Total No. 1s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1994) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:54
2When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:17
3So Sick
recording of:
So Sick
additional writer:
John Bettis and Steve Porcaro
writer:
Mikkel Storleer Eriksen, Tor Erik Hermansen and Shaffer Chimere Smith
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), John Bettis Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP), Super Sayin’ Publishing, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Ne‐Yo3:28
4Stickwitu
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2006), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2006), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2006) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 2006)
recording of:
Stickwitu
writer:
Franne Golde, Kasia “KC” Livingston and Robert Palmer (US R&B producer/engineer)
publisher:
BMG Platinum Songs US, Notting Hill Music, Inc., Parchi Music and Sony/ATV Songs LLC
Pussycat Dolls2.83:29
5Give It to Me
recording engineer, programming and mixer:
Demacio "Demo" Castellon
assistant engineer:
Matty Green (mix engineer)
co-producer:
Danja (US producer Nate Hills)
producer:
Timbaland
bass and keyboard:
Danja (US producer Nate Hills)
drums (drum set):
Timbaland
guest vocals:
Nelly Furtado and Justin Timberlake
performer:
Nelly Furtado and Justin Timberlake
mixed for:
Storm Circle Entertainment
co-produced for:
Danja Handz Productions
produced for:
Timbaland Productions
recorded at:
Chalice Studios in Hollywood, Los Angeles, California, United States and Thomas Crown Studio in Virginia Beach, Virginia, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States and Thomas Crown Studio in Virginia Beach, Virginia, United States
recording of:
Give It to Me (Timbaland)
writer:
Timothy Clayton, Nelly Furtado, Nate Hills (US producer Nate Hills), Justin Timberlake and Timothy Mosley
publisher:
Danjahandz Muzik, EMI Music Publishing (do not use as a release label!), Nelstar Publishing, Stix I'm Stoned Publishing (ASCAP), Tennman Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Virginia Music Publishing, Warner Chappell Publishing and Zomba Music
Timbaland33:34
6Shine
assistant recording engineer:
Mike Horner, Jake Jackson (recording engineer) (strings) and Sam Jones (London engineer (Air Studios)) (strings)
recording engineer and mixer:
Jeff Rothschild
miscellaneous support:
Shari Sutcliffe (task: production coordinator)
producer:
John Shanks
bass, guitar [guitars] and keyboard [keyboards]:
John Shanks
drums (drum set) [drums]:
Jeff Rothschild
piano:
Gary Barlow
lead vocals:
Mark Owen (singer–songwriter)
vocals:
Gary Barlow, Howard Donald and Jason Orange
orchestra:
London Session Orchestra
strings arranger:
Wil Malone
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2006, in 2007)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (strings), Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and RAK Recording Studios in London (Greater London), England, United Kingdom
mixed at:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States
recording of:
Shine
writer:
Gary Barlow, Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and Steve Robson (English songwriter, record producer & multi-instrumentalist)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd. and V2 Music Publishing Ltd.
Take That2.653:31
7Dakota
engineer:
Jim Lowe (sound engineer)
producer and mixer:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics) and Jim Lowe (sound engineer)
recording of:
Dakota
lyricist and composer:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Stereophonics3.954:58
8Crashed the Wedding
recording of:
Crashed the Wedding
writer:
James Bourne (Busted, Son of Dork) and Tom Fletcher (McFly)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Prestige Songs, Songs of Kobalt Music Publishing and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Busted2:40
9Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.252:55
10Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
saxophone:
David Tofani
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:41
11You Don’t Have to Say You Love Me
producer:
John Franz
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 491)
recording of:
You Don’t Have to Say You Love Me
lyricist:
Simon Napier-Bell, Vito Pallavicini (Lyricist) and Vicki Wickham
composer:
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. and Miller Music Corp.
translated version of:
Io che non vivo (senza te)
Dusty Springfield3.72:49
12You’ve Lost That Loving Feeling
engineer:
Larry Levine
producer:
Jerry Bruckheimer, Don Simpson (American film producer, screenwriter, and actor) and Phil Spector
vocals:
Bobby Hatfield (from 1964-08 until 1964-11) and Bill Medley (from 1964-08 until 1964-11)
arranger:
Jack Nitzsche (American musician and score composer) and Gene Page
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label) and Polydor International (in 1964)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1964-08 until 1964-11)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 34)
recording of:
You’ve Lost That Lovin’ Feelin’ (from 1964-08 until 1964-11)
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Righteous Brothers33:44
13The Sun Ain’t Gonna Shine Anymore
phonographic copyright (℗) by:
Phonogram Ltd. (not for release label use!) (in 1966) and PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1966)
cover recording of:
The Sun Ain’t Gonna Shine (Anymore) (in 1966)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music and Warner Chappell Music (publisher as Warner/Chappell Music)
The Walker Brothers3.53:02
14All or Nothing
recording of:
All or Nothing
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
Aquarius Music Ltd. (UK publisher)
Small Faces3:04
15With a Girl Like You
recording of:
With a Girl Like You
writer:
Reg Presley
The Troggs4.42:08
16The Mighty Quinn
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1967)
cover recording of:
Quinn the Eskimo (The Mighty Quinn) (in 1967)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Holding and Dwarf Music (in 1968)
Manfred Mann4.52:51
17It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:00
18Keep On Running
The Spencer Davis Group2:43
19Fire
recording of:
Fire
writer:
Arthur Brown, Vincent Crane, Mike Finesilver and Peter Ker (producer and songwriter)
publisher:
Gowmonk, Inc. and Onward Music Ltd.
The Crazy World of Arthur Brown2:52
20Something in the Air
producer:
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
lyricist and composer:
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Songs of Windswept Pacific
Thunderclap Newman43:56
2CD
#TitleArtistRatingLength
1F.U.R.B. (F U Right Back)Frankee3:05
2Ghetto Gospel
recording of:
Ghetto Gospel (Eminem remix)
lyricist:
Tupac Shakur (2Pac, US rapper)
writer:
Deon Evans, Elton John (English singer, songwriter, pianist, and composer) and Bernie Taupin
additional composer:
Luis Resto
composer:
Marshall Mathers (Eminem, US rapper)
is based on:
Ghetto Gospel (original version)
is based on:
Indian Sunset
2Pac3:59
3Ain’t Nobody
producer:
Rashad Smith (US hip-hop & R&B record producer)
phonographic copyright (℗) by:
Def Jam Recordings (US) (in 1996)
cover recording of:
Ain’t Nobody (additional lyrics)
additional lyricist:
James Todd Smith
lyricist and composer:
David “Hawk” Wolinski
publisher:
Full Keel Music
version of:
Ain’t Nobody
recording of:
Ain’t Nobody (additional lyrics)
additional lyricist:
James Todd Smith
lyricist and composer:
David “Hawk” Wolinski
publisher:
Full Keel Music
version of:
Ain’t Nobody
LL Cool J3.54:38
4The Way I Are
phonographic copyright (℗) by:
Universal Music Strategic Marketing (subsidiary of Universal Music GmbH) (from 2007 to present)
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 96)
recording of:
The Way I Are
writer:
Garland Mosley (US rapper Garland Mosley, brother of Timbaland), Keri Hilson, John Maultsby (US rapper), Balewa Muhammad, Nate Hills (US producer Nate Hills), Candice Nelson and Timothy Mosley
publisher:
Boootleggerstop, Danjahandz Muzik, Jerry Lee Publishing, Keriokey Music, Universal Music Publishing (Belgium), Virginia Beach Music and Warner Chappell Publishing
Timbaland3.753:20
5Be Faithful
guest performer:
Crooklyn Clan
performer:
Crooklyn Clan
recording of:
Be Faithful
writer:
Andres Titus (US American rapper Andres Titus, member of Black Sheep), Ben Cauley, Edmund Bini, Bernard Edwards (American bassist and record producer), Clarence Emery, Faith Evans, Isaac Freeman, James Alexander (US soul bassist, singer and songwriter), Johnny Hammond, Allen Jones (producer/songwriter/musician/engineer), Ronald Lawrence (Songwriter on "Be Faithful"), Joseph Rizzo, Nile Rodgers, Schon Crawford, Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy) and William McLean (DJ William McLean)
publisher:
AV8 Publishing and Big Colorado Music
Fatman Scoop & Crooklyn Clan3.52:43
6King of My Castle
recording of:
King of My Castle
composer:
Adisson Gaelle (US dance/house vocalist Gaelle Adisson) and Chris Brann
publisher:
Jessica Michael Music, Inc
Wamdue Project3:40
7It Feels So GoodSonique3:59
8Dreamer
recording of:
Dreamer
lyricist:
Janice Robinson (US house/RnB/pop singer/songwriter)
writer:
Ray Evans (American songwriter), Jay Livingston and Henry Mancini (US composer, conductor & arranger)
composer:
Gianni Visnadi
Livin’ Joy3:43
9Just a Little
recording of:
Just a Little
lyricist and composer:
Michelle Escoffery
writer:
George Hammond Hagan and John Hammond Hagan
Liberty X3:56
10All the Things She Said
engineer and mixer:
Robert Orton
producer:
Trevor Horn
music videos:
All the Things She Said (music video) by t.A.T.u. (Russian duo)
part of:
VH1’s Big Song of 2003 (number: 1) and Sean Michaels: The Top 30 Songs of 2003 (number: 10)
recording of:
All the Things She Said (English)
lyricist:
Elena Kiper (Elena Vladimirovna Kiper), Trevor Horn, Martin Kierszenbaum and Valery Polienko (Valery Valentinovich Polienko)
composer:
Ivan Shapovalov and Sergio Galoyan (Sergey Sasunikovic Galoyan)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), First Music Publishing, First Music Publishing (in Russia and CIS) (not for release label use; First Music Publishing, in RU and CIS), Martin Cherrytree Music (BMI affiliated), Neformat, SPZ Music, Inc. (BMI affiliated), Unforgettable Songs Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
translated version of:
Я сошла с ума
t.A.T.u.4.13:33
11MMMbop
programming and engineer:
Mac Quale (US composer)
additional producer:
Stephen Lironi
executive producer:
Steve Greenberg (Record producer)
producer:
The Dust Brothers (production duo John King & Mike Simpson)
mixer:
Tom Lord‐Alge
drums (drum set):
Zac Hanson
guitar:
Isaac Hanson
keyboard:
Taylor Hanson
vocals:
Isaac Hanson, Taylor Hanson and Zac Hanson
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 61)
recording of:
MMMBop
writer:
Isaac Hanson, Taylor Hanson and Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Hanson3.54:29
12No Tomorrow
recording of:
No Tomorrow
writer:
George Astasio, Chris Cano, Johnny Lonely ((also credited as John Bentjen) member of Orson), Jason Pebworth and Chad Rachild (ex-member of Orson band)
Orson2:48
13Breakfast at Tiffany’s
engineer, producer and mixer:
David Castell
acoustic guitar and electric guitar:
Toby Pipes, Todd Pipes and Kirk Tatom
bass guitar:
Todd Pipes and Kirk Tatom
drums (drum set) and percussion:
John Kirtland (Drummer, head of Kirtland Records)
keyboard:
Toby Pipes and Todd Pipes
lap steel guitar:
Toby Pipes
organ and piano:
Kirk Tatom
vocals:
Toby Pipes, Todd Pipes and Kirk Tatom
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1995) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1995)
recording of:
Breakfast at Tiffany’s
lyricist and composer:
Todd Pipes
publisher:
Warner Chappell North America and WC Music Corp.
Deep Blue Something3.74:18
14When the Going Gets Tough
cover recording of:
When the Going Gets Tough, the Tough Get Going
writer:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Boyzone3:38
15A Little Time
engineer:
Rupert Coulson (sound engineer), Ben Kape and Lance Phillips
producer:
Mike Hedges (UK producer/recording engineer)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1990)
music videos:
A Little Time by The Beautiful South
recording of:
A Little Time
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Island Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Beautiful South32:59
16Stop Living the Lie
recording of:
Stop Living the Lie
lyricist and composer:
David Sneddon (songwriter and producer)
David Sneddon23:55
17Caravan of Love
engineer:
Phil Bodger (engineer)
producer:
John Williams (English A&R executive, producer, songwriter...)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1986, in 1987)
cover recording of:
Caravan of Love
writer:
Ernie Isley, Marvin Isley and Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:39
18The Shoop Shoop Song (It’s in His Kiss)
producer:
Peter Asher
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1990)
music videos:
The Shoop Shoop Song (It’s in His Kiss) by Cher
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. and Trio Music Company
Cher3.22:51
19Who’s David
recording of:
Who’s David
writer:
James Bourne (Busted, Son of Dork) and Tom Fletcher (McFly)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Prestige Songs and Songs of Kobalt Music Publishing
Busted3:32
20If Tomorrow Never ComesRonan Keating3:36
3CD
#TitleArtistRatingLength
1The Lady in Red
producer:
Paul Hardiman
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1986)
recorded at:
RDS Arena in Dublin, County Dublin, Leinster, Ireland (on 1988-12-07) and Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 2004-11-06)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 54)
recording of:
The Lady in Red (in 1986)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 1988-12-07)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 2004-11-06)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:16
2Goodnight Girl
phonographic copyright (℗) by:
PolyGram and Mercury Records Ltd. (not for release label use!) (in 1992)
recording of:
Goodnight Girl
writer:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell and Marti Pellow
publisher:
Chrysalis and Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Wet Wet Wet43:41
3I’m Not in Love
recording engineer:
10cc (in 1974)
engineer and mixer:
Eric Stewart
producer:
10cc
bass and guitar:
Graham Gouldman (in 1974)
effects [musical effects], electric piano and lead vocals:
Eric Stewart (in 1974)
Moog:
Kevin (in 1974)
piano:
Lol (in 1974)
synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) and Eric Stewart (in 1974)
background vocals:
Graham Gouldman (in 1974), Kevin (in 1974) and Lol (in 1974)
other vocals [whisper vocals]:
Kathy Redfern (in 1974)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1975), Mercury Records Ltd. (London) (for copyrights use only) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (not for release label use!) (in 1979) and Mercury Records Ltd. (not for release label use!) (in 1996)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
music videos:
I’m Not in Love by 10cc
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 319)
recording of:
I’m Not in Love (in 1974)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
10cc3.86:03
4Words
producer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
additional background vocals [backing vocals]:
Andy Caine and Tubbs Williams (UK bass player, producer, vocalist)
lead vocals:
Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Stephen Gately, Mikey Graham and Shane Lynch
phonographic copyright (℗) by:
Polydor Ireland (in 1996) and Polygram Ireland Ltd. (in 1996)
produced for:
P&E Music Limited (production and publishing company owned by Phil Harding and Ian Curnow)
cover recording of:
Words
written in:
London (Greater London), England, United Kingdom
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Publishing, Careers–BMG Music Publishing, Inc., Casserole Music, Inc., Chappell Music Ltd., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
Boyzone24:04
5I Should Have Known Better
recording of:
I Should Have Known Better (1984 song)
writer:
Jim Diamond (Scottish singer/songwriter/guitarist) and Graham Lyle
publisher:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) and Rondor Music (London) Ltd.
Jim Diamond3:39
6All Kinds of Everything
part of:
Ireland in the Eurovision Song Contest (number: 1970) and Winners of the Eurovision Song Contest (number: 1970)
recording of:
All Kinds of Everything (1970 eurovision song)
writer:
Derry Lindsay (Songwriter) and Jackie Smith (Songwriter)
Dana23:02
7Hello
producer:
James Anthony Carmichael and Lionel Richie
performer:
Ocobamba
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
lyricist and composer:
Lionel Richie
writer:
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:09
8Don’t Cry for Me Argentina
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Tim Rice
vocals:
Julie Covington (in 1976)
part of:
TV Cream: Real 100 Best Singles Ever (number: 56)
recording of:
Don’t Cry for Me Argentina (Evita) (in 1976)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
Julie Covington35:26
9Happy Talk
cover recording of:
Happy Talk (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
part of:
South Pacific (Rodgers & Hammerstein musical)
Captain Sensible33:29
10Video Killed the Radio Star
music videos:
Video Killed the Radio Star by Buggles and Video Killed the Radio Star by Buggles
part of:
TV Cream: Real 100 Best Singles Ever (number: 56)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles4.64:12
11Beat Surrender
producer:
Peter Wilson (UK Producer)
trumpet:
Martin Drover and Luke Tunney
background vocals:
Afrodiziac, Claudia Fontaine (vocals, background vocals), Tracie (80s UK pop singer Tracie Young) and Caron Wheeler (English singer, songwriter, and record producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (in 1982-10)
recording of:
Beat Surrender (in 1982-10)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd. and Stylist Music Ltd.
The Jam3:26
12You Wear It Well
recording of:
You Wear It Well
writer:
Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), G.H. Music Ltd, Three Bridges Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Windswept Pacific Music Ltd. (publishing company)
Rod Stewart4:24
13Ob‐La‐Di, Ob‐La‐Da
producer:
Mike Smith (60’s & 70’s UK Producer)
cover recording of:
Ob‐La‐Di, Ob‐La‐Da (in 1968)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
Marmalade3:01
14Woodstock
cover recording of:
Woodstock
lyricist and composer:
Joni Mitchell
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Matthews’ Southern Comfort3.64:29
15Dizzy
Tommy Roe2:57
16Somebody Help Me
producer:
Chris Blackwell (Island Records)
recording of:
Somebody Help Me
lyricist and composer:
Jackie Edwards
publisher:
Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Spencer Davis Group42:01
17I Want to Wake Up With You
recording of:
I Want to Wake Up With You
lyricist and composer:
Ben Peters (country music songwriter)
publisher:
Ben Peters Music (BMI) and IQ Music
Boris Gardiner4:00
18It Wasn’t Me
recording engineer, producer and mixer:
Shaun Pizzonia
brass:
Kevin Bachelor and Jerry Johnson (saxophonist with roots reggae band Steel Pulse)
guitar:
R. Zapata
keyboard:
Nigel Staff
percussion [drums]:
Shaun Pizzonia
violin:
Gwen Laster
background vocals:
Brian & Tony Gold and Shaun Pizzonia
lead vocals:
Ricardo Ducent and Shaggy (Orville Richard Burrell, dancehall and reggae singer)
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
recorded at and mixed at:
Ranch Recording Studio in New York, United States
music videos:
It Wasn't Me by Shaggy (Orville Richard Burrell, dancehall and reggae singer) featuring Ricardo “RikRok” Ducent
part of:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 273)
recording of:
It Wasn’t Me
writer:
Brian Thompson, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia and Ricardo Ducent
publisher:
Livingsting Music
is based on:
Smile Happy
Shaggy3.93:48
19Don’t Turn Around
cover recording of:
Don’t Turn Around
lyricist and composer:
Albert Hammond and Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs and Warner Chappell
Aswad2.53:20
20Twist and Shout
performer:
Jack Radics and The Taxi Gang
cover recording of:
Twist and Shout
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Chaka Demus & Pliers, Jack Radics & The Taxi Gang1.654:00
4CD
#TitleArtistRatingLength
1Everything I Own
cover recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Ken Boothe3:48
2Israelites
recording of:
Israelites
writer:
Desmond Dacres and Leslie Kong
publisher:
Ackee Music Inc., Gambi Music, Twenty Nine Black Music (BMI) and Sparta Music (publisher) (in 1978)
Desmond Dekker & the Aces2:34
3Double Barrel
producer:
Winston Riley
bass:
Robert “Robbie” Shakespeare
guitar:
Ranchie McLean
keyboard:
Ansel Collins (JM reggae keyboardist & producer)
membranophone:
Lowell “Sly” Dunbar
lead vocals:
Dave Barker (reggae artist)
performer:
Techniques All Stars
recording of:
Double Barrel
lyricist and composer:
Dave Barker (reggae artist), Ansel Collins (JM reggae keyboardist & producer) and Winston Riley
Dave & Ansel Collins52:45
4Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (on 1964-08-13)
bass:
James Jamerson (on 1964-08-13)
drums (drum set):
Richard "Pistol" Allen (on 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (on 1964-08-13)
guitar:
Eddie Willis (on 1964-08-13)
instruments:
The Funk Brothers (on 1964-08-13)
piano:
Earl Van Dyke (on 1964-08-13)
tenor saxophone:
Henry Cosby (on 1964-08-13)
vibraphone:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-08-13)
background vocals:
Florence Ballard (on 1964-08-13) and Mary Wilson (on 1964-08-13)
lead vocals:
Diana Ross (on 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1964-08-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 499)
recording of:
Baby Love (on 1964-08-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes4.452:36
5Reach Out I’ll Be There
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1966)
background vocals:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
lead vocals:
Levi Stubbs (in 1966)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Four Tops42:55
6One Day in Your Life
recording of:
One Day in Your Life
lyricist:
Samuel F. Brown III
composer:
Renée Armand
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (from 1974 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Michael Jackson4:13
7Float On
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
edit of:
Float On (long version) by Floaters
recording of:
Float On
writer:
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) and Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters54:11
8You’re the First, the Last, My EverythingBarry White4.44:34
9I’m Still Waiting
Diana Ross3:45
10Can’t Give You Anything (But My Love)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975)
recording of:
I Can’t Give You Anything (But My Love)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Abilene Music Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
The Stylistics23:13
11You to Me Are Everything
producer:
Ken Gold
phonographic copyright (℗) by:
Pye Records (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
writer:
Michael Denne and Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music Ltd.
The Real Thing3.653:31
12Being With You
recording of:
Being With You
lyricist and composer:
Smokey Robinson
publisher:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. and Primary Wave Robinson
Smokey Robinson4:08
13Sad Sweet Dreamer
recording of:
Sad Sweet Dreamer
lyricist and composer:
David Parton
publisher:
Mr. & Mrs. Music
Sweet Sensation3:21
14I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:17
15I Feel Love
recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:46
16Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (not for release label use!) (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
10cc4.654:29
17Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
lyricist and composer:
Carl Douglas
publisher:
Carren Music (publisher) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
is based on:
[Oriental Riff]
Carl Douglas4.23:17
18Long Haired Lover From Liverpool
Jimmy Osmond2:15
19Welcome Home
recording of:
Welcome Home (English version of “Vivre”)
composer:
Stanislas Beldone (French songwriter)
translator:
Bryan Blackburn
translated version of:
Vivre (1970s French song)
Peters & Lee3:31
20(Is This the Way to) Amarillo
phonographic copyright (℗) by:
Geffen Records (in 1972) and JTC Music (in 2001)
recording of:
Is This the Way to Amarillo
writer:
Howard Greenfield and Neil Sedaka
publisher:
Kirshner-Warner Bros Music
Tony Christie23:13
5CD
#TitleArtistRatingLength
1Baby, Now That I’ve Found You
recording of:
Baby Now That I’ve Found You (in 1967)
lyricist and composer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Pub. Ltd.
The Foundations42:37
2(If Paradise Is) Half as Nice
Amen Corner2:46
3Diane
The Bachelors2:32
4Michelle
phonographic copyright (℗) by:
Northern Songs Ltd. (in 1965)
cover recording of:
Michelle (in 1965-12)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
adaptations:
Michelle
The Overlanders2:22
5Silence Is Golden
The Tremeloes3:08
6Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:38
7Make It Easy on Yourself
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Make It Easy on Yourself
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and MCA Music Ltd.
The Walker Brothers53:13
8This Is My Song
recording of:
This Is My Song
lyricist and composer:
Charlie Chaplin (filmmaker) (in 1966)
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
part of:
A Countess From Hong Kong
Petula Clark53:17
9Let the Heartaches Begin
Long John Baldry3:13
10Juliet
recording of:
Juliet (1964 song by the Four Pennies)
writer:
Fritz Fryer, Lionel Morton (member of the Four Pennies) and Mike Wilsh
publisher:
Flamingo Music
The Four Pennies2:22
11The Legend of Xanadu
recording of:
The Legend of Xanadu
writer:
Alan Blaikley and Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich3:34
12Down Down
Status Quo5:22
13Maggie May
edit of:
Maggie May (without “Henry” prelude) by Rod Stewart
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart33:43
14Matchstalk Men…
recording of:
Matchstalk Men and Matchstalk Cats and Dogs
writer:
Brian Burke and Michael Coleman (Chicago blues guitarist)
Brian and Michael4:25
15I’d Like to Teach the World to Sing (in Perfect Harmony)
producer:
David Mackay (Australian producer, arranger, musical director)
vocals:
Eve Graham
arranger:
David Mackay (Australian producer, arranger, musical director)
recording of:
I’d Like to Teach the World to Sing
writer:
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis and Roger Greenaway
publisher:
PolyGram Music Publishing
version of:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers3.652:21
16King of the Road
recorded in:
Tennessee, United States (on 1964-11-03)
producer:
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (on 1964-11-03)
phonographic copyright (℗) by:
Smash (in 1965)
recording of:
King of the Road (on 1964-11-03)
lyricist:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
composer:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.52:27
17It Doesn’t Matter Anymore
recording of:
It Doesn’t Matter Anymore
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Robert Mellin Ltd.
Buddy Holly2:06
18That’ll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets4.62:16
19One Day at a Time
Lena Martell3:14
20Release Me (and Let Me Love Again)
Engelbert Humperdinck3:20

Credits

Release

ASIN:UK: B002WHQAJO [info]