Look Out! It's Joanie Sommers

~ Release by Joanie Sommers (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1I'll Close My Eyes
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
I’ll Close My Eyes
lyricist:
Buddy Kaye
composer:
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. and Peter Maurice Music
2:18
2Cherokee
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
Cherokee
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
2:31
3I'm in Love
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
I’m in love
lyricist:
Sammy Cahn
composer:
Jule Styne
part of:
Romance on the High Seas
1:42
4This Heart of Mine
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
This Heart of Mine
lyricist:
Arthur Freed
composer:
Harry Warren (US composer and lyricist)
3:04
5Look Out!
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
Look Out! (from "Too Many Girls")
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
part of:
Too Many Girls (musical)
1:38
6The Best Thing for You
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
The Best Thing for You (Would Be Me)
lyricist and composer:
Irving Berlin (in 1950)
1:40
7Detour Ahead
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
Detour Ahead
composer:
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) and Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
2:50
8I See Your Face Before Me
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
I See Your Face Before Me
lyricist and composer:
Howard Dietz (librettist) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
1:53
9You Better Go Now
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
You Better Go Now
writer:
Irvin Graham and Bickley Reichner
publisher:
Chappell Music, Inc. (publisher)
2:08
10A Second Chance
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
Second Chance (Two for the Seesaw, 1962)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
composer:
André Previn (pianist, conductor, composer, arranger)
part of:
The 35th Academy Award for Best Original Song (number: 2)
2:15
11You'd Be So Nice to Come Home To
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
1:42
12I Concentrate on You
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
I Concentrate on You
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
2:42
13I Feel a Song Comin' On
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
I Feel a Song Comin’ On
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter) and George Oppenheimer
2:25
14This Can't Be Love
producer:
Vil Vohler
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
vocals:
Joanie Sommers
performer:
Shelly Manne & His Men
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
2:30
15Daddy
producer:
Vil Vohler
vocals:
Joanie Sommers
performer:
Bobby Troup Sextet
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
Daddy
lyricist and composer:
Robert W. Troup, Jr.
1:47
16The Best Is Yet to Come
producer:
Vil Vohler
vocals:
Joanie Sommers
performer:
Bobby Troup Sextet
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
The Best Is Yet to Come
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
2:33
17When the Sun Comes Out
producer:
Vil Vohler
vocals:
Joanie Sommers
performer:
Bobby Troup Sextet
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
When the Sun Comes Out
lyricist:
Ted Koehler (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
S.A. Music Co. and Ted Koehler Music Co.
2:56
18Dear Heart
producer:
Vil Vohler
vocals:
Joanie Sommers
performer:
Bobby Troup Sextet
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
Dear Heart
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston and Henry Mancini (US composer, conductor & arranger)
publisher:
All Nations Music, Jay Livingston Music Inc., M. Witmark & Sons, Northridge Music Company and Warner Bros., Inc. (Warner Bros. Music Division)
part of:
The 37th Academy Award for Best Original Song (number: 2)
2:25
19Once
producer:
Vil Vohler
vocals:
Joanie Sommers
performer:
Bobby Troup Sextet
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
Once
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Harold Spina (composer/conductor)
2:24
20When Sunny Gets Blue
producer:
Vil Vohler
vocals:
Joanie Sommers
performer:
Bobby Troup Sextet
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962 until 1963)
recording of:
When Sunny Gets Blue
lyricist:
Jack Segal (US songwriter)
writer:
Fisher and Segal (US songwriter)
composer:
Marvin Fisher
publisher:
Sony/ATV Tunes LLC (ASCAP)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:29

Credits

Release

liner notes:James Rozzi
mastering:John Jungklaus