The Miraculous Mandarin / Four Orchestral Pieces / Three Village Scenes

~ Release by Bartók; New York Philharmonic, Pierre Boulez (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
14 Orchestral Pieces, op. 12 (Sz. 51): I. Preludio
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: I. Preludio: Moderato (on 1977-02-07)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1921)
composer:
Bartók Béla (Béla Bartók, composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók7:46
24 Orchestral Pieces, op. 12 (Sz. 51): II. Scherzo
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: II. Scherzo: Allegro (on 1977-02-07)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1921)
composer:
Bartók Béla (Béla Bartók, composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók6:01
34 Orchestral Pieces, op. 12 (Sz. 51): III. Intermezzo
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: III. Intermezzo: Moderato (on 1977-02-07)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1921)
composer:
Bartók Béla (Béla Bartók, composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók4:27
44 Orchestral Pieces, op. 12 (Sz. 51): IV. Marcia funebre
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: IV. Marcia funebre: Maestoso (on 1977-02-07)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1921)
composer:
Bartók Béla (Béla Bartók, composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók4:48
53 Village Scenes (Sz. 79): I. Wedding
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
choir vocals:
Camerata Singers (on 1977-02-07)
contralto vocals:
Joan Fuerstman (on 1977-02-07)
mezzo-soprano vocals:
Lois Winter (on 1977-02-07)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Three Village Scenes, Sz. 79, BB 87b: No. 1. Lakodalom (on 1977-02-07)
composer:
Bartók Béla (Béla Bartók, composer) (in 1926)
translator:
Viktor Géza Lányi
part of:
Three Village Scenes, Sz. 79, BB 87b (for a small choir of four to eight female voices and orchestra)
Béla Bartók3:55
63 Village Scenes (Sz. 79): II. Lullaby
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
contralto vocals:
Joan Fuerstman (on 1977-02-07)
mezzo-soprano vocals:
Lois Winter (on 1977-02-07)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Three Village Scenes, Sz. 79, BB 87b: No. 2. Bölcsődal (on 1977-02-07)
composer:
Bartók Béla (Béla Bartók, composer) (in 1926)
translator:
Viktor Géza Lányi
part of:
Three Village Scenes, Sz. 79, BB 87b (for a small choir of four to eight female voices and orchestra)
Béla Bartók4:50
73 Village Scenes (Sz. 79): III. Lad’s Dance
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
choir vocals:
Camerata Singers (on 1977-02-07)
contralto vocals:
Joan Fuerstman (on 1977-02-07)
mezzo-soprano vocals:
Lois Winter (on 1977-02-07)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Three Village Scenes, Sz. 79, BB 87b: No. 3. Legénytánc (on 1977-02-07)
composer:
Bartók Béla (Béla Bartók, composer) (in 1926)
translator:
Viktor Géza Lányi
part of:
Three Village Scenes, Sz. 79, BB 87b (for a small choir of four to eight female voices and orchestra)
Béla Bartók2:50
8The Miraculous Mandarin, op. 19 (Sz. 73): I. Prelude
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:18
9The Miraculous Mandarin, op. 19 (Sz. 73): II. The curtain rises
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:39
10The Miraculous Mandarin, op. 19 (Sz. 73): III. First seduction game
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:44
11The Miraculous Mandarin, op. 19 (Sz. 73): IV. Second seduction game
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:04
12The Miraculous Mandarin, op. 19 (Sz. 73): V. Third seduction game
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:25
13The Miraculous Mandarin, op. 19 (Sz. 73): VI. General consternation…
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:14
14The Miraculous Mandarin, op. 19 (Sz. 73): VII. The girl is undecided…
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók4:33
15The Miraculous Mandarin, op. 19 (Sz. 73): VIII. The girl sinks down…
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:29
16The Miraculous Mandarin, op. 19 (Sz. 73): IX. The tramps leap out…
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:05
17The Miraculous Mandarin, op. 19 (Sz. 73): X. Suddenly the Mandarin’s head appears
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:00
18The Miraculous Mandarin, op. 19 (Sz. 73): XI. The terrified tramps…
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:21
19The Miraculous Mandarin, op. 19 (Sz. 73): XII. The lamp falls to the floor…
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók4:10

Credits

Release

manufactured in:Austria
printed in:Holland, Kingdom of the Netherlands
engineer:Charles Harbutt (sound engineer and reissue producer)
producer:Andrew Kazdin (American record producer)
illustration:E. Ross (illustrator, for cover paintings)
design:C.C. Garbers
B. Kruck (graphic designer)
copyrighted (©) by:Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1991)
phonographic copyright (℗) by:Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
Discogs:https://www.discogs.com/release/9218802 [info]
ASIN:DE: B0000262EL [info]
Allmusic:https://www.allmusic.com/album/release/mr0002125663 [info]