The Passinge Mesures

~ Release by Bull, Byrd, Farnaby, Gibbons, Inglot, Tomkins; Mahan Esfahani (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Barafostus Dreame
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Barafostus Dreame (from 2017-11-25 until 2017-11-27)
composer:
Thomas Tomkins (English Renaissance/Baroque composer)
part of:
Fitzwilliam Virginal Book (number: FVB 131)
part of:
Fitzwilliam Virginal Book
Thomas Tomkins5:17
2Can She Excuse My Wrongs?
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
The First Booke of Songs or Ayres, No. 5: “Can She Excuse My Wrongs?” (from 2017-11-25 until 2017-11-27)
lyricist:
[anonymous] (special purpose artist) (in 1597)
composer:
John Dowland (composer and lutenist) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland2:05
3Pavin, “M. Orlando Gibbons”
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Pavin, "M. Orlando Gibbons" (from 2017-11-25 until 2017-11-27)
composer:
Orlando Gibbons (composer)
Orlando Gibbons4:16
4The Woods so Wild
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Ground (for keyboard), MB 29: The woods so wild (from 2017-11-25 until 2017-11-27)
composer:
Orlando Gibbons (composer)
part of:
Musica Britannica Volume 20's catalogue of Orlando Gibbons' keyboard works (number: 29)
Orlando Gibbons4:10
5Fantasia
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Fantasia, FVB CXXIX (from 2017-11-25 until 2017-11-27)
composer:
Giles Farnaby (English renaissance and baroque composer)
part of:
Fitzwilliam Virginal Book (number: FVB 129)
part of:
Fitzwilliam Virginal Book
Giles Farnaby4:48
6The Nynth Pavian and Galliarde, the Passinge Mesures: Pavian
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
My Ladye Nevells Booke: XXIV. The Passinge Mesures: the Nynthe Pavian (from 2017-11-25 until 2017-11-27)
composer:
William Byrd (English composer)
part of:
My Ladye Nevells Booke
William Byrd6:16
7The Nynth Pavian and Galliarde, the Passinge Mesures: Galliarde
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
My Ladye Nevells Booke: XXV. The Galliarde to the Nynthe Pavian (from 2017-11-25 until 2017-11-27)
composer:
William Byrd (English composer)
part of:
My Ladye Nevells Booke
William Byrd3:45
8Nobodyes Gigge
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Nobodyes Gigge (from 2017-11-25 until 2017-11-27)
composer:
Giles Farnaby (English renaissance and baroque composer)
Giles Farnaby2:12
9Chromatic (“Queen Elizabeth’s”) Pavan and Galliard: Pavan
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Chromatic Pavan and Galliard, MB 87 ("Queen Elisabeth's"): Pavan (from 2017-11-25 until 2017-11-27)
composer:
John Bull (16th century composer)
part of:
Chromatic Pavan and Galliard, MB 87 ("Queen Elisabeth's") (for keyboard)
John Bull5:22
10Chromatic (“Queen Elizabeth’s”) Pavan and Galliard: Galliard
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Chromatic Pavan and Galliard, MB 87 ("Queen Elisabeth's"): Galliard (from 2017-11-25 until 2017-11-27)
composer:
John Bull (16th century composer)
part of:
Chromatic Pavan and Galliard, MB 87 ("Queen Elisabeth's") (for keyboard)
John Bull2:43
11Ut, re, mi, fa, sol, la
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Ut, re, mi, fa, sol, la, BK 64 (from 2017-11-25 until 2017-11-27)
composer:
William Byrd (English composer)
part of:
Fitzwilliam Virginal Book (number: FVB 101)
part of:
Fitzwilliam Virginal Book
William Byrd6:30
12The Scottish Gigg
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
The Scottish Gigg (from 2017-11-25 until 2017-11-27)
composer:
[anonymous] (special purpose artist)
[anonymous]2:21
13Pavana
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Pavana (from 2017-11-25 until 2017-11-27)
composer:
Thomas Tomkins (English Renaissance/Baroque composer)
Thomas Tomkins5:34
14Wooddy-Cock
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Wooddy-Cock (from 2017-11-25 until 2017-11-27)
composer:
Giles Farnaby (English renaissance and baroque composer)
part of:
Fitzwilliam Virginal Book (number: FVB 141)
part of:
Fitzwilliam Virginal Book
Giles Farnaby5:46
15Tell Mee, Daphne
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Tell mee Daphne (from 2017-11-25 until 2017-11-27)
composer:
Giles Farnaby (English renaissance and baroque composer)
part of:
Fitzwilliam Virginal Book (number: FVB 280)
part of:
Fitzwilliam Virginal Book
Giles Farnaby1:37
16Why Aske You?
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Why aske you (from 2017-11-25 until 2017-11-27)
composer:
Giles Farnaby (English renaissance and baroque composer)
[anonymous]2:14
17Fantasia, “Mr. Dr. Bull”
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Fantasia, "Mr. Dr. Bull" (from 2017-11-25 until 2017-11-27)
composer:
John Bull (16th century composer)
John Bull6:00
18The Leaves Bee Greene
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
The leaves bee greene (from 2017-11-25 until 2017-11-27)
composer:
William Inglot (16th–17th century organist/composer)
part of:
Fitzwilliam Virginal Book (number: FVB 251)
part of:
Fitzwilliam Virginal Book
William Inglot3:26
19Variations on the Romanesca
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Sébastien Chonion (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2017-11-25 until 2017-11-27)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (from 2017-11-25 until 2017-11-27)
recording of:
Variations on the Romanesca (from 2017-11-25 until 2017-11-27)
composer:
[anonymous] (special purpose artist)
[anonymous]3:22

Credits

Release

photography:Kaja Smith (photographer)
liner notes:Mahan Esfahani (harpsichordist)
executive producer:Perdita Andrew
Simon Perry (Hyperion classical music producer)
booklet editor:Peter Hall (booklet editor)
Discogs:https://www.discogs.com/release/12783511 [info]
ASIN:UK: B07FTP7V2W [info]
purchase for mail-order:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68249 [info]