I Put a Spell on You

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1I Put a Spell on You
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (am 1965-01-15)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
4.32:36
2Mississippi Goddam
Gitarre:
Rudy Stevenson (am 1964-04-04)
Klavier und Sologesang:
Nina Simone (am 1964-04-04)
Kontrabass:
Lisle Atkinson (am 1964-04-04)
membranophone und Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-04)
Hintergrundgesang:
Lisle Atkinson (am 1964-04-04), Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-04) und Rudy Stevenson (am 1964-04-04)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-04-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 172)
live recording of:
Mississippi Goddam (am 1964-04-04)
Texter und Komponist(in):
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. und Sam Fox Publishing Company (publisher; do NOT use as release label)
Teil von:
Martin Luther King Suite
4.54:55
3Don’t Let Me Be Misunderstood
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Klavier:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
4.052:48
4Trouble in Mind
Produzent(in):
Hal Mooney
cover recording of:
Trouble in Mind (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) und Universal‐MCA Music Publishing (US)
4.22:42
5The Laziest Gal in Town
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Klavier:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
Orchester:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
The Laziest Gal in Town (in 1964)
Texter und Komponist(in):
Cole Porter (composer) (in 1927)
42:18
6I Love You Porgy
flute:
Rudy Stevenson
Gitarre:
Rudy Stevenson (am 1964-03-21)
Klavier und Sologesang:
Nina Simone (am 1964-03-21)
Kontrabass:
Lisle Atkinson (am 1964-03-21)
Perkussion:
Lisle Atkinson
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-03-21)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-03-21)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (am 1964-03-21)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
52:33
7Ne me quitte pas
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Ne me quitte pas (original French version) (in 1965-01)
Texter und Komponist(in):
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales und Warner Chappell Music France
43:36
8Gimme Some
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Gimme Some
Verfasser(in):
Andy Stroud (former husband of Nina Simone.)
4.53:01
9Nobody Knows You When You’re Down and Out
Produzent(in):
Hal Mooney
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
3.52:40
10Strange Fruit
Produzent(in):
Hal Mooney
cover recording of:
Strange Fruit (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
4.53:29
11Take Care of Business
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Take Care of Business
Texter und Komponist(in):
Andy Stroud (former husband of Nina Simone.)
42:06
12Don’t Take All Night
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Klavier:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Take All Night (in 1964-06)
Verfasser(in):
Bennie Benjamin und Sol Marcus
32:52
13Plain Gold Ring
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
PolyGram Records Inch (not for release label use! US division of PolyGram) (in 1964)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Plain Gold Ring (in 1957-12)
Texter:
George Stone (composer)
Komponist(in):
Blue Sky Black Death (US hip hop production duo), Earl Burroughs und George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) und Hank Snow Music (am 1959-09-21)
33:53
14He’s Got the Whole World in His Hands
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
He’s Got the Whole World in His Hands (in 1957-12)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
3:11
15For All We Know
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
For All We Know (1934 song) (in 1957-12)
Texter:
Sam M. Lewis (1930s lyricist) (in 1934)
Komponist(in):
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (beendet), Cromwell Music, Inc. (beendet), EMI Feist Catalog Inc. (beendet), Leo Feist, Inc. (beendet), Redwood Music Ltd. (Carlin) (beendet), Tro-Cromwell Music, Inc. (beendet), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company und Toy Town Tunes, Inc.
4:01
16Central Park Blues
Klavier:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
Bearbeitung von:
Central Park Blues (hi fidelity mono) von Nina Simone
recording of:
Central Park Blues
Komponist(in):
Nina Simone
publisher:
Memory Music Lane Ltd.
43:04

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Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/524651 [Info]