balance engineer:
John Kurlander (engineer) (from 1983-04 until 1983-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1983-04 until 1983-05)
recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (from 1983-04 until 1983-05)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler33:06
2Symphony no. 8 in E flat: I. Veni, creator spiritus
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:27
3Symphony no. 8 in E flat: I. Imple superna gratia
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24)
solo alto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (from 1986-04-20 until 1986-04-24)
solo alto vocals [Alto II]:
Nadine Denize (mezzo-soprano) (from 1986-04-20 until 1986-04-24)
solo baritone vocals:
Jorma Hynninen (baritone) (from 1986-04-20 until 1986-04-24)
solo bass vocals:
Hans Sotin (operatic bass) (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Soprano I]:
Elizabeth Connell (soprano) (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Soprano II]:
Edith Wiens (soprano) (from 1986-04-20 until 1986-04-24)
solo tenor vocals:
Richard Versalle (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:21
4Symphony no. 8 in E flat: I. Infirma nostri corporis
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24)
solo alto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (from 1986-04-20 until 1986-04-24)
solo alto vocals [Alto II]:
Nadine Denize (mezzo-soprano) (from 1986-04-20 until 1986-04-24)
solo baritone vocals:
Jorma Hynninen (baritone) (from 1986-04-20 until 1986-04-24)
solo bass vocals:
Hans Sotin (operatic bass) (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Soprano I]:
Elizabeth Connell (soprano) (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Soprano II]:
Edith Wiens (soprano) (from 1986-04-20 until 1986-04-24)
solo tenor vocals:
Richard Versalle (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler6:38
5Symphony no. 8 in E flat: I. Accende lumen sensibus
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24) and Tiffin Boys’ Choir (from 1986-04-20 until 1986-04-24)
solo alto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (from 1986-04-20 until 1986-04-24)
solo alto vocals [Alto II]:
Nadine Denize (mezzo-soprano) (from 1986-04-20 until 1986-04-24)
solo baritone vocals:
Jorma Hynninen (baritone) (from 1986-04-20 until 1986-04-24)
solo bass vocals:
Hans Sotin (operatic bass) (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Soprano I]:
Elizabeth Connell (soprano) (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Soprano II]:
Edith Wiens (soprano) (from 1986-04-20 until 1986-04-24)
solo tenor vocals:
Richard Versalle (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:35
6Symphony no. 8 in E flat: I. Veni, creator spiritus
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24) and Tiffin Boys’ Choir (from 1986-04-20 until 1986-04-24)
solo alto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (from 1986-04-20 until 1986-04-24)
solo alto vocals [Alto II]:
Nadine Denize (mezzo-soprano) (from 1986-04-20 until 1986-04-24)
solo baritone vocals:
Jorma Hynninen (baritone) (from 1986-04-20 until 1986-04-24)
solo bass vocals:
Hans Sotin (operatic bass) (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Soprano I]:
Elizabeth Connell (soprano) (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Soprano II]:
Edith Wiens (soprano) (from 1986-04-20 until 1986-04-24)
solo tenor vocals:
Richard Versalle (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler5:07
7Symphony no. 8 in E flat: I. Gloria, Patri Domino
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24) and Tiffin Boys’ Choir (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:30
9▼CD
#TitleArtistRatingLength
1Symphony no. 8 in E flat: II. Poco adagio: Waldung, sie schwankt heran
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler14:32
2Symphony no. 8 in E flat: II. Ewiger Wonnebrand
producer:
James Mallinson (producer)
solo baritone vocals [Pater Scstaticus]:
Jorma Hynninen (baritone) (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:28
3Symphony no. 8 in E flat: II. Wie Felsenabgrund mir zu Füßen
producer:
James Mallinson (producer)
solo bass vocals [Pater Profundus]:
Hans Sotin (operatic bass) (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:22
4Symphony no. 8 in E flat: II. Gerettet ist das edle Glied
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24) and Tiffin Boys’ Choir (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:22
5Symphony no. 8 in E flat: II. Uns bleibt ein Erdenrest
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:22
6Symphony no. 8 in E flat: II. Hier ist die Aussicht frei
producer:
James Mallinson (producer)
choir vocals:
Tiffin Boys’ Choir (from 1986-04-20 until 1986-04-24)
solo tenor vocals [Doctor Marianus]:
Richard Versalle (from 1986-03-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:38
7Symphony no. 8 in E flat: II. Höchste Herrscherin der Welt
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24)
solo tenor vocals [Doctor Marianus]:
Richard Versalle (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:11
8Symphony no. 8 in E flat: II. Dir, der Unberührbaren
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Una Poenitentium]:
Edith Wiens (soprano) (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:55
9Symphony no. 8 in E flat: II. Bei der Liebe, die den Füßen
producer:
James Mallinson (producer)
solo alto vocals [Maria Aegyptiaca]:
Nadine Denize (mezzo-soprano) (from 1986-04-20 until 1986-04-24)
solo alto vocals [Mulier Samaritana]:
Trudeliese Schmidt (mezzo-soprano) (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Magna Peccatrix]:
Elizabeth Connell (soprano) (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:32
10Symphony no. 8 in E flat: II. Neige, neige, du Ohnegleiche
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24) and Tiffin Boys’ Choir (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Mater Gloriosa]:
Felicity Lott (soprano) (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Una Poenitentium]:
Edith Wiens (soprano) (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
John Kurlander (engineer) (from 1986-04-20 until 1986-04-24) and Tony Faulkner (recording engineer) (from 1986-04 until 1986-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:55
11Symphony no. 8 in E flat: II. Blicket auf zum Retterblick
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24) and Tiffin Boys’ Choir (from 1986-04-20 until 1986-04-24)
solo tenor vocals [Doctor Marianus]:
Richard Versalle (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:52
12Symphony no. 8 in E flat: II. Alles Vergängliche
producer:
James Mallinson (producer)
choir vocals:
London Philharmonic Choir (from 1986-04-20 until 1986-04-24) and Tiffin Boys’ Choir (from 1986-04-20 until 1986-04-24)
solo alto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (from 1986-04-20 until 1986-04-24)
solo alto vocals [Alto II]:
Nadine Denize (mezzo-soprano) (from 1986-04-20 until 1986-04-24)
solo baritone vocals:
Jorma Hynninen (baritone) (from 1986-04-20 until 1986-04-24)
solo bass vocals:
Hans Sotin (operatic bass) (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Soprano I]:
Elizabeth Connell (soprano) (from 1986-04-20 until 1986-04-24)
solo soprano vocals [Soprano II]:
Edith Wiens (soprano) (from 1986-04-20 until 1986-04-24)
solo tenor vocals:
Richard Versalle (from 1986-04-20 until 1986-04-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-04-20 until 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (from 1986-04-20 until 1986-04-24)
balance engineer:
Tony Faulkner (recording engineer) (from 1986-04-20 until 1986-04-24) and John Kurlander (engineer) (from 1986-04-20 until 1986-04-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1986-04-20 until 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1986-04-20 until 1986-04-24)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:48
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#TitleArtistRatingLength
1Das Lied von der Erde: Das Trinklied vom Jammer der Erde
tenor vocals:
Klaus König (German tenor vocalist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Klaus Tennstedt (conductor)
recording of:
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde (The Song of the Earth: I. Drinking Song of Earth’s Sorrows)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
悲歌行 (Chinese poem)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler9:48
2Das Lied von der Erde: Der Einsame im Herbst
alto vocals:
Agnes Baltsa (mezzo-soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Klaus Tennstedt (conductor)
recording of:
Das Lied von der Erde: II. Der Einsame im Herbst (The Song of the Earth: II. The Lonely Man in Autumn)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
錢起 (Qián Qǐ)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
效古秋夜長
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler9:59
3Das Lied von der Erde: Von der Jugend
tenor vocals:
Klaus König (German tenor vocalist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Klaus Tennstedt (conductor)
recording of:
Das Lied von der Erde: III. Von der Jugend (The Song of the Earth: III. Of Youth)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler3:12
4Das Lied von der Erde: Von der Schönheit
alto vocals:
Agnes Baltsa (mezzo-soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Klaus Tennstedt (conductor)
recording of:
Das Lied von der Erde: IV. Von der Schönheit (The Song of the Earth: IV. Of Beauty)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
采蓮曲
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler7:34
5Das Lied von der Erde: Der Trunkene im Frühling
tenor vocals:
Klaus König (German tenor vocalist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Klaus Tennstedt (conductor)
recording of:
Das Lied von der Erde: V. Der Trunkene im Frühling (The Song of the Earth: V. The Drunkard in Spring)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
春日醉起言志
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler4:50
6Das Lied von der Erde: Der Abschied
alto vocals:
Agnes Baltsa (mezzo-soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Klaus Tennstedt (conductor)
recording of:
Das Lied von der Erde: VI. Der Abschied (The Song of the Earth: VI. The Farewell)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
additional lyricist:
Gustav Mahler (composer)
lyricist:
孟浩然 (Mèng Hàorán) and 王維 (Wang Wei, 8th century poet)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
宿業師山房待丁大不至
is based on:
送別 (Chinese poem by Wang Wei)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler31:26
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