Mozart / Vivaldi / Grieg / Tchaikovsky / Haendel / Berlioz / Mendelssohn / Rimsky-Korkasoff / Bizet / Beethoven

~ Parution par Various Artists (afficher toutes les versions de cette parution, 1 proposée)

Annotation

Packaged as a cardboard box with 10 cardboard sleeves containing the discs. Each disc has its own Cat. No. and barcode (ordered by the listing on the back of the outer cardboard box):
SYCD600101/8711539013615,
SYCD600202/8711539013622,
SYCD600303/8711539013639,
SYCD600504/8711539013646,
SYCD600705/8711539013653,
SYCD600806/8711539013660,
SYCD600907/8711539013677,
SYCD601208/8711539013684,
SYCD601409/8711539013691,
SYCD601910/8711539013707.
There is no other title to this release other than "10 CD Box" and the last names of the various composers.

Annotation modifiée en dernier le 2014-12-08 17:09 UTC.

Liste de pistes

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1▼CD : Vivaldi
noTitreArtisteÉvaluationDurée
1The Spring: I. Allegro
orchestre :
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:27
2The Spring: II. Largo et pianissimo sempre
orchestre :
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:28
3The Spring: III. Allegro
orchestre :
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:11
4The Summer: I. Allegro non molto
orchestre :
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of :
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:16
5The Summer: II. Adagio
orchestre :
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of :
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:27
6The Summer: III. Tempo impetuoso d'estate
orchestre :
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of :
Concerto “L’estate” (“Summer”), op. 8 no. 2, RV 315: III. Presto: Tempo impetuoso d’estate (arr: Jeannette Sorrell)
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist)
arrangeur :
Jeannette Sorrell (conductor and harpsichordist)
arrangement de :
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
Antonio Vivaldi3:06
7The Autumn: I. Allegro
orchestre :
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:14
8The Autumn: II. Adagio molto
orchestre :
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:56
9The Autumn: III. La caccia: Allegro
orchestre :
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:22
10The Winter: I. Allegro non molto
orchestre :
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:21
11The Winter: II. Largo
orchestre :
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:12
12The Winter: III. Allegro
orchestre :
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:10
2▼CD : Mozart
noTitreArtisteÉvaluationDurée
1Eine Kleine Nachtmusik, K. 525: I. Allegro
preneur de son :
Bernhard Mahne (Classical music producer) (du 1986-04-22 au 1986-04-24) et Lutz Wildner (du 1986-04-22 au 1986-04-24)
orchestre :
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (name used by Alfred Scholz, may be incorrect), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), The Northstar Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) et Camerata Labacensis (Slovenian chamber orchestra) (du 1986-04-22 au 1986-04-24)
conductor :
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz et Alexander von Pitamic (Alfred Scholz pseudonym) (du 1986-04-22 au 1986-04-24)
enregistré à :
Slovenian Philharmonic dans Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovénie (du 1986-04-22 au 1986-04-24)
recording of :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (du 1986-04-22 au 1986-04-24)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1787)
partie de :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:30
2Eine Kleine Nachtmusik, K. 525: II. Romanze: Andante
preneur de son :
Bernhard Mahne (Classical music producer) (du 1986-04-22 au 1986-04-24) et Lutz Wildner (du 1986-04-22 au 1986-04-24)
orchestre :
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) et Camerata Labacensis (Slovenian chamber orchestra) (du 1986-04-22 au 1986-04-24)
conductor :
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Libor Pešek (conductor), Alfred Scholz et Alexander von Pitamic (Alfred Scholz pseudonym) (du 1986-04-22 au 1986-04-24)
enregistré à :
Slovenian Philharmonic dans Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovénie (du 1986-04-22 au 1986-04-24)
recording of :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (du 1986-04-22 au 1986-04-24)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1787)
partie de :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:44
3Eine Kleine Nachtmusik, K. 525: III. Menuett: Allegretto
preneur de son :
Bernhard Mahne (Classical music producer) (du 1986-04-22 au 1986-04-24) et Lutz Wildner (du 1986-04-22 au 1986-04-24)
orchestre :
Camerata Academia Salzburg (Austrian chamber orchestra), Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonic Orchestra London (Alfred Scholz pseudonym) et Camerata Labacensis (Slovenian chamber orchestra) (du 1986-04-22 au 1986-04-24)
conductor :
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz et Alexander von Pitamic (Alfred Scholz pseudonym) (du 1986-04-22 au 1986-04-24)
enregistré à :
Slovenian Philharmonic dans Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovénie (du 1986-04-22 au 1986-04-24)
recording of :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (du 1986-04-22 au 1986-04-24)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1787)
partie de :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:20
4Eine Kleine Nachtmusik, K. 525: IV. Rondo: Allegro
preneur de son :
Bernhard Mahne (Classical music producer) (du 1986-04-22 au 1986-04-24) et Lutz Wildner (du 1986-04-22 au 1986-04-24)
orchestre :
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Academica of Salzburg (Austrian chamber orchestra), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) et Camerata Labacensis (Slovenian chamber orchestra) (du 1986-04-22 au 1986-04-24)
conductor :
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz et Alexander von Pitamic (Alfred Scholz pseudonym) (du 1986-04-22 au 1986-04-24)
enregistré à :
Slovenian Philharmonic dans Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovénie (du 1986-04-22 au 1986-04-24)
recording of :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (du 1986-04-22 au 1986-04-24)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1787)
partie de :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:28
5The Magic Flute Overture, K. 620
orchestre :
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), London Philharmonic Orchestra (Alfred Scholz pseudonym), Mozart Festival Orchestra (an Alfred Scholz pseudonym), South German Philharmonic Orchestra (an Alfred Scholz pseudonym) et Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor :
Cesare Cantieri (an Alfred Scholz pseudonym), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz et Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Die Zauberflöte: Ouvertüre (La Flûte enchantée, K. 620: Ouverture)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1791)
partie de :
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:24
6The Marriage of Figaro Overture, K. 492
orchestre :
Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) et Philharmonia Slovanica Orchester (Alfred Scholz pseudonym)
conductor :
Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Laurence Gordon Siegel (fictitious conductor, Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Le nozze di Figaro, K. 492: Sinfonia
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1786)
partie de :
Die Hochzeit des Figaro (German translation)
partie de :
Le nozze di Figaro, K. 492 (Les Noces de Figaro, K 492)
Wolfgang Amadeus Mozart44:18
7German Dances No. 1 & No. 2
orchestre :
Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006) et Symphonisches Orchester Berlin (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor :
Carl-August Bünte (conductor)
recording of :
Sechs deutsche Tänze, K. 509: No. 1 in D major
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1787-02-06 au 1878-02-06)
partie de :
Sechs deutsche Tänze, K. 509 (for small orchestra)
recording of :
Sechs deutsche Tänze, K. 509: No. 2 in G major
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1787-02-06)
partie de :
Sechs deutsche Tänze, K. 509 (for small orchestra)
Wolfgang Amadeus Mozart3:46
3▼CD : Grieg
noTitreArtisteÉvaluationDurée
1Peer Gynt Suite No. 1, Op. 46: I. Morning song
orchestre :
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic Orchestra, Košice), Slowakische Staatsphilharmonie (Orchestre philharmonique slovaque) et Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor :
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Róbert Stankovský et Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
compositeur :
Edvard Grieg (composer) (le 1875)
révisé par :
Edvard Grieg (composer) (le 1888)
version de :
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
partie de :
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:56
2Peer Gynt Suite No. 1, Op. 46: II. Ases death
orchestre :
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related), Slowakische Staatsphilharmonie (Orchestre philharmonique slovaque), Slowakische Staatsphilharmonie et Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor :
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann, Libor Pešek (conductor) et Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death)
compositeur :
Edvard Grieg (composer) (le 1875)
révisé par :
Edvard Grieg (composer) (le 1888)
version de :
Peer Gynt, op. 23: 3. akt: Åses død
partie de :
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:37
3Peer Gynt Suite No. 1, Op. 46: III. Anitra's dance
orchestre :
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Philharmonie (Orchestre philharmonique slovaque) et Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor :
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Alfred Gehardt (fictitious conductor), Libor Pesek (conductor) et Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance)
compositeur :
Edvard Grieg (composer) (le 1875)
révisé par :
Edvard Grieg (composer) (le 1888)
version de :
Peer Gynt, op. 23: 4. akt: Anitras dans
partie de :
Peer Gynt Suite no. 1, op. 46
Edvard Grieg43:34
4Peer Gynt Suite No. 1, Op. 46: IV. Hall of the mountain king
orchestre :
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) et Slovak Philharmonic Orchestra (Orchestre philharmonique slovaque)
conductor :
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pešek (conductor) et Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
droits phonographiques (℗) par :
GMS (le 1986)
recording of :
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King)
compositeur :
Edvard Grieg (composer) (le 1875)
révisé par :
Edvard Grieg (composer) (le 1888)
version de :
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
partie de :
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:23
5Peer Gynt Suite No. 2, Op. 55: I. Ingrid's lament
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym) et Slowakische Staatsphilharmonie (Orchestre philharmonique slovaque)
conductor :
Sven Bengtson (conductor, an Alfred Scholz pseudonym) et Libor Pesek (conductor)
recording of :
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament)
compositeur :
Edvard Grieg (composer) (le 1875)
révisé par :
Edvard Grieg (composer) (le 1891)
version de :
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
partie de :
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:12
6Peer Gynt Suite No. 2, Op. 55: II. Arabian dance
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related), Slowakische Staatsphilharmonie (Orchestre philharmonique slovaque) et Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor :
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann et Libor Pesek (conductor)
recording of :
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament)
compositeur :
Edvard Grieg (composer) (le 1875)
révisé par :
Edvard Grieg (composer) (le 1891)
version de :
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
partie de :
Peer Gynt Suite no. 2, op. 55
recording of :
Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (Peer Gynt Suite no. 2, op. 55: II. Arabian Dance)
compositeur :
Edvard Grieg (composer) (le 1875)
révisé par :
Edvard Grieg (composer) (le 1891)
version de :
Peer Gynt, op. 23: 4. akt: Arabisk dans
partie de :
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:38
7Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's homecoming
orchestre :
International Concert Orchestra (an Alfred Scholz pseudonym) (terminé), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related) et Slowakische Staatsphilharmonie (Orchestre philharmonique slovaque)
conductor :
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann, Alfred Gehardt (fictitious conductor), Libor Pesek (conductor) et Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of :
Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) (Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Coast))
compositeur :
Edvard Grieg (composer) (le 1875)
révisé par :
Edvard Grieg (composer) (le 1891)
version de :
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart
partie de :
Peer Gynt Suite no. 2, op. 55
Edvard Grieg2:32
8Peer Gynt Suite No. 2, Op. 55: IV. Solveig's song
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Staatsphilharmonie (Orchestre philharmonique slovaque) et Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor :
Sven Bengtson (conductor, an Alfred Scholz pseudonym) et Libor Pesek (conductor)
recording of :
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (le 1984)
compositeur :
Edvard Grieg (composer) (le 1875)
révisé par :
Edvard Grieg (composer) (le 1891)
version de :
Peer Gynt, op. 23: 4. akt: Solveigs sang
partie de :
Peer Gynt Suite no. 2, op. 55
Edvard Grieg55:27
9Holberg Suite, Op. 40: I. Prelude
orchestre :
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) et Slowakische Philharmonie (Orchestre philharmonique slovaque)
conductor :
Istvan Cohen (probably another Alfred Scholz) et Libor Pešek (conductor)
recording of :
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
compositeur :
Edvard Grieg (composer) (le 1884)
arrangement de :
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
partie de :
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg2:47
10Holberg Suite, Op. 40: II. Sarabande
orchestre :
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) et Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Istvan Cohen (probably another Alfred Scholz) et Libor Pešek (conductor)
recording of :
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for piano)
compositeur :
Edvard Grieg (composer) (le 1884)
partie de :
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, original for piano)
recording of :
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for string orchestra)
compositeur :
Edvard Grieg (composer) (le 1884)
partie de :
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg4:12
11Holberg Suite, Op. 40: III. Gavotte
orchestre :
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) et Slowakische Philharmonie (Orchestre philharmonique slovaque)
conductor :
Istvan Cohen (probably another Alfred Scholz) et Libor Pešek (conductor)
recording of :
Fra Holbergs tid, op. 40: III. Gavotte (Allegretto) (for string orchestra)
compositeur :
Edvard Grieg (composer) (le 1884)
partie de :
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg3:08
12Holberg Suite, Op. 40: IV. Andante religioso
orchestre :
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) et Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Istvan Cohen (probably another Alfred Scholz) et Libor Pešek (conductor)
recording of :
Fra Holbergs tid, op. 40: IV. Air (Andante religioso) (for string orchestra)
compositeur :
Edvard Grieg (composer) (le 1884)
partie de :
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg5:38
13Holberg Suite, Op. 40: V. Rigaudon
orchestre :
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) et Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Istvan Cohen (probably another Alfred Scholz) et Libor Pešek (conductor)
recording of :
Fra Holbergs tid, op. 40: V. Rigaudon (Allegro con brio) (for string orchestra)
compositeur :
Edvard Grieg (composer) (le 1884)
partie de :
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg3:03
4▼CD : Mozart
noTitreArtisteÉvaluationDurée
1Piano concerto No. 21 in C major K. 467, "Elvira Madigan": I. Allegro maestoso
piano :
Silvia Čápová (pianist), Vilmos Fischer (pianist, an Alfred Scholz pseudonym), Angela Giulini (fictitious pianist created by Alfred Scholz), Leonard Hokanson (pianist), Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) et István Székely (pianist)
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Liszt Ferenc Kamarazenekar (Orchestre de Chambre Ferenc Liszt, Franz Liszt Chamber Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) et Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor :
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Kurt Redel (German flautist and conductor) et Alfred Scholz
recording of :
Concerto for Piano no. 21 in C major, K. 467: I. Allegro
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1785 au 1785-03-09)
partie de :
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart14:34
2Piano concerto No. 21 in C major K. 467, "Elvira Madigan": II. Andante
instruments :
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
piano :
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) et Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestre :
Mozart Festival Orchestra (an Alfred Scholz pseudonym) et Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor :
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Hubert Kraus (conductor) et Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Concerto for Piano no. 21 in C major, K. 467: II. Andante
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1785 au 1785-03-09)
partie de :
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:36
3Piano concerto No. 21 in C major K. 467, "Elvira Madigan": III. Allegro vivace assai
piano :
Silvia Čápová (pianist), Vilmos Fischer (pianist, an Alfred Scholz pseudonym), Angela Giulini (fictitious pianist created by Alfred Scholz), Leonard Hokanson (pianist), Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) et István Székely (pianist)
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Liszt Ferenc Kamarazenekar (Orchestre de Chambre Ferenc Liszt, Franz Liszt Chamber Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) et Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor :
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Kurt Redel (German flautist and conductor) et Alfred Scholz
recording of :
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1785 au 1785-03-09)
partie de :
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:05
4Symphony No. 41 in C major K. 551, "Jupiter": I. Allegro vivace
orchestre :
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation)
conductor :
Carl-August Bünte (conductor)
recording of :
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace (Symphonie No. 41 en ut majeur, K. 551 "Jupiter": I. Allegro vivace)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-08-10)
partie de :
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart11:23
5Symphony No. 41 in C major K. 551, "Jupiter": II. Andante cantabile
orchestre :
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) et Salzburg Mozarteum Orchestra
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) et Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of :
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile (Symphonie No. 41 en ut majeur, K. 551 "Jupiter": II. Andante cantabile)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-08-10)
partie de :
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart9:29
6Symphony No. 41 in C major K. 551, "Jupiter": III. Menuetto: allegretto
orchestre :
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) et Salzburg Mozarteum Orchestra
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) et Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of :
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (Symphonie No. 41 en ut majeur, K. 551 "Jupiter": III. Menuetto. Allegretto)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-08-10)
partie de :
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart5:04
7Symphony No. 41 in C major K. 551, "Jupiter": IV. Molto allegro
orchestre :
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) et Salzburg Mozarteum Orchestra
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) et Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of :
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro (Symphonie No. 41 en ut majeur, K. 551 "Jupiter": IV. Molto allegro)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-08-10)
partie de :
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:50
5▼CD : Beethoven
noTitreArtisteÉvaluationDurée
1Symphony No. 3 in E-flat major, Op. 55, "Eroica": I. Allegro con brio
orchestre :
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor :
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) et Hans Swarowsky (conductor, used as Alfred Scholz pseudonym)
recording of :
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
compositeur :
Ludwig van Beethoven (German composer) (du 1803 au 1804)
partie de :
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven14:56
2Symphony No. 3 in E-flat major, Op. 55, "Eroica": II. Adagio Assai
orchestre :
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor :
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) et Hans Swarowsky (conductor, used as Alfred Scholz pseudonym)
recording of :
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
compositeur :
Ludwig van Beethoven (German composer) (du 1803 au 1804)
partie de :
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven9:55
3Symphony No. 3 in E-flat major, Op. 55, "Eroica": III. Scherzo: allegro vivace
orchestre :
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor :
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) et Hans Swarowsky (conductor, used as Alfred Scholz pseudonym)
recording of :
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace
compositeur :
Ludwig van Beethoven (German composer) (du 1803 au 1804)
partie de :
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven6:03
4Symphony No. 3 in E-flat major, Op. 55, "Eroica": IV. Finale: allegro molto
orchestre :
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor :
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) et Hans Swarowsky (conductor, used as Alfred Scholz pseudonym)
recording of :
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto
compositeur :
Ludwig van Beethoven (German composer) (du 1803 au 1804)
partie de :
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven11:48
5Coriolan Overture, Op. 62
orchestre :
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Orchestre philharmonique de Londres, LPO; The Philharmonic Promenade Orchestra), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) et Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Ouvertüre Coriolan, op. 62 (Coriolan Overture, Op. 62)
compositeur :
Ludwig van Beethoven (German composer) (le 1807)
dédié à :
Heinrich Joseph von Collin
première à :
Palais Lobkowitz dans Innere Stadt, Wien (Vienna), Autriche (le 1807-03)
partie de :
Works of Ludwig van Beethoven by opus number (numéro : op. 62)
Ludwig van Beethoven7:35
6▼CD : Mendelssohn / Bizet
noTitreArtisteÉvaluationDurée
1Symphony No. 4 in A major, Op. 90, "Italian": I. Allegro vivace
orchestre :
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), International Concert Orchestra (an Alfred Scholz pseudonym) et London Symphony Orchestra
conductor :
Alfred Scholz, Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) et Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of :
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
compositeur :
Felix Mendelssohn (composer) (le 1833)
partie de :
Symphony no. 4 in A major, op. 90 “Italian”
partie de :
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Felix Mendelssohn11:32
2Symphony No. 4 in A major, Op. 90, "Italian": II. Andante con moto
orchestre :
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), International Concert Orchestra (an Alfred Scholz pseudonym) et London Symphony Orchestra
conductor :
Alfred Scholz, Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) et Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of :
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto
compositeur :
Felix Mendelssohn (composer) (le 1833)
partie de :
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:38
3Symphony No. 4 in A major, Op. 90, "Italian": III. Con moto moderato
orchestre :
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), International Concert Orchestra (an Alfred Scholz pseudonym) et London Symphony Orchestra
conductor :
Alfred Scholz, Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) et Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of :
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato
compositeur :
Felix Mendelssohn (composer) (le 1833)
partie de :
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:54
4Symphony No. 4 in A major, Op. 90, "Italian": IV. Presto salterello
orchestre :
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), International Concert Orchestra (an Alfred Scholz pseudonym) et London Symphony Orchestra
conductor :
Alfred Scholz, Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) et Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of :
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
compositeur :
Felix Mendelssohn (composer) (le 1833)
partie de :
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:17
5Symphony in C: I. Allegro
orchestre :
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) et London Philharmonic Orchestra (Orchestre philharmonique de Londres, LPO; The Philharmonic Promenade Orchestra)
conductor :
Alfred Scholz et Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of :
Symphonie no. 1 en ut majeur : I. Allegro vivo (Symphony no. 1 in C major: I. Allegro vivo)
compositeur :
Georges Bizet (French composer) (du 1855-10 au 1855-11)
partie de :
Symphonie no. 1 en ut majeur
Georges Bizet6:52
6Symphony in C: II. Adagio
orchestre :
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), London Philharmonic Orchestra (Orchestre philharmonique de Londres, LPO; The Philharmonic Promenade Orchestra) et Philharmonisches Festspielorchester (an Alfred Scholz pseudonym)
conductor :
Louis Ablazzo, Alfred Scholz et Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of :
Symphonie no. 1 en ut majeur : II. Andante (Adagio) (Symphony No. 1 in C major: II. Adagio)
compositeur :
Georges Bizet (French composer) (du 1855-10 au 1855-11)
partie de :
Symphonie no. 1 en ut majeur
Georges Bizet9:54
7Symphony in C: III. Allegro vivace
orchestre :
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) et London Philharmonic Orchestra (Orchestre philharmonique de Londres, LPO; The Philharmonic Promenade Orchestra)
conductor :
Alfred Scholz et Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of :
Symphonie no. 1 en ut majeur : III. Scherzo. Allegro vivace (Symphony no. 1 in C major: III. Allegro vivace)
compositeur :
Georges Bizet (French composer) (du 1855-10 au 1855-11)
partie de :
Symphonie no. 1 en ut majeur
Georges Bizet5:39
8Symphony in C: IV. Allegro vivace
orchestre :
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) et London Philharmonic Orchestra (Orchestre philharmonique de Londres, LPO; The Philharmonic Promenade Orchestra)
conductor :
Alfred Scholz et Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of :
Symphonie no. 1 en ut majeur : IV. Finale. Allegro vivace (Symphony no. 1 in C major: IV. Allegro vivace)
compositeur :
Georges Bizet (French composer) (du 1855-10 au 1855-11)
partie de :
Symphonie no. 1 en ut majeur
Georges Bizet6:14
7▼CD : Rimsky-Korsakoff
noTitreArtisteÉvaluationDurée
1Scheherazade, Op. 35: I. The sea and Sinbad's ship
orchestre :
Slovak Philharmonic Orchestra (Orchestre philharmonique slovaque)
conductor :
Bystrík Režucha (conductor)
recording of :
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
compositeur :
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov, Russian composer) (le 1888)
partie de :
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков10:17
2Scheherazade, Op. 35: II. The tale of the calendar prince
orchestre :
Slovak State Philharmony (Orchestre philharmonique slovaque)
conductor :
Bystrík Režucha (conductor)
recording of :
Scheherazade, op. 35: II. The Kalendar Prince
compositeur :
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov, Russian composer) (le 1888)
partie de :
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков11:39
3Scheherazade, Op. 35: III. The young prince and the young princess
orchestre :
Slovak Philharmonic Orchestra (Orchestre philharmonique slovaque) et Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bystrík Režucha (conductor)
recording of :
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto)
compositeur :
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov, Russian composer) (le 1888)
partie de :
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков10:06
4Scheherazade, Op. 35: IV. Festival at bagdad; the sea; the ship goes to pieces on a rock; conclusion
orchestre :
Slovak Philharmonic Orchestra (Orchestre philharmonique slovaque)
conductor :
Bystrík Režucha (conductor)
recording of :
Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman
compositeur :
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov, Russian composer) (le 1888)
partie de :
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков12:01
8▼CD : Berlioz
noTitreArtisteÉvaluationDurée
1Symphony Fantastique, Op. 14: I. Reveries - Passions
orchestre :
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym) et Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) et Alfred Scholz
recording of :
Symphonie fantastique, op. 14: I. Rêveries, passions
compositeur :
Hector Berlioz (French composer) (le 1830)
partie de :
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz15:12
2Symphony Fantastique, Op. 14: II. A ball
orchestre :
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) et Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) et Alfred Scholz
recording of :
Symphonie fantastique, op. 14: II. Un bal
compositeur :
Hector Berlioz (French composer) (le 1830)
partie de :
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:09
3Symphony Fantastique, Op. 14: III. Scene in the country
orchestre :
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) et Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) et Alfred Scholz
recording of :
Symphonie fantastique, op. 14: III. Scène aux champs
compositeur :
Hector Berlioz (French composer) (le 1830)
partie de :
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz17:02
4Symphony Fantastique, Op. 14: IV. March to the scaffold
orchestre :
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) et Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) et Alfred Scholz
recording of :
Symphonie fantastique, op. 14: IV. Marche au supplice
compositeur :
Hector Berlioz (French composer) (le 1830)
partie de :
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:42
5Symphony Fantastique, Op. 14: V. Dreams of a witches sabbath
orchestre :
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) et Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) et Alfred Scholz
recording of :
Symphonie fantastique, op. 14: IV. Marche au supplice
compositeur :
Hector Berlioz (French composer) (le 1830)
partie de :
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
recording of :
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat
compositeur :
Hector Berlioz (French composer) (le 1830)
citations musicales de :
Dies Irae (plainchant)
partie de :
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz11:21
9▼CD : Haendel
noTitreArtisteÉvaluationDurée
1Water Music: I. Allegro
orchestre :
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bohdan Warchal (violinist, conductor)
George Frideric Handel2:54
2Water Music: II. Air
orchestre :
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bohdan Warchal (violinist, conductor)
George Frideric Handel5:32
3Water Music: III. Bouree
orchestre :
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bohdan Warchal (violinist, conductor)
George Frideric Handel0:48
4Water Music: IV. Hornpipe
orchestre :
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bohdan Warchal (violinist, conductor)
George Frideric Handel0:57
5Water Music: V. Andante expressivo
orchestre :
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bohdan Warchal (violinist, conductor)
George Frideric Handel3:49
6Water Music: VI. Hornpipe
orchestre :
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bohdan Warchal (violinist, conductor)
George Frideric Handel3:17
7Royal Fireworks Music: I. Overture
orchestre :
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bohdan Warchal (violinist, conductor)
recording of :
Music for the Royal Fireworks, HWV 351: I. Ouverture
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1749)
partie de :
Music for the Royal Fireworks, HWV 351
George Frideric Handel9:22
8Royal Fireworks Music: II. Bouree
orchestre :
Slovak Philharmonic Chamber Orchestra (Slovak Chamber Orchestra) et Slovak Philharmonic Orchestra (Orchestre philharmonique slovaque)
conductor :
Oliver von Dohnányi (conductor) et Bohdan Warchal (violinist, conductor)
enregistré à :
Concert Hall of the Slovak Philharmonic dans Bratislava, Bratislavský kraj (Région de Bratislava), Slovaquie
recording of :
Music for the Royal Fireworks, HWV 351: II. Bourrée
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1749)
partie de :
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:48
9Royal Fireworks Music: III. La paix
orchestre :
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bohdan Warchal (violinist, conductor)
recording of :
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1749)
partie de :
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:27
10Royal Fireworks Music: IV. La rejouissance
orchestre :
Bamberg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), Český národní symfonický orchestr (Orchestre symphonique national tchèque), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, Musici di San Marco (an Alfred Scholz pseudonym), Radio Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra), Slovak Philharmonic Chamber Orchestra (Slovak Chamber Orchestra) et Slovak Philharmonic Orchestra (Orchestre philharmonique slovaque)
conductor :
Oliver von Dohnányi (conductor), Sidney Lark (conductor, possibly an Alfred Scholtz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Rolf Reinhardt (German conductor 1927-2006), Bernhard Stopler (conductor) et Bohdan Warchal (violinist, conductor)
enregistré à :
Concert Hall of the Slovak Philharmonic dans Bratislava, Bratislavský kraj (Région de Bratislava), Slovaquie
recording of :
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1749)
partie de :
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:51
11Royal Fireworks Music: V. Menuet I
orchestre :
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bohdan Warchal (violinist, conductor)
recording of :
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1749)
partie de :
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:30
12Royal Fireworks Music: VI. Menuet II
orchestre :
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bohdan Warchal (violinist, conductor)
recording of :
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1749)
partie de :
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:38
10▼CD : Tchaikovsky
noTitreArtisteÉvaluationDurée
1Nutcracker Suite, Op. 71a: I. Miniature overture
orchestre :
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) et London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor :
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (jusqu’au 1892)
partie de :
The Nutcracker (suite from the ballet), op. 71a
Пётр Ильич Чайковский3:11
2Nutcracker Suite, Op. 71a: II. March
orchestre :
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) et London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor :
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский2:33
3Nutcracker Suite, Op. 71a: III. Dance of the sugar plum fairy
orchestre :
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) et London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor :
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
révision de :
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский1:49
4Nutcracker Suite, Op. 71a: IV. Russian dance
orchestre :
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) et London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor :
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:06
5Nutcracker Suite, Op. 71a: V. Arab dance
orchestre :
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) et South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor :
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) et Alfred Scholz
recording of :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский2:52
6Nutcracker Suite, Op. 71a: VI. Chinese dance
orchestre :
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) et South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor :
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) et Alfred Scholz
recording of :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:12
7Nutcracker Suite, Op. 71a: VII. Dance of the reed flutes
orchestre :
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) et South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor :
Hymisher Greenburg (probably a pseudonym of Alfred Sholz), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz et Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
révision de :
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский1:59
8Nutcracker Suite, Op. 71a: VIII. Waltz of the flowers
orchestre :
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) et London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor :
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Nutcracker (suite from the ballet), op. 71a
révision de :
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский6:25
9Sleeping Beauty, Op. 66, excerpts: I. Introduction
orchestre :
[unknown] ([inconnu], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) et Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor :
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren et Peter Wohlert (conductor, Alfred Scholz related)
recording of :
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
compositeur :
Pyotr Ilyich Tchaikovsky (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
recording of :
The Sleeping Beauty, op. 66: Introduction
compositeur :
Pyotr Ilyich Tchaikovsky (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
Спящая красавица, op. 66 (La Belle au bois dormant, op. 66)
Пётр Ильич Чайковский3:30
10Sleeping Beauty, Op. 66, excerpts: II. Pas d'action - andante
orchestre :
[unknown] ([inconnu], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) et Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor :
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren et Peter Wohlert (conductor, Alfred Scholz related)
recording of :
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский5:24
11Sleeping Beauty, Op. 66, excerpts: III. Pas de caractére - allegro moderato
orchestre :
[unknown] ([inconnu], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) et Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor :
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren et Peter Wohlert (conductor, Alfred Scholz related)
recording of :
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
recording of :
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
partiel recording of :
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский2:33
12Sleeping Beauty, Op. 66, excerpts: IV. Panorame - andantino
orchestre :
[unknown] ([inconnu], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra et Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor :
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren et Peter Wohlert (conductor, Alfred Scholz related)
recording of :
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
recording of :
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
recording of :
The Sleeping Beauty Suite, op. 66a: V. Valse
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
partiel recording of :
The Sleeping Beauty Suite, op. 66a: V. Valse
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский4:25
13Sleeping Beauty, Op. 66, excerpts: V. Finale - apotheosis
orchestre :
[unknown] ([inconnu], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) et Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor :
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren et Peter Wohlert (conductor, Alfred Scholz related)
recording of :
The Sleeping Beauty Suite, op. 66a: V. Valse
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
partiel recording of :
The Sleeping Beauty Suite, op. 66a: V. Valse
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
recording of :
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский2:05
14Romeo & Juliet Fantasy Overture
orchestre :
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) et Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor :
Alfred Gehardt (fictitious conductor), Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym), Nodar Tsatishvili, George Ralph Warren et Peter Wohlert (conductor, Alfred Scholz related)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1988)
recording of :
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (le 1869)
révisé par :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (le 1870, le 1880)
dédié à :
Милий Алексеевич Балакирев (Mili Balakirev, composer, pianist, conductor)
partie de :
The Tchaikovsky Handbook (numéro : TH 42) et Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (numéro : ČW 39)
révision de :
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский18:06

Crédits

Parution

ASIN :DE: B001E0A5WI [info]
autres bases de données :https://www.musik-sammler.de/media/483047 [info]