BR Klassik Highlights

~ Release by Symphonieorchester des Bayerischen Rundfunks, Münchner Rundfunkorchester, Chor des Bayerischen Rundfunks (see all versions of this release, 1 available)

Annotation

Limited edition including catalogue

Annotation last modified on 2022-10-09 16:06 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1España: Rhapsodie für Orchester
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
España (rhapsody for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
Emmanuel Chabrier7:03
2Symphonie Nr. 9 E‐moll, op. 95: 3. Satz, Scherzo. Molto vivace
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Andris Nelsons (conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 “From the New World”: III. Scherzo. Molto vivace – Poco sostenuto)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák7:17
3Die Schöpfung / The Creation, Hob. XXI: 2: Die Himmel erzählen die Ehre Gottes
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals:
Camilla Tilling (soprano)
tenor vocals:
Mark Padmore (British tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:13
4Messe in H‐moll / Mass in b minor, BWV 232: Gloria in excelsis Deo, et in terra pax
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Concerto Köln
conductor:
Peter Dijkstra (Dutch conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:53
5Verkündigung / The Annunciation: Zwischenspiel / (interlude)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Ulf Schirmer (conductor)
Walter Braunfels1:32
6Stabat mater, op. 58: Quando corpus morietur. Andante con moto
bass vocals:
Liang Li (Chinese bass vocalist)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
mezzo-soprano vocals:
Mihoko Fujimura (mezzo-soprano)
soprano vocals:
Erin Wall (Canadian-American soprano)
tenor vocals:
Christian Elsner (German tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Stabat Mater, op. 58, B. 71: X. Andante con moto "Quando corpus morietur" (Quartetto e Coro)
lyricist:
Jacopone da Todi
composer:
Antonín Dvořák (composer) (from 1876-02-19 until 1876-05-07, from 1877-10 until 1877-11-13)
part of:
Stabat Mater, op. 58, B. 71
Antonín Dvořák8:12
7Finlandia, op. 26: Andante sostenuto – Allegro moderato
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Finlandia, op. 26 (for orchestra)
premiered in:
Helsinki, Uusimaa, Finland (on 1900-07-02)
composer:
Jean Sibelius (Finnish composer) (in 1899)
revised by:
Jean Sibelius (Finnish composer) (in 1900)
premiered at:
Konsertti (1900-07-02)
publisher:
Breitkopf & Härtel (in 1905)
part of:
Works of Jean Sibelius by opus number (number: op. 26)
version of:
Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes
Jean Sibelius8:41
8Das Rheingold: „Rheingold! Rheingold! Reines Gold!”
mezzo-soprano vocals:
Stefanie Irányi (German mezzo-soprano) and Eva Vogel (German mezzo-soprano)
soprano vocals:
Mirella Hagen (soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Simon Rattle (conductor)
partial recording of:
Das Rheingold, WWV 86A
composer and librettist:
Richard Wagner (composer)
premiered at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1869-09-22)
part of:
Wagner-Werk-Verzeichnis (number: 86a)
part of:
Der Ring des Nibelungen, WWV 86
Richard Wagner3:22
9Berliner Messe / Berlin Mass: Gloria
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Peter Dijkstra (Dutch conductor)
recording of:
Berliner Messe: II. Gloria
composer:
Arvo Pärt (Estonian composer)
part of:
Berliner Messe (Berlin Mass)
Arvo Pärt4:04
10Der Messias / Messiah, HWV 56: Hallelujah!
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
B’Rock Orchestra (Belgian chamber orchestra)
conductor:
Peter Dijkstra (Dutch conductor)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel5:53
11Zar und Zimmermann: „Leb’ wohl, mein flandrisch Mädchen”
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
recording of:
Zar und Zimmermann: Akt II. Nr. 9 Lied „Lebe wohl, mein flandrisch’ Mädchen“ (Marquis, Marie, Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
Albert Lortzing4:55
12Pique Dame: Akt 2. Bild 3, Schlussszene “Kto pylko i strastno lyubya!”
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Kurt Eichhorn (conductor) and Mariss Jansons (Latvian conductor)
recording of:
Пиковая дама, op. 68: Действие II, картина 3, no. 15. Заключительная сцена "Кто пылко и страстно любя" (Closing Scene "Kto pylko i strastno lyuba")
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
librettist:
Модест Ильич Чайковский (Modest Ilyich Tchaikovsky, librettist)
part of:
Пиковая дама, op. 68: Действие II (The Queen of Spades, op. 68: Act II)
Tchaikovsky5:46
13Symphonie Nr. 8 G‐dur, op. 88. 3. Satz, Allegretto grazioso
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák6:25
14Bilder einer Ausstellung / Pictures of an Exhibition: Das große Tor von Kiew / The Great Gate of Kiev
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Pictures at an Exhibition: No. 10 "The Great Gate at Kiev" (catch-all for arrangements and unknown versions)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
arrangement of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Pictures at an Exhibition (catch-all for arrangements)
Mussorgsky4:43