Kuschelrock 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1The Power of Love
Programmierung:
Harry Baierl
Produzent(in):
Candy de Rouge (aka Candy de Rouge) und Gunther Mende
Keyboard:
Harry Baierl
Sologesang:
Jennifer Rush
arranger:
Candy de Rouge (aka Candy de Rouge) und Gunther Mende
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1984) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
Verfasser(in):
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende und Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (bis 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Jennifer Rush55:57
2Without You
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Akustikgitarre:
John Uribe (in 1971-06)
Bassgitarre:
Klaus Voormann (in 1971-06)
Klavier:
Gary Wright (US singer/keyboardist) (in 1971-06)
Schlagzeug:
Jim Keltner (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
Blechblasinstrumente und Saiteninstrumente arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) und RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 496)
cover recording of:
Without You (in 1971-06)
Verfasser(in):
Tom Evans (UK guitarist for Badfinger) und W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:16
3I’ve Been in Love Before
recording of:
I've Been in Love Before
Texter und Komponist(in):
Nick Van Eede
Cutting Crew4:26
4One More Night
assistierende(r) Techniker(in):
Steve Chase
Techniker(in):
John Jacobs (UK producer/engineer) und Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre [bass]:
Lee Sklar (bassist, session musician)
drum machine [Roland 808], Keyboard [keyboards], Hintergrundgesang [backing vocals] und Sologesang [vocals]:
Phil Collins (of Genesis)
Gitarre [guitars]:
Daryl Stuermer
Solo-Saxophon [sax]:
Don Myrick
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) und Philip Collins Ltd. (in 2016)
aufgenommen bei:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Old Croft in Surrey, England, Vereinigtes Königreich und The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
One More Night von Phil Collins (of Genesis)
recording of:
One More Night
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishing) Ltd, Imagem Music, Imagem Music NL und Philip Collins Ltd.
Phil Collins3.94:42
5Glory of Love
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer) und John Guess
Produzent(in):
Michael Omartian
Gast Hintergrundgesang:
Kenny Cetera
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und Warner Music International (trademark of Warner Music International the company) (in 1986)
aufgenommen bei und mixed at:
Lion Share Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Glory of Love
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1986 nominee)
Peter Cetera4.24:18
6Two People
recording engineer und Mix:
John Hudson (producer, recording and mixing engineer)
zusätzliche(r) Techniker(in):
Mike Ging
Produzent(in):
Terry Britten
Bass und Gitarre und Hintergrundgesang:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
membranophone:
Jack Bruno (drummer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Two People
Texter und Komponist(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher)
Tina Turner4:06
7A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:01
8The Great Pretender
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer) und David Richards (Swiss-based producer and engineer)
Produzent(in):
Freddie Mercury, Mike Moran (keyboardist, songwriter, film and TV composer, producer) und David Richards (Swiss-based producer and engineer)
Bass:
Alan Jones (bass player)
Keyboard und Klavier:
Mike Moran (keyboardist, songwriter, film and TV composer, producer)
Schlagzeug:
Harold Fisher
Hintergrundgesang:
Peter Straker (Jamaican born singer) und Roger Taylor (Queen drummer)
Hintergrundgesang und Sologesang:
Freddie Mercury
phonographisches Urheberrecht (℗) von:
Mercury Songs Ltd. (copyright holders, publishing company of Freddie Mercury) (in 1987, von 1999 bis 2000)
aufgenommen bei:
Ripe Studios in London (Greater London), England, Vereinigtes Königreich und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
cover recording of:
The Great Pretender
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
Freddie Mercury3.53:24
9On My Own
Produzent(in):
Burt Bacharach und Carole Bayer Sager
Interpret(in):
Patti LaBelle
recording of:
On My Own (Patti LaBelle and Michael McDonald song) (in 1986)
Texter:
Carole Bayer Sager
Komponist(in):
Burt Bacharach
publisher:
Carole Bayer Sager Music und New Hidden Valley Music Co.
Patti LaBelle & Michael McDonald4:45
10Human
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986, in 2003)
Musikvideos:
Human von The Human League
recording of:
Human
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Flyte Tyme Tunes
Human League3.53:44
11Keep Me in Mind
Produzent(in):
Stewart Levine (record producer and saxophonist)
recording of:
Keep Me in Mind
Verfasser(in):
Jocelyn Brown, George O’Dowd und Glenn Nightingale
Boy George33:57
12Just Around the Corner
Produzent(in):
Don Gehman
recording of:
Just Around the Corner
Texter und Komponist(in):
Peter Kingsbery
publisher:
Edwin Ellis Music (publisher) und Nurk Twins Music (publisher)
Cock Robin3.654:08
13Breathless
recording of:
Breathless
Verfasser(in):
Philippe Allaert (Belgian jazz/fusion drummer, producer) und Viktor Lazlo (French-Belgian singer)
Viktor Lazlo3:28
14Sweet Love
recording of:
Sweet Love
Komponist(in):
Anita Baker, Gary Bias (jazz saxophonist) und Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Anita Baker4:07
15Through the Barricades
assistierende(r) Techniker(in):
Stephen Wissnet
Techniker(in):
Gary Langan
Produzent(in):
Gary Langan und Spandau Ballet
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet)
Gitarre:
Gary Kemp
Keyboard:
Toby Chapman
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet)
Schlagzeug:
John Keeble
Hintergrundgesang:
Ruby James (L.A-based singer/songwriter), Shirley Lewis und Helena Springs
Sologesang:
Tony Hadley
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1986) und Sony BMG Music Entertainment (UK) Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei und mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland und Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Frankreich
recording of:
Through the Barricades
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet35:35
16Following
recording of:
Following
Texter und Komponist(in):
Michael Steele (American bassist, guitarist, songwriter, and singer)
Bangles2:56
17My First Love
Bonnie Bianco4:13
18Tonight Tonight Tonight
recording of:
Tonight, Tonight, Tonight
Texter:
Phil Collins (of Genesis)
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Anthony Banks Ltd., Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. und Philip Collins Ltd.
geschrieben bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
Genesis4:25
2▼CD
Nr.TitelKünstlerBewertungLänge
1Don’t Give Up
Interpret(in):
Kate Bush
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recording of:
Don’t Give Up
Texter und Komponist(in):
Peter Gabriel (formerly of Genesis)
publisher:
Cliofine Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Real World Music, Ltd.
Peter Gabriel5:31
2Hold Me Now
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1987) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987)
Teil von:
Ireland in the Eurovision Song Contest (Irland beim Eurovision Song Contest) (Nummer: 1987) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1987)
recording of:
Hold Me Now (in 1987)
publisher:
Johnny Logan
Komponist(in):
Johnny Logan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Warner Chappell Music (publisher as Warner/Chappell Music)
Johnny Logan43:01
3Caravan of Love
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
Caravan of Love
Verfasser(in):
Ernie Isley, Marvin Isley und Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Isley Jasper Isley3.55:44
4Hard to Say I’m Sorry
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
cover recording of:
Hard to Say I’m Sorry (Chicago song)
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Double Virgo Music (in 1982) und Foster Frees Music Inc. (in 1982)
Chicago53:46
5The Carpet Crawl
recording of:
The Carpet Crawlers
Texter und Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis), Peter Gabriel (formerly of Genesis), Steve Hackett und Mike Rutherford
publisher:
Carlin Music Corporation, Genesis Music Ltd, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins und Imagem Sounds Rutherford
Genesis5:25
6Under the Boardwalk
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-21)
Produzent(in):
Bert Berns und Mike Leander
Gitarre:
Everett Barksdale (am 1964-05-21), Bill Suyker (am 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1964-05-21) und Bob Bushnell (am 1964-05-21)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1964-05-21)
Kontrabass [bass]:
Milt Hinton (am 1964-05-21)
Saiteninstrumente [nine strings]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1964-05-21)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1964-05-21)
Vibraphon [vibes]:
George Devens (am 1964-05-21)
Baritongesang:
Gene Pearson (vocals, Drifters) (am 1964-05-21)
Bass-Gesang:
Winifred Terry (am 1964-05-21)
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1964-05-21)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) und Teacho Wiltshire
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 304) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 487)
recording of:
Under the Boardwalk (am 1964-05-21)
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. und Trio Music Company
The Drifters4.352:39
7Sebastian
recording of:
Sebastian
Texter und Komponist(in):
Steve Harley
publisher:
Finchley Music Corp. und RAK Publishing Ltd.
Steve Harley & Cockney Rebel5:33
8When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:49
9Bye Bye Love
recording of:
Bye Bye Love
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers2:16
10Honesty
assistierende(r) Techniker(in):
Dave Martone (US engineer)
Techniker(in):
Jim Boyer (producer/engineer)
Produzent(in):
Phil Ramone
Mix:
Jim Boyer (producer/engineer) und Phil Ramone
Akustikgitarre:
David Spinozza (in 1978)
Blechblasinstrumente [horns] und Saiteninstrumente arranger:
Robert Freedman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten (in 1978)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Honesty von Billy Joel (American singer-songwriter and pianist)
recording of:
Honesty (in 1978)
Texter und Komponist(in):
Billy Joel (American singer-songwriter and pianist)
publisher:
April Music Inc., EMI Songs Australia Pty. Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1978), EMI April Music Inc. (in 1978) und Impulsive Music (in 1978)
Billy Joel3.653:45
11City Lights
recording of:
City Lights
Texter und Komponist(in):
Pascal Pilet Desjardins (producer), Phil Trainer und Pascal Wuthrich
William Pitt3:50
12Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:54
13Don’t Dream It’s Over
recording engineer:
Tchad Blake und Dennis Kirk
assistierende(r) Techniker(in):
Glen Holguin (engineer)
Produzent(in):
Mitchell Froom
Mix:
Michael Frondelli
Bass:
Nick Seymour (Nicholas More Seymour)
Conga, Mbira [kalimba] und shakers:
Jorge Bermudez
E-Gitarre [Gibson Les Paul Goldtop] und Sologesang:
Neil Finn
E-Gitarre [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
Keyboard und Orgel:
Mitchell Froom
Schlagzeug:
Paul Hester (Australian drummer for Crowded House/Split Enz)
Hintergrundgesang:
Noel Crombie, Jim Gilstrap, Andy Milton und Joe Satriani
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 5)
recording of:
Don’t Dream It’s Over
Texter und Komponist(in):
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing und Roundhead Music (Neil Finn)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 2)
Crowded House3.93:48
14Everlasting Love
cover recording of:
Everlasting Love
Verfasser(in):
James “Buzz” Cason und Mac Gayden
publisher:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. und Rising Sons Music Inc. (in 1967)
Love Affair43:00
15I’m Not in Love
recording engineer:
10cc (in 1974)
Techniker(in) und Mix:
Eric Stewart
Produzent(in):
10cc
Bass und Gitarre:
Graham Gouldman (in 1974)
Effektgerät [musical effects], Hybrid-Piano und Sologesang:
Eric Stewart (in 1974)
Klavier:
Lol (in 1974)
Moog:
Kevin (in 1974)
Synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) und Eric Stewart (in 1974)
Hintergrundgesang:
Graham Gouldman (in 1974), Kevin (in 1974) und Lol (in 1974)
sonstiger Gesang [whisper vocals]:
Kathy Redfern (in 1974)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1975), Mercury Records Ltd. (London) (for copyrights use only) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (not for release label use!) (in 1979) und Mercury Records Ltd. (not for release label use!) (in 1996)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1974)
Musikvideos:
I’m Not in Love von 10cc
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 319)
recording of:
I’m Not in Love (in 1974)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10 cc3.85:56
16Donna
recording engineer:
Larry Levine und Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Bob Keane
phonographisches Urheberrecht (℗) von:
Del-Fi Records Inc. (in 1958)
recording of:
Donna
Texter und Komponist(in):
Ritchie Valens
publisher:
Aberbach Musikverlag (German publisher) und Carlin Music Corporation
Ritchie Valens4.82:23
17Don’t You Love Me Anymore
recording of:
Don’t You Love Me Anymore
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
Joe Cocker3:53
18Carrie
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
recording of:
Carrie (Europe song)
Verfasser(in):
Mic Michaeli und Joey Tempest (Swedish singer)
publisher:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seven Doors Music
Europe3.94:31

Nennungen

Veröffentlichungsgruppe

Teil von:Kuschelrock (Nummer: 1) (Reihenfolge: 27)
Discogs:https://www.discogs.com/master/148661 [Info]
Allmusic:https://www.allmusic.com/album/mw0000722122 [Info]