Violin and Voice

~ Release by Johann Sebastian Bach; Hilary Hahn, Matthias Goerne, Christine Schäfer, Munich Chamber Orchestra, Alexander Liebreich (see all versions of this release, 4 available)

Annotation

Copyright: © 2009 Deutsche Grammophon GmbH, Berlin
℗ 2009 Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2024-12-29 14:09 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244 / Part Two: No. 51 "Gebt mir meinen Jesum wieder"
cello:
Kristin von der Goltz (cellist) (in 2009-04)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2009-04)
theorbo:
Rosario Conte (in 2009-04)
violin:
Hilary Hahn (violinist) (in 2009-04)
bass vocals:
Matthias Goerne (baritone) (in 2009-04)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2009-04)
conductor:
Alexander Liebreich (conductor) (in 2009-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2009-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 2009-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:59
2Wachet auf, ruft uns die Stimme Cantata, BWV 140: Arie (Duett): "Wann kommst du, mein Heil?"
cello:
Kristin von der Goltz (cellist) (in 2008-12)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2008-12)
theorbo:
Rosario Conte (in 2008-12)
violin:
Hilary Hahn (violinist) (in 2008-12)
bass vocals:
Matthias Goerne (baritone) (in 2008-12)
soprano vocals:
Christine Schäfer (soprano) (in 2008-12)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2008-12)
conductor:
Alexander Liebreich (conductor) (in 2008-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2008-12)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (in 2008-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:44
3Cantata, BWV 204 "Ich bin vergnügt": Aria "Die Schätzbarkeit der weiten Erde"
cello:
Kristin von der Goltz (cellist) (in 2008-12)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2008-12)
theorbo:
Rosario Conte (in 2008-12)
violin:
Hilary Hahn (violinist) (in 2008-12)
soprano vocals:
Christine Schäfer (soprano) (in 2008-12)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2008-12)
conductor:
Alexander Liebreich (conductor) (in 2008-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2008-12)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": IV. Aria (Sopran) "Die Schätzbarkeit der weiten Erden" (in 2008-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach4:13
4Liebster Jesu, mein Verlangen Cantata, BWV 32: III. Aria: Hier, in meines Vaters Stätte
cello:
Kristin von der Goltz (cellist) (in 2009-04)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2009-04)
theorbo:
Rosario Conte (in 2009-04)
violin:
Hilary Hahn (violinist) (in 2009-04)
bass vocals:
Matthias Goerne (baritone) (in 2009-04)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2009-04)
conductor:
Alexander Liebreich (conductor) (in 2009-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2009-04)
recording of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen": III. Aria (Basso) "Hier, in meines Vaters Stätte" (in 2009-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach7:09
5Zerreißet, zersprenget, zertrümmert die Gruft Dramma per musica, BWV 205: IX. Aria Soprano: "Angenehmer Zephyrus"
cello:
Kristin von der Goltz (cellist) (in 2008-12)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2008-12)
theorbo:
Rosario Conte (in 2008-12)
violin:
Hilary Hahn (violinist) (in 2008-12)
soprano vocals:
Christine Schäfer (soprano) (in 2008-12)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2008-12)
conductor:
Alexander Liebreich (conductor) (in 2008-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2008-12)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": IX. Aria (Sopran) "Angenehmer Zephyrus" (in 2008-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:29
6Mass in B minor, BWV 232 / Gloria: Laudamus te
cello:
Kristin von der Goltz (cellist) (in 2008-12)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2008-12)
theorbo:
Rosario Conte (in 2008-12)
violin:
Hilary Hahn (violinist) (in 2008-12)
soprano vocals:
Christine Schäfer (soprano) (in 2008-12)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2008-12)
conductor:
Alexander Liebreich (conductor) (in 2008-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2008-12)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 2008-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:50
7Ich lasse dich nicht, du segnest mich denn (Cantata BWV 157): Ja, ja ich halte meinen Jesum fest
cello:
Kristin von der Goltz (cellist) (in 2009-04)
flute:
Henrik Wiese (flautist) (in 2009-04)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2009-04)
theorbo:
Rosario Conte (in 2009-04)
violin:
Hilary Hahn (violinist) (in 2009-04)
bass vocals:
Matthias Goerne (baritone) (in 2009-04)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2009-04)
conductor:
Alexander Liebreich (conductor) (in 2009-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2009-04)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": IV. Aria, Recitativo ed Arioso (Bass) "Ja, ja, ich halte Jesum feste" (in 2009-04)
premiered in:
Pomßen, Sachsen (Saxony), Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
Johann Sebastian Bach6:18
8Cantata "Wer mich liebet, der wird mein Wort halten" BWV 59: IV. Aria: "Die Welt mit allen Königreichen"
cello:
Kristin von der Goltz (cellist) (in 2008-12)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2008-12)
theorbo:
Rosario Conte (in 2008-12)
violin:
Hilary Hahn (violinist) (in 2008-12)
bass vocals:
Matthias Goerne (baritone) (in 2008-12)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2008-12)
conductor:
Alexander Liebreich (conductor) (in 2008-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2008-12)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": IV. Aria (Basso) "Die Welt mit allen Königreichen" (in 2008-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach3:06
9Cantata, BWV 58 "Ach Gott, wie manches Herzeleid": Aria "Ich bin vergnügt in meinem Leiden" (Soprano)
cello:
Kristin von der Goltz (cellist) (in 2008-12)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2008-12)
theorbo:
Rosario Conte (in 2008-12)
violin:
Hilary Hahn (violinist) (in 2008-12)
soprano vocals:
Christine Schäfer (soprano) (in 2008-12)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2008-12)
conductor:
Alexander Liebreich (conductor) (in 2008-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2008-12)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": III. Aria (Soprano) "Ich bin vergnügt in meinem Leiden" (catch-all for unknown versions) (in 2008-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach3:44
10Cantata, BWV117: VI. Wenn Trost und Hülf' ermangeln muß
cello:
Kristin von der Goltz (cellist) (in 2008-12)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2008-12)
theorbo:
Rosario Conte (in 2008-12)
violin:
Hilary Hahn (violinist) (in 2008-12)
bass vocals:
Matthias Goerne (baritone) (in 2008-12)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2008-12)
conductor:
Alexander Liebreich (conductor) (in 2008-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2008-12)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VI. Aria (Bass) "Wenn Trost und Hülf ermangeln muss" (in 2008-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach4:03
11Der Friede sei mit dir: Cantata, BWV 158: II. Aria & Choral: Welt, ade, ich bin dein müde
cello:
Kristin von der Goltz (cellist) (in 2008-12)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2008-12)
theorbo:
Rosario Conte (in 2008-12)
violin:
Hilary Hahn (violinist) (in 2008-12)
bass vocals:
Matthias Goerne (baritone) (in 2008-12)
soprano vocals:
Christine Schäfer (soprano) (in 2008-12)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2008-12)
conductor:
Alexander Liebreich (conductor) (in 2008-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2008-12)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde" (in 2008-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Georg Albinus (in 1649)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach5:50
12St. Matthew Passion, BWV 244 / Part Two (Arr. Mendelssohn 1841): XXXIX. Aria (Alto): "Erbarme dich"
producer:
Sid McLauchlan (engineer/producer)
cello:
Kristin von der Goltz (cellist) (in 2008-12)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2008-12)
theorbo:
Rosario Conte (in 2008-12)
violin:
Hilary Hahn (violinist) (in 2008-12)
soprano vocals:
Christine Schäfer (soprano) (in 2008-12)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2008-12)
conductor:
Alexander Liebreich (conductor) (in 2008-12)
balance engineer:
Stephan Flock
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2008-12)
recording of:
St Matthew Passion, BWV 244: 39. Aria: Erbarme dich, mein Gott (1841 arrangement by Mendelssohn)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Felix Mendelssohn (composer) (until 1841)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
part of:
St Matthew Passion, BWV 244 (1841 arrangement by Mendelssohn)
Johann Sebastian Bach6:32
13Cantata, BWV 197 "Gott ist unsere Zuversicht": Aria "Vergnügen und Lust" (Soprano)
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra)
conductor:
Alexander Liebreich (conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Sopran) "Vergnügen und Lust"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach3:07