| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | I Will Survive- Partner-Produzent(in):
- Freddie Perren
- Produzent(in):
- Dino Fekaris
- phonographisches Urheberrecht (℗) von:
- PolyGram Records, Inc. (in 1978), Universal Records (in 1978) und Polydor Incorporated (in 1979)
- Bearbeitung von:
- I Will Survive von Gloria Gaynor
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 489)
- recording of:
- I Will Survive
- Verfasser(in):
- Dino Fekaris und Freddie Perren
- publisher:
- ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. , Universal Music Publishing , Universal Music Publishing Ltd. , Universal Music Publishing Pty Ltd. und Universal PolyGram International Publishing, Inc.
| Gloria Gaynor | 3.95 | 3:13 |
| 2 | One Way Ticket | Eruption | 3 | 3:34 |
| 3 | Gonna Get Along Without You Now | Viola Wills | 1 | 3:16 |
| 4 | Video Killed the Radio Star- Produzent(in):
- The Buggles
- E-Gitarre und Sologesang:
- Trevor Horn (in 1979)
- Keyboard:
- Geoff Downes (in 1979)
- Chorgesang:
- Debi Doss (in 1979) und Linda Jardim (in 1979)
- phonographisches Urheberrecht (℗) von:
- Island Records (in 1979)
- Teil von:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 40)
- recording of:
- Video Killed the Radio Star
- Verfasser(in):
- Geoff Downes, Trevor Horn und Bruce Woolley
- publisher:
- Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control , Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal , Universal Music Publishing Pty Ltd. , Universal PolyGram International Publishing, Inc. und Universal/Island Music Ltd.
| Buggles | 3.95 | 3:18 |
| 5 | Born to Be Alive | Patrick Hernandez | | 3:43 |
| 6 | Theme From 'The Deerhunter' (Cavatina) | The Shadows | | 3:26 |
| 7 | This Is My Life | Shirley Bassey | | 3:15 |
| 8 | Gloria | Umberto Tozzi | | 4:21 |
| 9 | Fire | The Pointer Sisters | 4.35 | 3:19 |
| 10 | Chiquitita | ABBA | 3.45 | 5:21 |
| 11 | We Don't Talk Anymore | Cliff Richard | 3 | 4:11 |
| 12 | How Can You Mend a Broken Heart- recording engineer:
- Bryan Stott (in 1971-01)
- Produzent(in):
- Bee Gees und Robert Stigwood
- conductor:
- Bill Shepherd
- arranger:
- Bill Shepherd
- phonographisches Urheberrecht (℗) von:
- Barry Gibb (in 1971), Maurice Gibb (in 1971) und Robin Gibb (in 1971)
- phonographisches Urheberrecht (℗) von:
- PolyGram International Ltd. (in 1971)
- aufgenommen bei:
- IBC Studios in London , England, Vereinigtes Königreich
- recording of:
- How Can You Mend a Broken Heart (in 1971-01)
- geschrieben in:
- Kensington, Kensington and Chelsea, London , England, Vereinigtes Königreich
- Verfasser(in):
- Barry Gibb und Robin Gibb
- publisher:
- Abigail Music (London) Ltd. , BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. , Universal Music Careers und Universal Music Publishing International MGB Ltd.
- sub-publisher:
- シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
| Bee Gees | 4.25 | 3:57 |
| 13 | D.I.S.C.O. | Ottawan | | 3:46 |
| 14 | Heart of Glass- Produzent(in):
- Mike Chapman
- remixer:
- Mike Chapman
- phonographisches Urheberrecht (℗) von:
- Capitol Records, LLC (in 1978), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 1981, in 2002) und Chrysalis Records Ltd. (in 1981)
- Remix von:
- Heart of Glass von Blondie
- recording of:
- Heart of Glass
- Verfasser(in):
- Deborah Harry und Chris Stein
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
- sub-publisher:
- フジパシフィックミュージック
- Version von:
- Once I Had a Love
| Blondie | 4 | 4:27 |
| 15 | Making Plans for Nigel | XTC | | 4:08 |
| 16 | My Sharona- recording engineer:
- Pete Coleman
- Produzent(in):
- Mike Chapman
- Bassgitarre:
- Prescott Niles
- Gitarre:
- Berton Averre und Doug Fieger
- Schlagzeug:
- Bruce Gary
- Sologesang:
- Doug Fieger
- vocals:
- Berton Averre
- remixer:
- Dave Jerden
- phonographisches Urheberrecht (℗) von:
- Capitol Records, Inc. (in 1979, in 1994, in 2013)
- Teil von:
- Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 18), TV Cream: Real 100 Best Singles Ever (Nummer: 24) und Billboard: The 500 Best Pop Songs (Nummer: 201)
- recording of:
- My Sharona
- Verfasser(in):
- Berton Averre und Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia und Wise Brothers Music LLC
| The Knack | 4.15 | 4:54 |
| 17 | One Step Beyond | Madness | 4.55 | 2:19 |
| 18 | Hold the Line- Techniker(in) und Mix:
- Tom Knox
- Produzent(in):
- Toto
- Bassgitarre:
- David Hungate (in 1978-08)
- E-Gitarre:
- Steve Lukather (in 1978-08)
- Keyboard:
- David Paich (in 1978-08) und Steve Porcaro (in 1978-08)
- Klavier:
- David Paich (in 1978-08)
- Perkussion:
- Lenny Castro (in 1978-08)
- Schlagzeug:
- Jeffrey Porcaro (in 1978-08)
- Hintergrundgesang:
- Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) und David Paich (in 1978-08)
- Sologesang:
- Bobby Kimball (in 1978-08)
- phonographisches Urheberrecht (℗) von:
- Sony Music Entertainment Inc. (in 1977, in 1978), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), Columbia Records (in 1978), Sony BMG Music Entertainment (in 1978) und Sony Music Entertainment (in 1978)
- aufgenommen bei:
- Studio 55 in Los Angeles, California , Vereinigte Staaten (in 1978-08)
- Teil von:
- BILLIONS CLUB
- recording of:
- Hold the Line (in 1978-08)
- Texter und Komponist(in):
- David Paich
- publisher:
- Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. , Sony/ATV Music Publishing Ltd. und Spirit Two Music
- sub-publisher:
- Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部
| Toto | 4.2 | 3:57 |
| 19 | We Belong to the Night | Ellen Foley | 1 | 5:15 |