The Operas

~ Release by Mozart; Solti (see all versions of this release, 2 available)

Tracklist

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1▼CD: Così fan tutte
#TitleArtistRatingLength
1Così fan tutte: Overtura
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Ouvertura (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
Wolfgang Amadeus Mozart4:19
2Così fan tutte: Atto I. No. 1 Terzetto Allegro “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) / Recitativo “Fuor la spada!” (Guglielmo, Don Alfonso, Ferrando)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Fuor la spada” (Ferrando, Guglielmo, Don Alfonso) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:55
3Così fan tutte: Atto I. No. 2 Terzetto “È la fede delle femmine come l’araba fenice” (Ferrando, Don Alfonso, Guglielmo) / Recitativo “Scioccherie di poeti!” (Ferrando, Guglielmo, Don Alfonso)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 2 Terzetto “È la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Scioccherie di poeti!” (Ferrando, Guglielmo, Don Alfonso) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:12
4Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata far io voglio” (Ferrando, Don Alfonso, Guglielmo)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:24
5Così fan tutte: Atto I. No. 4 Duetto “Ah guarda sorella” (Fiordiligi, Dorabella) / Recitativo “Mi par, che stamattina … Non son essi: è Don Alfonso” (Ferrando, Guglielmo, Dorabella, Don Alfonso)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 4 Duetto “Ah, guarda, sorella” (Fiordiligi, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Mi par che stamattina” (Fiordiligi, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:42
6Così fan tutte: Atto I. No. 5 Aria “Vorrei dir, e cor non ho” (Don Alfonso) / Recitativo “Stelle! Per carità, signor Alfonso, no ci fate morir” (Fiordiligi, Don Alfonso, Dorabella)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02)
soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 5 Aria “Vorrei dir e cor non ho” (Don Alfonso) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Stelle! Per carità, Signor Alfonso” (Fiordiligi, Don Alfonso, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:52
7Così fan tutte: Atto I. No. 6 Quintetto “Sento oddio, che questo piede è restio” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) / Recitativo "Non piangere, idol mio (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 6 Quintetto “Sento, oh Dio, che questo piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Non piangere, idol mio” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:37
8Così fan tutte: Atto I. No. 7 Duettino “Al fato dàn legge quegli occhi vezzosi” (Ferrando, Guglielmo) / Recitativo La commedia è graziosa… (Don Alfonso, Ferrando, Fiordiligi, Dorabella)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 7 Duettino “Al fato dan legge quegli occhi vezzosi” (Ferrando, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “La commedia è graziosa” (Ferrando, Don Alfonso, Fiordiligi, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:05
9Così fan tutte: Atto I. No. 8 Coro “Bella vita militar” (Coro di soldati) / Recitativo "Non v’è più tempo, amici; andar conviene (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1973-07 until 1974-02)
soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Non v’è più tempo, amici” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:16
10Così fan tutte: Atto I. No. 8a Quintetto “Di scrivermi ogni giorno, giurami, vita mia!” (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) / No. 9 Coro “Bella vita militar” (Coro di soldati) / Recitativo “Dove son? – Son partiti” (Dorabella, Don Alfonso, Fiordiligi)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1973-07 until 1974-02)
soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. No. 9 Quintetto e coro “Di scrivermi ogni giorno” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, coro) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:58
11Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordiligi, Dorabella, Don Alfonso) / Recitativo “Non son cattivo comico! … Nel mare solca…” (Don Alfonso)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Non son cattivo comico” (Don Alfonso) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:59
12Così fan tutte: Atto I. Recitativo "Che vita maledetta è il far la cameriera! … Madame, ecco la vostra colazione (Despina, Fiordiligi, Dorabella)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. Recitativo “Che vita maledetta” (Despina, Fiordiligi, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Madame, ecco la vostra colazione” (Despina, Fiordiligi, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:11
13Così fan tutte: Atto I. Recitativo “Ah! scostati, paventa il tristo effetto d’un disperato affetto!” (Dorabella) / No. 11 Aria “Smanie implacabili, che m’agitate” (Dorabella) / Recitativo “Signora Dorabella, signora Fiordiligi, ditemi, che cosa è stato?” (Despina, Dorabella, Fiordiligi)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Ah, scostati!” (Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Signora Dorabella, Signora Fiordiligi” (Despina, Dorabello, Fiordiligi) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:30
14Così fan tutte: Atto I. No. 12 Aria “In uomini! In soldati sperare fedeltà?” (Despina)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:52
2▼CD: Così fan tutte
#TitleArtistRatingLength
1Così fan tutte: Atto I. Recitativo “Che silenzio! Che aspetto di tristezza spirano queste stanze!” (Don Alfonso, Despina)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. Recitativo “Che silenzio: che aspetto di tristezza” (Don Alfonso, Despina) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:38
2Così fan tutte: Atto I. No. 13 Sestetto “Alla bella Despinetta vi presento, amici miei” (Don Alfonso, Guglielmo, Ferrando, Despina, Fiordiligi, Dorabella) / Recitativo “Che sussurro! Che strepito, che scompglio è mai questo!” (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 13 Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Che sussurro! Che strepito” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart6:36
3Così fan tutte: Atto I. Recitativo “Temerari! Sortite fuori di questo loco!” (Fiordiligi) / No. 14 Aria “Come scoglio immoto resta contra i venti” (Fiordiligi) / Recitativo “Ah, non partite!” (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Ah non partite” (Don Alfonso, Ferrando, Guglielmo, Fiordiligi, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Temerari! Sortite fuori di questo loco!” (Fiordiligi) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart6:39
4Così fan tutte: Atto I. No. 15 Aria “Non siate ritrosi, occhietti vezzosi” (Guglielmo)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 15 Aria “Non siate ritrosi” (Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:32
5Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Si può sapere un poco la cagion di quel riso? (Don Alfonso, Guglielmo, Ferrando)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Si può sapere un poco la cagion di quel riso” (Don Alfonso, Ferrando, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:48
6Così fan tutte: Atto I. No. 17 Aria “Un’aura amorosa del nostro tesoro” (Ferrando) / Recitativo “Oh la saria da ridere” (Don Alfonso, Despina)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Oh la saria da ridere” (Don Alfonso, Despina) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart7:07
7Così fan tutte: Atto I. No. 18 Finale “Ah, che tutta in un momento si cangiò la sorte mia!” (Fiordiligi, Dorabella)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. No. 18 Finale “Ah, che tutta in un momento” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:14
8Così fan tutte: Atto I. No. 18 Finale “Si mora, sì, si mora” (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. “Si mora sì, si mora” … “Ah che del sole il raggio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:07
9Così fan tutte: Atto I. No. 18 Finale “Eccovi il medico, signor belle!” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. “Eccovi il medico” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart6:32
10Così fan tutte: Atto I. No. 18 Finale “Dammi un bacio, o mio tesoro” (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso, Despina)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto I. “Dammi un bacio, o mio tesoro” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:33
11Così fan tutte: Atto II. Recitativo “Andate là, che siete due bizzarre ragazze!” (Despina, Fiordiligi, Dorabella)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. Recitativo “Andate là, che siete” (Despina, Firodiligi, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:40
12Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) / Recitativo “Sorella, cosa dici?” (Fiordiligi, Dorabella)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
recording of:
Così fan tutte: Atto II. Recitativo “Sorella, cosa dici?” (Firodiligi, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart5:25
13Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Dorabella, Fiordiligi) / Recitativo “Ah, correte al giardino, le mie care ragazze!” (Don Alfonso, Dorabella)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02)
soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:12
14Così fan tutte: Atto II. No. 21 Duetto con Coro “Secondate, aurette amiche, secondate i miei desiri” (Ferrando, Guglielmo, coro di musici) / Recitativo “Il tutto deponete sopra quei tavolini” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. No. 21 Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo, Chor) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
recording of:
Così fan tutte: Atto II. Recitativo “Il tutto deponete” … “Cos’è tal mascherata?” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:05
15Così fan tutte: Atto II. No. 22 “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) / Recitativo "Oh che bella giornata! (Fiordiligi, Ferrando, Dorabella, Guglielmo)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. No. 22 “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
recording of:
Così fan tutte: Atto II. Recitativo “Oh che bella giornata!” … “Passeggiamo anche noi” (Fiordiligi, Ferrando, Dorabella, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart5:33
16Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono” (Guglielmo, Dorabella)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:22
3▼CD: Così fan tutte
#TitleArtistRatingLength
1Così fan tutte: Atto II. Recitativo “Barbara! Perché fuggi?” (Ferrando, Fiordiligi) / No. 24 Aria “Ah, lo veggio, quell’anima bella al mio pianto resister non sa” (Ferrando)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
soprano vocals:
Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. No. 24. Aria “Ah lo veggio, quell’anima bella” (Ferrando) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
recording of:
Così fan tutte: Atto II. Recitativo “Barbara! Perché fuggi?” (Ferrando, Fiordiligi) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart6:16
2Così fan tutte: Atto II. Recitativo “Ei parte… senti!” (Fiordiligi) / No. 25 Rondò “Per pietà, ben mio, perdona all’error d’un’alma amante” (Fiordiligi)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
soprano vocals:
Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
recording of:
Così fan tutte: Atto II. Recitativo “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart9:11
3Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:49
4Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:05
5Così fan tutte: Atto II. Recitativo “In qual fiero contrasto, in qual disordine di pensieri e di affetti io mi ritrovo!” (Ferrando) / No. 27 Cavatina “Tradito, schernito dal perfido cor” (Ferrando) / Recitativo “Bravo: questa è constanza” (Don Alfonso, Ferrando, Guglielmo)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. Recitativo “In qual fiero contrasto, in qual disordine” (Ferrando) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:41
6Così fan tutte: Atto II. Recitativo “Ora vedo che siete una donna di garbo” (Despina, Dorabella, Fiordiligi)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. Recitativo “Ora vedo che siete” (Despina, Dorabella, Fiordiligi) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:38
7Così fan tutte: Atto II. No. 28 Aria “È Amore un ladroncello” (Dorabella) / Recitativo “Come tutto congiura a sedurre il mio cor!” (Fiordiligi, Guglielmo, Despina, Don Alfonso) / Recitativo “L’abito di Ferrando sarà buono per me” (Fiordiligi, Guglielmo)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. No. 28 Aria “È amore un ladroncello” (Dorabella) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
recording of:
Così fan tutte: Atto II. Recitativo “Come tutto congiura” (Fiordiligi, Guglielmo, Despina, Don Alfonso) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart5:45
8Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) / Recitativo “Ah, poveretto me! Cosa ho veduto!” (Guglielmo, Don Alfonso, Ferrando)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
recording of:
Così fan tutte: Atto II. Recitativo “Ah poveretto me! Cosa ho veduto!” (Guglielmo, Don Alfonso, Ferrando) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart8:12
9Così fan tutte: Atto II. No. 30 “Tutti accusan le donne, ed io le scuso” (Don Alfonso, Ferrando, Guglielmo) / Recitativo “Vittoria, padroncini!” (Despina, Ferrando, Don Alfonso, Guglielmo)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Ferrando, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
recording of:
Così fan tutte: Atto II. Recitativo “Vittoria, padroncini!” (Despina, Ferrando, Don Alfonso, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:37
10Così fan tutte: Atto II. No. 31 Finale “Fate presto, o cari amici” (Despina, coro di servi, Don Alfonso)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. No. 31 Finale “Fate presto, oh cari amici” (Despina, Coro, Don Alfonso) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:48
11Così fan tutte: Atto II. No. 31 Finale “Benedetti i doppi coniugi e le amabili sposine!” (coro di servi, Fiordiligi, Dorabella, Ferrando, Guglielmo)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1973-07 until 1974-02)
soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. “Benedetti i doppi coniugi” (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart6:29
12Così fan tutte: Atto II. No. 31 Finale “Miei signori, tutto è fatto … Bella vita militar!” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. “Miei signori, tutto è fatto” … “Bella vita militar!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:19
13Così fan tutte: Atto II. No. 31 Finale “Sani e salvi agli amplessi amorosi … Fortunato l’uom che prende ogni cosa pel buon verso” (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)
recording engineer:
James Lock (James Locke, engineer) (from 1973-07 until 1974-02) and Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:
Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02) and Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (from 1973-07 until 1974-02), Teresa Berganza (mezzo-soprano) (from 1973-07 until 1974-02) and Pilar Lorengar (soprano) (from 1973-07 until 1974-02)
tenor vocals:
Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-07 until 1974-02)
conductor:
Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:
Così fan tutte: Atto II. “Sani e salvi agli amplessi” … “Richiamati da regio contrordine” … “No Signor, non è un notaio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) (from 1973-07 until 1974-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart8:56
4▼CD: Don Giovanni
#TitleArtistRatingLength
1Don Giovanni, K 527: Ouvertura
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Ouvertura (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
Wolfgang Amadeus Mozart6:02
2Don Giovanni, K 527: Atto I. Introduzione: Notte e giorno faticar (Leporello)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:02
3Don Giovanni, K 527: Rcitativo e Duetto: Ma qual mai s'offre o dei (Donna Anna, Don Ottavio)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:52
4Don Giovanni, K 527: Recitativo: Orsu, spicciati presto... cosa vuoi? (Don Giovanni, Leporello)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:28
5Don Giovanni, K 527: Aria: Ah chi mi dice mai (Donna Elvira)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:25
6Don Giovanni, K 527: Aria: Madamina, il catalogo e questo (Leporello)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:31
7Don Giovanni, K 527: Recitativo: In questa forma dunque (Donna Elvira)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. Recitativo “In questa forma dunque” (Donna Elvira) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:42
8Don Giovanni, K 527: Coro: Giovinette che fate all'amore (Zerlina, Masetto, contadini)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:22
9Don Giovanni, K 527: Manco male, è partita
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:17
10Don Giovanni, K 527: Aria: Ho capito, signor si! (Masetto)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:33
11Don Giovanni, K 527: Recitativo: Alfin siam liberati (Don Giovanni, Zerlina)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:57
12Don Giovanni, K 527: Duettino: La ci darem la mano (Don Giovanni, Zerlina)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:07
13Don Giovanni, K 527: Aria: Ah! fuggi il traditor (Donna Elvira)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:20
5▼CD: Don Giovanni
#TitleArtistRatingLength
1Don Giovanni, K 527: Recitativo: Mi par ch'oggi il demonio si diverta
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:06
2Don Giovanni, K 527: Non ti fidar, o misera
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:30
3Don Giovanni, K 527: Recitativo accompagnato: Don Ottavio, son morta! (Donna Anna, Don Ottavio)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:38
4Don Giovanni, K 527: Aria: Or sai chi l'onore (Donna Anna)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:55
5Don Giovanni, K 527: "Come mai creder deggio" - "Dalla sua pace la mia di- pende"
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:34
6Recitativo: Io deggio, ad ogni patto (Leporello, Don Giovanni)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
7Don Giovanni, K 527: Aria: Fin ch'han dal vino (Don Giovanni)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
baritone vocals and baritone vocals [Don Giovanni]:
Bernd Weikl (baritone)
vocals:
Bernd Weikl (baritone)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:19
8Don Giovanni, K 527: ecitativo: Masetto, senti un po'! (Zerlina, Masetto)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:13
9Don Giovanni, K 527: Aria: Batti, batti, o bel Masetto (Zerlina)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:30
10Don Giovanni, K 527: Finale: Presto presto pria ch'ei venga (Masetto)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart8:33
11Don Giovanni, K 527: Riposate, vezzose ragazze
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart8:55
12Don Giovanni, K 527: Atto II. Duetto: Eh via, buffone, non mi seccar (Don Giovanni, Leporello)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:02
13Don Giovanni, K 527: Terzetto: Ah! taci, ingiusto core (Donna Elvira, Leporello, Don Giovanni)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:04
14Don Giovanni, K 527: Canzonetta: Deh! vieni alla finestra (Don Giovanni)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:01
15Don Giovanni, K 527: Aria: Meta di voi qua vadano (Don Giovanni)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:03
16Don Giovanni, K 527: Aria: Vedrai, carino, se sei buonino (Zerlina)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
soprano vocals [Zerlina]:
Lucia Popp (soprano) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:48
6▼CD: Don Giovanni
#TitleArtistRatingLength
1Don Giovanni, K 527: Recitativo: Di molte faci il lume (Leporello, Donna Elvira)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:40
2Don Giovanni, K 527: Sola, sola in buio loco
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart8:14
3Don Giovanni, K 527: Aria: Ah! pieta, signori miei (Leporello)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:39
4Don Giovanni, K 527: Aria: Il mio tesoro intanto (Don Ottavio)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:16
5Don Giovanni, K 527: Recitativo: Restati qua, restati qua! (Zerlina, Leporello)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. No. 21a Recitativo “Restati qua” (Zerlina, Leporello) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:28
6Don Giovanni, K 527: Duetto [K540b]: Per queste tue manine (Leporello, Zerlina)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. Anhang. No. 21a Duetto “Per queste tue manine” (Zerlina, Leporello) [K. 540b] (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:15
7Don Giovanni, K 527: In quali eccessi - Mi tradi quell'alma ingrata (K. 540c)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart6:36
8Don Giovanni, K 527: Ah! ah! ah! questa è buona!
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:06
9Don Giovanni, K 527: Duetto: O statua gentilissima (Leporello, Don Giovanni)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. No. 22 Duetto “O statua gentilissima” (Leporello, Don Giovanni) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:09
10Don Giovanni, K 527: Recitativo: Calmatevi, idol mio (Don Ottavio, Donna Anna)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:53
11Don Giovanni, K 527: Rondo: Non mi dir, bell'idol mio (Donna Anna)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:35
12Don Giovanni, K 527: Finale: Gia la mensa e preparata (Don Giovanni, Leporello, Donna Elvira)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart8:20
13Don Giovanni, K 527: Don Giovanni, a cenar teco m'invitasti
Bernd Weikl, Gabriel Bacquier, Kurt Moll, London Opera Chorus, London Philharmonic Orchestra, Sir Georg Solti?:??
14Don Giovanni, K 527: Ah! dov'è il perfido?
Margaret Price, Sylvia Sass, Lucia Popp, Stuart Burrows, Gabriel Bacquier, Alfred Šramek, London Philharmonic Orchestra, Sir Georg Solti?:??
7▼CD: Die Entführung aus dem Serail
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1Die Entführung aus dem Serail: Ouvertüre
recording engineer:
James Lock (James Locke, engineer) (from 1984-11 until 1985-12) and John Pellowe (audio engineer) (from 1984-11 until 1985-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart4:15
2Die Entführung aus dem Serail: Erster Aufzug. "Hier soll ich dich denn sehen, Konstanze!"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:29
3Die Entführung aus dem Serail: Erster Aufzug. "Wer ein liebchen hat gefunden" ... "Verwünscht seist du samt deinem liede!"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart6:32
4Die Entführung aus dem Serail: Erster Aufzug. "Solche hergelauf'ne laffen"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:45
5Die Entführung aus dem Serail: Erster Aufzug. "Konstanze dich wiederzusehen!" ... "O wie ängstlich, o wie feurig"
recording engineer:
James Lock (James Locke, engineer) (from 1984-11 until 1985-12) and John Pellowe (audio engineer) (from 1984-11 until 1985-12)
tenor vocals [Belmonte]:
Gösta Winbergh (tenor) (from 1984-11 until 1985-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. Dialog "Geschwind, geschwind auf die Seite" (Pedrillo) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:03
6Die Entführung aus dem Serail: Erster Aufzug. "Singt dem grossen bassa lieder"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:42
7Die Entführung aus dem Serail: Erster Aufzug. "Ach, ich liebte, war so glücklich"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:44
8Die Entführung aus dem Serail: Erster Aufzug. "Marsch! Marsch! Marsch!"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:04
9Die Entführung aus dem Serail: Zweiter Aufzug. "Durch zärtlichkeit und schmeicheln"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:35
10Die Entführung aus dem Serail: Zweiter Aufzug. "Ich gehe, doch rate ich dir"
recording engineer:
James Lock (James Locke, engineer) (from 1984-11 until 1985-12) and John Pellowe (audio engineer) (from 1984-11 until 1985-12)
bass vocals [Osmin]:
Martti Talvela (operatic bass) (from 1984-11 until 1985-12)
soprano vocals [Blonde]:
Kathleen Battle (soprano) (from 1984-11 until 1985-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail: Nr. 6. “Ich gehe, doch rate ich dir” (for wind band, Donaueschingen Harmoniemusik) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Wolfgang Amadeus Mozart (classical composer)
previously attributed to:
Franz Joseph Rosiniack
part of:
Die Entführung aus dem Serail (for wind band, Donaueschingen Harmoniemusik)
Wolfgang Amadeus Mozart3:38
11Die Entführung aus dem Serail: Zweiter Aufzug. "Welcher wechsel herrscht in meiner seele" ... "Traurigkeit ward mir zum lose"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10b Arie "Traurigkeit ward mir zum Lose" (Konstanze) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart9:33
12Die Entführung aus dem Serail: Zweiter Aufzug. "Martern aller arten"
recording engineer:
James Lock (James Locke, engineer) (from 1984-11 until 1985-12) and John Pellowe (audio engineer) (from 1984-11 until 1985-12)
soprano vocals [Konstanze]:
Edita Gruberová (soprano) (from 1984-11 until 1985-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart9:08
8▶CD: Die Entführung aus dem Serail
9▶CD: Le nozze di Figaro
10▶CD: Le nozze di Figaro
11▶CD: Le nozze di Figaro
12▶CD: Die Zauberflöte
13▶CD: Die Zauberflöte
14▶CD: Die Zauberflöte
15▶CD: Bonus CD