The Magic of Satie (BMG club edition)

~ Release by Erik Satie; Jean‐Yves Thibaudet (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Gymnopédie no. 1
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:39
2Gnossiennes: no. 1
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Gnossienne no. 1
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie4:33
3Gnossiennes: no. 2
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Gnossienne no. 2
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie2:34
4Gnossiennes: no. 3
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Gnossienne no. 3
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie3:19
5Gnossiennes: no. 4
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Gnossienne no. 4
composer:
Erik Satie (French composer) (in 1891)
Erik Satie3:37
6Gnossiennes: no. 5
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Gnossienne no. 5
composer:
Erik Satie (French composer) (in 1889)
Erik Satie3:49
7Gnossiennes: no. 6
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Gnossienne no. 6
composer:
Erik Satie (French composer) (in 1897-01)
Erik Satie1:46
8Gnossiennes: no. 7
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Gnossienne no. 7
composer:
Erik Satie (French composer)
Erik Satie4:55
9Verset laïque & somptueux
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Verset laïque et somptueux
composer:
Erik Satie (French composer) (in 1900)
Erik Satie1:14
10Gymnopédie no. 2
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Deuxième Gymnopédie : Lent et triste (Gymnopédie no. 2)
composer:
Erik Satie (French composer) (in 1888)
part of:
Gymnopédies
Erik Satie3:28
11Je te veux
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Je te veux (for piano solo)
composer:
Erik Satie (French composer) (in 1897)
arranger:
Erik Satie (French composer)
arrangement of:
Je te veux (for voice and piano)
Erik Satie5:12
12Jack in the Box: I. Prélude
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Jack-in-the-Box : I. Prélude
composer:
Erik Satie (French composer) (in 1899)
part of:
Jack-in-the-Box
Erik Satie1:53
13Jack in the Box: II. Entr’acte
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Jack-in-the-Box : II. Entr'acte
composer:
Erik Satie (French composer) (in 1899)
part of:
Jack-in-the-Box
Erik Satie1:56
14Jack in the Box: III. Finale
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Jack-in-the-Box : III. Finale
composer:
Erik Satie (French composer) (in 1899)
part of:
Jack-in-the-Box
Erik Satie2:00
15The Dreamy Fish
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Le Poisson rêveur (The Dreamy Fish)
composer:
Erik Satie (French composer) (in 1901)
Erik Satie5:33
16Le “Piccadily”
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Le Piccadilly
composer:
Erik Satie (French composer) (in 1904)
Erik Satie1:36
17The Angora Ox
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
The Angora Ox (piano solo, arr. Fritz)
composer:
Erik Satie (French composer)
arranger:
Johny Fritz (conductor and composer) (in 1995)
arrangement of:
The Angora Ox
Erik Satie7:41
18Gymnopédie no. 3
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
composer:
Erik Satie (French composer) (in 1888)
part of:
Gymnopédies
Erik Satie3:06
19L’Enfance de Ko-Quo: I. Ne bois pas ton chocolat avec tes doigts
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
L'Enfance de Ko-quo (recommandations maternelles) : I. Ne bois pas ton chocolat avec tes doigts
composer:
Erik Satie (French composer) (in 1913)
part of:
L'Enfance de Ko-quo (recommandations maternelles)
Erik Satie1:07
20L’Enfance de Ko-Quo: II. Ne souffle pas dans tes oreilles
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
L'Enfance de Ko-quo (recommandations maternelles) : II. Ne souffle pas dans tes oreilles
composer:
Erik Satie (French composer) (in 1913)
part of:
L'Enfance de Ko-quo (recommandations maternelles)
Erik Satie0:35
21L’Enfance de Ko-Quo: III. Ne mets pas ta tête sous ton bras
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
L'Enfance de Ko-quo (recommandations maternelles) : III. Ne mets pas ta tête sous ton bras
composer:
Erik Satie (French composer) (in 1913)
part of:
L'Enfance de Ko-quo (recommandations maternelles)
Erik Satie0:42
22Sonatine bureaucratique: I. Allegro
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Sonatine bureaucratique : I. Allegro
composer:
Erik Satie (French composer) (in 1917-07)
part of:
Sonatine bureaucratique
Erik Satie0:56
23Sonatine bureaucratique: II. Andante
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Sonatine bureaucratique : II. Andante
composer:
Erik Satie (French composer) (in 1917-07)
part of:
Sonatine bureaucratique
Erik Satie1:00
24Sonatine bureaucratique: III. Vivache
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Sonatine bureaucratique : III. Vivache
composer:
Erik Satie (French composer) (in 1917-07)
part of:
Sonatine bureaucratique
Erik Satie1:20
25La Diva de l’empire
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
La Diva de l'Empire (for piano, Ourdine)
composer:
Erik Satie (French composer) (in 1904)
arranger:
Hans Ourdine (in 1919)
arrangement of:
La Diva de l’Empire
Erik Satie2:17
26La Belle excentrique: I. Marche franco-lunaire
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
La belle excentrique : Marche Franco-Lunaire (for solo piano)
composer:
Erik Satie (French composer) (in 1920)
arrangement of:
La Belle Excentrique (Fantasie sérieuse): II. Marche franco‐lunaire
Erik Satie2:29
27La Belle excentrique: II. Valse du mystérieux basier dans l'œil
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
La belle excentrique : Valse du « Mystérieux baiser dans l’oeil » (for solo piano)
composer:
Erik Satie (French composer) (from 1920-07 until 1920-10)
arrangement of:
La Belle Excentrique (Fantasie sérieuse): III. Valse du “Mystérieux baiser dans l’œil”. Mouvement de valse
Erik Satie2:37
28Cinq grimaces pour “Le Songe d’une nuit d’été”: I. Préambule
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") : I. Préambule (piano solo, arr. Milhaud)
composer:
Erik Satie (French composer) (in 1915)
arranger:
Darius Milhaud (composer) (in 1928)
arrangement of:
Cinq Grimaces (pour “Le Songe d’une Nuit d’Été”) : I. Préambule
part of:
Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") (piano solo, arr. Milhaud)
Erik Satie0:54
29Cinq grimaces pour “Le Songe d’une nuit d’été”: II. Coquecigrue
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") : II. Coquecigrue (piano solo, arr. Milhaud)
composer:
Erik Satie (French composer) (in 1915)
arranger:
Darius Milhaud (composer) (in 1928)
arrangement of:
Cinq Grimaces (pour “Le Songe d’une Nuit d’Été”) : II. Coquecigrue
part of:
Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") (piano solo, arr. Milhaud)
Erik Satie0:41
30Cinq grimaces pour “Le Songe d’une nuit d’été”: III. Chasse
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") : III. Chasse (piano solo, arr. Milhaud)
composer:
Erik Satie (French composer) (in 1915)
arranger:
Darius Milhaud (composer) (in 1928)
arrangement of:
Cinq Grimaces (pour “Le Songe d’une Nuit d’Été”) : III. Chasse
part of:
Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") (piano solo, arr. Milhaud)
Erik Satie0:35
31Cinq grimaces pour “Le Songe d’une nuit d’été”: IV. Fanfaronnade
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") : IV. Fanfaronnade (piano solo, arr. Milhaud)
composer:
Erik Satie (French composer) (in 1915)
arranger:
Darius Milhaud (composer) (in 1928)
arrangement of:
Cinq Grimaces (pour “Le Songe d’une Nuit d’Été”) : IV. Fanfaronnade
part of:
Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") (piano solo, arr. Milhaud)
Erik Satie0:25
32Cinq grimaces pour “Le Songe d’une nuit d’été”: V. Retraite (pour sortir)
producer:
David Mottley (producer)
editor:
Mark Buecker (engineer of classical recordings) and Oliver Curdt (Editor)
piano:
Jean‐Yves Thibaudet (pianist)
balance engineer:
Philip Siney (sound engineer)
recording of:
Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") : V. Retraite (pour sortir) (piano solo, arr. Milhaud)
composer:
Erik Satie (French composer) (in 1915)
arranger:
Darius Milhaud (composer) (in 1928)
arrangement of:
Cinq Grimaces (pour “Le Songe d’une Nuit d’Été”) : V. Retraite (pour sortir)
part of:
Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") (piano solo, arr. Milhaud)
Erik Satie1:09