100 Movie Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1(I've Had) The Time of My Life
assistant engineer:
Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
engineer:
Carmine Rubino
producer:
Michael Lloyd (US guitarist/singer producer)
vocals:
Bill Medley and Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal and Carmine Rubino
additional arranger:
John D’Andrea and Michael Lloyd (US guitarist/singer producer)
arranger:
Gene Page
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (in 1987) and Vestron Music Inc. (in 1987)
produced for:
Mike Curb Productions
recorded at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
(I’ve Had) The Time of My Life
lyricist:
Franke Previte
composer:
John DeNicola and Donald Markowitz
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (ended), Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
part of:
The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
Bill Medley & Jennifer Warnes3.754:50
2Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin3.92:25
3Will You Be There
recording of:
Will You Be There
lyricist and composer:
Michael Jackson (“King of Pop”)
Michael Jackson5:53
4It's Raining Men
membranophone programming:
Andy Duncan (UK drummer and producer)
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
strings arranger:
Nick Ingman
cover recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Geri Halliwell34:21
5Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins4.13:46
6Bag de blå bjerge
recording of:
Bag De Blå Bjerge
lyricist:
Morten Kærså (Danish composer, pianist, singer and producer) and Ivan Pedersen (Danish vocalist, drummer, composer and producer)
composer:
Morten Kærså (Danish composer, pianist, singer and producer)
Moonjam3:36
7Ghostbusters
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
part of:
Billboard Hot 100: 2025-11-15 (number: 22)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
is based on:
I Want a New Drug
Ray Parker Jr.3.94:06
8Drop Dead Gorgeous
drums (drum set):
Dave Barbarossa
guest instruments:
Johnny Male
guest keyboard:
Pete Davis (solo project of math rock band Invalids)
keyboard:
Tim Dorney and Andy Todd (UK electronic producer/keyboardist, member of Republica)
lead vocals:
Saffron (singer of Republica)
recording of:
Drop Dead Gorgeous
writer:
Tim Dorney, Johnny Male, Saffron (singer of Republica) and Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd. and Momentum Music (publisher)
Republica33:31
9Waiting for a Star to Fall
drum machine programming:
George Merrill
producer:
Arif Mardin
assistant mixer:
Jim Dineen
mixer:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
bass guitar, piano and synthesizer:
George Merrill
drums (drum set):
Denny Fongheiser and Michael Jochum
guitar:
John Goux
synthesizer [Crowning touch]:
Joe Mardin
additional vocals:
Susan Boyd
vocals:
George Merrill and Shannon Rubicam
phonographic copyright (℗) by:
BMG Music (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California, United States
recording of:
Waiting for a Star to Fall
writer:
George Merrill and Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (from 1987 to present) and Irving Music (BMI) (from 1987 to present)
Boy Meets Girl3.254:32
10You Were There
Babyface4:57
11Moving on Up
producer and mixer:
M People
recording of:
Moving On Up
writer:
Heard and Pickering (of M People and Quando Quango)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Ltd. (PRS‐affiliated)
M People2.653:34
12The Animal Song
additional programming:
Dan Shea
drum machine and keyboard programming:
Walter Afanasieff
drum machine programming:
Walter Afanasieff and Daniel Jones (Australian singer/producer of Savage Garden)
programming:
Daniel Jones (Australian singer/producer of Savage Garden) and Adam Rossi
assistant engineer:
Kent Matcke
engineer:
David Frazer (engineer) (lead vocals, background vocals, guitar) and David Gleeson
co-producer:
Darren Hayes and Daniel Jones (Australian singer/producer of Savage Garden)
producer:
Walter Afanasieff
mixer:
Chris Lord‐Alge
electric guitar and guitar [guitars]:
Michael Landau
keyboard [keyboards]:
Daniel Jones (Australian singer/producer of Savage Garden)
keyboard and synthesizer:
Walter Afanasieff and Daniel Jones (Australian singer/producer of Savage Garden)
background vocals, background vocals and lead vocals and lead vocals:
Darren Hayes
arranger:
Walter Afanasieff, Darren Hayes and Daniel Jones (Australian singer/producer of Savage Garden)
vocals arranger:
Walter Afanasieff and Darren Hayes
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1999 to present)
additionally recorded at:
Andora Studios in Hollywood, Los Angeles, California, United States (guitar)
recorded at:
Andora Studios in Hollywood, Los Angeles, California, United States and Wallyworld in San Rafael, California, United States
mixed at:
Wallyworld Studios in San Rafael, California, United States
recording of:
The Animal Song
writer:
Darren Hayes and Daniel Jones (Australian singer/producer of Savage Garden)
publisher:
Rough Cut Music Pty. Ltd., Warner Brothers Publishing (Also appears as:), Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
Savage Garden4.654:38
13Rainy Day Women #12 & 35
producer:
Bob Johnston (US record producer and early rockebilly singer)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-09)
recording of:
Rainy Day Women #12 & 35 (on 1966-03-10)
lyricist and composer:
Bob Dylan (from 1966-02 until 1966-03)
publisher:
Dwarf Music (from 1966 to present)
Bob Dylan3.654:35
14San Francisco (Be Sure to Wear Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.752:57
15Venner
Anne Linnet & Thomas Helmig4:56
16Vent På Mig
recording of:
Vent på mig
lyricist:
Martin Brygmann, Peter Frödin (Danish actor, comedian and singer) and Hella Joof (Danish actress and director)
composer:
Martin Brygmann
Peter Frödin & Jimmy Jørgensen4:13
2CD
#TitleArtistRatingLength
1My Heart Will Go On
recording engineer:
Humberto Gatica and David Gleeson
miscellaneous support:
Emilie Charlap (task: orchestratra contractor) and Dan Shea (task: sound design)
additional drum machine [drum and rhythm] programming:
Dan Shea
drum machine [drum and rhythm] programming:
Walter Afanasieff
programming:
Dan Shea
assistant engineer:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer and Greg Thompson (engineer, mixer)
engineer:
Humberto Gatica (lead vocals) and Dan Shea
co-producer:
James Horner (American score composer)
producer:
Walter Afanasieff
mixer:
Humberto Gatica
additional keyboard:
Dan Shea
bass synthesizer [synth bass], Hammond organ [Hammond B-3 organ] and keyboard:
Walter Afanasieff
fiddle [Irish fiddle]:
Paul Peabody (violinist)
guitar:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
background vocals:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens and Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
orchestrator:
William Ross (composer, orchestrator, arranger, conductor)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
music videos:
My Heart Will Go On (love theme from Titanic) by Céline Dion
a cappella versions:
The music from that movie about the boat by David Thorne (designer)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 2) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 279)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
Céline Dion4.354:41
2I Say a Little Prayer
producer:
Andy Marvel
cover recording of:
I Say a Little Prayer
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Diana King3:35
3The One and Only
Thomas Helmig3:49
4Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.253:05
5I Can See Clearly Now
additional producer:
Jimmy Bralower
producer:
Paul Henton
remixer:
Jimmy Bralower
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
cover recording of:
I Can See Clearly Now
lyricist and composer:
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jimmy Cliff4.53:18
6Islands in the Stream
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
vocals:
Dolly Parton and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dolly Parton & Kenny Rogers44:09
7Barndommens Gade
Anne Linnet5:03
8In the Wee Small Hours of the Morning
producer:
Frank Filipetti and Marty Paich
solo trumpet:
Marvin Stamm
lead vocals:
Carly Simon
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1990)
cover recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Carly Simon43:17
9Back in the Saddle Again
lead vocals:
Gene Autry (“The Singing Cowboy”)
recorded at:
CBS Columbia Square (KNX and Columbia Broadcasting System) in Hollywood, Los Angeles, California, United States
recording of:
Back in the Saddle (on 1939-04-18)
writer:
Gene Autry (“The Singing Cowboy”) and Ray Whitley (country & western singer/songwriter)
publisher:
Gene Autry’s Western Music Publishing Co. and Western Music Publishing Co., Inc. (on 1939-07-24)
Gene Autry42:35
10How Can I Be Sure of You
Nilsson3:04
11Sunshine Superman
recording of:
Sunshine Superman
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. and Peer International Corporation (BMI)
Donovan4:33
12The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.151:54
13The End of the World
engineer:
Bill Porter (engineer)
producer:
Chet Atkins
vocals:
Skeeter Davis
recording of:
The End of the World (in 1962)
lyricist:
Sylvia Dee (American lyricist)
composer:
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:37
14Borte Med Blæsten
Moonjam3:24
15Things Have Changed
bass:
Tony Garnier (American bassist) (in 1999-07)
drums (drum set):
David Kemper (in 1999-07)
guitar:
Larry Campbell (worked with Bob Dylan and Phil Lesh & Friends) (in 1999-07), Bob Dylan (in 1999-07) and Charlie Sexton (in 1999-07)
vocals:
Bob Dylan (in 1999-07)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2000) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2000)
recording of:
Things Have Changed (in 1999-07)
lyricist and composer:
Bob Dylan (in 1999-07)
publisher:
Sony/ATV Music Publishing France and Special Rider Music (from 1999 to present)
part of:
The 73rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 2000 winner)
Bob Dylan55:08
16GoldenEye
producer:
Nellee Hooper
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
GoldenEye
writer:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music and Songs of PolyGram International, Inc.
part of:
James Bond themes
Tina Turner4:44
17Pretty Woman
recorded in:
Nashville, Tennessee, United States (on 1964-08-01)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
vocals:
Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Orbison Records, Inc. and Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.22:58
3CD
#TitleArtistRatingLength
1Don't Look for Love
Jonas Winge Leisner & Szhirley3:32
2Enjoy Yourself
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
lead vocals:
Michael Jackson (“King of Pop”) (in 1976)
performer:
MFSB (Mother Father Sister Brother) (in 1976)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1976)
recording of:
Enjoy Yourself (in 1976)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Jackson 53:22
3When the Going Gets Tough, the Tough Get Going
executive producer:
Robert John “Mutt” Lange (Robert John Lange)
producer:
Barry J. Eastmond and Wayne Brathwaite
mixer:
Nigel Green (engineer)
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
music videos:
When the Going Gets Tough, the Tough Get Going by Billy Ocean
recording of:
When the Going Gets Tough, the Tough Get Going
writer:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean34:09
4Girls Just Want to Have Fun
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
bass:
Eric Bazilian
electric guitar:
Rick DiFonzo
electronic drum set:
Anton Fig
keyboard [keyboards] and synthesizer [synthesizers]:
Rob Hyman
background vocals:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart and Diane Wilson (vocals)
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
music videos:
Girls Just Want to Have Fun by Cyndi Lauper
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 63)
recording of:
Girls Just Want to Have Fun
lyricist and composer:
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:46
5Shy Guy
recording of:
Shy Guy
writer:
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) and Andy Marvel
publisher:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music and World of Andy Music
Diana King4:05
6Neutron Dance
recording of:
Neutron Dance
writer:
Danny Sembello and Allee Willis
publisher:
MCA Music Ltd.
The Pointer Sisters4:13
7Maneater
assistant engineer:
Bruce Buckhalter (Engineer), Barry Harris (engineer) and Michael Somer-Abbott
engineer:
Neil Kernon
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
mixer:
Hugh Padgham
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:32
8Op Med Ho'det
Natasja2:41
9Crash
mixer:
Mark Wallis (in 1988)
bass guitar:
Steve Dullaghan
guitar:
Paul Court (of "The Primitives")
vocals:
Tracy Cattell
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recording of:
Crash
writer:
Paul Court (of "The Primitives"), Steve Dullaghan and Tracy Louise Spencer
publisher:
Complete Music Ltd.
The Primitives4.652:32
10Loco in Acapulco
recording engineer:
Rick Ruggieri
drums (drum set) and background vocals:
Phil Collins (of Genesis)
electric bass guitar:
Freddie Washington (US session bassist)
guitar:
Michael Landau, Paul Jackson (bassist) and David Williams (folk guitarist)
keyboard:
Aaron Zigman (American score composer)
choir vocals:
Four Tops (Motown)
guitar arranger and horn arranger:
Paul Riser
percussion arranger:
Aaron Zigman (American score composer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
Loco in Acapulco
writer:
Phil Collins (of Genesis) and Lamont Dozier
publisher:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Four Tops4.354:34
11The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:56
12The Way You Look Tonight
producer:
Danny Bennett
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1998)
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Tony Bennett3:23
13Blue Velvet
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:47
14Mrs. Robinson
recording of:
Mrs. Robinson
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel31:12
15Du Er Ikke Alene
Sebastian5:16
16Hound Dog
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (on 1956-07-02)
additional performer:
The Jordanaires (southern gospel group)
phonographic copyright (℗) by:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
cover recording of:
Hound Dog (on 1956-07-02)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
Elvis Presley3.82:16
4CD
#TitleArtistRatingLength
1Turn Me On
Norah Jones2:37
2You Can Leave Your Hat On
engineer:
Brian Reeves
producer:
Richie Zito
mixer:
Rik Pekkonen
bass and synthesizer:
Arthur Barrow
guitar:
Richie Zito
horn:
Dick Hyde, Steve Madaio and Joel Peskin
membranophone:
Michael Baird
background vocals:
Maxine Sharp, Julia Waters and Maxine Waters
lead vocals:
Joe Cocker
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:15
3Superstar (Once in a Lifetime)
Thomas Helmig3:24
4King of Wishful Thinking
recording engineer:
Paul Erickson (recording engineer)
membranophone programming:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
programming:
Peter Wolf (US rock vocalist, member of J. Geils Band)
executive producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
producer:
Peter Wolf (US rock vocalist, member of J. Geils Band) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Tom Lord‐Alge
guest guitar:
David Williams (session guitarist and songwriter)
guest horn:
Gary Grant (brass), Jerry Hey, Dan Higgins (saxophonist and woodwind recording artist) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
keyboard:
Peter Wolf (US rock vocalist, member of J. Geils Band)
guest background vocals:
Lynn Davis (vocalist), Dorian Holley, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist) and Alfie Silas
arranger:
Jerry Hey and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1990)
recording of:
King of Wishful Thinking
writer:
Peter Cox (Artist and songwriter), Richard Drummie and Martin Page
publisher:
Bug Music (music publishing), Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Go West34:02
5Stay
double bass:
Albert Hill (double bassist)
drums (drum set) [drums]:
Willie Morrow
baritone vocals:
Charles Thomas (The Zodiacs)
lead vocals:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
tenor vocals:
Wiley Bennett
tenor vocals [falsetto tenor]:
Henry Gaston
phonographic copyright (℗) by:
Vestron Music Inc. (in 1987)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 1)
recording of:
Stay
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. and Cherio Corp. (in 1960)
Maurice Williams & the Zodiacs51:34
6You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.854:03
7A Taste of Honey
cover recording of:
A Taste of Honey
lyricist:
Ric Marlow (in 1960)
composer:
Bobby Scott (vocals, piano, US musician & producer) (in 1960)
publisher:
Ambassador Music Ltd. and Songfest Music Corp.
Tony Bennett2:53
8Together in Electric Dreams
producer:
Giorgio Moroder and Philip Oakey
mixer:
Brian Reeves
bass:
Arthur Barrow
guitar:
Richie Zito
synthesizer:
Giorgio Moroder
background vocals:
E.G. Daily (American singer and actress) and Joe Esposito
lead vocals:
Philip Oakey
recording of:
Together in Electric Dreams
lyricist:
Philip Oakey
composer:
Giorgio Moroder
publisher:
BMG Gold Songs and WB Music Corp. (1929–2019)
Phil Oakey & Giorgio Moroder2.53:54
9Suicide Is Painless
vocals:
John Bahler, Tom Bahler, Ian Freebairn‐Smith and Ron Hicklin
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recording of:
Suicide Is Painless
lyricist:
Mike Altman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
The Mash32:54
10The Pink Panther Theme
recording engineer:
Jim Malloy
producer:
Joe Reisman
tenor saxophone:
Plas Johnson (in 1962)
orchestra:
The Henry Mancini Orchestra (in 1963)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1963)
arranger:
Henry Mancini (US composer, conductor & arranger)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (in 1963)
recording of:
The Pink Panther Theme (in 1962)
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
recording of:
The Pink Panther Theme (on 1963-09-16)
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
instrumental recording of:
The Pink Panther Theme
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
Henry Mancini, His Orchestra & Chorus4.12:39
11Volunteers
recording of:
Volunteers
writer:
Marty Balin and Paul Kantner
Jefferson Airplane42:03
12Virkeligheden Truer
Innocent Blood3:55
13The Good, the Bad and the Ugly
recording of:
Il buono, il brutto, il cattivo (The Good, the Bad and the Ugly (Main Title))
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
part of:
Il buono, il brutto, il cattivo (The Good, the Bad and the Ugly, 1966 film score)
Hugo Montenegro, His Orchestra and Chorus2:45
14Bang Your Head
engineer:
Duane Baron
producer:
Spencer Proffer
drums (drum set):
Frankie Banali (US drummer)
electric bass guitar:
Chuck Wright
electric guitar:
Carlos Cavazo
keyboard:
Pat Regan (American recording engineer)
lead vocals:
Kevin DuBrow
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
produced for:
Pasha
recorded at and mixed at:
Pasha Music House in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 66)
recording of:
Metal Health (Bang Your Head)
writer:
Frankie Banali (US drummer), Carlos Cavazo, Tony Cavazo and Kevin DuBrow
publisher:
Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Quiet Riot4.255:17
15Sittin' Up in My Room
recording engineer:
Brad Gilderman
drum machine programming:
Babyface (R&B musician Kenny Edmonds) and Track Masters
producer:
Babyface (R&B musician Kenny Edmonds)
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
guitar:
Michael Thompson (session guitarist)
synthesizer and Wurlitzer electric piano:
Babyface (R&B musician Kenny Edmonds)
lead vocals:
Brandy (US R&B singer)
recorded at:
The TracKen Place in Hollywood, Los Angeles, California, United States
mixed at:
The Record Plant Recording Studios (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Sittin’ Up in My Room
lyricist and composer:
Babyface (R&B musician Kenny Edmonds)
part of:
Waiting to Exhale (1995 film)
Brandy44:52
16I Believe I Can FlyR. Kelly44:44
17Let Your Fingers Do the Walking
Sort Sol4:38
5CD
#TitleArtistRatingLength
1I'm Every Woman
programming:
James T. Alfano and Chauncey Mahan
additional engineer:
Richard Joseph (recording engineer and musician) and Acar Key
engineer:
Marc Reyburn and Matt Rohr (Recording Engineer)
additional producer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
producer:
Narada Michael Walden
mixer:
Bob Rosa
additional vocals arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Tarpan Studios in San Rafael, California, United States
cover recording of:
I’m Every Woman (in 1992)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Whitney Houston4.24:45
2I'm So Excited
producer:
Richard Perry (producer)
bass guitar:
Nathan East
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
George Doering and Lee Ritenour
keyboard [keyboards] and synthesizer:
Michael Boddicker and Greg Phillinganes
piano:
William D. “Smitty” Smith (organist/keyboardist)
background vocals:
June Pointer and Ruth Pointer
lead vocals:
Anita Pointer
phonographic copyright (℗) by:
BMG Music (in 1982)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 258)
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Pointer Sisters4.83:50
3I Close My Eyes and Think of You
Szhirley & Daniel3:24
4I'm Kissing You
recording of:
Kissing You
writer:
Tim Atack (twin brother of Keith Atack) and Des’ree
part of:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
Des’ree3.754:54
5Best of My Love
producer:
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 334)
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:40
6Nothing's Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
Starship3.754:30
7Here Comes the Hotstepper
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1994) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
samples:
Heartbeat (club version) by Taana Gardner and Land of 1000 Dances by Cannibal & the Headhunters
recording of:
Here Comes the Hotstepper
writer:
Ini Kamoze, Chris Kenner and Salaam Remi
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, or EMI Music only if there is no other imprint), Longitude Music, Pine Publishing, Rondor Music (London) Ltd. and Salaam Remi Music
Ini Kamoze34:09
8Walou
recording of:
Walou
Outlandish3:55
9From the Heart
engineer:
Ali Boudris and Mario Luccy
executive producer:
Diane Warren (US songwriter)
producer:
Khris Kellow
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
guitar:
Ali Boudris
recorded at:
Bananaboat Studios in Burbank, California, United States and Realsongs in Los Angeles, California, United States
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
recording of:
From the Heart
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Realsongs
Another Level4:53
10Raindrops Keep Fallin' on My Head
recording of:
Raindrops Keep Fallin’ on My Head
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1969 winner)
Peter Nero2:42
11Tres Deseos
Gloria Estefan4:58
12Stand by Your Man
producer:
Billy Sherrill (US songwriter/producer/arranger)
lead vocals:
Tammy Wynette (in 1968)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 8) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 473)
recording of:
Stand by Your Man (in 1968)
writer:
Billy Sherrill (US songwriter/producer/arranger) and Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:39
13More Than a WomanTavares4.53:15
14Always Look on the Bright Side of Life
Monty Python4:00
15Don't You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:23
16Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:23
17Toxic
recording engineer, programming, producer and editor:
Bloodshy and Avant
assistant engineer:
J. D. Andrew and Jonas Östman
mixer:
Niklas Flyckt
bass:
Tomas Lindberg (Swedish bass player)
guitar:
Henrik Jonback (Swedish producer, engineer, songwriter, guitarist)
other instruments:
Bloodshy and Avant
strings:
Stockholm Session Strings
background vocals:
Blackcell (Mathias Johansson, songwriter and producer), Cathy Dennis and Emma Holmgren
background vocals and lead vocals:
Britney Spears
conductor:
Janson+Janson
strings arranger:
Janson+Janson
arranger:
Bloodshy and Avant and Steve Lunt (British musician, songwriter, music executive also credited as Stephen Broughton)
phonographic copyright (℗) by:
Zomba Recording LLC (in 2003)
recorded at:
Murlyn Studios in Stockholm, Stockholms län (Stockholm county), Sweden and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
KhaBang Studio in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
Toxic by Britney Spears and Toxic (karaoke) by Britney Spears
a cappella versions:
Toxic (L∆VINCi Remix) by L∆VINCi (LAVINCi) feat. Britney Spears
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 1), Grammy Award: Best Dance/Electronic Recording nominees (number: 2005 winner), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 53), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 114) and BILLIONS CLUB
recording of:
Toxic
writer:
Cathy Dennis, Henrik Jonback (Swedish producer, engineer, songwriter, guitarist), Christian Karlsson (Swedish producer, remixer, songwriter, DJ, piano, guitar) and Pontus Winnberg (Swedish composer, lyricist, producer, engineer, multi-instrumentalist)
publisher:
Colgems-EMI Music Inc. and Murlyn Songs AB
Britney Spears4.153:19
6CD
#TitleArtistRatingLength
1Elsker Dig for Evigt
Lars H.U.G.5:07
2My Funny Valentine
producer:
Babyface (R&B musician Kenny Edmonds)
lead vocals:
Chaka Khan
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chaka Khan4:06
3The Trouble With Love Is
producer:
Evan Rogers (musician/producer) and Carl Sturken
phonographic copyright (℗) by:
19 Recordings Limited (not for release label use! record company founded by Simon Fuller) (in 2003)
recording of:
The Trouble With Love Is
writer:
Kelly Clarkson, Evan Rogers (musician/producer) and Carl Sturken
Kelly Clarkson4.53:41
4What Becomes of the Broken Hearted
cover recording of:
What Becomes of the Brokenhearted
writer:
James Dean (US soul songwriter), Paul Riser and William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music (UK)
Paul Young4:33
5Danger Zone
synthesizer [synth] programming:
Hans Zimmer (German score composer)
engineer:
Dave Concors, Dave Connors and Tom Whitlock
executive producer:
Michael Dilbeck
producer:
Giorgio Moroder and Tom Whitlock
mixer:
Giorgio Moroder and Brian Reeves
drums (drum set):
John Robinson (session drummer)
guitar:
Dann Huff and Kenny Loggins
keyboard:
Giorgio Moroder
saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
synthesizer:
Tom Whitlock
lead vocals:
Kenny Loggins
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recorded at:
Oasis Recording Studios in North Hollywood, Los Angeles, California, United States
a cappella versions:
Danger Zone by Tufts Beelzebubs (Tufts University all-male a cappella group)
recording of:
Danger Zone (Top Gun)
lyricist:
Thomas Whitlock
composer:
Giorgio Moroder
publisher:
Budde Music Inc. (US publisher), Neue Welt Musikverlag GmbH (2017 – present), Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986) and GMPC (in 1986)
Kenny Loggins4.33:35
69-5
producer:
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
bass guitar:
Abraham Laboriel (in 1980)
drums (drum set):
Richard Schlosser (drummer) (in 1980)
guitar:
Jeff Baxter (in 1980) and Martin K. Walsh (in 1980)
percussion:
Leonard Castro (in 1980)
piano:
Larry Knechtel (in 1980)
saxophone:
Tom Saviano (in 1980)
trombone:
William Reichenbach (jazz trombonist) (in 1980)
trumpet:
Jerry Hey (in 1980)
background vocals:
Anita Ball (in 1980), Denise Maynelli (in 1980) and Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographic copyright (℗) by:
BMG Entertainment (in 1980) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 191)
recording of:
9 to 5 (in 1980)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Dolly Parton4.052:45
7On the Road Again
recorded in:
Austin, Texas, United States (in 1979)
engineer and mixer:
Bradley Hartman
producer:
Willie Nelson
bass:
Bee Spears (in 1979)
drums (drum set):
Paul English (US drummer for Willie Nelson) (in 1979) and Rex Ludwick (US drummer) (in 1979)
guitar:
Johnny Gimble (in 1979), Willie Nelson (in 1979) and Jody Payne (in 1979)
harmonica:
Mickey Raphael (in 1979)
percussion:
Paul English (US drummer for Willie Nelson) (in 1979)
piano:
Bobbie Nelson (in 1979)
vocals:
Willie Nelson (in 1979)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
engineered at:
The Enactron Truck in Los Angeles, California, United States (in 1979)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 471)
live recording of:
On the Road Again (in 1979)
lyricist and composer:
Willie Nelson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Full Nelson Music and EMI Music Publishing Australia Pty. Limited (not for release label use!)
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Willie Nelson4.152:27
8Save a Little Love
vocals:
Marie Frank (in 1999)
recording of:
Save a Little Love (in 1999)
writer:
Jacob Eriksen (Danish guitarist and lead singer) (in 1999) and Marie Frank (in 1999)
Marie Frank3:16
9MiracleOlive3.87:32
10Supermodel Sandwich
producer:
TTD (now known as Sananda Maitreya)
lead vocals:
TTD (now known as Sananda Maitreya)
arranger:
TTD (now known as Sananda Maitreya)
recording of:
Supermodel Sandwich (in 1994)
writer:
TTD (now known as Sananda Maitreya)
Terence Trent D’Arby3:45
11Hold Me Now
recording engineer, engineer and mixer:
Phil Thornalley
drums (drum set) programming:
Tom Bailey (Thompson Twins)
producer:
Tom Bailey (Thompson Twins) and Alex Sadkin
congas and synthesizer [Prophet V]:
Joe Leeway
double bass [contrabass], guitar, harmonica, piano and synthesizer:
Tom Bailey (Thompson Twins)
drums (drum set), marimba, percussion and xylophone:
Alannah Currie
background vocals:
Alannah Currie and Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographic copyright (℗) by:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
music videos:
Hold Me Now by Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) and Point Music Ltd.
Thompson Twins4.54:45
12Hey You the Rock Steady CrewThe Rock Steady Crew45:29
13Love Song
programming:
Jake Davies
bass guitar:
Chris Chaney
drums (drum set):
Matt Chamberlain (American drummer)
guitar:
Stuart Mathis (guitarist) and Bruce Watson (member of Big Country)
piano and background vocals and lead vocals:
Sara Bareilles
music videos:
Love Song by Sara Bareilles
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 7)
recording of:
Love Song
lyricist and composer:
Sara Bareilles
Sara Bareilles3.94:19
14In Your Mind
recording of:
In Your Mind
writer:
Johnny Cash (country music legend)
publisher:
Songs of Cash, Inc.
Johnny Cash4:14
15Save Me
Kira and the Kindred Spirits4:26
16The Sound of Silence
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass guitar:
Bob Bushnell (from 1964-03-10 until 1965-06-15)
drums (drum set):
Bobby Gregg (from 1964-03-10 until 1965-06-15)
guitar:
Vinnie Bell (from 1964-03-10 until 1965-06-15) and Al Gorgoni (from 1964-03-10 until 1965-06-15)
lead vocals:
Art Garfunkel (on 1964-03-10) and Paul Simon (of Simon & Garfunkel) (on 1964-03-10)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 74) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 156)
recording of:
The Sound of Silence (from 1964-03-10 until 1965-06-15)
lyricist:
Paul Simon (of Simon & Garfunkel) (from 1963-11 until 1964-02-19)
composer:
Paul Simon (of Simon & Garfunkel) (from 1963-11 until 1964-02-09)
publisher:
Essex Music of Australia Pty. Ltd., J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (in 1964, in 1992) and Magic Arts Publishing (in 2000)
Simon & Garfunkel4.553:08
17Perfect Day
producer:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
lead vocals:
Lou Reed (in 1972-08)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Music (in 1972) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 334)
recording of:
Perfect Day (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. and Screen Gems–EMI Music Ltd.
Lou Reed4.33:44