100 Hits: 80s Pop

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Cruel Summer
produttore:
Steve Jolley e Tony Swain (songwriter, producer)
voce principale:
Sara Dallin (nel 1983-04), Siobhan Fahey (nel 1983-04) e Keren Woodward (nel 1983-04)
esecutore:
Bananarama (nel 1983-04)
diritti fonografici (℗) detenuti da:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (nel 1983) e London Records Ltd. (not release label) (nel 1984)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 44) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 414)
registrazione di:
Cruel Summer (nel 1983-04)
paroliere:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) e Keren Woodward
compositore:
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) e Keren Woodward
editore:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:35
2Don’t Leave Me This Way
esecutore:
Sarah Jane Morris e The Communards (nel 1986)
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song) (nel 1986)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards with Sarah Jane Morris34:51
3Money’s Too Tight to Mention
assistente tecnico:
Chris Dickie
tecnico e tecnico di missaggio:
Femi Jiya
produttore:
Stewart Levine (record producer and saxophonist)
basso :
Tony Bowers (nel 1985)
batteria e percussione :
Chris Joyce (drummer for Simply Red) (nel 1985)
chitarra :
Sylvan (nel 1985)
tastiera e voce di accompagnamento:
Fritz McIntyre (nel 1985)
tromba :
Tim Kellett (nel 1985)
voce principale:
Mick Hucknall (lead singer of Simply Red) (nel 1985)
esecutore:
Simply Red (English soul and pop band) (nel 1985)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1985) e Soundpush Studio in Blaricum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (nel 1985)
mixata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1985)
pubblicazioni successive:
Money’s Too Tight (to Mention) di Simply Red (English soul and pop band)
parte di:
Q50 – December 2005 (numero: 29)
registrazione cover di:
Money’s Too Tight (to Mention) (nel 1985)
autore:
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) e Carolyn Wiggins
editore:
Songs for Today Ltd
Simply Red54:14
4Suspicious Minds
registrazione cover di:
Suspicious Minds
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
Fine Young Cannibals3.153:58
5People Are Strange
produttore:
Ray Manzarek
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1987), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987) e Warner Music H.K. Ltd. (nel 1997)
registrazione cover di:
People Are Strange (nel 1987)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music e Rondor Music (London) Ltd.
Echo & the Bunnymen4.653:38
6Cry Wolf
tecnico:
Gerry Kitchingham
produttore:
Alan Tarney
tecnico di missaggio:
John Hudson (producer, recording and mixing engineer) e Alan Tarney
batteria :
Øystein Jevanord
esecutore:
a‐ha (Norwegian synth‐pop band) (nel 1986)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1986)
parte di:
The Downloader’s Music Source Book (numero: 273)
registrazione di:
Cry Wolf
paroliere e autore:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
compositore:
Magne Furuholmen
editore:
ATV Music
a‐ha3.854:03
7Say I’m Your Number 1
registrazione di:
Say I’m Your Number One
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music
Princess3:37
8New Song
tecnico e produttore:
Colin Thurston
voce principale:
Howard Jones (English singer, songwriter)
parte di:
Anti-Hit List: March 18, 1996 (numero: 9)
registrazione di:
New Song
paroliere e compositore:
Howard Jones (English singer, songwriter)
Howard Jones4.54:17
9Wild Thing
registrazione di:
Wild Thing
autore:
Anthony Smith, Matt Dike (American producer), Marvin Young e Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Tone‐Lōc34:02
10Say No Go
co-produttore:
De La Soul
produttore:
Prince Paul (US hip hop DJ & producer)
tecnico di missaggio:
Posdnuos (US rapper/producer Kelvin Mercer, aka Pos)
arrangiatore:
Posdnuos (US rapper/producer Kelvin Mercer, aka Pos)
diritti fonografici (℗) detenuti da:
Tommy Boy Music, Inc. (nel 1989)
campionamenti:
Baby Let Me Take You (in My Arms) di Detroit Emeralds, Crossword Puzzle di Sly Stone, I Can’t Go for That (No Can Do) di Daryl Hall & John Oates, I Can’t Go for That (No Can Do) (single version) di Daryl Hall & John Oates e I’m Chief Kamanawanalea (We’re the Royal Macadamia Nuts) di The Turtles (late 60s US rock band)
registrazione di:
Say No Go
autore:
Sara Allen, Daryl Hall, Dave Jolicoeur (Plug 2 of De La Soul), Kelvin Mercer (US rapper/producer Kelvin Mercer, aka Pos), John Oates, Paul Huston (US hip hop DJ & producer), Steve Scipio, Abrim Tilmon e Vincent Mason (US rapper Vincent Mason, member of De La Soul)
De La Soul2.94:21
11Come Into My Life
registrazione di:
Come Into My Life
paroliere e compositore:
Joyce Sims
editore:
Beach House Music, Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Smokin' Amigos e Tawanne Lamont Music
Joyce Sims33:45
12I Feel for You
armonica cromatica :
Stevie Wonder (nel 1984)
basso , chitarra e drum machine :
Reggie Griffin (nel 1984)
batteria :
Steve Ferrone (nel 1984)
sintetizzatore e tastiera :
Robbie Buchanan (Canadian producer) (nel 1984), David Frank (American keyboardist, producer, writer; The System) (nel 1984), Reggie Griffin (nel 1984) e Philippe Saisse (nel 1984)
voce di accompagnamento e voce principale:
Chaka Khan (nel 1984)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1984)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 395)
registrazione cover di:
I Feel for You (nel 1984)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Chaka Khan3.755:47
13Let’s Dance
tecnico:
Justin Shirley‐Smith
produttore:
Jon Kelly (engineer at Air London Studios) e Chris Rea
registrazione di:
Let’s Dance
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea34:16
14Legs
tecnico:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Legs
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Music of Stage Three, Songs of Mosaic e Hamstein Music Co. (publisher) (nel 1983)
ZZ Top4.353:36
15Kokomo
tecnico e tecnico di missaggio:
Keith Wechsler
produttore:
Terry Melcher
basso :
Rod Clark (UK bassist) (dal 1988-03-22 al 1988-04-06)
batteria :
Jim Keltner (dal 1988-03-22 al 1988-04-06)
chitarra acustica :
Jeffrey Foskett (dal 1988-03-22 al 1988-04-06)
chitarra slide [electric slide guitar] :
Ry Cooder (dal 1988-03-22 al 1988-04-06)
fisarmonica :
Van Dyke Parks (dal 1988-03-22 al 1988-04-06)
sassofono contralto :
Joel Peskin (dal 1988-03-22 al 1988-04-06)
voce di accompagnamento:
Al Jardine (dal 1988-03-22 al 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (dal 1988-03-22 al 1988-04-06), Mike Love (Beach Boys) (dal 1988-03-22 al 1988-04-06) e Carl Wilson (Beach Boys) (dal 1988-03-22 al 1988-04-06)
voce principale:
Mike Love (Beach Boys) (dal 1988-03-22 al 1988-04-06) e Carl Wilson (Beach Boys) (dal 1988-03-22 al 1988-04-06)
esecutore:
The Beach Boys (American rock band) (dal 1988-03-22 al 1988-04-06)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (nel 1988) e Touchstone Pictures (nel 1988)
video musicali:
Kokomo di The Beach Boys (American rock band)
registrazione di:
Kokomo (dal 1988-03-22 al 1988-04-06)
autore:
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher e John Phillips (The Mamas & The Papas)
editore:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. e Yamaha Music EH(CM)
The Beach Boys4.353:36
16Frankie
produttore:
Nile Rodgers
registrazione di:
Frankie
paroliere e compositore:
Denise Rich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:16
17I Haven’t Stopped Dancing Yet
registrazione cover di:
I Haven’t Stopped Dancing Yet
compositore:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
editore:
Buckwheat Music, Old Eye Music e Wizard (Bahamas) Ltd.
Pat & Mick3:32
18Boys (Summertime Love)
produttore:
Claudio Cecchetto (Italian record producer & talent scout)
è stato produttore per:
Five Record (Italian label owned by Fininvest)
registrazione di:
Boys (Summertime Love)
paroliere:
Claudio Cecchetto (Italian record producer & talent scout) e Malcolm Charlton
compositore:
Matteo Bonsanto e Roberto Rossi (composer)
editore:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina Salerno3.753:56
19Pink Sunshine
registrazione di:
Pink Sunshine
autore:
Joanne Dunne, Margaret Dunne (Fuzzbox), Vickie Perks e Liam Sternberg
editore:
Southern Music Publishing Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996) (nel 1989)
Fuzzbox3:45
20Safety Dance
produttore:
Marc Durand (Canadian producer)
diritti fonografici (℗) detenuti da:
Statik Records (nel 1982) e Marc Durand Production (nel 1983)
edit di:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
video musicali:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 39) e Huffington Post: 100 Best Canadian Songs Ever (numero: 48)
registrazione di:
The Safety Dance (dal 1982-01 al 1982-03)
paroliere e compositore:
Ivan Doroschuk (Men Without Hats)
editore:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (nel 1982) e Wintrup Musik (nel 1982)
Men Without Hats3.82:45
2▼CD
#TitoloArtistaValutazioneDurata
1Why?
produttore:
Mike Thorne (UK producer & keyboardist)
registrazione di:
Why?
compositore:
Steve Bronski, Jimmy Somerville e Larry Steinbachek
Bronski Beat3.254:05
2You’re History
video musicali:
You're History di Shakespear's Sister
registrazione di:
You’re History
autore:
Marcella Detroit, Siobhan Fahey e Richard Feldman
Shakespears Sister24:28
3Hide and Seek
registrazione di:
Hide and Seek
paroliere e compositore:
Howard Jones (English singer, songwriter)
Howard Jones5:28
4Don’t Call Me Baby
registrazione di:
Don’t Call Me Baby
paroliere:
Tracey Bryn
compositore:
Tracey Bryn e Mike Jones (of Voice of the Beehive)
Voice of the Beehive3:06
5Only in My Dreams
tecnico di registrazione:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) e Don Feinberg
programmazione e produttore:
Fred Zarr
assistente tecnico:
Bill Esses
tecnico di missaggio:
Doc Dougherty e “Little” Louie Vega (US house DJ/producer)
basso :
Gary Down
chitarra :
Ira Siegel
percussione :
Bashiri Johnson
sassofono :
Jeff Smith (US saxophonist)
tastiera e sintetizzatore :
Fred Zarr
tom-tom :
Billy Amendola
voce di accompagnamento:
La‐Rita Gaskin e Norma Jean Wright
voce di accompagnamento e voce principale:
Debbie Gibson
arrangiatore:
Debbie Gibson e Fred Zarr
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987)
registrata presso:
Z Studio in Brooklyn, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 95) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 479)
registrazione di:
Only in My Dreams
paroliere e compositore:
Debbie Gibson
editore:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (dal 1987 al ????) e Deborah Ann’s Music (dal 1987 al ????)
Debbie Gibson43:50
6Forget Me Nots
registrazione di:
Forget Me Nots
autore:
Terri McFaddin, Patrice Rushen e Freddie Washington (US session bassist)
editore:
Baby Fingers Music, Freddie Dee Music, Global Musikverlag (Global Musik GmbH & Co. KG) e Yamina Music
Patrice Rushen54:05
7Jump to the Beat
registrazione di:
Jump to the Beat
editore:
Walden Music, Inc.
Stacy Lattisaw3.53:33
8The Glory of Love
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:20
9Gimme All Your Lovin’
tecnico:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica e voce principale:
Billy Gibbons
voce:
Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 1984)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Gimme All Your Lovin’
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three e Songs of Mosaic
ZZ Top4.054:00
10Just Like Paradise
programmazione:
Brett Tuggle
tecnico:
Magic Moreno, Doug Parry e Steve Vai
co-produttore:
Steve Vai
produttore:
David Lee Roth
batteria e percussione :
Gregg Bissonette (US jazz & rock drummer)
chitarra :
Steve Vai
chitarra basso :
Billy Sheehan
tastiera :
Brett Tuggle
voce di accompagnamento:
Gregg Bissonette (US jazz & rock drummer), Billy Sheehan e Brett Tuggle
voce di accompagnamento aggiuntiva:
Tommy Funderburk e Tom Kelly (songwriter)
voce principale:
David Lee Roth
registrazione di:
Just Like Paradise
autore:
David Lee Roth e Brett Tuggle
David Lee Roth4.54:05
11Big in Japan
produttore:
Orlando
diritti fonografici (℗) detenuti da:
WEA MUSIK GMBH (company, not a label) (dal 1984 a oggi) e wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (nel 1984)
edit di:
Big in Japan (album version) di Alphaville (German synth pop band)
registrazione di:
Big in Japan
paroliere:
Marian Gold
compositore:
Marian Gold, Lloyd Bernhard e Frank Mertens (German synthpop keyboardist Frank Sorgatz)
editore:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville53:53
12Cry Little Sister
co-produttore:
Gerard McMann (English singer‐songwriter aka “Gerard McMann”) e Bruce Martin (keyboards / production)
produttore:
Mike Mainieri
voce principale:
Gerard McMann (English singer‐songwriter aka “Gerard McMann”)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1987) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987)
registrazione di:
Cry Little Sister
autore:
Gerard McMann (English singer‐songwriter aka “Gerard McMann”) e Mike Mainieri
Gerard McMann4.654:44
13It’s a Mystery
registrazione di:
It’s a Mystery
paroliere e compositore:
Keith Hale
Toyah4:01
14Heartache Avenue
registrazione di:
Heartache Avenue
paroliere e compositore:
Lol Mason e Mark Tibenham
editore:
ATV Music (nel 1982) e Graduate (publisher) (nel 1982)
The Maisonettes42:55
15Voyage, Voyage
tecnico di registrazione:
Antoine Cambourakis (engineer) e Gilbert Courtois (engineer)
produttore:
Jean‐Michel Rivat
tecnico di missaggio:
Dominique Blanc-Francard
sintetizzatore :
Jean‐Michel Rivat
voce di accompagnamento:
Claudie Fritsch-Mentrop e Daniel Glikmans (guitarist, singer and songwriter)
diritti fonografici (℗) detenuti da:
Rivat Music (production company and copyrights holder) (nel 1986)
registrata presso:
Studio d'Aguesseau in Boulogne, Vendée, Pays-de-la-Loire, Francia
mixata presso:
Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, Francia
registrazione di:
Voyage, voyage
paroliere:
Jean‐Michel Rivat
autore e compositore:
Dominique Dubois e Jean‐Michel Rivat
editore:
Jean‐Michel Franck Rivat e Editions Rivat Music (publisher) (nel 1986)
Desireless44:24
16I’d Rather Jack
registrazione di:
I'd Rather Jack
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd (nel 1988)
Reynolds Girls3:30
17Body Talk
produttore esecutivo:
Eliot M. Cohen
diritti fonografici (℗) detenuti da:
R&B Division Ltd (nel 1981)
registrazione di:
Body Talk
autore:
Ashley Ingram, Leee John, Steve Jolley e Tony Swain (songwriter, producer)
editore:
Associated Music International Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony/ATV Music Publishing LLC (1995–2020), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Imagination43:28
18Always
edit di:
Always di Atlantic Starr
registrazione di:
Always
autore:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
Atlantic Starr34:00
19Personal Touch
Errol Brown3:50
20I Keep Forgettin’
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:32
3▼CD
#TitoloArtistaValutazioneDurata
1I Want You Back
voce:
Bananarama
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1988)
registrazione di:
I Want You Back
autore:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman e Keren Woodward
editore:
All Boys Music Ltd., Mike Stock Publishing, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama33:48
2Hit That Perfect Beat
tecnico:
Tom Frederikse
produttore:
Adam Williams
tecnico di missaggio:
Gareth Jones (UK producer/engineer)
voce principale:
John Foster (John Jøn, Bronski Beat)
registrazione di:
Hit That Perfect Beat
autore:
Steve Bronski, John Foster (John Jøn, Bronski Beat) e Larry Steinbachek
Bronski Beat53:35
3Ever Fallen in Love
tecnico:
John Potoker (producer/engineer aka Tokes)
co-produttore:
Fine Young Cannibals e Jerry Harrison (Talking Heads & producer)
basso, drum machine e tastiera :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, chitarra e tamburello :
Andy Cox (of The Beat)
voce:
Roland Gift
diritti fonografici (℗) detenuti da:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (nel 1988)
registrazione cover di:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
paroliere e compositore:
Pete Shelley (Buzzcocks lead singer) (nel 1977-11)
editore:
Complete Music Ltd.
Fine Young Cannibals3.23:55
4Hunting High and Low
programmazione degli strumenti:
Magne Furuholmen
produttore:
Tony Mansfield (producer & songwriter)
tecnico di missaggio:
John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
parte di:
The Downloader’s Music Source Book (numero: 276)
registrazione di:
Hunting High and Low
paroliere e compositore:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. (nel 1984)
a‐ha3.453:43
5Wrote for Luck
registrazione di:
W.F.L. (Think About the Future)
compositore:
Paul Davis (UK keyboardist for Happy Mondays), Mark Day (from Happy Mondays), Paul Ryder, Shaun Ryder e Gary Whelan
editore:
London Music
Happy Mondays3:39
6April Skies
produttore:
Bill Price (UK producer/engineer)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1987)
registrazione di:
April Skies
autore:
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (nel 1987)
The Jesus and Mary Chain43:12
7This Corrosion
produttore:
Jim Steinman
drum machine :
Doktor Avalanche
cori ospite:
The New York Choral Society
voce:
Andrew Eldritch
registrazione di:
This Corrosion
paroliere e compositore:
Andrew Eldritch
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Sisters of Mercy4:18
8Self Control
produttore:
Robbie Buchanan (Canadian producer) e Jack White (German producer Horst Nußbaum)
produttore esecutivo:
Jack White (German producer Horst Nußbaum)
arrangiatore:
Robbie Buchanan (Canadian producer) e Harold Faltermeier
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
video musicali:
Self Control di Laura Branigan
registrazione cover di:
Self Control (nel 1984)
paroliere:
Steve Piccolo
autore aggiunto:
Harro Steffen
compositore:
Giancarlo Bigazzi e Raffaele Riefoli (Italian pop singer)
editore:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) e Sugarmusic Spa (publisher, do NOT use as label)
versione di:
Self Control
Laura Branigan4.554:06
9Cry Boy Cry
registrazione di:
Cry Boy Cry
autore:
Andy O (member of Blue Zoo) e Tim Parry (guitarist)
Blue Zoo3:58
10Big Area
registrazione di:
Big Area
paroliere:
Mark Shaw
compositore:
Rob Downes, Alex Mungo, Mark Shaw, Jasper Stainthorpe, Scott Taylor (UK artist) e Steve Wren (drummer)
Then Jerico4:47
11Lean on Me (ah‐li‐ayo)
registrazione di:
Lean on Me (Ah-li-ayo)
paroliere e compositore:
Simon Toulson-Clarke
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Red Box4:20
12Since Yesterday
tecnico:
David Motion e Trig
produttore:
David Motion
chitarra :
Jill Bryson e Rose McDowall
voce:
Jill Bryson
voce di accompagnamento e voce principale:
Rose McDowall
arrangiatore:
David Motion
diritti fonografici (℗) detenuti da:
A Korova Recording e WEA Records Ltd. (holding company based in the UK)
registrazione di:
Since Yesterday
autore:
Jill Bryson e Rose McDowall
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Zoo Music Publishing
versione di:
Dance
Strawberry Switchblade4.652:58
13Electric Youth
tecnico di registrazione:
Don Feinberg
programmazione degli strumenti:
Fred Zarr
tecnico:
Bill Esses e Matt Malles
produttore:
Fred Zarr
tecnico di missaggio:
Bob Rosa, Tom Vercillo e Fred Zarr
chitarra acustica e chitarra elettrica :
Ira Siegel
percussione :
Bashiri Johnson
tastiera :
Fred Zarr
voce di accompagnamento:
Carrie Johnson e Libby Johnson
voce di accompagnamento e voce principale:
Debbie Gibson
arrangiatore:
Debbie Gibson e Fred Zarr
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
registrazione di:
Electric Youth
paroliere e compositore:
Debbie Gibson
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson3.54:56
14Get Out of Your Lazy Bed
tecnico:
John Buckley (British production music composer)
produttore:
Peter Collins (producer)
tecnico di missaggio:
Phil Harding (engineer, producer and remixer)
batteria e percussione :
Peter Ross
sassofono baritono :
Ronnie Ross
tastiera :
Danny White (keyboardist)
voce:
Basia e Mark Reilly (guitarist, vocalist, producer, songwriter)
arrangiatore voci:
Basia
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1984)
registrazione di:
Get Out of Your Lazy Bed
autore:
Mark Reilly (guitarist, vocalist, producer, songwriter) e Danny White (keyboardist)
Matt Bianco2.653:28
15What Becomes of the Broken Hearted
esecutore:
Colin Blunstone
registrazione cover di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Dave Stewart with Colin Blunstone33:51
16I Won’t Let You Down
registrazione di:
I Won’t Let You Down
autore:
Jim Diamond (Scottish singer/songwriter/guitarist) e Tony Hymas
Ph.D.44:06
17Just an Illusion
registrazione di:
Just an Illusion
autore:
Ashley Ingram, Leee John, Steve Jolley e Tony Swain (songwriter, producer)
editore:
Broadley Music (International) Ltd. (PRS)
Imagination3:41
18Hard Habit to Break
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
voce principale:
Peter Cetera (nel 1984) e Bill Champlin (nel 1984)
arrangiatore strumenti:
Jeremy Lubbock
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 1984) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
Hard Habit to Break (nel 1984)
autore:
Steve Kipner (nel 1984) e John Lewis Parker (nel 1984)
editore:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), April Music Inc. (nel 1984), Parker Songs (nel 1984), Stephen A. Kipner Music (nel 1984) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Chicago44:44
19Bird of Paradise
registrazione di:
Bird of Paradise
paroliere e compositore:
Snowy White (guitarist)
editore:
Campbell Connolly Ltd. e Novello & Co. Ltd.
Snowy White4:06
20I’ll Keep On Loving You
registrazione di:
I’ll Keep On Loving You
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
Princess4:05
4▼CD
#TitoloArtistaValutazioneDurata
1Never Can Say Goodbye
produttore:
Stephen Hague
produttore aggiunto e tecnico di missaggio aggiunto:
Shep Pettibone
tecnico di missaggio:
Steve Peck (producer and engineer)
mixata per:
Master Mix Productions Ltd.
registrazione cover di:
Never Can Say Goodbye
paroliere e compositore:
Clifton Davis (musical theatre actor, singer and songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. e Portable Music Co., Inc.
The Communards34:27
2Loving You Is Sweeter Than Ever
registrazione cover di:
Loving You Is Sweeter Than Ever
paroliere:
Ivy Jo Hunter
compositore:
Ivy Jo Hunter e Stevie Wonder
editore:
Black Bull Music Ltd., Black Bull Music, Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., 大洋音楽 (Taiyō Music) e Screen Gems-Columbia (publisher) (nel 1967)
Nick Kamen23:46
3International Rescue
tecnico:
Richard Manwaring (Producer)
registrazione di:
International Rescue
autore:
Joanne Dunne, Margaret Dunne (Fuzzbox), Tina O'Neill e Liam Sternberg
Fuzzbox3:31
4Roadblock
registrazione di:
Roadblock
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
Stock Aitken Waterman3:10
5Gloria
tecnico di registrazione:
Jürgen Koppers (engineer, producer) (dal 1981 al 1982) e John Kovarek (dal 1981 al 1982)
produttore:
Greg Mathieson e Jack White (German producer Horst Nußbaum)
tecnico di missaggio:
Jürgen Koppers (engineer, producer)
voce principale:
Laura Branigan (dal 1981 al 1982)
arrangiatore:
Greg Mathieson
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1982)
registrata presso:
Rusk Sound Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1981 al 1982)
video musicali:
Gloria (music video) di Laura Branigan
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 448)
registrazione di:
Gloria (English version) (dal 1981 al 1982)
paroliere e compositore:
Giancarlo Bigazzi, Umberto Tozzi e Trevor Veitch
editore:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) e Sugar Song Publications, Inc.
versione tradotta di:
Gloria (original Italian version)
Laura Branigan54:50
6Yeh‐Yeh
registrazione cover di:
Yeh, Yeh
paroliere:
Jon Hendricks
compositore:
Rodgers Grant e Pat Patrick (American jazz musician)
editore:
Mongo Music
Matt Bianco3:17
7I Say Nothing
registrazione di:
I Say Nothing
compositore:
Tracey Bryn e Mike Jones (of Voice of the Beehive)
Voice of the Beehive3:26
8Don’t You Want Me Baby
registrazione cover di:
Don’t You Want Me (Human League song)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Mandy Smith3:29
9Lean on Me
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1986)
registrazione cover di:
Lean on Me
paroliere e compositore:
Bill Withers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Club Nouveau3.353:58
10In Your Car
registrazione di:
In Your Car
autore:
Stephen McIntosh (UK keyboardist/songwriter/production music)
The Cool Notes3:47
11Casanova
registrazione di:
Casanova
paroliere e compositore:
Reggie Calloway
editore:
Calloco Music e Hip Trip Music (publisher)
LeVert4:23
12Turn Your Love Around
produttore:
Jay Graydon
batteria :
Jeff Porcaro
chitarra :
Jay Graydon
flauto e sassofono :
Gary Herbig
piano Rhodes [Fender Rhodes] e pianoforte :
Jai Winding (pianist, composer, vocal)
piatti [Cymbals (payette)] :
Mike Baird (drummer)
sintetizzatore :
David Foster (Canadian music producer, arranger and composer) e Jay Graydon
sintetizzatore basso :
David Paich
tromba :
Chuck Findley (trumpet, trombone, horn player) e Jerry Hey
trombone :
Bill Reichenbach, Jr. (jazz trombonist)
voce:
George Benson (jazz guitarist/singer)
voce di accompagnamento:
Bill Champlin, Vennette Gloud e Carmen Twillie
arrangiatore corno :
Jerry Hey
arrangiatore:
Jay Graydon
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981)
registrazione di:
Turn Your Love Around
autore:
Bill Champlin, Jay Graydon e Steve Lukather
editore:
Garden Rake Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Rehtakul Veets Music, Universal Music–MGB Songs, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 大洋音楽 (Taiyō Music)
George Benson3:51
13Move Closer
diritti fonografici (℗) detenuti da:
Carrere (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (nel 1984)
registrazione di:
Move Closer
paroliere e compositore:
Phyllis Nelson (American singer)
editore:
IQ Music Ltd.
Phyllis Nelson24:34
14This Is My Night
registrazione di:
This Is My Night
autore:
David Frank (American keyboardist, producer, writer; The System) e Mic Murphy
Chaka Khan44:41
15Superwoman
registrazione di:
Superwoman
autore:
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) e Daryl Simmons
editore:
Green Skirt Music (publisher), Hip Trip (publisher) e Kear Music (publisher)
Karyn White4:32
16History
registrazione di:
History
paroliere e compositore:
Jochem Fluitsma e Eric van Tijn
Mai Tai3:50
17Go Deh Yaka (Go to the Top)
registrazione di:
Go Deh Yaka
autore:
Errol Moore
Monyaka3:56
18Feel So Real
registrazione di:
Feel So Real
autore:
India Arrington e Steve Arrington
Steve Arrington3:58
19Body Work
Hot Streak4:13
20Bass (How Low Can You Go)
Simon Harris33:21
5▼CD
#TitoloArtistaValutazioneDurata
1London Nights
London Boys3:52
2Let’s All Chant
registrazione cover di:
Let’s All Chant
autore:
Alvin Fields e Michael Zager
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Pat & Mick3:06
3Funky Cold Medina
tecnico:
Mario Caldato Jr.
produttore e tecnico di missaggio:
Matt Dike (American producer) e Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
arrangiatore:
Matt Dike (American producer) e Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
diritti fonografici (℗) detenuti da:
The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (nel 1989)
campionamenti:
Hot Blooded di Foreigner (British/American rock band)
parte di:
Grammy Award: Best Rap Performance nominees (numero: 1990)
registrazione di:
Funky Cold Medina
paroliere:
Marvin Young
compositore:
Matt Dike (American producer), Marvin Young e Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Tone‐Lōc44:06
4Waiting for a Girl Like You
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981)
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner4.44:45
5Arthur’s Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:51
6The Clapping Song
tecnico:
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) e Julian Mendelsohn (Australian record producer and engineer)
produttore:
Peter Collins (producer)
batteria :
Judy Parsons
chitarra :
Sarah‐Jane Owen
chitarra basso :
Lesley Shone
sassofono contralto :
Miranda Joyce
voce principale:
Jennie Matthias
registrazione cover di:
The Clapping Song
paroliere e compositore:
Lincoln Chase (songwriter)
editore:
Embassy Music Corporation e EMI Al Gallico Music Corp.
The Belle Stars3:14
7Stainsby Girls
registrazione di:
Stainsby Girls
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea4:06
8The Right Thing
registrazione di:
The Right Thing
paroliere e compositore:
Mick Hucknall (lead singer of Simply Red)
Simply Red4:20
9The Killing Moon
tecnico di registrazione e produttore:
David Lord (British composer, engineer and producer)
tecnico di missaggio:
Echo & the Bunnymen e Gil Norton (British record producer)
arrangiatore:
Adam Peters
registrazione di:
The Killing Moon
autore:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson e Will Sergeant
Echo & the Bunnymen4.255:48
10The Motive
registrazione di:
The Motive
paroliere:
Mark Robert Tiplady
compositore:
Alex Mungo, Jasper Stainthorpe, Scott Taylor (UK artist), Mark Robert Tiplady e Steve Wren (drummer)
editore:
DeJamus Ltd. e Then Songs Ltd.
Then Jerico6:14
11Hallelujah
registrazione di:
Hallelujah
compositore:
Paul Davis (UK keyboardist for Happy Mondays), Mark Day (from Happy Mondays), Paul Ryder, Shaun Ryder e Gary Whelan
editore:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Happy Mondays2:39
12I Am the Beat
tecnico:
Martin Russell (recording engineer, producer, composer & musician)
produttore:
Alan Shacklock
batteria , percussione , sassofono e timpani :
Trevor Walter
chitarra [lead] e tastiera :
Mick Bass
chitarra [rhythm] e voce principale:
Jonny Whetstone
chitarra basso :
Gus Goad
voce di accompagnamento:
The Look (UK new wave band)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
lavorazione tecnica effettuata presso:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Regno Unito
registrazione di:
I Am the Beat
autore:
Mick Bass e Jonny Whetstone
The Look3:04
13Body and Soul
registrazione di:
Body and Soul
autore:
Jochem Fluitsma e Eric van Tijn
Mai Tai3:46
14Love Pains
Hazell Dean4:07
15Spend the Night
The Cool Notes33:00
16Let’s Go Round Again
registrazione di:
Let’s Go Round Again
autore:
Alan Gorrie
editore:
Hit & Run Music (Publishing) Ltd
Average White Band54:08
17For America
produttore:
David Motion
registrazione di:
For America
paroliere e compositore:
Simon Toulson-Clarke
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Red Box53:44
18Can’t Stop the Music
produttore:
Jacques Morali
voce principale:
Ray Simpson (singer for Village People)
registrazione di:
Can’t Stop the Music (English)
paroliere:
Henri Belolo
compositore:
Jacques Morali
traduttore:
Phil Hurtt e Beauris Whitehead
editore:
EMI Music (do not use as release label! this is a music publisher) e Scorpio Music (work publisher of "Scorpio Music")
versione tradotta di:
La musique n’a pas de fin
Village People53:34
19Give Me the Night
produttore:
Quincy Jones
basso :
Abraham Laboriel
batteria :
John “JR” Robinson (session drummer)
chitarra :
George Benson (jazz guitarist/singer) e Lee Ritenour
flauto e sassofono :
Kim Hutchcroft e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
pianoforte elettrico :
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
sintetizzatore :
Michael Boddicker
sintetizzatore basso [synthesizer bass] :
Richard Tee
tromba :
Jerry Hey
voce di accompagnamento:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray e Jocelyn Allen
voce principale:
George Benson (jazz guitarist/singer)
arrangiatore archi e arrangiatore corno :
Jerry Hey
arrangiatore:
Quincy Jones e Rod Temperton
arrangiatore voci:
Rod Temperton
edit di:
Give Me the Night di George Benson (jazz guitarist/singer)
registrazione di:
Give Me the Night
paroliere e compositore:
Rod Temperton
editore:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson4.63:41
20Love Is Contagious
registrazione di:
Love Is Contagious
paroliere e compositore:
Taja Sevelle
Taja Sevelle4:37

Accreditamenti

Gruppo di pubblicazioni

parte di:100 Hits (UK Demon Music Group) (numero: 19) (ordine: 51)