R.E.S.P.E.C.T: A Century of Women in Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD: Broadway, Blues and Truth
#TitleArtistRatingLength
1By the Light of the Silvery Moon
recording of:
By the Light of the Silvery Moon
lyricist:
Edward Madden (in 1909)
composer:
Gus Edwards (in 1909)
publisher:
Remick Music
part of:
Two Weeks With Love (1950 film)
Ada Jones2:20
2Some of These Days
recording of:
Some of These Days
lyricist and composer:
Shelton Brooks
writer:
Spencer Williams (US jazz composer, pianist & singer)
Sophie Tucker4:14
3Carry Me Back to Old VirginnyAlma Gluck4:45
4She’s Good Enough to be Your Baby’s Mother and She’s Good Enough to Vote With You
Anna Chandler3:24
5Crazy Blues
Mamie Smith and Her Jazz Hounds53:24
6I’m a Jazz Vampire
Marion Harris3:11
7My Man (Mon homme)
recording of:
My Man (Mon homme) (Channing Pollock lyrics)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
Fanny Brice3:37
8Devilish Mary
Roba Stanley3:01
9Nobody Knows the Trouble I’ve Seen
recording of:
Nobody Knows the Trouble I’ve Seen
lyricist and composer:
[traditional] (special purpose artist)
publisher:
C. Mose Music
Marian Anderson2:35
10See See Rider Blues
recording of:
See See Rider (Ma Rainey version) (on 1924-10-16)
additional composer:
Lena Arant
composer:
Ma Rainey
version of:
See See Rider Blues
Ma Rainey3:14
11Beale Street Blues
recording of:
Beale Street Blues
lyricist and composer:
William Christopher Handy
publisher:
Handy Bros. Music
Alberta Hunter3:16
12Single Girl, Married Girl
recorded in:
Bristol, Tennessee, United States (on 1927-08-02)
producer:
Ralph Peer (on 1927-08-02)
autoharp:
Sara Carter (of the Carter Family) (on 1927-08-02)
guitar:
Mother Maybelle Carter (on 1927-08-02)
vocals:
Sara Carter (of the Carter Family) (on 1927-08-02)
recorded at:
Bristol Sessions Recordings in United States (on 1927-08-02)
recording of:
Single Girl, Married Girl (on 1927-08-02)
lyricist and composer:
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI)
The Carter Family2:46
13I Wanna Be Loved by You
recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
lyricist:
Bert Kalmar
composer:
Harry Ruby and Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Helen Kane2:53
14Gotta Feelin’ for You
recording of:
Gotta Feelin’ for You (The Hollywood Revue of 1929, 1929 film)
Joan Crawford with MGM Studio Chorus2:41
15Love Me or Leave Me
recording of:
Love Me or Leave Me (on 1928-12-17)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Ruth Etting33:21
16Nobody Knows You When You’re Down and Out
recorded in:
New York, New York, United States (on 1929-05-15)
alto saxophone:
Garvin Bushell (on 1929-05-15)
cornet:
Ed Allen (trumpeter) (on 1929-05-15)
piano:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (on 1929-05-15)
tenor saxophone:
Greely Walton (on 1929-05-15)
tuba:
Cyrus St. Clair (on 1929-05-15)
vocals:
Bessie Smith (Tennessee blues singer) (on 1929-05-15)
recording of:
Nobody Knows You When You’re Down and Out (on 1929-05-15)
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Bessie Smith53:02
17Am I Blue?
recording of:
Am I Blue?
lyricist:
Grant Clarke
composer:
Harry Akst
publisher:
EMI Music Publishing (do not use as a release label!), Warner Bros. Music Corp., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ethel Waters3:19
18Calamity Jane (From the West)
Adelyne Hood & Vernon Dalhart3:16
19Kentucky Miner’s Wife (Ragged Hungry Blues), Parts 1 & 2
Aunt Molly Jackson5:33
20Bucking Broncho (My Love Is a Rider)
The Girls of the Golden West2:33
21When the Moon Comes Over the Mountain
recording of:
When the Moon Comes Over the Mountain
lyricist:
Howard Johnson (songwriter / lyricist) and Kathy Smith
composer:
Harry Woods (American 1920/30s songwriter)
part of:
Going Hollywood (1933 film)
Kate Smith4:19
22I Like a Guy What Takes His Time
recorded in:
New York, New York, United States
vocals:
Mae West (on 1933-02-07)
orchestra:
Victor Young and His Orchestra (on 1933-02-07)
recording of:
A Guy What Takes His Time (on 1933-02-07)
lyricist and composer:
Ralph Rainger (in 1933)
Mae West2:47
23You’re the Top
recording of:
You’re the Top
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Ethel Merman2:54
2CD: Torch, Twang & Swing
#TitleArtistRatingLength
1I Wanna Be a Cowboy’s Sweetheart
recorded in:
New York, New York, United States (on 1935-08-16)
bass:
Jack Taylor (bassist) (on 1935-08-16)
guitar:
Salty Holmes (on 1935-08-16)
mandola:
Chick Hurt (on 1935-08-16)
violin:
Shelby David "Tex" Atchison (on 1935-08-16)
vocals:
Rubye Blevins (on 1935-08-16)
orchestra:
The Prairie Ramblers (on 1935-08-16)
recording of:
I Want to Be a Cowboy’s Sweetheart (on 1935-08-16)
lyricist and composer:
Patsy Montana
Patsy Montana & The Prairie Ramblers43:09
2Pretty Polly
recording of:
Pretty Polly
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 15)
The Coon Creek Girls2:50
3Over the Rainbow
vocals:
Judy Garland (on 1938-10-07)
orchestra:
MGM Orchestra (on 1938-10-07)
conductor:
Georgie Stoll (on 1938-10-07) and Herbert Stothart (composer) (on 1938-10-07)
arranger:
Herbert Stothart (composer)
orchestrator:
Murray Cutter
recording of:
Over the Rainbow (The Wizard of Oz) (on 1938-10-07)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Judy Garland4.52:48
4A‐Tisket, A‐Tasket
recording of:
A‐Tisket, A‐Tasket
lyricist:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) and Van Alexander (aka Al Feldman)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13188)
Ella Fitzgerald with Chick Webb3:17
5Strange Fruit
producer:
Milt Gabler
alto saxophone and saxophone:
Tab Smith (on 1939-04-20)
double bass:
John Williams (jazz bassist) (on 1939-04-20)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-04-20)
guitar:
Jimmy McLin (on 1939-04-20)
piano:
Sonny White (on 1939-04-20)
tenor saxophone:
Kenneth Hollon (on 1939-04-20) and Stan Payne (on 1939-04-20)
trumpet:
Frankie Newton (on 1939-04-20)
vocals:
Billie Holiday (on 1939-04-20)
recorded at:
Brunswick World Broadcasting Studio in New York, New York, United States (on 1939-04-20)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 1), CBC Music: 10 Songs That Have Changed the World, National Recording Registry (a list of sound recordings that are “culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States”) (number: 1939, inducted: 2002) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 21)
recording of:
Strange Fruit (on 1939-04-20)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday43:13
6Me and My Chauffeur Blues
recorded in:
Chicago, Illinois, United States (on 1941-05-21)
bass:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
guitar:
Little Son Joe (on 1941-05-21) and Memphis Minnie (on 1941-05-21)
vocals:
Memphis Minnie (on 1941-05-21)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2013)
recording of:
Me and My Chauffeur Blues
writer:
Memphis Minnie
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Memphis Minnie2:46
7Boogie Woogie Bugle BoyThe Andrews Sisters with Vic Schoen and His Orchestra3:06
8Let Me Off Uptown
recording of:
Let Me Off Uptown
lyricist:
Redd Evans
composer:
Earl Bostic (saxophonist)
Gene Krupa and His Orchestra with Anita O’Day & Roy Eldridge3:03
9Stormy Weather
recorded in:
Hollywood, Los Angeles, California, United States (on 1941-12-15)
orchestra:
Lou Bring’s Orchestra
conductor:
Lou Bring (conductor and pianist)
cover recording of:
Stormy Weather (on 1941-12-15)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Lena Horne with Lou Bring & His Orchestra3:23
10Sentimental Journey
performer:
Les Brown and His Orchestra
recording of:
Sentimental Journey
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Doris Day with Les Brown and His Orchestra3:44
11Move on Up a Little Higher
recording of:
Move On Up a Little Higher
lyricist and composer:
William Herbert Brewster
writer:
Rev. W.H. Brewster
arranger:
M. Jackson
Mahalia Jackson3:00
12Cuanto le gusta
Carmen Miranda2:09
13Buttons and Bows
accordion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1947-11-30)
vocals:
Dinah Shore (on 1947-11-30)
recording of:
Buttons and Bows (1947 song) (on 1947-11-30)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (on 1948-02-25)
part of:
The 21st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1948 winner)
Dinah Shore & Her Happy Valley Boys12:04
14Philadelphia Lawyer
recording of:
Philadelphia Lawyer
lyricist and composer:
Woody Guthrie (American singer-songwriter)
The Maddox Brothers & Rose3:12
15Black Coffee
lead vocals:
Sarah Vaughan (on 1949-01-20)
orchestra:
Joe Lipman & His Orchestra (on 1949-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Black Coffee (1948 song) (on 1949-01-20)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Sarah Vaughan4.53:18
16Satisfied
Martha Carson2:37
17The Tennessee Waltz
cover recording of:
Tennessee Waltz
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Patti Page with Jack Rael & Orchestra3:25
18Come on‐a My House
recorded in:
New York, New York, United States (on 1951-06-06)
producer:
Al Ham and Mitch Miller
double bass:
Frank Carroll (US bass player) (on 1951-06-06)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1951-06-06)
guitar:
Mundell Lowe (on 1951-06-06)
harpsichord:
Stan Freeman (on 1951-06-06)
vocals:
Rosemary Clooney (on 1951-06-06)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
cover recording of:
Come On‐a My House (on 1951-06-06)
writer:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks) and William Saroyan
publisher:
Adam Bagdasarian Music, Bagdasarian Productions, Carol Bagdasarian Music, EMI Music Publishing France, Peter Maurice Music, Ross Bagdasarian Music, Stanford University Library for Saroyan, The Saroyan Company, Universal Duchess Music Corp., Universal MCA Music Publishing (France), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Rosemary Clooney42:00
19It Wasn’t God Who Made Honky Tonk Angels
recorded in:
Nashville, Tennessee, United States (on 1952-05-03)
bass:
Johnnie Wright (US country music singer-songwriter) (on 1952-05-03)
fiddle:
Paul Warren (US fiddler) (on 1952-05-03)
guitar:
Jack Anglin (on 1952-05-03)
steel guitar:
Harold "Shot" Jackson (US country music guitar and dobro player) (on 1952-05-03)
vocals:
Kitty Wells (on 1952-05-03)
recording of:
It Wasn’t God Who Made Honky Tonk Angels (on 1952-05-03)
lyricist and composer:
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
publisher:
Peer International Corporation (BMI)
quotes lyrics from:
The Wild Side of Life
cover recording of:
It Wasn’t God Who Made Honky Tonk Angels (in 1952)
lyricist and composer:
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
publisher:
Peer International Corporation (BMI)
quotes lyrics from:
The Wild Side of Life
cover recording of:
It Wasn’t God Who Made Honky Tonk Angels (in 1979)
lyricist and composer:
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
publisher:
Peer International Corporation (BMI)
quotes lyrics from:
The Wild Side of Life
Kitty Wells52:32
20(Mama) He Treats Your Daughter Mean
recorded in:
New York, New York, United States (on 1952-12-19)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
drums (drum set) [drums]:
Connie Kay (on 1952-12-19)
guitar:
Mickey Baker (on 1952-12-19)
tambourine:
Hal Jackson (broadcaster) (on 1952-12-19)
tenor saxophone:
Willis Jackson (tenor saxophonist) (on 1952-12-19)
trumpet:
Taft Jordan (on 1952-12-19)
vocals:
Ruth Brown (on 1952-12-19)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2020/2021)
recording of:
(Mama) He Treats Your Daughter Mean (on 1952-12-19)
writer:
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) and John Wallace (bass player for Harry Chapin) (in 1952)
Ruth Brown2:58
21Ricochet (Rick‐O‐Shay)
vocals:
Teresa Brewer
recording of:
Ricochet (aka “Ricochet Romance”) (on 1953-07-10)
lyricist:
Joe Darion and Norman Gimbel
composer:
Larry Coleman
Teresa Brewer2:42
22Tammy
recording of:
Tammy
writer:
Ray Evans (American songwriter) and Jay Livingston
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), MCA Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 30th Academy Award for Best Original Song (number: 2)
Debbie Reynolds3:08
23Big Long Slidin’ ThingDinah Washington2:58
24Tweedlee Dee
recording of:
Tweedlee Dee
lyricist and composer:
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) and Unichappell Music
LaVern Baker3:10
25The Wallflower
recording of:
The Wallflower (Dance With Me, Henry) (on 1954-11-25)
writer and composer:
Hank Ballard, Etta James and Johnny Otis
version of:
Work With Me, Annie
Etta James & The Peaches2:59
26My Boy Elvis
recording of:
My Boy Elvis
writer:
Virginia Fitting and Aaron Schroeder (1950s~1960s US songwriter)
Janis Martin2:08
27Walkin’ After Midnight
vocals:
Patsy Cline
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1957)
cover recording of:
Walkin’ After Midnight
lyricist:
Don Hecht
composer:
Alan Block and Don Hecht
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
Patsy Cline4.62:34
3CD: Shoop‐Shoop, Motown, Get Down, Sister
#TitleArtistRatingLength
1Maybe
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 195)
recording of:
Maybe (on 1957-10-16)
lyricist and composer:
Richard Barrett (US soul producer/singer)
publisher:
Tunecore Digital Music (publisher; not a release label. Use [no label]) and チューンコアジャパン株式会社 (TuneCore Japan, mostly a distributor; not a release label. Use [no label])
The Chantels52:54
2FeverPeggy Lee with Jack Marshall's Music3:45
3Funnel of Love
recording of:
Funnel of Love
writer:
Charlie McCoy (white blues harmonica player, 1960s-present) and Kent Westberry (US rockabilly / country artist and songwriter)
Wanda Jackson2:08
4Will You Love Me Tomorrow?
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:43
5Sweet Nothin’s
recording of:
Sweet Nothin’s
lyricist and composer:
Ronnie Self (rockabilly singer and songwriter)
publisher:
Leeds Music Ltd.
Brenda Lee3:16
6(Love Is Like a) Heat Wave
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 154) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 257)
recording of:
(Love Is Like a) Heat Wave
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music and Stone Agate Music Division
Martha and the Vandellas42:47
7Hello Stranger
recorded in:
Chicago, Illinois, United States (on 1963-01-16)
producer:
Ollie McLaughlin
bass, drums (drum set), guitar, organ and piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1963-01-16)
vocals:
The Dells (on 1963-01-16) and Barbara Lewis (on 1963-01-16)
conductor:
Riley Hampton (on 1963-01-16)
arranger:
Riley Hampton
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 27)
recording of:
Hello Stranger (on 1963-01-16)
lyricist and composer:
Barbara Lewis
Barbara Lewis2:42
8You Don’t Own Me
producer:
Quincy Jones
arranger:
Claus Ogerman
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 28)
recording of:
You Don’t Own Me (in 1963)
writer:
John Madara (in 1963) and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (in 1963)
publisher:
Merjoda Music Inc. and Unichappell Music, Inc. (in 1963)
Lesley Gore3.92:31
9The Universal SoldierBuffy Sainte‐Marie52:18
10My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer) (in 1964)
guitar:
Robert White (US funk/soul guitarist) (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (trumpet player) (in 1964) and Herbert Williams (trumpet player) (in 1964)
vibraphone:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:50
11Remember (Walkin’ in the Sand)
edit of:
Remember (Walkin' in the Sand) by The Shangri‐Las
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 30) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 395)
recording of:
Remember (Walkin’ in the Sand) (in 1964-07)
lyricist and composer:
George “Shadow” Morton
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Shangri‐Las4.42:20
12Too Many Fish in the Sea
recording of:
Too Many Fish in the Sea
writer:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) and Norman Whitfield
The Marvelettes2:29
13Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin3.92:24
14Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:31
15Love Child
producer:
The Clan (Motown composers/producers group)
background vocals:
The Andantes
arranger:
Paul Riser
recording of:
Love Child (Diana Ross & the Supremes song)
writer:
Deke Richards (American songwriter and record producer), Pam Sawyer (British‐born American lyricist and songwriter), R. Dean Taylor (Canadian singer, songwriter and record producer) and Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music Co., Inc. and Stone Agate Music Division
Diana Ross & The Supremes3.53:03
16Somebody to Love
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
vocals:
Marty Balin (from 1966-10-31 until 1966-11-22) and Paul Kantner (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Music (in 1967) and RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:59
17Stoned Soul Picnic
recording of:
Stoned Soul Picnic
lyricist and composer:
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Laura Nyro4:19
18Both Sides Now
recording of:
Both Sides Now
lyricist and composer:
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:16
19To Be Young, Gifted and Black
engineer:
Ray Hall (engineer) (from 1969-08-25 until 1969-08-26)
phonographic copyright (℗) by:
BMG Music (in 1969)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1969-08-25 until 1969-08-26)
recording of:
To Be Young, Gifted and Black (from 1969-08-25 until 1969-08-26)
lyricist:
Weldon Irvine
composer:
Nina Simone
Nina Simone32:50
20Bold Soul Sister
recording of:
Bold Soul Sister
lyricist and composer:
Ike Turner
Ike & Tina Turner2:39
21Clean Up Woman
engineer:
Willie Clarke
producer:
Willie Clarke and Clarence Reid
horn arranger and strings arranger:
Mike Lewis (US composer, arranger and producer)
instruments arranger:
Little Beaver
recording of:
Clean Up Woman
writer:
Willie Clarke and Clarence Reid
publisher:
EMI Longitude Music
Betty Wright52:47
22Pillow Talk
recording of:
Pillow Talk
writer:
Michael Burton (American songwriter and producer) and Sylvia Robinson
Sylvia4:55
23I’ll Take You There
edit of:
I’ll Take You There by The Staple Singers
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 186) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 276)
recording of:
I’ll Take You There
lyricist and composer:
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers53:17
24You’re So Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Carly Simon4.554:20
25So Far Away
recording of:
So Far Away
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc.
Carole King4:35
26I Will Always Love You
engineer:
Tom Pick
producer:
Bob Ferguson
banjo:
Bobby Thompson (guitar & banjo player) (on 1973-06-13) and Buck Trent (on 1973-06-13)
bass:
Bobby Dyson (on 1973-06-13)
drums (drum set):
Ralph Gallant (on 1973-06-13)
fiddle:
Johnny Gimble (on 1973-06-13) and Mack Magaha (Bluegrass Fiddler) (on 1973-06-13)
guitar:
Jimmy Colvard (American session guitarist) (on 1973-06-13), Dave Kirby (US country singer/songwriter) (on 1973-06-13) and Dolly Parton (on 1973-06-13)
piano:
Hargus "Pig" Robbins (on 1973-06-13)
steel guitar:
Stu Basore (on 1973-06-13)
background vocals:
Joe Babcock (on 1973-06-13), Dolores Edgin (on 1973-06-13), June Page (on 1973-06-13) and Hurshel Wiginton (on 1973-06-13)
vocals:
Dolly Parton (on 1973-06-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1973-06-13)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 34)
recording of:
I Will Always Love You (on 1973-06-13)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton3.82:54
4CD: Rock to Electric Shock
#TitleArtistRatingLength
1Move Over
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul A. Rothchild
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie)
drums (drum set):
Clark Pierson
guest bongos, guest bongos and congas and guest congas:
Bobbye Hall
guest tambourine:
Sandra Crouch
guitar:
John Till (rock guitarist)
organ:
Ken Pearson
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin)
background vocals:
Phil Badella, Richard Bell (Canadian keyboardist for The Band/Janis Joplin), Brad Campbell (bassist, member of Full Tilt Boogie), John Cooke, Janis Joplin, Vince Mitchell, Ken Pearson, Clark Pierson and John Till (rock guitarist)
lead vocals:
Janis Joplin (on 1970-09-25)
performer:
Full Tilt Boogie (on 1970-09-25)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-09-25)
recording of:
Move Over (on 1970-09-25)
lyricist and composer:
Janis Joplin
publisher:
Budde (aka Budde Music)
Janis Joplin3.33:41
2You’re No Good
recording engineer:
Val Garay (from 1974-06 until 1974-09) and David Hassinger (from 1974-06 until 1974-09)
engineer:
Val Garay
producer:
Peter Asher, Jay Faires and Tricia Holloway
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1974-06 until 1974-09)
drums (drum set), electric piano and percussion:
Andrew Gold (from 1974-06 until 1974-09)
electric guitar:
Ed Black (from 1974-06 until 1974-09)
solo electric guitar:
Andrew Gold (from 1974-04 until 1974-09)
background vocals:
Clydie King (from 1974-06 until 1974-09) and Shirley Matthews (Canadian pop singer) (from 1974-06 until 1974-09)
strings arranger:
Gregory Rose
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 2006) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974, in 2013)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1974-06 until 1974-09)
part of:
New York Post: 100 Greatest Covers (2007) (number: 38)
cover recording of:
You’re No Good (from 1974-06 until 1974-09)
lyricist and composer:
Clint Ballard, Jr.
publisher:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:42
3I’ve Got to Use My Imagination
recording of:
I’ve Got to Use My Imagination
writer:
Gerry Goffin and Barry Goldberg (blues rock keyboardist and producer)
Gladys Knight & the Pips3:48
4The Pill
producer:
Owen Bradley
acoustic guitar:
Ray Edenton (on 1972-12-12)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1972-12-12)
drums (drum set) [drums]:
Murrey Harman, Jr. (Session drummer and songwriter) (on 1972-12-12)
electric bass guitar [6-string electric bass guitar]:
Harold Bradley (on 1972-12-12)
electric guitar:
Thomas Grady Martin (country/rockabilly guitarist) (on 1972-12-12)
piano:
Jerry Smith (Nashville keyboardist, songwriter, publisher & producer) (on 1972-12-12)
steel guitar:
Harald Rugg (on 1972-12-12)
vocals:
The Jordanaires (southern gospel group) (on 1972-12-12) and Loretta Lynn (on 1972-12-12)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1972-12-12)
recording of:
The Pill (on 1972-12-12)
writer:
Lorene Allen, T.D. Bayless, Loretta Lynn and Don McHan
Loretta Lynn4.52:37
5Boulder to Birmingham (live)
live recording of:
Boulder to Birmingham
writer:
Bill Danoff and Emmylou Harris
Emmylou Harris3:27
6Diamonds & Rust
recording of:
Diamonds & Rust
lyricist and composer:
Joan Baez (US folk singer)
dedicated to:
Bob Dylan
publisher:
Carlin Music Corporation and Chandos Music Company
Joan Baez5:15
7Crazy on You
recording of:
Crazy on You
writer:
Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
publisher:
How About Music, Sony/ATV Tunes LLC (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart4:17
8I Love Playin’ With FireThe Runaways3:44
9X Offender
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive) and Craig Leon (musician, arranger, composer and producer)
bass guitar:
Chris Stein (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Gary Valentine (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
X Offender (from 1976-08 until 1976-09)
writer:
Gary Lachman and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher), Jiru Music, Inc. and Norfolk Square Music
Blondie43:12
10You Make Loving FunFleetwood Mac3:35
11Got to Be Real
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
edit of:
Got to Be Real (LP / 12" version) by Cheryl Lynn (1970s disco singer)
recording of:
Got to Be Real
writer:
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) and David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. and On Board Music (publisher)
Cheryl Lynn4.53:44
12She Works Hard for the Money
edit of:
She Works Hard for the Money (album version) by Donna Summer (soul/disco diva)
recording of:
She Works Hard for the Money (in 1983)
writer:
Michael Omartian and Donna Summer (soul/disco diva)
publisher:
Warner Chappell, See This House Music (from 1983 to present) and Sweet Summer Night Music (from 1983 to present)
Donna Summer54:12
13We Belong Together
Rickie Lee Jones5:03
14Show Some EmotionJoan Armatrading3:32
15Typical Girls
recording of:
Typical Girls
writer:
The Slits (UK punk band)
The Slits3:44
16It Tango
assistant engineer and assistant mixer:
Jon Smith (engineer)
engineer:
Leanne Ungar
assistant producer:
Perry Hoberman
producer:
Laurie Anderson (experimental/art rock musician) and Roma Baran
analog synthesizer [OBXa], farfisa and marimba:
Laurie Anderson (experimental/art rock musician)
handclaps [claps]:
Anderson (experimental/art rock musician), Baran and Hoberman
rototom [RotoToms]:
David Van Tieghem
vocals:
Laurie Anderson (experimental/art rock musician)
recorded at:
The Lobby (Laurie Anderson's home studio) in New York, New York, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
It Tango
lyricist and composer:
Laurie Anderson (experimental/art rock musician)
Laurie Anderson3:00
17Walking on Thin Ice
recording of:
Walking on Thin Ice
writer:
Yoko Ono (Japanese‐American musician and artist)
publisher:
Downtown DMP Songs
Yoko Ono36:00
18Our Lips Are Sealed
additional assistant recording engineer:
James Ball, Eric Kortee and Darroll Gustamachio
assistant recording engineer:
Ted Blechta and John Terelle
recording engineer and mixer:
Rob Freeman (engineer)
producer:
Rob Freeman (engineer) and Richard Gottehrer (American songwriter and music executive)
assistant mixer:
Gray Russell
bass guitar and guitar:
Kathy Valentine
drums (drum set) and percussion:
Gina Schock
guitar [lead guitar] and keyboard:
Charlotte Caffey
guitar [rhythm guitar]:
Jane Wiedlin
lead vocals:
Belinda Carlisle
vocals:
Charlotte Caffey and Jane Wiedlin
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and I.R.S., Inc. (in 1981)
additionally recorded at:
Sound Mixers Studio in New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recorded at:
Pennylane Studios in New York, New York, United States
mixed at:
Sound Mixers Studio in New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 25), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 317) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 477)
recording of:
Our Lips Are Sealed
writer:
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall and Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music and Plangent Visions Music
The Go‐Go’s4.52:46
19Identity
assistant engineer:
Andy Pearce (Mastering engineer)
engineer:
John Mackenzie Burns
producer:
Falcon Stuart
recording of:
Identity
lyricist and composer:
Poly Styrene
X‐Ray Spex2:23
20Precious
additional recording engineer:
Steve Nye (producer, engineer and pianist)
engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recorded at and mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
recording of:
Precious
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Hynde House of Hits Music and Modern Music Publishing Co., Inc.
The Pretenders4.53:36
5CD: Hip‐Hop, Pop, and Passion

Credits

Release

art direction and design/illustration:Rachel Gutek
producer:Julie d'Angelo (Producer)
Holly George-Warren
Bill Inglot (archival music producer/remastering engineer)
mastering:Dan Hersch (mastering engineer)
Bill Inglot (archival music producer/remastering engineer)
compiler:Julie d'Angelo (Producer)
Holly George-Warren
Discogs:https://www.discogs.com/release/6196334 [info]
ASIN:US: B00001T3K3 [info]