Live at I.U.C.C.

~ Release by Horace Tapscott with the Pan‐Afrikan Peoples Arkestra (see all versions of this release, 6 available)

Annotation

℗ & © «1979 Nimbus West»
℗ «2019 Soul Jazz Records Ltd»

Countries excluded (Deezer + Spotify)

(As of 2023-05-06).

  • Caribbean: 🇻🇨 Saint Vincent and Grenadines (vc) 🇹🇹 Trinidad and Tobago (tt)
  • South America: 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇸🇲 San Marino (sm)
  • Eastern Europe: 🇽🇰 Kosovo (xk)
  • Western Asia: 🇵🇸 Palestine (ps)
  • Southern Asia: 🇮🇳 India (in)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇰🇷 South Korea (kr) 🇲🇴 Macao (mo) 🇹🇼 Taiwan (tw)
Annotation last modified on 2023-05-06 08:27 UTC.

Tracklist

1Digital Media
#TitleRatingLength
1Macrame
recording engineer:
Bruce Bidlack (engineer) (in 1979)
alto clarinet:
Herbert Callies (jazz clarinetist) (in 1979)
alto saxophone [alto]:
Michael Session (jazz saxophonist, composer, arranger) (in 1979)
bass:
David Bryant (1950s bassist) (in 1979) and Alan Hines (jazz bassist/guitarist) (in 1979)
drums (drum set) [drums]:
Everett Brown Jr. (in 1979)
flute:
Kafi Roberts (jazz flautist and saxophonist) (in 1979)
piano:
Horace Tapscott (US jazz pianist and composer) (in 1979)
solo drums (drum set) [drums]:
E. Brown Jr. (in 1979)
solo piano:
H. Tapscott (US jazz pianist and composer) (in 1979)
solo soprano saxophone [soprano]:
J. Sharps (jazz saxophonist/woodwinds player) (in 1979)
solo tenor saxophone [tenor]:
S. Matteen (in 1979)
soprano saxophone [soprano]:
Jesse Sharps (jazz saxophonist/woodwinds player) (in 1979)
tenor saxophone [tenor]:
James Andrews (jazz saxophonist) (in 1979) and Sabia Matteen (in 1979)
recorded at:
Immanuel United Church of Christ in Los Angeles, California, United States (in 1979)
live recording of:
Macrame (in 1979)
composer:
Jesse Sharps (jazz saxophonist/woodwinds player)
20:36
2Future Sally’s Time
11:18
3Noissessprahs
recording engineer:
Bruce Bidlack (engineer) (in 1979)
baritone saxophone [baritone]:
John Williams (jazz saxophonist) (in 1979)
bass:
David Bryant (1950s bassist) (in 1979), Alan Hines (jazz bassist/guitarist) (in 1979) and Roberto Miranda (American jazz bassist) (in 1979)
cello:
Louis Spears (jazz bassist/cellist) (in 1979)
drums (drum set) [drums]:
Billy Hinton (in 1979)
flute:
Aubrey Hart (flautist) (in 1979) and Adele Sebastian (in 1979)
French horn [fr. horn]:
Bob Watt (French horn player) (in 1979)
percussion:
Mike Daniels (jazz percussionist) (in 1979) and Daa’oud Woods (percussionist) (in 1979)
piano:
Linda Hill (jazz pianist) (in 1979)
solo bass:
R. Miranda (American jazz bassist) (in 1979)
solo drums (drum set) [drums]:
B. Hinton (in 1979)
solo flute:
A. Hart (flautist) (in 1979)
solo soprano saxophone [soprano]:
B. Harris (saxophonist) (in 1979)
solo tenor saxophone [tenor]:
D. Walker (jazz saxophonist) (in 1979) and S. Matteen (in 1979)
soprano saxophone [soprano]:
Billy Harris (saxophonist) (in 1979)
tenor saxophone [tenor]:
Sabia Matteen (in 1979) and Desta Walker (jazz saxophonist) (in 1979)
trombone:
Lester Robertson (jazz trombonist) (in 1979)
recorded at:
Immanuel United Church of Christ in Los Angeles, California, United States (in 1979)
live recording of:
Noissessprahs (in 1979)
composer:
S. Matteen
16:22
4McKowsky’s First Fifth
16:14
5Village Dance
recording engineer:
Bruce Bidlack (engineer) (in 1979)
baritone saxophone [baritone]:
John Williams (jazz saxophonist) (in 1979)
bass:
Alan Hines (jazz bassist/guitarist) (in 1979) and Roberto Miranda (American jazz bassist) (in 1979)
drums (drum set) [drums]:
Billy Hinton (in 1979)
flute:
Aubrey Hart (flautist) (in 1979) and Adele Sebastian (in 1979)
percussion:
Daa’oud Woods (percussionist) (in 1979)
piano:
Horace Tapscott (US jazz pianist and composer) (in 1979)
solo bass:
R. Miranda (American jazz bassist) (in 1979)
solo drums (drum set) [drums]:
B. Hinton (in 1979)
solo flute:
A. Hart (flautist) (in 1979) and A. Sebastian (in 1979)
solo percussion:
D. Woods (percussionist) (in 1979)
solo piano:
H. Tapscott (US jazz pianist and composer) (in 1979)
solo soprano saxophone [soprano]:
B. Harris (saxophonist) (in 1979)
solo tenor saxophone [tenor]:
S. Matteen (in 1979)
soprano saxophone [soprano]:
Billy Harris (saxophonist) (in 1979)
tenor saxophone [tenor]:
Sabia Matteen (in 1979)
trombone:
Lester Robertson (jazz trombonist) (in 1979)
recorded at:
Immanuel United Church of Christ in Los Angeles, California, United States (in 1979)
live recording of:
Village Dance (in 1979)
composer:
S. Matteen
publisher:
Ribas Music (publisher for Sabir Mateen)
26:25
6L.T.T.
recording engineer:
Bruce Bidlack (engineer) (in 1979)
baritone saxophone [baritone]:
John Williams (jazz saxophonist) (in 1979)
bass:
Alan Hines (jazz bassist/guitarist) (in 1979) and Roberto Miranda (American jazz bassist) (in 1979)
drums (drum set) [drums]:
Billy Hinton (in 1979)
flute:
Aubrey Hart (flautist) (in 1979) and Adele Sebastian (in 1979)
percussion:
Daa’oud Woods (percussionist) (in 1979)
piano:
Horace Tapscott (US jazz pianist and composer) (in 1979)
solo bass:
R. Miranda (American jazz bassist) (in 1979)
solo piano:
H. Tapscott (US jazz pianist and composer) (in 1979)
solo soprano saxophone [soprano]:
B. Harris (saxophonist) (in 1979)
solo tenor saxophone [tenor]:
S. Matteen (in 1979)
soprano saxophone [soprano]:
Billy Harris (saxophonist) (in 1979)
tenor saxophone [tenor]:
Sabia Matteen (in 1979)
trombone:
Lester Robertson (jazz trombonist) (in 1979)
recorded at:
Immanuel United Church of Christ in Los Angeles, California, United States (in 1979)
live recording of:
L.T.T. (in 1979)
composer:
Horace Tapscott (US jazz pianist and composer)
14:55
7Desert Fairy Princess
11:20
8Lift Every Voice
recording engineer:
Bruce Bidlack (engineer) (in 1979)
recorded at:
Immanuel United Church of Christ in Los Angeles, California, United States (in 1979)
live cover recording of:
Lift Every Voice and Sing (1905 hymn incorporating the poem as its lyrics) (in 1979)
lyricist:
James Weldon Johnson (US songwriter, author) (in 1899)
composer:
J.W. Johnson (US songwriter, author) and John Rosamond Johnson (African American songwriter) (in 1905)
is based on:
Lift Every Voice and Sing (original 1899 poem used as the basis for the hymn)
2:07