Serse (Conductor: Malgoire)

~ Release by Handel; Carolyn Watkinson, Barbara Hendricks, Paul Esswood, Ortrun Wenkel, Anne-Marie Rodde, Ulrik Cold, Ulrich Studer, Ensemble Vocal Jean Bridier, La Grande Écurie et la Chambre du Roy & Jean‐Claude Malgoire (see all versions of this release, 1 available)

Annotation

Cast:
Serse: Carolyn Watkinson
Arsamene: Paul Esswood
Amastre: Ortun Wenkel
Romilda: Barbara Hendricks
Atalanta: Anne-Marie Rodde
Ariodate: Ulrik Cold
Elviro: Ulrich Studer

Recorded 1979
Copyright 1979 Sony Music Entertainment
Copyright 2017 Sony Music Entertainment

1979 Recording: Notre Dame du Liban
Cover: Original LP Cover M3 36941

Annotation last modified on 2018-07-07 16:01 UTC.

Tracklist

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1▼CD: CD 1
#TitleArtistRatingLength
1Serse: Ouverture
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Overtura (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40
Handel4:23
2Serse: Gigue
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40 (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-02-14)
librettist:
[anonymous] (special purpose artist)
premiered at:
His Majesty’s Theatre (Haymarket, London) in London (Greater London), England, United Kingdom (on 1738-04-15)
part of:
Händel-Werke-Verzeichnis (number: HWV 40)
Handel1:12
3Serse, Act I: Recitativo accompagnato "Frondi tenere" (Carolyn Watkinson)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Serse, HWV 40: Atto I
Handel0:51
4Serse, Act I: Arioso: "Ombra mai fu" (Carolyn Watkinson) - Jean-Claude Malgoire
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Handel3:10
5Serse, Act I: Sinfonia e Recitativo - "Sento un soave concento" (Paul Esswood, Ulrich Studer, Barbara Hendricks)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Ulrich Studer (Swiss baritone) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 3. Sinfonia e Recitativo “Sento un soave concento” (Arsamene, Elviro, Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel2:40
6Serse, Act I: "Qui si canta il mio nome" - "Un Serse mirate" (Carolyn Watkinson, Barbara Hendricks, Paul Esswood)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
partial recording of:
Serse, HWV 40: Atto I (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40
Handel1:46
7Serse, Act I: Arietta "Va godendo vezzoso e bello" - Recitativo "Quel canto a un bel amor" (Barbara Hendricks, Carolyn Watkinson, Paul Esswood)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 5. Aria “Va godendo vezzoso e bello” (Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel4:10
8Serse, Act I: Aria "Io le dirò che l'amo" - "Tu le dirai che l'ami" - Recitativo "Arsamene!" (Carolyn Watkinson, Paul Esswood, Barbara Hendricks, Anne-Marie Rodde)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ensemble Vocal Jean Bridier (from 1979-03 until 1979-04), Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 6. Aria “lo le diro che l'amo” (Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Aria “Tu le dirai che l'ami” (Arsamene) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Recitativo “Arsamene!” - “Romilda” (Romilda, Arsamene, Atalanta) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel4:39
9Serse, Act I: Aria "Sì, sì, mio ben" - Recitativo "Presto, Signor, vien Serse" (Anne-Marie Rodde, Ulrich Studer, Paul Esswood, Carolyn Watkinson, Barbara Hendricks)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04), Ulrich Studer (Swiss baritone) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 7. Aria “Si, si, mio ben, si, si” (Atalanta) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Recitativo “Presto, signor” (Elviro, Arsamene, Serse, Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel3:27
10Serse, Act I: Aria "Meglio in voi col mio partire" - Recitativo "Bellissima Romilda" (Paul Esswood, Carolyn Watkinson)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 8. Aria “Meglio in voi col mio partire” (Arsamene) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Recitativo “Bellissima Romilda” (Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel3:08
11Serse, Act I: Arietta "Di tacere e di schernirmi" - Recitativo "Aspide sono" (Carolyn Watkinson, Barbara Hendricks)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Barbara Hendricks (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 9. Aria “Di tacere e di schernirmi” (Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Recitativo “Aspide sono, a' detti tuoi d'amore” (Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel3:10
12Serse, Act I: Arietta "Né men con l'ombre d'infedeltà" (Barbara Hendricks)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Barbara Hendricks (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 10. Aria “Né men con l'ombre d'infidelta” (Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel2:10
13Serse, Act I: Arioso "Se cangio spoglia" - Recitativo "Pugnammo, amici" (Ortrun Wenkel, Ulrik Cold)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 11. Aria “Se cangio spolgia, non cangio core” (Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Recitativo “Pugnammo, amici” (Ariodate, Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel2:32
14Serse, Act I: Coro "Già la tromba che chiamò" - Recitativa "Ecco Serse" (Chorus, Ortrun Wenkel, Carolyn Watkinson, Ulrik Cold)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Ensemble Vocal Jean Bridier (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 12. Coro “Gia la tromba che chiamo” (also reprise after no. 13) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Recitativo “Ecco Serse, o che volto, o che splendore!” (Amastre, Serse, Ariodate) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel1:42
15Serse, Act I: Aria "Soggetto al mio volere" - Recitativo "Queste vittorie, io credo" (Ulrik Cold, Chorus, Carolyn Watkinson, Ortrun Wenkel)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Ensemble Vocal Jean Bridier (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 13. Aria “Soggetto al mio volere“ (Ariodate) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Recitativo “Queste vittorie, io credo” (Serse, Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel5:13
16Serse, Act I: Aria "Più che penso alle fiamme" - Recitativo "Eccoti il foglio" (Carolyn Watkinson, Paul Esswood, Ulrich Studer)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ensemble Vocal Jean Bridier (from 1979-03 until 1979-04), Ulrich Studer (Swiss baritone) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 14. Aria “Piu che penso alle fiamme del core” (Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Recitativo “Eccoti Il foglio, Elviro” (Arsamene, Elviro) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel8:08
17Serse, Act I: Arietta "Signor, lasciate far a me" (Ulrich Studer)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 15. Arietta “Signor, signor, lasciate far a me” (Elviro) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel0:30
18Serse, Act I: Aria "Non so se sia la speme" - Recitativo "Tradir di reggia sposa" (Paul Esswood, Ortrun Wenkel)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 16. Aria “Non so, se sia la speme” (Arsamene) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Recitativo “Tradir si reggia sposa la fe promessa?” (Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel5:40
19Serse, Act I: Aria "Saprà delle mie offese" - Recitativo "Al fin sarete sposa" (Ortrun Wenkel, Anne-Marie Rodde, Barbara Hendricks)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 17. Aria “Sapra delle mie offese ben vendicarsi il cor” (Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Recitativo “Al fin sarete sposa al vostro Serse” (Atalanta, Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel7:00
20Serse, Act I: Aria "Se l'idol mio rapir mi vuoi" - Recitativo "Per rapir quel tesoro" (Barbara Hendricks, Anne-Marie Rodde)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 18. Aria “Se l'idol mio rapir mi vuoi, cangia desio” (Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Recitativo “Per rapir quel tesoro” (Atalanta) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel5:46
21Serse, Act I: Aria "Un cenno leggiadretto" (Anne-Marie Rodde)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto I, no. 19. Aria “Un cenno leggiadretto” (Atalanta) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
Handel4:20
2▼CD: CD 2
#TitleArtistRatingLength
1Serse, Act II: Arioso "Speranze mie fermate" (Ortrun Wenkel)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 20. Arioso “Speranze mie fermate” (Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel0:51
2Serse, Act II: Arietta "Ah, chi voler fiora" - Recitativo "E chi direbbe mai" (Ulrich Studer, Ortrun Wenkel, Anne-Marie Rodde)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04), Ulrich Studer (Swiss baritone) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 21. Arietta “Ah! Chi voler fiora di bella giardina” (Elviro) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
recording of:
Serse, HWV 40: Atto II. Recitativo “E chi direbbe mai, ch'io sono Elviro?” (Elviro, Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel5:31
3Serse, Act II: Arioso "Ah! tigre infedele" - Recitativo "Parti; il Re s'avvicina" (Anne-Marie Rodde, Ulrich Studer)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04), Ulrich Studer (Swiss baritone) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 24. Arietta “Ah tigre infedele!” (Elviro) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
recording of:
Serse, HWV 40: Atto II. Recitativo “Parti; il re s'avvicina” (Atalanta, Elviro) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel0:36
4Serse, Act II: Arioso "E' tormento troppo fiero" - Recitativo "Di quel foglio" (Carolyn Watkinson, Anne-Marie Rodde)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 25. Arioso “È tormento troppo fiero” (Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
recording of:
Serse, HWV 40: Atto II. Recitativo “Di quel foglio, Atlanta” (Serse, Atalanta) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel2:50
5Serse, Act II: Aria "Dirà che amor per me" - Duetto "L'amerete?" - "L'amerò" (Anne-Marie Rodde, Carolyn Watkinson, Barbara Hendricks)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 26a. Aria “Dirà che amor per me” (Atalanta) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
recording of:
Serse, HWV 40: Atto II, no. 27. Duetto “L'amerete? L'amerò” (Serse, Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel5:19
6Serse, Act II: Aria "Se bramate d'amar chi vi sdegna" (Carolyn Watkinson)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 28. Aria “Se bramate d’amar chi vi sdegna” (Serse) (from 1979-03 until 1979-04)
part of:
Serse, HWV 40: Atto II
Handel6:28
7Serse, Act II: Recitativo accompagnato "L'amerò? Non fia vero" - Aria "E' gelosia quella tiranna" - Recitativo "Già ché il duol" (Barbara Hendricks, Ortrun Wenkel, U
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 29. Recitativo accompagnato “L'amerò? non fia vero” (Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
recording of:
Serse, HWV 40: Atto II, no. 30. Aria “È gelosia, quella tiranna“ (Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
recording of:
Serse, HWV 40: Atto II. Recitativo “Giàcché il duol non m'uccide” (Amastre, Elviro) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel4:27
8Serse, Act II: Aria "Anima infida, tradita io sono" - Recitativo "E' pazzo affè" (Ortrun Wenkel, Ulrich Studer, Paul Esswood)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Ulrich Studer (Swiss baritone) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 31. Aria “Anima infida, tradita io sono” (Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
recording of:
Serse, HWV 40: Atto II. Recitativo “E pazzo affe!” (Elviro, Arsamene) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel2:36
9Serse, Act II: Aria "Quella che tutta fè" (Paul Esswood)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 32. Aria “Quella che tutta fé” (Arsamene) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel3:12
10Serse, Act II: Coro "La virtute sol potea" - Recitativo "Ariodate?" (Chorus, Carolyn Watkinson, Ulrik Cold)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Ensemble Vocal Jean Bridier (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 33. Coro.“La virtute sol potea” (also reprise after recitativo) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel1:41
11Serse, Act II: Arioso "Per dar fine alla mia pena" - Recitativo "Arsamene, ove andate?" (Carolyn Watkinson, Paul Esswood)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 34. Arioso “Per dar fine alla mia pena” (Arsamene) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
recording of:
Serse, HWV 40: Atto II. Recitativo “Arsamene, ove andate?” (Serse, Arsamene) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel2:38
12Serse, Act II: Aria "Sì, la voglio e la otterrò" - Recitativo "V'inchino, eccelso Re" (Paul Esswood, Anne-Marie Rodde, Carolyn Watkinson)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 35. Aria “Sì la voglio, e la otterrò” (Arsamene) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
recording of:
Serse, HWV 40: Atto II. Recitativo “V'inchino, eccelso Rè” (Atalanta, Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel3:33
13Serse, Act II: Aria "Voi mi dite che non l'ami" - Recitativo "Saria lieve ogni doglia" (Anne-Marie Rodde, Carolyn Watkinson)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 36. Aria “Voi mi dite che non l'ami” (Atalanta) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
recording of:
Serse, HWV 40: Atto II. Recitativo “Saria lieve ogni doglia” (Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel2:21
14Serse, Act II: Aria "Il core spera e teme" (Carolyn Watkinson)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ensemble Vocal Jean Bridier (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 37. Aria “Il core spera e teme” (Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel4:46
15Serse, Act II: Recitativo "Me infelice" - Arietta "Del mio caro baco amabile" (Ulrich Studer)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrich Studer (Swiss baritone) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 38. Recitativo accompagnato “Me infelice!” (Elviro) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel2:32
16Serse, Act II: Duetto "Gran pena è gelosia" - Recitativo "Aspra sorte!" (Carolyn Watkinson, Ortrun Wenkel)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ensemble Vocal Jean Bridier (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
performer:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 40. Duetto “Gran pena è gelosia” (Serse, Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
recording of:
Serse, HWV 40: Atto II. Recitativo “Aspra sorte!” (Serse, Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel2:48
17Serse, Act II: Arietta "Val più contento core" - Recitativo "Vuò ch'abbian fine" (Carolyn Watkinson, Barbara Hendricks, Ortrun Wenkel)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 41. Arietta “Val più contento core” (Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
recording of:
Serse, HWV 40: Atto II. Recitativo “Vuò, ch'abbian fine” (Serse, Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel3:19
18Serse, Act II: Aria "Chi cede al furore di stelle rubelle" (Barbara Hendricks)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Barbara Hendricks (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto II, no. 42. Aria “Chi cede al furore” (Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
Handel3:01
3▼CD: CD 3
#TitleArtistRatingLength
1Serse, Act III: Sinfonia - Recitativo "Sono vani i pretesti" (Paul Esswood, Barbara Hendricks, Anne-Marie Rodde, Ulrich Studer)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 43. Sinfonia (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Sono vani e pretesti” (Arsamene, Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel5:14
2Serse, Act III: Arietta "No, no, se tu mi sprezzi" - Recitativo "Ecco in segno di fé" (Anne-Marie Rodde, Barbara Hendricks, Ulrich Studer, Paul Esswood, Carolyn Watkinson)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04), Ulrich Studer (Swiss baritone) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 44. Arietta “No, no, se tu mi sprezzi” (Atalanta) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Ecco in segno di fé” (Romilda, Elviro, Arsamene, Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel2:21
3Serse, Act III: Aria "Per rendermi beato" - Recitativo "Ubbidirò al mio Re?" (Carolyn Watkinson, Paul Esswood, Barbara Hendricks)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 45. Aria “Per rendermi beato” (Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel5:01
4Serse, Act III: Aria "Amor, tiranno Amor" - Recitativo "Come già vi accennammo" (Paul Esswood, Carolyn Watkinson, Ulrik Cold)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Paul Esswood (countertenor) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 46. Aria “Amor, tiranno Amor” (Arsamene) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Come già vi accennammo” (Serse, Ariodate) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel5:52
5Serse, Act III: Aria "Del Ciel d'amore sorte sì bella" - Recitativo "Il suo serto rifiuto" (Ulrik Cold, Barbara Hendricks, Carolyn Watkinson, Ortrun Wenkel)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 47. Aria “Del ciel d'amore sorte sì bella” (Ariodate) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Il suo serto rifuto” (Romilda) / Recitativo “Fermatevi mia sposa e mia regina” (Serse, Romilda) / Recitativo “Prode guerrier” (Romilda, Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel6:22
6Serse, Act III: Aria "Cagion son io del mio dolore" - Recitativo "Romilda infida" (Ortrun Wenkel, Paul Esswood, Barbara Hendricks)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 48. Aria “Cagion son io del mio dolore” (Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Romilda infida” (Arsamene, Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel2:47
7Serse, Act III: Duetto "Troppo oltraggi la mia fede" (Barbara Hendricks, Paul Esswood)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 49. Duetto “Troppo oltraggi la mia fede” / “Troppo inganni la mia fede” (Romilda, Arsamene) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel3:51
8Serse, Act III: Coro "Ciò che Giove destinò" - Recitativo "Ecco lo sposo" (Chorus, Ulrik Cold, Paul Esswood, Barbara Hendricks, Carolyn Watkinson)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Ensemble Vocal Jean Bridier (from 1979-03 until 1979-04), Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 50a. Coro “Ciò che Giove destinò” (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Ecco lo sposo” (Ariodate, Arsamene, Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel5:22
9Serse, Act III: Aria "Crude furie degl'orridi abissi" - Recitativo "Perfidi! E ancor" (Carolyn Watkinson, All)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Ensemble Vocal Jean Bridier (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 51. Aria “Crude furie degli orridi abissi” (Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Perfidi, e ancora osate” (Serse, Ariodate, Arsamene, Romilda, Amastre, Elviro, Atalanta) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel6:17
10Serse, Act III: Aria "Caro voi siete all'alma" (Barbara Hendricks)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Barbara Hendricks (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 52. Aria “Caro voi siete all'alma” (Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel2:04
11Serse, Act III: Coro "Ritorna a noi la calma" (Chorus, All)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Ensemble Vocal Jean Bridier (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04), Ulrich Studer (Swiss baritone) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III. Coro “Ritorno a noi la calma” (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel1:39