Something Cool, The Best Cool Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1What a Wonderful World
cover recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Stacey Kent4:27
2Give Me That Slow Knowing Smile
Lisa Ekdhal4:14
3Thinking About You
Norah Jones3:18
4Paper Clouds
sound engineer:
Tommy Cavalieri
producer:
Nicola Conte (Italian acid jazz artist, composer, producer, and DJ)
vocals:
Chiara Civello
phonographic copyright (℗) by:
Edizioni Ishtar SNC
recorded at:
Sorriso Studios in Bari, Bari (Province of Bari), Puglia, Italy (from 2005 until 2007)
Nicola Conte4:07
5Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Aaron Neville3:41
6Fragile
assistant engineer:
Kent Bruce (engineer) and Peter Doris
engineer:
Sean Macke (from 2002-12 until 2003-03)
producer:
Fabrizio Sotti and Cassandra Wilson
mixer:
Eric Butler
bass:
Reginald Veal (from 2002-12 until 2003-03)
drums (drum set):
Terri Lyne Carrington (from 2002-12 until 2003-03)
guitar:
Fabrizio Sotti (from 2002-12 until 2003-03)
percussion:
Jeffrey Haynes (from 2002-12 until 2003-03)
vocals:
Cassandra Wilson (from 2002-12 until 2003-03)
mixed at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2003-04)
cover recording of:
Fragile (from 2002-12 until 2003-03)
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc. and Magnetic Publishing Ltd.
Cassandra Wilson34:37
7I’ve Got You Under My Skin
producer:
Tommy LiPuma and Johnny Mandel (American composer and arranger)
double bass:
Ben Wolfe
drums (drum set):
Lewis Nash (American jazz drummer)
guitar:
Russell Malone
piano and lead vocals:
Diana Krall
conductor:
Eddie Karam and Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Diana Krall6:10
8The Look of Love
Traincha4:34
9What a Difference a Day Made
bass:
Geoff Gascoyne
guitar:
John Parricelli
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
percussion:
Francis Fuster
vocals:
Jamie Cullum (pianist, jazz‐pop artist)
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
cover recording of:
What a Diff’rence a Day Made
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Jamie Cullum45:10
10Unforgettable
recorded in:
New York, New York, United States (on 1964-02-10)
producer:
Robert Mersey
vibraphone:
Teddy Charles (on 1964-02-10)
lead vocals:
Aretha Franklin (on 1964-02-10)
arranger:
Robert Mersey
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1964) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964)
cover recording of:
Unforgettable (on 1964-02-10)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Aretha Franklin43:41
11The Very Thought of You
recording of:
The Very Thought of You
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
Clare Teal4:31
12Baby Won’t You Please Come Home
recording of:
Baby Won’t You Please Come Home
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
Jacinta5:49
13I’ve Grown Accustomed to Her Face
Maria João & Mário Laginha4:57
14Fly Me to the Moon (In Other Words)
executive producer:
Danny Bennett
producer:
Ernie Altschuler
bass:
Hal Gaylor (Canadian bassist)
drums (drum set):
William "Billy" Exiner
piano:
Ralph Sharon
tenor saxophone:
Al Cohn
vocals:
Tony Bennett (US jazz/standards vocalist)
conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1965-02-18)
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Tony Bennett4:13
15Something Cool
Ruth Cameron5:23
16Easy to Love
recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Patricia Barber3:36
17Chega de saudade (No More Blues)
Jane Monheit3:16